UPC · Release
Wolfgang Amadeus Mozart
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4011222225160 is the Universal Product Code (UPC barcode) for the release “Sinfonien & Serenaden & Konzerte” by Wolfgang Amadeus Mozart, released 2005-01-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 23 tracks, each with its own ISRC. Tracks include GBAYC9900499, GBAYC9900501, GBAYC9900502.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 4-1 | Die Zauberflöte: Ouvertüre | Wiener Philharmoniker, Herbert von Karajan | T9035297699 | |
| 4-2 | Die Zauberflöte: Act I. “Der Vogelfänger bin ich ja” (Papageno) | Erich Kunz, Wiener Philharmoniker, Herbert von Karajan | — | |
| 4-3 | Die Zauberflöte: Akt I. No. 3 Arie „Dies Bildnis ist bezaubernd schön“ (Tamino) | Anton Dermota, Wiener Philharmoniker, Herbert von Karajan | — | |
| 4-4 | Die Zauberflöte: Act I. "Bei Männern, welche Liebe fühlen" (Pamina, Papageno) | Irmgard Seefried, Erich Kunz, Wiener Philharmoniker, Herbert von Karajan | — | |
| 4-5 | Die Zauberflöte: Act II. "O Isis und Osiris" (Sarastro, Priests) | Erich Majkut, Harald Pröglhöf, Ludwig Weber, Wiener Philharmoniker, Herbert von Karajan | — | |
| 4-6 | Die Zauberflöte, K. 620: Act II, Scene VIII. No. 14 Aria "Der Hölle Rache kocht in meinem Herzen" (Die Königin der Nacht) | Wilma Lipp, Wiener Philharmoniker, Herbert von Karajan | — | |
| 4-7 | Die Zauberflöte: Act II. "Ach, ich fühl's" (Pamina) | Irmgard Seefried, Wiener Philharmoniker, Herbert von Karajan | — | |
| 4-8 | Die Zauberflöte: Act II. "Ein Mädchen oder Weibchen" (Papageno) | Erich Kunz, Wiener Philharmoniker, Herbert von Karajan | — | |
| 4-9 | Die Zauberflöte: Akt II. “Pa‐pa‐gena! Pa‐pa‐geno!” (Papageno, Papagena) | Erich Kunz, Emmy Loose, Wiener Philharmoniker, Herbert von Karajan | — | |
| 4-10 | Don Giovanni KV 527 (Oper in 2 Akten) (Auszüge): Là ci darem la mano | — | ||
| 4-11 | Don Giovanni KV 527 (Oper in 2 Akten) (Auszüge): Ah, fuggi il traditor | — | ||
| 4-12 | Don Giovanni KV 527 (Oper in 2 Akten) (Auszüge): Or sai che l'onore | — | ||
| 4-13 | Don Giovanni KV 527 (Oper in 2 Akten) (Auszüge): Dalla sua pace | — | ||
| 4-14 | Don Giovanni KV 527 (Oper in 2 Akten) (Auszüge): Fin ch'han dal vino | — | ||
| 4-15 | Don Giovanni KV 527 (Oper in 2 Akten) (Auszüge): Batti, batti o bel Masetto | — | ||
| 4-16 | Don Giovanni KV 527 (Oper in 2 Akten) (Auszüge): Deh! Vieni alla finestra (2. Akt) | — | ||
| 4-17 | Don Giovanni KV 527 (Oper in 2 Akten) (Auszüge): Il mio tesoro intanto | — | ||
| 4-18 | Don Giovanni KV 527 (Oper in 2 Akten) (Auszüge): Mi tradì quell'alma ingrata | — | ||
| 4-19 | Don Giovanni KV 527 (Oper in 2 Akten) (Auszüge): Non mi dir bell'idol mio | — | ||
| 4-20 | Don Giovanni KV 527 (Oper in 2 Akten) (Auszüge): Don Giovanni, a cenat teco | — | ||
| 4-21 | Don Giovanni KV 527 (Oper in 2 Akten) (Auszüge): Non si pasce | — | ||
| 4-22 | Don Giovanni KV 527 (Oper in 2 Akten) (Auszüge): Or che tutti | — | ||
| 4-23 | Don Giovanni KV 527 (Oper in 2 Akten) (Auszüge): Questo è il fin di chi fa mal | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Piano Concerto no. 20 in D minor, K. 466: I. Allegro | Clara Haskil, Orchester Musikkollegium Winterthur, Henry Swoboda | T-011422353-8 |
| Piano Concerto no. 20 in D minor, K. 466: II. Romance | Clara Haskil, Orchester Musikkollegium Winterthur, Henry Swoboda | — |
| Piano Concerto no. 20 in D minor, K. 466: III. Allegro assai | Clara Haskil, Orchester Musikkollegium Winterthur, Henry Swoboda | T3063957864 |
Musical Works (ISWC)
Identifier Graph
4011222225160 is a Universal Product Code (UPC) assigned to Sinfonien & Serenaden & Konzerte by Wolfgang Amadeus Mozart. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 23 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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