UPC · Release
The Orfeo Recordings
Júlia Várady
4011790210865
132 tracksReleased 2021-08-20
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4011790210865 is the Universal Product Code (UPC barcode) for the release “The Orfeo Recordings” by Júlia Várady, released 2021-08-20. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 132 tracks, each with its own ISRC.
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401GS1 prefix
1790Company prefix
21086Product
5Check digit
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UPCThe Orfeo Recordings
IPI1 songwriter
Track List (132)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Nabucco: Ben io t’invenni | — | ||
| 2 | Il trovatore (Excerpts): Tace la notte! | — | ||
| 3 | Il trovatore (Excerpts): Timor di me? | — | ||
| 4 | La traviata (Excerpts): È strano! È strano! | — | ||
| 5 | La traviata (Excerpts): Teneste la promessa | — | ||
| 6 | Un ballo in maschera (Excerpts): Ecco l’orrido campo | — | ||
| 7 | Un ballo in maschera (Excerpts): Morrò, ma prima in grazia | — | ||
| 8 | La forza del destino: Pace, pace, mio Dio! | — | ||
| 2-1 | Macbeth (Excerpts): Ambizioso spirto | — | ||
| 2-2 | Macbeth (Excerpts): La luce langue | — | ||
| 2-3 | Macbeth (Excerpts): Una macchia è qui tuttora | — | ||
| 2-4 | Don Carlo: Tu che le vanità conoscesti del mondo | — | ||
| 2-5 | Aïda (Excerpts): Ritorna vincitor! | — | ||
| 2-6 | Aïda (Excerpts): Qui Radamès verrà! | — | ||
| 2-7 | Otello: Era più calmo? | — | ||
| 3-1 | La rondine, SC 83: Chi il bel sogno di Doretta | — | ||
| 3-2 | La Bohème, SC 67 (Excerpts): Sì, mi chiamano Mimì | — | ||
| 3-3 | La Bohème, SC 67 (Excerpts): D’onde lieta uscì | — | ||
| 3-4 | Gianni Schicchi, SC 88: Oh! Mio babbino caro | — | ||
| 3-5 | Manon Lescaut, SC 64 (Excerpts): In quelle trine morbide | — | ||
| 3-6 | Manon Lescaut, SC 64 (Excerpts): Sola, perduta, abbandonata | — | ||
| 3-7 | Suor Angelica, SC 87: Senza mamma, o bimbo | — | ||
| 3-8 | Tosca, SC 69: Vissi d’arte | — | ||
| 3-9 | Madama Butterfly, SC 74 (Excerpts): Un bel dì vedremo | — | ||
| 3-10 | Madama Butterfly, SC 74 (Excerpts): Che tua madre | — | ||
| 3-11 | Madama Butterfly, SC 74 (Excerpts): Tu? Tu? Piccolo iddio | — | ||
| 3-12 | Turandot, SC 91 (Excerpts): Signore, ascolta | — | ||
| 3-13 | Turandot, SC 91 (Excerpts): Tu che di gel sei cinta | — | ||
| 3-14 | Turandot, SC 91 (Excerpts): In questa reggia | — | ||
| 4-1 | Eugene Onegin, op. 24, TH 5 (Excerpts): Nun ist’s genug geschwatzt | — | ||
| 4-2 | Eugene Onegin, op. 24, TH 5 (Excerpts): Und sei’s mein Untergang | — | ||
| 4-3 | Eugene Onegin, op. 24, TH 5 (Excerpts): Ach, es weicht das Dunkel | — | ||
| 4-4 | Die Jungfrau von Orleans, TH 6 (Excerpts): Vorspiel | — | ||
| 4-5 | Die Jungfrau von Orleans, TH 6 (Excerpts): Ja, so will’s Gott | — | ||
