UPC · Release
Portrait: Symphonies 3–5 / Violin Concertos / Songs Without Words / Elijah / a.m.o.
Felix Mendelssohn Bartholdy
4011222327802
135 tracksReleased 2009-01-01Documents
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4011222327802 is the Universal Product Code (UPC barcode) for the release “Portrait: Symphonies 3–5 / Violin Concertos / Songs Without Words / Elijah / a.m.o.” by Felix Mendelssohn Bartholdy, released 2009-01-01 on Documents. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 135 tracks, each with its own ISRC. Tracks include DEU240500125, DEU240500126, DEU240500127.
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Credit Chain
UPCPortrait: Symphonies 3–5 / Violin Concertos / Songs Without Words / Elijah / a.m.o.
ISRC21 recordings
ISWC5 works
IPI1 songwriter
Track List (135)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Violin Concerto in D minor, without op.: I. Allegro molto | — | ||
| 2 | Violin Concerto in D minor, without op.: II. Andante non troppo | — | ||
| 3 | Violin Concerto in D minor, without op.: III. Allegro | — | ||
| 4 | Violin Concerto in E minor, op. 64: I. Allegro molto appassionato | — | ||
| 5 | Violin Concerto in E minor, op. 64: II. Andante | — | ||
| 6 | Violin Concerto in E minor, op. 64: III. Allegretto non troppo, allegro molto vivace | — | ||
| 2-1 | Piano Concerto no. 1 in G minor, op. 25: I. Molto allegro con fuoco | — | ||
| 2-2 | Piano Concerto no. 1 in G minor, op. 25: II. Andante | — | ||
| 2-3 | Piano Concerto no. 1 in G minor, op. 25: III. Presto, molto allegro e vivace | — | ||
| 2-4 | Symphony no. 3 in A minor, op. 56 “Scottish”: I. Andante con moto - Allegro un poco agitato - Assai animato - Andante como prima | Royal Philharmonic Orchestra, Stefan Sanderling | — | |
| 2-5 | Symphony no. 3 in A minor, op. 56 “Scottish”: II. Vivace non troppo | Royal Philharmonic Orchestra, Stefan Sanderling | — | |
| 2-6 | Symphony no. 3 in A minor, op. 56 “Scottish”: III. Adagio | Royal Philharmonic Orchestra, Stefan Sanderling | — | |
| 2-7 | Symphony no. 3 in A minor, op. 56 “Scottish”: IV. Allegro vivacissimo | Royal Philharmonic Orchestra, Stefan Sanderling | — | |
| 3-1 | SYMPHONY NO 4 IN A MAJOR OP 90 ITALIAN I ALLEGRO VIVACE | Boston Symphony Orchestra, Charles Munch | T-928.635.625-0 | |
| 3-2 | II. ANDANTE CON MOTO | Boston Symphony Orchestra, Charles Munch | T-303.792.628-2 | |
| 3-3 | Symphony no. 4 in A "Italian": Con moto moderato | Boston Symphony Orchestra, Charles Munch | — | |
| 3-4 | SYMPHONY NO 4 IN A MAJOR OP 90 ITALIAN IV SALTARELLO PRESTO | Boston Symphony Orchestra, Charles Munch | T-308.451.891-8 | |
| 3-5 | I. ANDANTE - ALLEGRO CON FUOCO | Boston Symphony Orchestra, Charles Munch | — | |
| 3-6 | """SYMPHONY NO. 5 IN D MINOR, OP. 107 """"REFORMATION"""": II. ALLEGRO VIVACE""" | Boston Symphony Orchestra, Charles Munch | — | |
| 3-7 | "SYMPHONY NO. 5 IN D MINOR, OP. 107 ""REFORMATION"": III. ANDANTE" | Boston Symphony Orchestra, Charles Munch | T-902.876.200-7 | |
| 3-8 | Symphony no. 5 in D major, op. 107 “Reformation”: IV. Chorale. Andante con moto – Allegro vivace “Ein’ feste Burg ist unser Gott” | Boston Symphony Orchestra, Charles Munch | — | |
| 4-1 | Ein Sommernachtstraum: Ouvertüre, op. 21. Allegro di molto | Berliner Philharmoniker, Ferenc Fricsay | — | |
| 4-2 | Ein Sommernachtstraum: Zwischenaktmusik, op. 61: 1. Scherzo. Allegro vivace | Berliner Philharmoniker, Ferenc Fricsay | — | |
| 4-3 | Ein Sommernachtstraum: Zwischenaktmusik, op. 61: 2. L'istesso tempo. [Elfenmarsch.] Allegro vivace | Berliner Philharmoniker, Ferenc Fricsay | — | |
| 4-4 | Ein Sommernachtstraum: Zwischenaktmusik, op. 61: 3. Lied mit Chor: »Bunte Schlangen, zweigezüngt« | Rita Streich, Diana Eustrati, RIAS-Kammerchor, Berliner Philharmoniker, Ferenc Fricsay | — | |
| 4-5 | Ein Sommernachtstraum: Zwischenaktmusik, op. 61: 5. [Intermezzo.] Allegro appassionato | Berliner Philharmoniker, Ferenc Fricsay | — | |
