UPC · Release
Peter Illyitch Tchaikovsky: A Portrait
Peter Illyitch Tchaikovky
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4011222318831 is the Universal Product Code (UPC barcode) for the release “Peter Illyitch Tchaikovsky: A Portrait” by Peter Illyitch Tchaikovky, released 2008-01-01 on Documents. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 74 tracks, each with its own ISRC. Tracks include GBAYC0600796, GBAYC9100772, GBAYC9100773.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (74)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Symphony no. 3 in D major, op. 29: I. Introduzione e Allegro - Moderate assai -Tempo di marcia funebre - Allegro brillante | — | ||
| 2 | Symphony no. 3 in D major, op. 29: II. Alia tedesca: Allegro moderate | — | ||
| 3 | Symphony no. 3 in D major, op. 29: III. Andante elegiaco | — | ||
| 4 | Symphony no. 3 in D major, op. 29: IV. Scherzo: Allegro vivo DO | — | ||
| 5 | Symphony no. 3 in D major, op. 29: V. Finale: Allegro con fuoco - Tempo di polacca | — | ||
| 6 | Song Without Words, op. 40/6 | — | ||
| 7 | Again, As Before, Alone, op. 73/6 | — | ||
| 2-1 | Symphony no. 4 in F minor, op. 36: I. Andante sostenuto - Moderate con anima | — | ||
| 2-2 | Symphony no. 4 in F minor, op. 36: II. Andantino in modo di canzone | — | ||
| 2-3 | Symphony no. 4 in F minor, op. 36: III. Scherzo - Pizzicato ostinato - Allegro | — | ||
| 2-4 | Symphony no. 4 in F minor, op. 36: IV. Finale - Allegro con fuoco | — | ||
| 2-5 | Festival Overture “1812”, op. 49 | — | ||
| 3-1 | Symphony no. 5 in E minor, op. 64: I. Andante - Allegro con anima | — | ||
| 3-2 | Symphony no. 5 in E minor, op. 64: II. Andante cantabile con alcuna licenza | — | ||
| 3-3 | Symphony no. 5 in E minor, op. 64: III. Valse - Allegro moderato | — | ||
| 3-4 | Symphony no. 5 in E minor, op. 64: IV. Finale - Andante maestoso. Allegro vivace | — | ||
| 4-1 | Symphony no. 6 in B minor, op. 74 “Pathétique”: I. Adagio - Allegro non troppo | — | ||
| 4-2 | Symphony no. 6 in B minor, op. 74 “Pathétique”: II. Allegro con grazia | — | ||
| 4-3 | Symphony no. 6 in B minor, op. 74 “Pathétique”: III. Allegro molto vivace | — | ||
| 4-4 | Symphony no. 6 in B minor, op. 74 “Pathétique”: IV. Finale - Adagio lamentoso | — | ||
| 4-5 | Slavonic March in B flat minor | — | ||
| 5-1 | The Nutcracker: Concert Suite, op. 71A: I. Miniature Overture | — | ||
| 5-2 | The Nutcracker: Concert Suite, op. 71A: II. Character Dances: a. March | — | ||
| 5-3 | The Nutcracker: Concert Suite, op. 71A: II. Character Dances: b. Dance Of The Sugar-Plum Fairy | — | ||
| 5-4 | The Nutcracker: Concert Suite, op. 71A: II. Character Dances: c. Russian Dance | — | ||
| 5-5 | The Nutcracker: Concert Suite, op. 71A: II. Character Dances: d. Arabian Dance | — | ||
| 5-6 | The Nutcracker: Concert Suite, op. 71A: II. Character Dances: e. Chinese Dance | — | ||
| 5-7 | The Nutcracker: Concert Suite, op. 71A: II. Character Dances: f. Dance Of The Reed Pipes | — | ||
| 5-8 | The Nutcracker: Concert Suite, op. 71A: III.Waltz Of The Flowers | — | ||
| 5-9 | Fantasy Overture 'Romeo And Juliet', op. 77 | — | ||
| 5-10 | Capriccio Italien in A major, op. 45 | — | ||
| 6-1 | Serenade for strings in C major, op. 48: I. Pezzo in forma di Sonatine | — | ||
| 6-2 | Serenade for strings in C major, op. 48: II. Valse | — | ||
| 6-3 | Serenade for strings in C major, op. 48: III. Elegia | — | ||
| 6-4 | Serenade for strings in C major, op. 48: IV. Finale: Tempo russo | — | ||
| 6-5 | Piano Concerto no. 2 in G major, op. 44: I. Allegro brillante e molto vivace | — | ||
| 6-6 | Piano Concerto no. 2 in G major, op. 44: II. Andante non troppo | — | ||
| 6-7 | Piano Concerto no. 2 in G major, op. 44: III. Allegro non fuocco | — | ||
| 7-1 | Piano Concerto no. 1 in B flat minor, op. 23: I. Allegro Non Troppo E Molto Maestoso. Allegro Con Spirito | — | ||