| 4-6 | Mazeppa, TH 7 (Excerpts): Die Schlacht bei Poltawa | — | ||
| 4-7 | Mazeppa, TH 7 (Excerpts): Schlaf mein Kindchen ein und träume | — | ||
| 4-8 | Mazeppa, TH 7 (Excerpts): Gopak | — | ||
| 4-9 | Die Zauberin, TH 9 (Excerpts): Wenn vom Hügel dort in das Tal ihr schaut | — | ||
| 4-10 | Die Zauberin, TH 9 (Excerpts): Du bist mir fern, mein Geliebter | — | ||
| 4-11 | Pique Dame, op. 68, TH 10 (Excerpts): Voll Unruh’ all mein Sehnen | — | ||
| 4-12 | Pique Dame, op. 68, TH 10 (Excerpts): Bald ist es Mitternacht | — | ||
| 4-13 | Jolanthe, op. 69, TH 11 (Excerpts): Vorspiel | — | ||
| 4-14 | Jolanthe, op. 69, TH 11 (Excerpts): Warum kannt in früheren Tagen | — | ||
| 5-1 | Wesendonk Lieder, WWV 91: no. 1 "Der Engel" - "In der Kindheit frühen Tagen" | — | ||
| 5-2 | Wesendonk Lieder, WWV 91: no. 2, "Stehe still!" - "Sausendes, brausendes Rad der Zeit" | — | ||
| 5-3 | Wesendonk Lieder, WWV 91: no. 3, "Im Treibhaus" - "Hochgewölbte Blätterkronen" | — | ||
| 5-4 | Wesendonk Lieder, WWV 91: no. 4, "Schmerzen" - "Sonne, weinest jeden Abend dir die schönen" | — | ||
| 5-5 | Wesendonk Lieder, WWV 91: no. 5, "Traume" - "Sag, welch wunderbare Träume" | — | ||
| 5-6 | Tristan und Isolde, WWV 90: Vorspiel zum 1. Aufzug | — | ||
| 5-7 | Tristan und Isolde, WWV 90: Isoldes Liebestod "Mild und leise" | — | ||
| 5-8 | Die Götterdämmerung, WWV 86d: Siegfrieds Rheinfahrt | — | ||
| 5-9 | Die Götterdämmerung, WWV 86d: Brünnhildes Schlußgesang "Starke Scheite schichtet mir dort" | — | ||
| 6-1 | Salome, op. 54, TrV 215: Ah! Du wolltest mich nicht deinen Mund küssen lassen, Jochanaan! | — | ||
| 6-2 | Ariadne auf Naxos, op. 60, TrV 228a (Excerpts): Overture | — | ||
| 6-3 | Ariadne auf Naxos, op. 60, TrV 228a (Excerpts): Ein Schönes war, hieß Theseus | — | ||
| 6-4 | Ariadne auf Naxos, op. 60, TrV 228a (Excerpts): Es gibt ein Reich, wo alles rein ist | — | ||
| 6-5 | Die Liebe der Danae, op. 83, TrV 278 (Excerpts): Interlude. Aufzug | — | ||
| 6-6 | Die Liebe der Danae, op. 83, TrV 278 (Excerpts): Wie umgibst du mich mit Frieden | — | ||
| 6-7 | Capriccio, op. 85, TrV 279 (Excerpts): Mondscheinmusik | — | ||
| 6-8 | Capriccio, op. 85, TrV 279 (Excerpts): Wo ist mein Bruder? | — | ||
| 6-9 | Capriccio, op. 85, TrV 279 (Excerpts): Kein Andres, das mir so im Herzen loht | — | ||
| 6-10 | Arabella, op. 79, TrV 263 (Excerpts): Er ist der Richtige nicht für mich. | — | ||
| 6-11 | Arabella, op. 79, TrV 263 (Excerpts): Das war sehr gut, Mandryka | — | ||
| 7-1 | Gli amori di Teolinda: I. Introduzione. Andante | — | ||
| 7-2 | Gli amori di Teolinda: II. Cavatina. Andante | — | ||
| 7-3 | Gli amori di Teolinda: III. Recitativo. Allegro | — | ||
| 7-4 | Gli amori di Teolinda: IV. Allegro moderato | — | ||
| 7-5 | Gli amori di Teolinda: V. Coro dei pastori. Allegro con moto | — | ||
| 7-6 | Gli amori di Teolinda: VI. Recitativo. Allegro | — | ||