| 4-6 | Ein Sommernachtstraum: Zwischenaktmusik, op. 61: 7. [Nocturne.] Con moto tranquillo | Berliner Philharmoniker, Ferenc Fricsay | — | |
| 4-7 | Ein Sommernachtstraum: Zwischenaktmusik, op. 61: 9. Hochzeitsmarsch. Allegro vivace | Berliner Philharmoniker, Ferenc Fricsay | — | |
| 4-8 | Ein Sommernachtstraum: Zwischenaktmusik, op. 61: 11. Ein Tanz von Rüpeln. Allegro di molto | Berliner Philharmoniker, Ferenc Fricsay | T-928.635.466-3 | |
| 4-9 | Ein Sommernachtstraum: Zwischenaktmusik, op. 61: 13. Finale. Allegro di molto | Rita Streich, Diana Eustrati, RIAS-Kammerchor, Berliner Philharmoniker, Ferenc Fricsay | — | |
| 5-1 | Sonata no. 1 Cello and Piano in B-flat major, op. 45: I. Allegro vivace | — | ||
| 5-2 | Sonata no. 1 Cello and Piano in B-flat major, op. 45: II. Andante | — | ||
| 5-3 | Sonata no. 1 Cello and Piano in B-flat major, op. 45: III. Allegro Assai | — | ||
| 5-4 | Sonata no. 2 Cello and Piano in D major, op. 58: I. Allegro Assai vivace | — | ||
| 5-5 | Sonata no. 2 Cello and Piano in D major, op. 58: II. Allegretto scherzando | — | ||
| 5-6 | Sonata no. 2 Cello and Piano in D major, op. 58: III. Adagio | — | ||
| 5-7 | Sonata no. 2 Cello and Piano in D major, op. 58: IV. Molto allegro e vivace | — | ||
| 6-1 | Variations Concertantes for Cello & Piano, op. 17 (Simca Heled, cello & Simone Dinnerstein, piano rec. 2000) | — | ||
| 6-2 | Trio for Violin, Violoncello and Piano in C minor, op. 66: I. Allegro Energico e con Fuoco | — | ||
| 6-3 | Trio for Violin, Violoncello and Piano in C minor, op. 66: II. Andante espressivo | — | ||
| 6-4 | Trio for Violin, Violoncello and Piano in C minor, op. 66: III. Scherzo, molto allegro quasi presto | — | ||
| 6-5 | Trio for Violin, Violoncello and Piano in C minor, op. 66: IV. Finale, allegro appassionato | — | ||
| 6-6 | String Quartet no. 1 in E-flat major, op. 12: I. Adagio non troppo, allegro non tardante (Joseph Roisman & others rec. 1935) | — | ||
| 6-7 | String Quartet no. 1 in E-flat major, op. 12: II. Canzonetta allegro piu mosso (Joseph Roisman & others rec. 1935) | — | ||
| 6-8 | String Quartet no. 1 in E-flat major, op. 12: III. Andante espressio (Joseph Roisman & others rec. 1935) | — | ||
| 6-9 | String Quartet no. 1 in E-flat major, op. 12: IV. Molto allegro e vivace (Joseph Roisman & others rec. 1935) | — | ||
| 7-1 | Lieder ohne Worte: op. 19, no. 1 (Ronan o'Hora rec. 1995) | — | ||
| 7-2 | Lieder ohne Worte: op. 19, no. 3 (Ronan o'Hora rec. 1995) | — | ||
| 7-3 | Lieder ohne Worte: op. 30, no. 1 (Ronan o'Hora rec. 1995) | — | ||
| 7-4 | Lieder ohne Worte: op. 30, no. 2 (Ronan o'Hora rec. 1995) | — | ||
| 7-5 | Lieder ohne Worte: op. 38, no. 1 (Ronan o'Hora rec. 1995) | — | ||
| 7-6 | Lieder ohne Worte: op. 38, no. 6 (Ronan o'Hora rec. 1995) | — | ||
| 7-7 | Lieder ohne Worte: op. 53, no. 1 (Ronan o'Hora rec. 1995) | — | ||
| 7-8 | Lieder ohne Worte: op. 53, no. 5 (Ronan o'Hora rec. 1995) | — | ||
| 7-9 | Lieder ohne Worte: op. 62, no. 5 (Ronan o'Hora rec. 1995) | — | ||
| 7-10 | Lieder ohne Worte: op. 67, no. 2 (Ronan o'Hora rec. 1995) | — | ||
| 7-11 | Lieder ohne Worte: op. 85, no. 4 (Ronan o'Hora rec. 1995) | — | ||
| 7-12 | Lieder ohne Worte: op. 102, no. 1 (Ronan o'Hora rec. 1995) | — | ||
| 7-13 | Lieder ohne Worte: op. 102, no. 3 (Ronan o'Hora rec. 1995) | — | ||
| 7-14 | Lieder ohne Worte: op. 102, no. 6 (Ronan o'Hora rec. 1995) | — | ||
| 7-15 | Lieder ohne Worte: op. 67, no. 4 (Artur Rubinstein rec. 1950) | — | ||
| 7-16 | Variations serieuses in D minor, op. 54: Andante sostenuto (Wladimir Horowitz rec. 1946) | — | ||
| 7-17 | Variations serieuses in D minor, op. 54: Variation I (Wladimir Horowitz rec. 1946) | — | ||
| 7-18 | Variations serieuses in D minor, op. 54: Variation II, un poco piu animato (Wladimir Horowitz rec. 1946) | — | ||
| 7-19 | Variations serieuses in D minor, op. 54: Variation III, piu animato (Wladimir Horowitz rec. 1946) | — | ||
| 7-20 | Variations serieuses in D minor, op. 54: Variation IV, sempre staccato e leggero (Wladimir Horowitz rec. 1946) | — | ||
| 7-21 | Variations serieuses in D minor, op. 54: Variation V, agitato (Wladimir Horowitz rec. 1946) | — | ||
| 7-22 | Variations serieuses in D minor, op. 54: Variation VI, a tempo (Wladimir Horowitz rec. 1946) | — | ||
| 7-23 | Variations serieuses in D minor, op. 54: Variation VII, con fuoco (Wladimir Horowitz rec. 1946) | — | ||
| 7-24 | Variations serieuses in D minor, op. 54: Variation VIII, allegro vivace (Wladimir Horowitz rec. 1946) | — | ||
| 7-25 | Variations serieuses in D minor, op. 54: Variation IX (Wladimir Horowitz rec. 1946) | — | ||
| 7-26 | Variations serieuses in D minor, op. 54: Variation X, moderato (Wladimir Horowitz rec. 1946) | — | ||
| 7-27 | Variations serieuses in D minor, op. 54: Variation XI, cantabile (Wladimir Horowitz rec. 1946) | — | ||
| 7-28 | Variations serieuses in D minor, op. 54: Variation XII, tempo di tema, andante sostenuto (Wladimir Horowitz rec. 1946) | — | ||
| 7-29 | Variations serieuses in D minor, op. 54: Variation XIII, sempre assai leggero (Wladimir Horowitz rec. 1946) | — | ||
| 7-30 | Variations serieuses in D minor, op. 54: Variation XIV, adagio (Wladimir Horowitz rec. 1946) | — | ||
| 7-31 | Variations serieuses in D minor, op. 54: Variation XV, poco a poco piu agitato (Wladimir Horowitz rec. 1946) | — | ||
| 7-32 | Variations serieuses in D minor, op. 54: Variation XVI, allegro vivace (Wladimir Horowitz rec. 1946) | — | ||
| 7-33 | Variations serieuses in D minor, op. 54: Variation XVII (Wladimir Horowitz rec. 1946) | — | ||
| 7-34 | Variations serieuses in D minor, op. 54: Presto (Wladimir Horowitz rec. 1946) | — | ||
| 7-35 | Introduzione e Rondo capriccioso in E minor, op. 14: I. Andante (Rudolf Serkin rec. 1957) | — | ||
| 7-36 | Introduzione e Rondo capriccioso in E minor, op. 14: II. Rondo (Rudolf Serkin rec. 1957) | — | ||
| 8-1 | Elias Part 1: As God the Lord of Israel liveth | — | ||
| 8-2 | Elias Part 1: Help, Lord! Wilt thou quite destroy us | — | ||
| 8-3 | Elias Part 1: Lord! Bow Thine ear to our prayer! | — | ||
| 8-4 | Elias Part 1: Ye people rend your hearts; If with all your hearts | — | ||
| 8-5 | Elias Part 1: Yet doth the Lord see it not | — | ||
| 8-6 | Elias Part 1: Elijah! Get thee hence; For He shall give His angels charge over thee; Now Cherith's brook is dried up | — | ||
| 8-7 | Elias Part 1: What have I to do with thee | — | ||
| 8-8 | Elias Part 1: Blessed are the men who fear Him | — | ||
| 8-9 | Elias Part 1: As God the Lord of Sabaoth liveth | — | ||
| 8-10 | Elias Part 1: Baal, we cry to thee- hear and answer us; Call him louder, for he is a god; Call him louder! He heareth not! | — | ||
| 8-11 | Elias Part 1: Lord God of Abraham, Isaac, and Israel! | — | ||
| 8-12 | Elias Part 1: Cast thy burden upon the Lord | — | ||
| 8-13 | Elias Part 1: O Thou, who makest Thine angels Spirits; The fire descends from Heaven | — | ||
| 8-14 | Elias Part 1: Is not His word like a fire | — | ||
| 8-15 | Elias Part 1: Woe unto them who forsake Him! | — | ||
| 8-16 | Elias Part 1: O man of God, help thy people! | — | ||
| 8-17 | Elias Part 1: Thanks be to God! | — | ||
| 9-1 | Elias Part 2: Hear Ye, Israel, Hear What The Lord Speaketh | — | ||
| 9-2 | Elias Part 2: Be Not Afraid, Saith God The Lord | — | ||
| 9-3 | Elias Part 2: The Lord Hath Exalted Thee | — | ||
| 9-4 | Elias Part 2: Woe To Him, He Shall Perish | — | ||
| 9-5 | Elias Part 2: Man Of God, Now Let My Words Be Precious In Thy Sight | — | ||
| 9-6 | Elias Part 2: See, Now He Sleepeth | — | ||
| 9-7 | Elias Part 2: Lift Thine Eyes To The Mountains | — | ||
| 9-8 | Elias Part 2: He, Watching Over Israel, Slumbers Not Nor Sleeps | — | ||
| 9-9 | Elias Part 2: Arise, Elijah, For Thou Hast A Long Journey Before Thee | — | ||
| 9-10 | Elias Part 2: O Rest In The Lord | — | ||
| 9-11 | Elias Part 2: He That Shall Endure To The End Shall Be Saved | — | ||
