UPC · Album
Swingin’ 50s Vol.2
Various Artists
Last verified:
4011222912428 is the Universal Product Code (UPC barcode) for the release “Swingin’ 50s Vol.2” by Various Artists, released 2010-02-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 20 tracks, each with its own ISRC. Tracks include DEU241001087, DEU241001088, DEU241001089.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (42)
| Track Title | Artist(s) | ISRC |
|---|---|---|
| Tammy | Debbie Reynolds | DEU241001087 |
| Paralyzed | Elvis Presley | DEU241001088 |
| Don’t Let the Stars Get in Your Eyes | Perry Como, Hugo Winterhalter's Orch. and Chorus, The Ramblers | DEU241001089 |
| I’ll Be Home | Pat Boone | DEU241001090 |
| The Three Bells | The Browns | DEU241001091 |
| A White Sport Coat (and a Pink Carnation) | Marty Robbins, Ray Conniff | DEU241001092 |
| This Ole House | Rosemary Clooney, Buddy Cole and His Orchestra | DEU241001093 |
| Marianne | Terry Gilkyson & the Easy Riders | DEU241001094 |
| Angel Baby | Dean Martin | DEU241001095 |
| I Almost Lost My Mind | Ivory Joe Hunter | DEU241001096 |
| Why Wait | Pérez Prado | DEU241001097 |
| Whatever Will Be, Will Be (Que será, será) | Doris Day | DEU241001098 |
| Come Softly to Me | Fleetwoods | DEU241001099 |
| Answer Me | Frankie Laine | DEU241001100 |
| Four Walls | Jim Reeves | DEU241001101 |
| Til I Waltz Again With You | Teresa Brewer | DEU241001102 |
| Only You | The Platters | DEU241001103 |
| Chanson d’amour | Art & Dotty Todd | DEU241001104 |
| Marina | Rocco Granata | DEU241001105 |
| Mockin’ Bird Hill | Les Paul & Mary Ford | DEU241001106 |
| Whatever Will Be, Will Be (Que será, será) | Doris Day | FRX281906408 |
| Come Softly to Me | Fleetwoods | GBAYE5800231 |
| Mockin’ Bird Hill | Les Paul & Mary Ford | GBAYE5900255 |
| Only You (re‐recorded) | The Platters | USA370575139 |
| Come Softly to Me | Fleetwoods | USCA25900254 |
| I’ll Be Home | Pat Boone | USMC15652226 |
| Only You | The Platters | USPR38605201 |
| Only You | The Platters | USPR39402685 |
| Don’t Let the Stars Get in Your Eyes | Perry Como, Hugo Winterhalter's Orch. and Chorus, The Ramblers | USRC15204649 |
| Paralyzed | Elvis Presley | USRC15602854 |
| The Three Bells | The Browns | USRC15907176 |
| The Three Bells | The Browns | USRC18805873 |
| This Ole House | Rosemary Clooney, Buddy Cole and His Orchestra | USSM10008262 |
| A White Sport Coat (and a Pink Carnation) | Marty Robbins, Ray Conniff | USSM10021487 |
| Whatever Will Be, Will Be (Que será, será) | Doris Day | USSM10023144 |
| This Ole House | Rosemary Clooney, Buddy Cole and His Orchestra | USSM15400129 |
| Whatever Will Be, Will Be (Que será, será) | Doris Day | USSM15600286 |
| Whatever Will Be, Will Be (Que será, será) | Doris Day | USSM15600327 |
| Whatever Will Be, Will Be (Que será, será) | Doris Day | USSM15600363 |
| A White Sport Coat (and a Pink Carnation) | Marty Robbins, Ray Conniff | USSM15700390 |
| A White Sport Coat (and a Pink Carnation) | Marty Robbins, Ray Conniff | USSM19905913 |
| I Almost Lost My Mind | Ivory Joe Hunter | USUR10200818 |
What other identifiers does this connect to?
Musical Works (ISWC)
+26 more
Songwriters/Publishers (IPI)
People also ask
Verified on
What is UPC 4011222912428?
4011222912428 is a Universal Product Code (UPC) assigned to Swingin’ 50s Vol.2 by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 20 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm