UPC · Release
Schola Cantorum Stuttgart
Last verified:
The UPC for “Atelier Schola Cantorum” by Schola Cantorum Stuttgart is 4011563809012. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 1993-01-01. Label: Cadenza (4). This release contains 83 tracks, each with its own ISRC. Tracks include DEC446802091.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Messe: Kyrie | — | ||
| 2 | Messe: Gloria | — | ||
| 3 | Messe: Credo | — | ||
| 4 | Messe: Sanctus | — | ||
| 5 | Messe: Benedictus | — | ||
| 6 | Messe: Agnus Dei | — | ||
| 7 | Entflieht auf leichten Kähnen, op. 2 | — | ||
| 8 | Sept Versets des Psaumes de la Pénitence | — | ||
| 9 | DT 31,6 | — | ||
| 10 | AMN | — | ||
| 11 | :!(madrasha 2) | — | ||
| 12 | Lux aeterna | — | ||
| 2-1 | Alpha-Omega II | — | ||
| 2-2 | Voci | — | ||
| 2-3 | Rosenschuttplatz | — | ||
| 2-4 | Ancora odono i colli | — | ||
| 2-5 | Siciliano | — | ||
| 2-6 | Verzeichnis | — | ||
| 2-7 | Sequenza III | — | ||
| 2-8 | Nacht | — | ||
| 2-9 | Hallelujah | — | ||
| 3-1 | Consolation I | — | ||
| 3-2 | Consolation II | — | ||
| 3-3 | Chorus and Instruments II | — | ||
| 3-4 | Vocalblätter | — | ||
| 3-5 | Cummings ist der Dichter | — | ||
| 3-6 | Über das, über ein verschwinden | — | ||
| 3-7 | Sarà dolce tacere | — | ||
| 3-8 | Ha venido - Canciones para Silvia | Barbara Miller, Sopranchor der Schola Cantorum Stuttgart, Clytus Gottwald | — | |
| 3-9 | Dona nobis pacem | — | ||
| 4-1 | Airs de voyage vers l'intérieur | — | ||
| 4-2 | Fragmente (Canto V) | — | ||
| 4-3 | Psalm | — | ||
| 4-4 | Soupir | — | ||
| 4-5 | Song Books | — | ||
| 5-1 | Time and Motion Study III | — | ||
| 5-2 | Ensemble | — | ||
| 5-3 | Intermezzo | — | ||
| 5-4 | Mein Name Ist... | — | ||
| 5-5 | Tehillim: Teil I | — | ||
| 6-1 | Jarchas de dolor de ausencia | — | ||
| 6-2 | Sotto voce | — | ||
| 6-3 | Transfiguraciòn | — | ||
| 6-4 | Ecloga VIII | — | ||
| 6-5 | Monogatari | — | ||
| 6-6 | Magány (Einsamkeit) | — | ||
| 6-7 | Pápainé (Frau Papay) | — | ||
| 6-8 | Magyar Etüdök: I | — | ||
| 6-9 | Magyar Etüdök: II | — | ||
| 6-10 | Magyar Etüdök: III | — | ||
| 6-11 | Die Nachtigall | — | ||
| 6-12 | Ich bin der Welt abhanden gekommen | — | ||
| 7-1 | John III,16 | — | ||
| 7-2 | Traumrede | — | ||
| 7-3 | Aubade | — | ||
| 7-4 | Vier Liebeslieder: I. Frölich, zärtlich, liplich | — | ||
| 7-5 | Vier Liebeslieder: II. Ach, senliches Leyden | — | ||
| 7-6 | Vier Liebeslieder: III. Kom, liepster Man | — | ||
| 7-7 | Vier Liebeslieder: IV. Der May mit lieber Zahl | — | ||
| 7-8 | Quodlibet aus „Figure“ | — | ||
| 7-9 | Hymne | — | ||
| 7-10 | ... nudo que ansí juntáis | — | ||