| 9-12 | Elias Part 2: Night Falleth Round Me, O Lord | — | ||
| 9-13 | Elias Part 2: Behold, God The Lord Passed By | — | ||
| 9-14 | Elias Part 2: Above Him Stood The Seraphim, Holy Holy Holy | — | ||
| 9-15 | Elias Part 2: I Go On My Way In The Sight Of The Lord | — | ||
| 9-16 | Elias Part 2: For The Mountains Shall Depart | — | ||
| 9-17 | Elias Part 2: Then Die Elijah The Prophet Break Forth | — | ||
| 9-18 | Elias Part 2: Then Shall The Righteous Shine Forth | — | ||
| 9-19 | Elias Part 2: O Come Every One That Thirsteth | — | ||
| 9-20 | Elias Part 2: And Then Shall Your Light Break Forth | — | ||
| 10-1 | Prelude in D minor (without op.) (Ulrik Spang-Hanssen, Stumm-Orgel, Kirchheimbolanden rec. 1997) | — | ||
| 10-2 | Fugue in D minor (without op.) (Ulrik Spang-Hanssen, Stumm-Orgel, Kirchheimbolanden rec. 1997) | — | ||
| 10-3 | Prelude and Fugue in C minor, op. 37,1: I. Prelude (Ulrik Spang-Hanssen, Stumm-Orgel, Kirchheimbolanden rec. 1997) | — | ||
| 10-4 | Prelude and Fugue in C minor, op. 37,1: II. Fugue (Ulrik Spang-Hanssen, Stumm-Orgel, Kirchheimbolanden rec. 1997) | — | ||
| 10-5 | Prelude and Fugue in G major, op. 37,2: I. Prelude (Ulrik Spang-Hanssen, Stumm-Orgel, Kirchheimbolanden rec. 1997) | — | ||
| 10-6 | Prelude and Fugue in G major, op. 37,2: II. Fugue (Ulrik Spang-Hanssen, Stumm-Orgel, Kirchheimbolanden rec. 1997) | — | ||
| 10-7 | Theme and Variations in D major (without op.) (Ulrik Spang-Hanssen, Stumm-Orgel, Kirchheimbolanden rec. 1997) | — | ||
| 10-8 | Allegro, Chorale and Fugue in D minor - D major (without op.) (Ulrik Spang-Hanssen, Stumm-Orgel, Kirchheimbolanden rec. 1997) | — | ||
| 10-9 | Sonata I in F minor, op. 65,1: I. Allegro moderato e serioso (Ulrik Spang-Hanssen, Stumm-Orgel, Kirchheimbolanden rec. 1997) | — | ||
| 10-10 | Sonata I in F minor, op. 65,1: II. Adagio (Ulrik Spang-Hanssen, Stumm-Orgel, Kirchheimbolanden rec. 1997) | — | ||
| 10-11 | Sonata I in F minor, op. 65,1: III. Andante recit (Ulrik Spang-Hanssen, Stumm-Orgel, Kirchheimbolanden rec. 1997) | — | ||
| 10-12 | Sonata I in F minor, op. 65,1: IV. Allegro assai vivace (Ulrik Spang-Hanssen, Stumm-Orgel, Kirchheimbolanden rec. 1997) | — | ||
| 10-13 | Sonata IV in B-flat major, op. 65,4: I. Allegro con brio (Ulrik Spang-Hanssen, Stumm-Orgel, Kirchheimbolanden rec. 1997) | — | ||
| 10-14 | Sonata IV in B-flat major, op. 65,4: II. Andante religioso (Ulrik Spang-Hanssen, Stumm-Orgel, Kirchheimbolanden rec. 1997) | — | ||
| 10-15 | Sonata IV in B-flat major, op. 65,4: III. Allegretto (Ulrik Spang-Hanssen, Stumm-Orgel, Kirchheimbolanden rec. 1997) | — | ||
| 10-16 | Sonata IV in B-flat major, op. 65,4: IV. Allegro maestoso e vivace (Ulrik Spang-Hanssen, Stumm-Orgel, Kirchheimbolanden rec. 1997) | — |
Violin Concerto in D minor, without op.: I. Allegro molto
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Violin Concerto in D minor, without op.: II. Andante non troppo
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Violin Concerto in D minor, without op.: III. Allegro
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Violin Concerto in E minor, op. 64: I. Allegro molto appassionato
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Violin Concerto in E minor, op. 64: II. Andante
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Violin Concerto in E minor, op. 64: III. Allegretto non troppo, allegro molto vivace
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Piano Concerto no. 1 in G minor, op. 25: I. Molto allegro con fuoco
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Piano Concerto no. 1 in G minor, op. 25: II. Andante
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Piano Concerto no. 1 in G minor, op. 25: III. Presto, molto allegro e vivace
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Symphony no. 3 in A minor, op. 56 “Scottish”: I. Andante con moto - Allegro un poco agitato - Assai animato - Andante como prima
