UPC · Release
Don Quixote / Sonata for Cello and Piano / Songs, op. 10 and op. 32
Richard Strauss, Daniel Müller‐Schott, Melbourne Symphony Orchestra, Sir Andrew Davis
4011790968124
19 tracksReleased 2019-01-01Orfeo (2)
Last verified:
4011790968124 is the Universal Product Code (UPC barcode) for the release “Don Quixote / Sonata for Cello and Piano / Songs, op. 10 and op. 32” by Richard Strauss, Daniel Müller‐Schott, Melbourne Symphony Orchestra, Sir Andrew Davis, released 2019-01-01 on Orfeo (2). UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 19 tracks, each with its own ISRC. Tracks include DEB951998601, DEB951998602, DEB951998603.
Format
401GS1 prefix
1790Company prefix
96812Product
4Check digit
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCDon Quixote / Sonata for Cello and Piano / Songs, op. 10 and op. 32
ISRC19 recordings
Track List (19)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Sonate für Violoncello und Klavier F-Dur, op. 6, TrV 115: I. Allegro con brio | Daniel Müller-Schott, Herbert Schuch | — | |
| 2 | Sonate für Violoncello und Klavier F-Dur, op. 6, TrV 115: II. Andante ma non troppo | Daniel Müller-Schott, Herbert Schuch | — | |
| 3 | Sonate für Violoncello und Klavier F-Dur, op. 6, TrV 115: III. Finale. Allegro vivo | Daniel Müller-Schott, Herbert Schuch | — | |
| 4 | Zueignung, op. 10 Nr. 1, TrV 141 | Daniel Müller-Schott, Herbert Schuch | — | |
| 5 | Ich trage meine Minne, op. 32 Nr. 1, TrV 174 | Daniel Müller-Schott, Herbert Schuch | — | |
| 6 | Don Quixote, op. 35, TrV 184: Introduktion | Daniel Müller-Schott, Herbert Schuch, Christopher Moore, Melbourne Symphony Orchestra, Sir Andrew Davis | — | |
| 7 | Don Quixote, op. 35, TrV 184: Thema: Don Quixote, der Ritter von der traurigen Gestalt | Daniel Müller-Schott, Herbert Schuch, Christopher Moore, Melbourne Symphony Orchestra, Sir Andrew Davis | — | |
| 8 | Don Quixote, op. 35, TrV 184: Maggiore: Sancho Panze | Daniel Müller-Schott, Herbert Schuch, Christopher Moore, Melbourne Symphony Orchestra, Sir Andrew Davis | — | |
| 9 | Don Quixote, op. 35, TrV 184: Variation 1: Das Abenteuer mit den Windmühlen | Daniel Müller-Schott, Herbert Schuch, Christopher Moore, Melbourne Symphony Orchestra, Sir Andrew Davis | — | |
| 10 | Don Quixote, op. 35, TrV 184: Variation 2: Der Kampf gegen die Hammelherde | Daniel Müller-Schott, Herbert Schuch, Christopher Moore, Melbourne Symphony Orchestra, Sir Andrew Davis | — | |
| 11 | Don Quixote, op. 35, TrV 184: Variation 3: Gespräch zwischen Ritter und Knappe | Daniel Müller-Schott, Herbert Schuch, Christopher Moore, Melbourne Symphony Orchestra, Sir Andrew Davis | — | |
| 12 | Don Quixote, op. 35, TrV 184: Variation 4: Das Abenteuer mit der Prozession von Büßern | Daniel Müller-Schott, Herbert Schuch, Christopher Moore, Melbourne Symphony Orchestra, Sir Andrew Davis | — | |
