UPC · Release
Out of the Blue
Miles Davis
Last verified:
4011222325440 is the Universal Product Code (UPC barcode) for the release “Out of the Blue” by Miles Davis, released 2008-01-01 on The Intense Media. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 156 tracks, each with its own ISRC. Tracks include GBBLY2000307, FR8X00900717, JPCO04800040.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (156)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Billieʼs Bounce | — | ||
| 2 | Nowʼs the Time | — | ||
| 3 | Thriving on a Riff | — | ||
| 4 | Moose the Mooche | — | ||
| 5 | Yardbird Suite | Charlie Parker Septet | — | |
| 6 | Ornithology | — | ||
| 7 | Night in Tunisia | — | ||
| 8 | Oo Bop Shʼ Bam Walter | — | ||
| 9 | I Love the Loveliness of You | — | ||
| 10 | Jelly Jelly | — | ||
| 11 | For Europeans Only | — | ||
| 12 | Big Dog | — | ||
| 13 | You Left Me All Alone | — | ||
| 14 | Jivin' With Jack the Bellboy | — | ||
| 15 | Donna Lee | — | ||
| 16 | Chasin' The Bird | — | ||
| 17 | Cheryl | — | ||
| 18 | Buzzy | — | ||
| 19 | Bean-A-Re-Bop | — | ||
| 20 | Isn't lt Romantic? | — | ||
| 2-1 | The Way You Look Tonight | — | ||
| 2-2 | Phantomesque | — | ||
| 2-3 | Milestones | — | ||
| 2-4 | Little Willie Leaps | — | ||
| 2-5 | Half Nelson | — | ||
| 2-6 | Sippin' at Bells | — | ||
| 2-7 | Dexterity | — | ||
| 2-8 | Bongo Bop | — | ||
| 2-9 | Dewey Square | — | ||
| 2-10 | The Hymn | — | ||
| 2-11 | Bird of Paradise | — | ||
| 2-12 | Embraceable You | — | ||
| 2-13 | Bird Feathers | — | ||
| 2-14 | Klactoveedsedstene | — | ||
| 2-15 | Scrapple From the Apple | — | ||
| 2-16 | My Old Flame | Miles Davis | T-070.111.260-8 | |
| 2-17 | Out Of Nowhere | — | ||
| 2-18 | Don't Blame Me | — | ||
| 2-19 | Drifting on a Reed | — | ||
| 2-20 | Quasimodo Lorenz | — | ||
| 2-21 | Charlie's wig | — | ||
| 3-1 | Bongo Beep | — | ||
| 3-2 | Crazeology | — | ||
| 3-3 | How Deep Is the Ocean? | — | ||
| 3-4 | Another Hair Do | Charlie Parker | T-902.934.221-0 | |
| 3-6 | Klaunstance | Charlie Parker | — | |
| 3-7 | Bird Gets the Worm | — | ||
| 3-8 | Godchild | — | ||
| 3-9 | S’Il vous plaît | The Miles Davis Nonet | T-070.951.136-3 | |
| 3-10 | Moon Dreams | — | ||
| 3-11 | Hallucinations (aka Budo) | — | ||
| 3-12 | Why Do I Love You? | — | ||
| 3-13 | Move (Mood) | — | ||
| 3-14 | Moon Dreams | — | ||
| 3-15 | Hallucinations (Budo) | — | ||
| 3-16 | Darn That Dream | — | ||
| 3-17 | Barbados | — | ||
| 3-18 | Ah-Leu-Cha | — | ||
| 3-19 | Constellation | — | ||
| 3-20 | Perhaps | — | ||
| 4-1 | Marmaduke | — | ||
| 4-2 | Steeplechase | — | ||
| 4-3 | Merry-Go-Round | — | ||
| 4-4 | 52nd Street Theme | — | ||
| 4-5 | Half Nelson | — | ||
| 4-6 | You Got to My Head | — | ||
| 4-7 | Chasin' The Bird | — | ||
| 4-8 | Jeru | — | ||
| 4-9 | Move | — | ||
| 4-10 | Godchild | — | ||
| 4-11 | Budo | — | ||
| 4-12 | Venus De Milo | — | ||
| 4-13 | Rouge | — | ||
| 4-14 | Boplicity | Miles Davis | T-070.233.104-1 | |
| 4-15 | lsrael | — | ||
| 4-16 | Deception | — | ||
| 4-17 | Rocker | — | ||
| 4-18 | Moon Dreams | — | ||
| 4-19 | Darn That Dream | — | ||
| 5-1 | lt Might As Well Be Spring | — | ||
| 5-2 | Ain’t Misbehavin’ | Sarah Vaughan | T-071.056.299-4 | |
| 5-3 | Goodnight My Love | — | ||
| 5-4 | Nice Work If You Can Get It | Sarah Vaughan | T-010.433.838-6 | |
| 5-5 | Mean to Me | Sarah Vaughan | T-070.108.794-6 | |
| 5-6 | Come Rain or Come Shine | — | ||
| 5-7 | Down | — | ||
| 5-8 | Blue Room (alt. Take) | — | ||
| 5-9 | Blue Room (MT) | — | ||
| 5-10 | Whispering | Miles Davis | T-914.779.813-8 | |
| 5-11 | I Know | Sonny Rollins Quartet | T-903.509.131-7 | |
| 5-12 | Au Privave | — | ||
| 5-13 | She Rote | — | ||
| 5-14 | K.C. Blues | Charlie Parker, Miles Davis | T-070.939.673-5 | |
| 5-15 | Star Eyes | — | ||
| 5-16 | Odjenar | — | ||
| 5-17 | Ezz-Thetic | — | ||
| 5-18 | Hibeck | — | ||