Royal Philharmonic Orchestra, Stefan Sanderling
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Symphony no. 3 in A minor, op. 56 “Scottish”: II. Vivace non troppo
Royal Philharmonic Orchestra, Stefan Sanderling
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Symphony no. 3 in A minor, op. 56 “Scottish”: III. Adagio
Royal Philharmonic Orchestra, Stefan Sanderling
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Symphony no. 3 in A minor, op. 56 “Scottish”: IV. Allegro vivacissimo
Royal Philharmonic Orchestra, Stefan Sanderling
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Boston Symphony Orchestra, Charles Munch
Symphony no. 4 in A "Italian": Con moto moderato
Boston Symphony Orchestra, Charles Munch
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Boston Symphony Orchestra, Charles Munch
I. ANDANTE - ALLEGRO CON FUOCO
Boston Symphony Orchestra, Charles Munch
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"""SYMPHONY NO. 5 IN D MINOR, OP. 107 """"REFORMATION"""": II. ALLEGRO VIVACE"""
Boston Symphony Orchestra, Charles Munch
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Boston Symphony Orchestra, Charles Munch
Symphony no. 5 in D major, op. 107 “Reformation”: IV. Chorale. Andante con moto – Allegro vivace “Ein’ feste Burg ist unser Gott”
Boston Symphony Orchestra, Charles Munch
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Ein Sommernachtstraum: Ouvertüre, op. 21. Allegro di molto
Berliner Philharmoniker, Ferenc Fricsay
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Ein Sommernachtstraum: Zwischenaktmusik, op. 61: 1. Scherzo. Allegro vivace
Berliner Philharmoniker, Ferenc Fricsay
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Ein Sommernachtstraum: Zwischenaktmusik, op. 61: 2. L'istesso tempo. [Elfenmarsch.] Allegro vivace
Berliner Philharmoniker, Ferenc Fricsay
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Ein Sommernachtstraum: Zwischenaktmusik, op. 61: 3. Lied mit Chor: »Bunte Schlangen, zweigezüngt«
Rita Streich, Diana Eustrati, RIAS-Kammerchor, Berliner Philharmoniker, Ferenc Fricsay
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Ein Sommernachtstraum: Zwischenaktmusik, op. 61: 5. [Intermezzo.] Allegro appassionato
Berliner Philharmoniker, Ferenc Fricsay
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Ein Sommernachtstraum: Zwischenaktmusik, op. 61: 7. [Nocturne.] Con moto tranquillo
Berliner Philharmoniker, Ferenc Fricsay
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Ein Sommernachtstraum: Zwischenaktmusik, op. 61: 9. Hochzeitsmarsch. Allegro vivace
Berliner Philharmoniker, Ferenc Fricsay
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Berliner Philharmoniker, Ferenc Fricsay
Ein Sommernachtstraum: Zwischenaktmusik, op. 61: 13. Finale. Allegro di molto
Rita Streich, Diana Eustrati, RIAS-Kammerchor, Berliner Philharmoniker, Ferenc Fricsay
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Sonata no. 1 Cello and Piano in B-flat major, op. 45: I. Allegro vivace
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Sonata no. 1 Cello and Piano in B-flat major, op. 45: II. Andante
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Sonata no. 1 Cello and Piano in B-flat major, op. 45: III. Allegro Assai
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Sonata no. 2 Cello and Piano in D major, op. 58: I. Allegro Assai vivace
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Sonata no. 2 Cello and Piano in D major, op. 58: II. Allegretto scherzando
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Sonata no. 2 Cello and Piano in D major, op. 58: III. Adagio
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Sonata no. 2 Cello and Piano in D major, op. 58: IV. Molto allegro e vivace
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Variations Concertantes for Cello & Piano, op. 17 (Simca Heled, cello & Simone Dinnerstein, piano rec. 2000)