| 7-2 | Piano Concerto no. 1 in B flat minor, op. 23: II. Andantino semplice - Prestissimo | — | ||
| 7-3 | Piano Concerto no. 1 in B flat minor, op. 23: III. Allegro con fuoco | — | ||
| 7-4 | Violin Concerto in D major, op. 35: I. Allegro moderato | Jascha Heifetz, London Philharmonic Orchestra, Sir John Barbirolli | — | |
| 7-5 | Violin Concerto in D major, op. 35: II. Canzonetta: Andante | Jascha Heifetz, London Philharmonic Orchestra, Sir John Barbirolli | — | |
| 7-6 | Violin Concerto in D major, op. 35: III. Finale: Allegro vivacissimo | Jascha Heifetz, London Philharmonic Orchestra, Sir John Barbirolli | — | |
| 8-1 | Piano Trio in A minor, op. 50: I. Pezzo elegiaco: Moderato assai | — | ||
| 8-2 | Piano Trio in A minor, op. 50: IIa. Tema con variazioni: Andante con moto - IIb. Variazoni finale e coda: Allegro risolutl e con fuoco. Andante con moto | — | ||
| 8-3 | Variations on a Rococo Theme for Cello in A major, op. 33: I. Introduction | — | ||
| 8-4 | Variations on a Rococo Theme for Cello in A major, op. 33: II. Theme | — | ||
| 8-5 | Variations on a Rococo Theme for Cello in A major, op. 33: III. Variations | — | ||
| 9-1 | Eugen Onegin: Introduction | — | ||
| 9-2 | Eugen Onegin, Act 1, Scene 1: Duet and Quartet | — | ||
| 9-3 | Eugen Onegin, Act 1, Scene 1: Chorus and Dance of the Reapers | — | ||
| 9-4 | Eugen Onegin, Act 1, Scene 1: Scene and Olga's Aria | — | ||
| 9-5 | Eugen Onegin, Act 1, Scene 1: Scene | — | ||
| 9-6 | Eugen Onegin, Act 1, Scene 1: Scene and Quartet | — | ||
| 9-7 | Eugen Onegin, Act 1, Scene 1: Scene and Lenski's Arioso | — | ||
| 9-8 | Eugen Onegin, Act 1, Scene 1: Finale | — | ||
| 9-9 | Eugen Onegin, Act 1, Scene 2: Introduction and Scene | — | ||
| 9-10 | Eugen Onegin, Act 1, Scene 2: Letter Scene | — | ||
| 9-11 | Eugen Onegin, Act 1, Scene 2: Scene and Duet | — | ||
| 9-12 | Eugen Onegin, Act 1, Scene 3: Chorus of the Girls | — | ||
| 9-13 | Eugen Onegin, Act 1, Scene 3: Scene and Onegin's Aria | — | ||
| 10-1 | Eugen Onegin, Act 2, Scene 1: Entr'acte and Waltz with Chorus | — | ||
| 10-2 | Eugen Onegin, Act 2, Scene 1: Scene and Triquets Couplets | — | ||
| 10-3 | Eugen Onegin, Act 2, Scene 1: Marzurka and Scene | — | ||
| 10-4 | Eugen Onegin, Act 2, Scene 1: Finale | — | ||
| 10-5 | Eugen Onegin, Act 2, Scene 2: Introduction and Scene | — | ||
| 10-6 | Eugen Onegin, Act 2, Scene 2: Lenski's Aria | — | ||
| 10-7 | Eugen Onegin, Act 2, Scene 2: Duel Scene | — | ||
| 10-8 | Eugen Onegin, Act 3, Scene 1: Polonaise | — | ||
| 10-9 | Eugen Onegin, Act 3, Scene 1: Scene | — | ||
| 10-10 | Eugen Onegin, Act 3, Scene 1: Gremin's Aria | — | ||
| 10-11 | Eugen Onegin, Act 3, Scene 2: Scene and Onegin's Aria | — | ||
| 10-12 | Eugen Onegin, Act 3, Scene 2: Finale | — |
Additional database matches (4)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Violin Concerto in D major, op. 35: I. Allegro moderato | Jascha Heifetz, London Philharmonic Orchestra, Sir John Barbirolli | — |
| Violin Concerto in D major, op. 35: I. Allegro moderato | Jascha Heifetz, London Philharmonic Orchestra, Sir John Barbirolli | — |
| Violin Concerto in D major, op. 35: II. Canzonetta: Andante | Jascha Heifetz, London Philharmonic Orchestra, Sir John Barbirolli | — |
| Violin Concerto in D major, op. 35: III. Finale: Allegro vivacissimo | Jascha Heifetz, London Philharmonic Orchestra, Sir John Barbirolli | — |
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What is UPC 4011222318831?
4011222318831 is a Universal Product Code (UPC) assigned to Peter Illyitch Tchaikovsky: A Portrait by Peter Illyitch Tchaikovky. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 74 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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