| 7-7 | Gli amori di Teolinda: VII. Andante com variazioni | — | ||
| 7-8 | Gli amori di Teolinda: VIII. Allegro molto moderato | — | ||
| 7-9 | Olimpie (Excerpts): Mais, quel trouble inconnu s’empare de mes sens ? | — | ||
| 7-10 | Olimpie (Excerpts): O reine ! Accomplissez le serment qui vous lie ! | — | ||
| 7-11 | Olimpie (Excerpts): Cassandre est libre | — | ||
| 7-12 | Olimpie (Excerpts): Viens ! Suis‐moi ! | — | ||
| 7-13 | Jessonda, WoO 53 (Excerpts): Als in mitternach’ger Stunde | — | ||
| 7-14 | Jessonda, WoO 53 (Excerpts): Ich hatt’ entsagt der Erde Freuden | — | ||
| 7-15 | Jessonda, WoO 53 (Excerpts): Mein Schritt, beflügelt von Entzücken | — | ||
| 8-1 | Ridente la calma (Attrib. Mozart’s K. 152) | — | ||
| 8-2 | Oiseaux, si tous les ans, K. 307 | — | ||
| 8-3 | Dans un bois solitaire, K. 308 | — | ||
| 8-4 | Das Veilchen, K. 476 | — | ||
| 8-5 | An die Einsamkeit, K. 391 | — | ||
| 8-6 | Der Zauberer, K. 472 | — | ||
| 8-7 | Als Luise die Briefe, K. 520 | — | ||
| 8-8 | Un moto di gioia mi sento, K. 579 | — | ||
| 8-9 | Abendempfindung, K. 523 | — | ||
| 8-10 | Die Alte, K. 517 | — | ||
| 8-11 | 3 Lieder, op. 29, TrV 172: no. 2, Schlagende Herzen | — | ||
| 8-12 | 6 Lieder, op. 68, TrV 235 (Excerpts): no. 2, Ich wollt ein Sträußlein binden | — | ||
| 8-13 | 6 Lieder, op. 68, TrV 235 (Excerpts: no. 3, Säusle, liebe Myrthe | — | ||
| 8-14 | 5 Lieder, op. 39, TrV 189: no. 4, Befreit | — | ||
| 8-15 | 6 Lieder, op. 37, TrV 187: no. 3, Meinem Kinde | — | ||
| 8-16 | 8 Lieder, op. 49, TrV 204: no. 1, Waldseligkeit | — | ||
| 8-17 | 5 Kleine Lieder, op. 69, TrV 237: no. 5, Schlechtes Wetter | — | ||
| 8-18 | 6 Lieder, op. 56, TrV 220: no. 5, Frühlingsfeier | — | ||
| 9-1 | I Should Like in a Single Word, TH 100 no. 1 (Arr. for Soprano & Piano) | — | ||
| 9-2 | 6 Romances, op. 6, TH 93 (Excerpts): no. 1, Glaube nicht, mein Freund | — | ||
| 9-3 | 6 Romances, op. 6, TH 93 (Excerpts): no. 5, Warum sind denn die Rosen so blaß? | — | ||
| 9-4 | 6 Romances, op. 28, TH 99: no. 3, Warum? | — | ||
| 9-5 | 7 Romances, op. 47, TH 103 (Excerpts): no. 1, Wenn ich das gewusst hätte | — | ||
| 9-6 | 7 Romances, op. 47, TH 103 (Excerpts): no. 2, Die Seele schwebt langsam gen Himmel | — | ||
| 9-7 | 6 Romances, op. 73, TH 109: no. 1, Wir saßen zusammen | — | ||
| 9-8 | 6 Romances, op. 73, TH 109: no. 2, Die Nacht | — | ||
| 9-9 | 6 Romances, op. 73, TH 109: no. 3, In der mondklaren Nacht | — | ||
| 9-10 | 6 Romances, op. 73, TH 109: no. 4, Die Sonne ist untergegangen | — | ||
| 9-11 | 6 Romances, op. 73, TH 109: no. 5, An finsteren Tagen | — | ||
| 9-12 | 6 Romances, op. 73, TH 109: no. 6, Wieder bin ich, wie früher, allein | — | ||
| 9-13 | 6 Mélodies, op. 65, TH 108: no. 1, Sérénade | — | ||
| 9-14 | 6 Mélodies, op. 65, TH 108: no. 2, Déception | — | ||