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Trio for Violin, Violoncello and Piano in C minor, op. 66: I. Allegro Energico e con Fuoco
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Trio for Violin, Violoncello and Piano in C minor, op. 66: II. Andante espressivo
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Trio for Violin, Violoncello and Piano in C minor, op. 66: III. Scherzo, molto allegro quasi presto
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Trio for Violin, Violoncello and Piano in C minor, op. 66: IV. Finale, allegro appassionato
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String Quartet no. 1 in E-flat major, op. 12: I. Adagio non troppo, allegro non tardante (Joseph Roisman & others rec. 1935)
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String Quartet no. 1 in E-flat major, op. 12: II. Canzonetta allegro piu mosso (Joseph Roisman & others rec. 1935)
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String Quartet no. 1 in E-flat major, op. 12: III. Andante espressio (Joseph Roisman & others rec. 1935)
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String Quartet no. 1 in E-flat major, op. 12: IV. Molto allegro e vivace (Joseph Roisman & others rec. 1935)
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Lieder ohne Worte: op. 19, no. 1 (Ronan o'Hora rec. 1995)
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Lieder ohne Worte: op. 19, no. 3 (Ronan o'Hora rec. 1995)
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Lieder ohne Worte: op. 30, no. 1 (Ronan o'Hora rec. 1995)
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Lieder ohne Worte: op. 30, no. 2 (Ronan o'Hora rec. 1995)
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Lieder ohne Worte: op. 38, no. 1 (Ronan o'Hora rec. 1995)
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Lieder ohne Worte: op. 38, no. 6 (Ronan o'Hora rec. 1995)
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Lieder ohne Worte: op. 53, no. 1 (Ronan o'Hora rec. 1995)
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Lieder ohne Worte: op. 53, no. 5 (Ronan o'Hora rec. 1995)
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Lieder ohne Worte: op. 62, no. 5 (Ronan o'Hora rec. 1995)
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Lieder ohne Worte: op. 67, no. 2 (Ronan o'Hora rec. 1995)
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Lieder ohne Worte: op. 85, no. 4 (Ronan o'Hora rec. 1995)
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Lieder ohne Worte: op. 102, no. 1 (Ronan o'Hora rec. 1995)
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Lieder ohne Worte: op. 102, no. 3 (Ronan o'Hora rec. 1995)
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Lieder ohne Worte: op. 102, no. 6 (Ronan o'Hora rec. 1995)
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Lieder ohne Worte: op. 67, no. 4 (Artur Rubinstein rec. 1950)
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Variations serieuses in D minor, op. 54: Andante sostenuto (Wladimir Horowitz rec. 1946)
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Variations serieuses in D minor, op. 54: Variation I (Wladimir Horowitz rec. 1946)
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Variations serieuses in D minor, op. 54: Variation II, un poco piu animato (Wladimir Horowitz rec. 1946)
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Variations serieuses in D minor, op. 54: Variation III, piu animato (Wladimir Horowitz rec. 1946)
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Variations serieuses in D minor, op. 54: Variation IV, sempre staccato e leggero (Wladimir Horowitz rec. 1946)
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Variations serieuses in D minor, op. 54: Variation V, agitato (Wladimir Horowitz rec. 1946)
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Variations serieuses in D minor, op. 54: Variation VI, a tempo (Wladimir Horowitz rec. 1946)
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Variations serieuses in D minor, op. 54: Variation VII, con fuoco (Wladimir Horowitz rec. 1946)
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Variations serieuses in D minor, op. 54: Variation VIII, allegro vivace (Wladimir Horowitz rec. 1946)
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Variations serieuses in D minor, op. 54: Variation IX (Wladimir Horowitz rec. 1946)
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Variations serieuses in D minor, op. 54: Variation X, moderato (Wladimir Horowitz rec. 1946)
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Variations serieuses in D minor, op. 54: Variation XI, cantabile (Wladimir Horowitz rec. 1946)
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Variations serieuses in D minor, op. 54: Variation XII, tempo di tema, andante sostenuto (Wladimir Horowitz rec. 1946)
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Variations serieuses in D minor, op. 54: Variation XIII, sempre assai leggero (Wladimir Horowitz rec. 1946)
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Variations serieuses in D minor, op. 54: Variation XIV, adagio (Wladimir Horowitz rec. 1946)
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Variations serieuses in D minor, op. 54: Variation XV, poco a poco piu agitato (Wladimir Horowitz rec. 1946)
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Variations serieuses in D minor, op. 54: Variation XVI, allegro vivace (Wladimir Horowitz rec. 1946)
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Variations serieuses in D minor, op. 54: Variation XVII (Wladimir Horowitz rec. 1946)
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Variations serieuses in D minor, op. 54: Presto (Wladimir Horowitz rec. 1946)
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Introduzione e Rondo capriccioso in E minor, op. 14: I. Andante (Rudolf Serkin rec. 1957)
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Introduzione e Rondo capriccioso in E minor, op. 14: II. Rondo (Rudolf Serkin rec. 1957)
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Elias Part 1: As God the Lord of Israel liveth
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Elias Part 1: Help, Lord! Wilt thou quite destroy us
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Elias Part 1: Lord! Bow Thine ear to our prayer!
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Elias Part 1: Ye people rend your hearts; If with all your hearts
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Elias Part 1: Yet doth the Lord see it not
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Elias Part 1: Elijah! Get thee hence; For He shall give His angels charge over thee; Now Cherith's brook is dried up
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Elias Part 1: What have I to do with thee
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Elias Part 1: Blessed are the men who fear Him
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Elias Part 1: As God the Lord of Sabaoth liveth
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Elias Part 1: Baal, we cry to thee- hear and answer us; Call him louder, for he is a god; Call him louder! He heareth not!
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Elias Part 1: Lord God of Abraham, Isaac, and Israel!
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Elias Part 1: Cast thy burden upon the Lord
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Elias Part 1: O Thou, who makest Thine angels Spirits; The fire descends from Heaven
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Elias Part 1: Is not His word like a fire
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Elias Part 1: Woe unto them who forsake Him!
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Elias Part 1: O man of God, help thy people!
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Elias Part 1: Thanks be to God!