| 8-1 | Scardanelli-Zyklus: Teil I: Frühling II | — | ||
| 8-2 | Scardanelli-Zyklus: Teil I: Sommerkanon IV | — | ||
| 8-3 | Scardanelli-Zyklus: Teil I: Sommer II | — | ||
| 8-4 | Scardanelli-Zyklus: Teil I: Bruchstücke - | — | ||
| 8-5 | Scardanelli-Zyklus: Teil I: - Herbst III | — | ||
| 8-6 | Scardanelli-Zyklus: Teil I: - Glocken-Alphabet - | — | ||
| 8-7 | Scardanelli-Zyklus: Teil I: - Winter III | — | ||
| 9-1 | Scardanelli-Zyklus: Teil II: Schaufeirad | — | ||
| 9-2 | Scardanelli-Zyklus: Teil II: Sommer III | — | ||
| 9-3 | Scardanelli-Zyklus: Teil II: Herbst II | — | ||
| 9-4 | Scardanelli-Zyklus: Teil II: Eisblumen | — | ||
| 9-5 | Scardanelli-Zyklus: Teil II: Winter I | — | ||
| 9-6 | Scardanelli-Zyklus: Teil II: Engführung | — | ||
| 9-7 | Scardanelli-Zyklus: Teil II: Frühling I | — | ||
| 10-1 | Scardanelli-Zyklus: Teil III: Frühling III | — | ||
| 10-2 | Scardanelli-Zyklus: Teil III: Sommer I | — | ||
| 10-3 | Scardanelli-Zyklus: Teil III: Der Ferne Klang - | — | ||
| 10-4 | Scardanelli-Zyklus: Teil III: - T(air)e - | — | ||
| 10-5 | Scardanelli-Zyklus: Teil III: - Ad Marginem | — | ||
| 10-6 | Scardanelli-Zyklus: Teil III: Herbst I | — | ||
| 10-7 | Scardanelli-Zyklus: Teil III: Winter II | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Credits Graph
4011563809012 is a Universal Product Code (UPC) assigned to Atelier Schola Cantorum by Schola Cantorum Stuttgart. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 83 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “Atelier Schola Cantorum” by Schola Cantorum Stuttgart is 4011563809012. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 1993-01-01. Label: Cadenza (4). This release contains 83 tracks, each with its own ISRC. Tracks include DEC446802091.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Messe: Kyrie | — | ||
| 2 | Messe: Gloria | — | ||
| 3 | Messe: Credo | — | ||
| 4 | Messe: Sanctus | — | ||
| 5 | Messe: Benedictus | — | ||
| 6 | Messe: Agnus Dei | — | ||
| 7 | Entflieht auf leichten Kähnen, op. 2 | — | ||
| 8 | Sept Versets des Psaumes de la Pénitence | — | ||
| 9 | DT 31,6 | — | ||
| 10 | AMN | — | ||
| 11 | :!(madrasha 2) | — | ||
| 12 | Lux aeterna | — | ||
| 2-1 | Alpha-Omega II | — | ||
| 2-2 | Voci | — | ||
| 2-3 | Rosenschuttplatz | — | ||
| 2-4 | Ancora odono i colli | — | ||
| 2-5 | Siciliano | — | ||
| 2-6 | Verzeichnis | — | ||
| 2-7 | Sequenza III | — | ||
| 2-8 | Nacht | — | ||
| 2-9 | Hallelujah | — | ||
| 3-1 | Consolation I | — | ||
| 3-2 | Consolation II | — | ||
| 3-3 | Chorus and Instruments II | — | ||
| 3-4 | Vocalblätter | — | ||
| 3-5 | Cummings ist der Dichter | — | ||