| 9-15 | 6 Mélodies, op. 65, TH 108: no. 3, Sérénade | — | ||
| 9-16 | 6 Mélodies, op. 65, TH 108: no. 4, Qu’importe que l’hiver | — | ||
| 9-17 | 6 Mélodies, op. 65, TH 108: no. 5, Les larmes | — | ||
| 9-18 | 6 Mélodies, op. 65, TH 108: no. 6, Rondel | — | ||
| 10-1 | 6 Gesänge, op. 154: no. 1, Abendfeier | — | ||
| 10-2 | 6 Gesänge, op. 154: no. 2, Jagdlied | — | ||
| 10-3 | 6 Gesänge, op. 154: no. 3, Tone | — | ||
| 10-4 | 6 Gesänge, op. 154: no. 4, Erlkonig | — | ||
| 10-5 | 6 Gesänge, op. 154: no. 5, Der Spielmann und seine Geige | — | ||
| 10-6 | 6 Gesänge, op. 154: no. 6, Abendstille | — | ||
| 10-7 | 6 Deutsche Lieder, op. 25 (Excerpts): no. 2, Schottisch Lied | — | ||
| 10-8 | 6 Deutsche Lieder, op. 25 (Excerpts): no. 5, Zigeunerlied | — | ||
| 10-9 | 6 Lieder, op. 37: no. 6, Lied beim Rundetanz | — | ||
| 10-10 | 6 Lieder, op. 41: no. 6, Vanitas! Vanitatum vanitas | — | ||
| 10-11 | 6 Lieder, op. 72: no. 6, Schlaflied | — | ||
| 10-12 | 6 Lieder, op. 41: no. 3, An Mignon | — | ||
| 10-13 | 6 Lieder, op. 103: no. 1, Sei still mein Herz | — | ||
| 10-14 | 6 Lieder, op. 103: no. 2, Zwiegesang | — | ||
| 10-15 | 6 Lieder, op. 103: no. 3, Sehnsucht | — | ||
| 10-16 | 6 Lieder, op. 103: no. 4, Wiegenlied | — | ||
| 10-17 | 6 Lieder, op. 103: no. 5, Das heimliche Lied | — | ||
| 10-18 | 6 Lieder, op. 103: no. 6, Wach auf | — |
Nabucco: Ben io t’invenni
—
Il trovatore (Excerpts): Tace la notte!
—
Il trovatore (Excerpts): Timor di me?
—
La traviata (Excerpts): È strano! È strano!
—
La traviata (Excerpts): Teneste la promessa
—
Un ballo in maschera (Excerpts): Ecco l’orrido campo
—
Un ballo in maschera (Excerpts): Morrò, ma prima in grazia
—
La forza del destino: Pace, pace, mio Dio!
—
Macbeth (Excerpts): Ambizioso spirto
—
Macbeth (Excerpts): La luce langue
—
Macbeth (Excerpts): Una macchia è qui tuttora
—
Don Carlo: Tu che le vanità conoscesti del mondo
—
Aïda (Excerpts): Ritorna vincitor!
—
Aïda (Excerpts): Qui Radamès verrà!
—
Otello: Era più calmo?
—
La rondine, SC 83: Chi il bel sogno di Doretta
—
La Bohème, SC 67 (Excerpts): Sì, mi chiamano Mimì
—
La Bohème, SC 67 (Excerpts): D’onde lieta uscì
—
Gianni Schicchi, SC 88: Oh! Mio babbino caro
—
Manon Lescaut, SC 64 (Excerpts): In quelle trine morbide
—
Manon Lescaut, SC 64 (Excerpts): Sola, perduta, abbandonata
—
Suor Angelica, SC 87: Senza mamma, o bimbo
—
Tosca, SC 69: Vissi d’arte
—
Madama Butterfly, SC 74 (Excerpts): Un bel dì vedremo
—
Madama Butterfly, SC 74 (Excerpts): Che tua madre
—
Madama Butterfly, SC 74 (Excerpts): Tu? Tu? Piccolo iddio
—
Turandot, SC 91 (Excerpts): Signore, ascolta
—
Turandot, SC 91 (Excerpts): Tu che di gel sei cinta
—
Turandot, SC 91 (Excerpts): In questa reggia
—
Eugene Onegin, op. 24, TH 5 (Excerpts): Nun ist’s genug geschwatzt
—
Eugene Onegin, op. 24, TH 5 (Excerpts): Und sei’s mein Untergang
—
Eugene Onegin, op. 24, TH 5 (Excerpts): Ach, es weicht das Dunkel
—
Die Jungfrau von Orleans, TH 6 (Excerpts): Vorspiel
—
Die Jungfrau von Orleans, TH 6 (Excerpts): Ja, so will’s Gott
—
Mazeppa, TH 7 (Excerpts): Die Schlacht bei Poltawa
—
Mazeppa, TH 7 (Excerpts): Schlaf mein Kindchen ein und träume
—
Mazeppa, TH 7 (Excerpts): Gopak
—
Die Zauberin, TH 9 (Excerpts): Wenn vom Hügel dort in das Tal ihr schaut
—
Die Zauberin, TH 9 (Excerpts): Du bist mir fern, mein Geliebter
—
Pique Dame, op. 68, TH 10 (Excerpts): Voll Unruh’ all mein Sehnen
—
Pique Dame, op. 68, TH 10 (Excerpts): Bald ist es Mitternacht
—
Jolanthe, op. 69, TH 11 (Excerpts): Vorspiel
—
Jolanthe, op. 69, TH 11 (Excerpts): Warum kannt in früheren Tagen
—
Wesendonk Lieder, WWV 91: no. 1 "Der Engel" - "In der Kindheit frühen Tagen"
—
Wesendonk Lieder, WWV 91: no. 2, "Stehe still!" - "Sausendes, brausendes Rad der Zeit"
—
Wesendonk Lieder, WWV 91: no. 3, "Im Treibhaus" - "Hochgewölbte Blätterkronen"
—
Wesendonk Lieder, WWV 91: no. 4, "Schmerzen" - "Sonne, weinest jeden Abend dir die schönen"
—
Wesendonk Lieder, WWV 91: no. 5, "Traume" - "Sag, welch wunderbare Träume"
—
Tristan und Isolde, WWV 90: Vorspiel zum 1. Aufzug
—
Tristan und Isolde, WWV 90: Isoldes Liebestod "Mild und leise"
—
Die Götterdämmerung, WWV 86d: Siegfrieds Rheinfahrt
—
Die Götterdämmerung, WWV 86d: Brünnhildes Schlußgesang "Starke Scheite schichtet mir dort"
—
Salome, op. 54, TrV 215: Ah! Du wolltest mich nicht deinen Mund küssen lassen, Jochanaan!
—
Ariadne auf Naxos, op. 60, TrV 228a (Excerpts): Overture
—
Ariadne auf Naxos, op. 60, TrV 228a (Excerpts): Ein Schönes war, hieß Theseus
—
Ariadne auf Naxos, op. 60, TrV 228a (Excerpts): Es gibt ein Reich, wo alles rein ist
—
Die Liebe der Danae, op. 83, TrV 278 (Excerpts): Interlude. Aufzug
—
Die Liebe der Danae, op. 83, TrV 278 (Excerpts): Wie umgibst du mich mit Frieden
—
Capriccio, op. 85, TrV 279 (Excerpts): Mondscheinmusik
—
Capriccio, op. 85, TrV 279 (Excerpts): Wo ist mein Bruder?
—
Capriccio, op. 85, TrV 279 (Excerpts): Kein Andres, das mir so im Herzen loht
—
Arabella, op. 79, TrV 263 (Excerpts): Er ist der Richtige nicht für mich.
—
Arabella, op. 79, TrV 263 (Excerpts): Das war sehr gut, Mandryka
—
Gli amori di Teolinda: I. Introduzione. Andante
—
Gli amori di Teolinda: II. Cavatina. Andante
—
Gli amori di Teolinda: III. Recitativo. Allegro
—
Gli amori di Teolinda: IV. Allegro moderato
—
Gli amori di Teolinda: V. Coro dei pastori. Allegro con moto
—
Gli amori di Teolinda: VI. Recitativo. Allegro
—
Gli amori di Teolinda: VII. Andante com variazioni
—
Gli amori di Teolinda: VIII. Allegro molto moderato
—
Olimpie (Excerpts): Mais, quel trouble inconnu s’empare de mes sens ?
—
Olimpie (Excerpts): O reine ! Accomplissez le serment qui vous lie !
—
Olimpie (Excerpts): Cassandre est libre
—
Olimpie (Excerpts): Viens ! Suis‐moi !
—
Jessonda, WoO 53 (Excerpts): Als in mitternach’ger Stunde
—
Jessonda, WoO 53 (Excerpts): Ich hatt’ entsagt der Erde Freuden
—
Jessonda, WoO 53 (Excerpts): Mein Schritt, beflügelt von Entzücken
—
Ridente la calma (Attrib. Mozart’s K. 152)
—
Oiseaux, si tous les ans, K. 307
—
Dans un bois solitaire, K. 308
—
Das Veilchen, K. 476
—
An die Einsamkeit, K. 391
—
Der Zauberer, K. 472
—
Als Luise die Briefe, K. 520
—
Un moto di gioia mi sento, K. 579
—
Abendempfindung, K. 523
—
Die Alte, K. 517
—
3 Lieder, op. 29, TrV 172: no. 2, Schlagende Herzen
—
6 Lieder, op. 68, TrV 235 (Excerpts): no. 2, Ich wollt ein Sträußlein binden
—
6 Lieder, op. 68, TrV 235 (Excerpts: no. 3, Säusle, liebe Myrthe
—
5 Lieder, op. 39, TrV 189: no. 4, Befreit
—
6 Lieder, op. 37, TrV 187: no. 3, Meinem Kinde
—
8 Lieder, op. 49, TrV 204: no. 1, Waldseligkeit
—
5 Kleine Lieder, op. 69, TrV 237: no. 5, Schlechtes Wetter
—
6 Lieder, op. 56, TrV 220: no. 5, Frühlingsfeier
—
I Should Like in a Single Word, TH 100 no. 1 (Arr. for Soprano & Piano)
—
6 Romances, op. 6, TH 93 (Excerpts): no. 1, Glaube nicht, mein Freund
—
6 Romances, op. 6, TH 93 (Excerpts): no. 5, Warum sind denn die Rosen so blaß?
—
6 Romances, op. 28, TH 99: no. 3, Warum?
—
7 Romances, op. 47, TH 103 (Excerpts): no. 1, Wenn ich das gewusst hätte
—
7 Romances, op. 47, TH 103 (Excerpts): no. 2, Die Seele schwebt langsam gen Himmel
—
6 Romances, op. 73, TH 109: no. 1, Wir saßen zusammen
—
6 Romances, op. 73, TH 109: no. 2, Die Nacht
—
6 Romances, op. 73, TH 109: no. 3, In der mondklaren Nacht
—
6 Romances, op. 73, TH 109: no. 4, Die Sonne ist untergegangen
—
6 Romances, op. 73, TH 109: no. 5, An finsteren Tagen
—
6 Romances, op. 73, TH 109: no. 6, Wieder bin ich, wie früher, allein
—
6 Mélodies, op. 65, TH 108: no. 1, Sérénade
—
6 Mélodies, op. 65, TH 108: no. 2, Déception
—
6 Mélodies, op. 65, TH 108: no. 3, Sérénade
—
6 Mélodies, op. 65, TH 108: no. 4, Qu’importe que l’hiver
—
6 Mélodies, op. 65, TH 108: no. 5, Les larmes
—
6 Mélodies, op. 65, TH 108: no. 6, Rondel
—
6 Gesänge, op. 154: no. 1, Abendfeier
—
6 Gesänge, op. 154: no. 2, Jagdlied
—
6 Gesänge, op. 154: no. 3, Tone
—
6 Gesänge, op. 154: no. 4, Erlkonig
—
6 Gesänge, op. 154: no. 5, Der Spielmann und seine Geige
—
6 Gesänge, op. 154: no. 6, Abendstille
—
6 Deutsche Lieder, op. 25 (Excerpts): no. 2, Schottisch Lied
—
6 Deutsche Lieder, op. 25 (Excerpts): no. 5, Zigeunerlied
—
6 Lieder, op. 37: no. 6, Lied beim Rundetanz
—
6 Lieder, op. 41: no. 6, Vanitas! Vanitatum vanitas
—
6 Lieder, op. 72: no. 6, Schlaflied
—
6 Lieder, op. 41: no. 3, An Mignon
—
6 Lieder, op. 103: no. 1, Sei still mein Herz
—
6 Lieder, op. 103: no. 2, Zwiegesang
—
6 Lieder, op. 103: no. 3, Sehnsucht
—
6 Lieder, op. 103: no. 4, Wiegenlied
—
6 Lieder, op. 103: no. 5, Das heimliche Lied
—
6 Lieder, op. 103: no. 6, Wach auf
—
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What is UPC 4011790210865?
4011790210865 is a Universal Product Code (UPC) assigned to The Orfeo Recordings by Júlia Várady. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 132 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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