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Elias Part 2: Hear Ye, Israel, Hear What The Lord Speaketh
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Elias Part 2: Be Not Afraid, Saith God The Lord
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Elias Part 2: The Lord Hath Exalted Thee
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Elias Part 2: Woe To Him, He Shall Perish
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Elias Part 2: Man Of God, Now Let My Words Be Precious In Thy Sight
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Elias Part 2: See, Now He Sleepeth
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Elias Part 2: Lift Thine Eyes To The Mountains
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Elias Part 2: He, Watching Over Israel, Slumbers Not Nor Sleeps
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Elias Part 2: Arise, Elijah, For Thou Hast A Long Journey Before Thee
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Elias Part 2: O Rest In The Lord
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Elias Part 2: He That Shall Endure To The End Shall Be Saved
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Elias Part 2: Night Falleth Round Me, O Lord
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Elias Part 2: Behold, God The Lord Passed By
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Elias Part 2: Above Him Stood The Seraphim, Holy Holy Holy
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Elias Part 2: I Go On My Way In The Sight Of The Lord
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Elias Part 2: For The Mountains Shall Depart
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Elias Part 2: Then Die Elijah The Prophet Break Forth
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Elias Part 2: Then Shall The Righteous Shine Forth
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Elias Part 2: O Come Every One That Thirsteth
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Elias Part 2: And Then Shall Your Light Break Forth
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Prelude in D minor (without op.) (Ulrik Spang-Hanssen, Stumm-Orgel, Kirchheimbolanden rec. 1997)
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Fugue in D minor (without op.) (Ulrik Spang-Hanssen, Stumm-Orgel, Kirchheimbolanden rec. 1997)
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Prelude and Fugue in C minor, op. 37,1: I. Prelude (Ulrik Spang-Hanssen, Stumm-Orgel, Kirchheimbolanden rec. 1997)
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Prelude and Fugue in C minor, op. 37,1: II. Fugue (Ulrik Spang-Hanssen, Stumm-Orgel, Kirchheimbolanden rec. 1997)
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Prelude and Fugue in G major, op. 37,2: I. Prelude (Ulrik Spang-Hanssen, Stumm-Orgel, Kirchheimbolanden rec. 1997)
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Prelude and Fugue in G major, op. 37,2: II. Fugue (Ulrik Spang-Hanssen, Stumm-Orgel, Kirchheimbolanden rec. 1997)
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Theme and Variations in D major (without op.) (Ulrik Spang-Hanssen, Stumm-Orgel, Kirchheimbolanden rec. 1997)
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Allegro, Chorale and Fugue in D minor - D major (without op.) (Ulrik Spang-Hanssen, Stumm-Orgel, Kirchheimbolanden rec. 1997)
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Sonata I in F minor, op. 65,1: I. Allegro moderato e serioso (Ulrik Spang-Hanssen, Stumm-Orgel, Kirchheimbolanden rec. 1997)
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Sonata I in F minor, op. 65,1: II. Adagio (Ulrik Spang-Hanssen, Stumm-Orgel, Kirchheimbolanden rec. 1997)
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Sonata I in F minor, op. 65,1: III. Andante recit (Ulrik Spang-Hanssen, Stumm-Orgel, Kirchheimbolanden rec. 1997)
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Sonata I in F minor, op. 65,1: IV. Allegro assai vivace (Ulrik Spang-Hanssen, Stumm-Orgel, Kirchheimbolanden rec. 1997)
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Sonata IV in B-flat major, op. 65,4: I. Allegro con brio (Ulrik Spang-Hanssen, Stumm-Orgel, Kirchheimbolanden rec. 1997)
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Sonata IV in B-flat major, op. 65,4: II. Andante religioso (Ulrik Spang-Hanssen, Stumm-Orgel, Kirchheimbolanden rec. 1997)
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Sonata IV in B-flat major, op. 65,4: III. Allegretto (Ulrik Spang-Hanssen, Stumm-Orgel, Kirchheimbolanden rec. 1997)
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Sonata IV in B-flat major, op. 65,4: IV. Allegro maestoso e vivace (Ulrik Spang-Hanssen, Stumm-Orgel, Kirchheimbolanden rec. 1997)
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What other identifiers does this connect to?
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Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
0000000041906248000000008106277200000000822443320000000083902974000000008394312700000001087260580000000108802188000000010911085300000001094168010000000109442735
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00000001101647520000000110416921000000011051648X0000000116782981000000011695726X000000011885913700000001195505530000000120066080000000012019149800000001202333280000000120285187000000012033032000000001211442470000000121181195000000012119595X0000000121208271000000012138248000000003685480750000000466366398
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What is UPC 4011222327802?
4011222327802 is a Universal Product Code (UPC) assigned to Portrait: Symphonies 3–5 / Violin Concertos / Songs Without Words / Elijah / a.m.o. by Felix Mendelssohn Bartholdy. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 135 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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