| 3-6 | Über das, über ein verschwinden | — | ||
| 3-7 | Sarà dolce tacere | — | ||
| 3-8 | Ha venido - Canciones para Silvia | Barbara Miller, Sopranchor der Schola Cantorum Stuttgart, Clytus Gottwald | — | |
| 3-9 | Dona nobis pacem | — | ||
| 4-1 | Airs de voyage vers l'intérieur | — | ||
| 4-2 | Fragmente (Canto V) | — | ||
| 4-3 | Psalm | — | ||
| 4-4 | Soupir | — | ||
| 4-5 | Song Books | — | ||
| 5-1 | Time and Motion Study III | — | ||
| 5-2 | Ensemble | — | ||
| 5-3 | Intermezzo | — | ||
| 5-4 | Mein Name Ist... | — | ||
| 5-5 | Tehillim: Teil I | — | ||
| 6-1 | Jarchas de dolor de ausencia | — | ||
| 6-2 | Sotto voce | — | ||
| 6-3 | Transfiguraciòn | — | ||
| 6-4 | Ecloga VIII | — | ||
| 6-5 | Monogatari | — | ||
| 6-6 | Magány (Einsamkeit) | — | ||
| 6-7 | Pápainé (Frau Papay) | — | ||
| 6-8 | Magyar Etüdök: I | — | ||
| 6-9 | Magyar Etüdök: II | — | ||
| 6-10 | Magyar Etüdök: III | — | ||
| 6-11 | Die Nachtigall | — | ||
| 6-12 | Ich bin der Welt abhanden gekommen | — | ||
| 7-1 | John III,16 | — | ||
| 7-2 | Traumrede | — | ||
| 7-3 | Aubade | — | ||
| 7-4 | Vier Liebeslieder: I. Frölich, zärtlich, liplich | — | ||
| 7-5 | Vier Liebeslieder: II. Ach, senliches Leyden | — | ||
| 7-6 | Vier Liebeslieder: III. Kom, liepster Man | — | ||
| 7-7 | Vier Liebeslieder: IV. Der May mit lieber Zahl | — | ||
| 7-8 | Quodlibet aus „Figure“ | — | ||
| 7-9 | Hymne | — | ||
| 7-10 | ... nudo que ansí juntáis | — | ||
| 8-1 | Scardanelli-Zyklus: Teil I: Frühling II | — | ||
| 8-2 | Scardanelli-Zyklus: Teil I: Sommerkanon IV | — | ||
| 8-3 | Scardanelli-Zyklus: Teil I: Sommer II | — | ||
| 8-4 | Scardanelli-Zyklus: Teil I: Bruchstücke - | — | ||
| 8-5 | Scardanelli-Zyklus: Teil I: - Herbst III | — | ||
| 8-6 | Scardanelli-Zyklus: Teil I: - Glocken-Alphabet - | — | ||
| 8-7 | Scardanelli-Zyklus: Teil I: - Winter III | — | ||
| 9-1 | Scardanelli-Zyklus: Teil II: Schaufeirad | — | ||
| 9-2 | Scardanelli-Zyklus: Teil II: Sommer III | — | ||
| 9-3 | Scardanelli-Zyklus: Teil II: Herbst II | — | ||
| 9-4 | Scardanelli-Zyklus: Teil II: Eisblumen | — | ||
| 9-5 | Scardanelli-Zyklus: Teil II: Winter I | — | ||
| 9-6 | Scardanelli-Zyklus: Teil II: Engführung | — | ||
| 9-7 | Scardanelli-Zyklus: Teil II: Frühling I | — | ||
| 10-1 | Scardanelli-Zyklus: Teil III: Frühling III | — | ||
| 10-2 | Scardanelli-Zyklus: Teil III: Sommer I | — | ||
| 10-3 | Scardanelli-Zyklus: Teil III: Der Ferne Klang - | — | ||
| 10-4 | Scardanelli-Zyklus: Teil III: - T(air)e - | — | ||
| 10-5 | Scardanelli-Zyklus: Teil III: - Ad Marginem | — | ||
| 10-6 | Scardanelli-Zyklus: Teil III: Herbst I | — | ||
| 10-7 | Scardanelli-Zyklus: Teil III: Winter II | — |