| 5-19 | Yesterdays | — | ||
| 5-20 | Half Nelson (two) | — | ||
| 6-1 | Move (Mod) | — | ||
| 6-2 | The Squirrel | — | ||
| 6-3 | Conception | — | ||
| 6-4 | Out of the Blue | Miles Davis | T-072.896.427-9 | |
| 6-5 | Denial | — | ||
| 6-6 | Bluing | Miles Davis | T-072.896.421-3 | |
| 6-7 | My Old Flame | Miles Davis | T-070.111.260-8 | |
| 6-8 | Donna | — | ||
| 6-9 | Woody'n You (alt. Take) | — | ||
| 6-10 | ’Round Midnight | Miles Davis | T-070.002.363-7 | |
| 7-1 | Ray's ldea (alt. Take) | — | ||
| 7-2 | Tempus Fugit (alt. Take) | — | ||
| 7-3 | C.T.A. (alt. Take) | — | ||
| 7-4 | I Waited For You | — | ||
| 7-5 | Miles Ahead | Miles Davis Quartet | — | |
| 7-6 | When Lights Are Low | Miles Davis Quartet | — | |
| 7-7 | Four | Miles Davis Quartet | T-070.234.116-9 | |
| 7-8 | Blue Haze | Miles Davis Quartet | — | |
| 7-9 | You Don’t Know What Love Is | Miles Davis All Stars | T-010.838.393-2 | |
| 7-10 | But Not for Me (take 1) | Miles Davis | T-010.433.984-5 | |
| 7-11 | Bags’ Groove (take 1) | Miles Davis | T-700.001.375-4 | |
| 7-12 | The Man I Love | — | ||
| 8-1 | I Didn't | — | ||
| 8-2 | Will You Still Be Mine? | — | ||
| 8-3 | | See Your Face Before | — | ||
| 8-4 | A Night ln Tunisia | — | ||
| 8-5 | A Gal ln Calico | — | ||
| 8-6 | There's No You | — | ||
| 8-7 | Alone Together | — | ||
| 8-8 | Bitty Ditty | Miles Davis, Milt Jackson | T-904.881.718-1 | |
| 8-9 | Minor March | — | ||
| 9-1 | Changes | — | ||
| 9-2 | Stablemates | Miles Davis Quintet | T-924.762.194-9 | |
| 9-3 | How Am I to Know? | Miles Davis Quintet | T-071.596.748-8 | |
| 9-4 | Bye Bye (theme) | — | ||
| 9-5 | S’posin’ | Miles Davis Quintet | T-070.137.360-5 | |
| 9-6 | Diane | — | ||
| 9-7 | It Could Happen to You | Miles Davis Quintet | T-070.907.037-0 | |
| 9-8 | The Theme (take 1) | Miles Davis Quintet | — | |
| 9-9 | The Theme (Take 2) | Miles Davis Quintet | — | |
| 9-10 | Dear Old Stockholm | Miles Davis Quintet | T-900.312.305-5 | |
| 9-11 | Bye Bye Blackbird | Miles Davis Quintet | T-070.013.021-7 | |
| 9-12 | Tadd’s Delight | Miles Davis Quintet | — | |
| 10-1 | ’Round About Midnight | Miles Davis Quintet | T-070.002.363-7 | |
| 10-2 | Airegin | Miles Davis Quintet | T-070.231.876-0 | |
| 10-3 | Tune Up/When the Lights Are Low | — | ||
| 10-4 | Blues by Five | Miles Davis Quintet | — | |
| 10-5 | The Maids of Cadiz | Miles Davis + 19, Gil Evans | — | |
| 10-6 | The Duke | Miles Davis + 19 | T-070.044.848-1 | |
| 10-7 | My Ship | Miles Davis + 19, Gil Evans | T-070.111.363-4 | |
| 10-8 | Miles Ahead | — | ||
| 10-9 | New Rhumba | — | ||
| 10-10 | Blues for Pablo | Miles Davis + 19, Gil Evans | — | |
| 10-11 | Springsville (master) | Miles Davis + 19 | — | |
| 10-12 | I Don’t Wanna Be Kissed (by Anyone but You) | Miles Davis | T-070.902.727-9 | |
| 10-13 | The Meaning of the Blues | Miles Davis + 19, Gil Evans | T-070.914.155-8 | |
| 10-14 | Lament (master) | Miles Davis + 19 | — |
Additional database matches (10)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| When Lights Are Low | Miles Davis Quartet | — |
| Blue Haze | Miles Davis Quartet | T-906.447.724-3 |
| When Lights Are Low | Miles Davis Quartet | — |
| Bluebird | Charlie Parker | — |
| Yardbird Suite | Charlie Parker Septet | T-309.017.688-4 |
| Another Hair Do | Charlie Parker | — |
| Bluebird | Charlie Parker | T-902.934.221-0 |
| Klaunstance | Charlie Parker | — |
| Tadd’s Delight | Miles Davis Quintet | T-070.159.751-4 |
| Lament (master) | Miles Davis + 19 | — |
What other identifiers does this connect to?
Musical Works (ISWC)
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What is UPC 4011222325440?
4011222325440 is a Universal Product Code (UPC) assigned to Out of the Blue by Miles Davis. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 156 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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