| 13 | Don Quixote, op. 35, TrV 184: Variation 5: Don Quixotes Wacht in der Sommernacht | Daniel Müller-Schott, Herbert Schuch, Christopher Moore, Melbourne Symphony Orchestra, Sir Andrew Davis | — | |
| 14 | Don Quixote, op. 35, TrV 184: Variation 6: Die verzauberte Dulzinea | Daniel Müller-Schott, Herbert Schuch, Christopher Moore, Melbourne Symphony Orchestra, Sir Andrew Davis | — | |
| 15 | Don Quixote, op. 35, TrV 184: Variation 7: Der Ritt durch die Luft | Daniel Müller-Schott, Herbert Schuch, Christopher Moore, Melbourne Symphony Orchestra, Sir Andrew Davis | — | |
| 16 | Don Quixote, op. 35, TrV 184: Variation 8: Die Fahrt auf dem verzauberten Nachen | Daniel Müller-Schott, Herbert Schuch, Christopher Moore, Melbourne Symphony Orchestra, Sir Andrew Davis | — | |
| 17 | Don Quixote, op. 35, TrV 184: Variation 9: Der Kampf gegen die vermeintlichen Zauberer – der Angriff auf die Mönche | Daniel Müller-Schott, Herbert Schuch, Christopher Moore, Melbourne Symphony Orchestra, Sir Andrew Davis | — | |
| 18 | Don Quixote, op. 35, TrV 184: Variation 10: Zweikampf mit dem Ritter vom blanken Monde: Heimkehr des geschlagenen Don Quixote | Daniel Müller-Schott, Herbert Schuch, Christopher Moore, Melbourne Symphony Orchestra, Sir Andrew Davis | — | |
| 19 | Don Quixote, op. 35, TrV 184: Finale: Don Quixote’s Tod | Daniel Müller-Schott, Herbert Schuch, Christopher Moore, Melbourne Symphony Orchestra, Sir Andrew Davis | — |
Sonate für Violoncello und Klavier F-Dur, op. 6, TrV 115: I. Allegro con brio
Daniel Müller-Schott, Herbert Schuch
—
Sonate für Violoncello und Klavier F-Dur, op. 6, TrV 115: II. Andante ma non troppo
Daniel Müller-Schott, Herbert Schuch
—
Sonate für Violoncello und Klavier F-Dur, op. 6, TrV 115: III. Finale. Allegro vivo
Daniel Müller-Schott, Herbert Schuch
—
Zueignung, op. 10 Nr. 1, TrV 141
Daniel Müller-Schott, Herbert Schuch
—
Ich trage meine Minne, op. 32 Nr. 1, TrV 174
Daniel Müller-Schott, Herbert Schuch
—
Don Quixote, op. 35, TrV 184: Introduktion
Daniel Müller-Schott, Herbert Schuch, Christopher Moore, Melbourne Symphony Orchestra, Sir Andrew Davis
—
Don Quixote, op. 35, TrV 184: Thema: Don Quixote, der Ritter von der traurigen Gestalt
Daniel Müller-Schott, Herbert Schuch, Christopher Moore, Melbourne Symphony Orchestra, Sir Andrew Davis
—
Don Quixote, op. 35, TrV 184: Maggiore: Sancho Panze
Daniel Müller-Schott, Herbert Schuch, Christopher Moore, Melbourne Symphony Orchestra, Sir Andrew Davis
—
Don Quixote, op. 35, TrV 184: Variation 1: Das Abenteuer mit den Windmühlen
Daniel Müller-Schott, Herbert Schuch, Christopher Moore, Melbourne Symphony Orchestra, Sir Andrew Davis
—
Don Quixote, op. 35, TrV 184: Variation 2: Der Kampf gegen die Hammelherde
Daniel Müller-Schott, Herbert Schuch, Christopher Moore, Melbourne Symphony Orchestra, Sir Andrew Davis
—
Don Quixote, op. 35, TrV 184: Variation 3: Gespräch zwischen Ritter und Knappe
Daniel Müller-Schott, Herbert Schuch, Christopher Moore, Melbourne Symphony Orchestra, Sir Andrew Davis
—
Don Quixote, op. 35, TrV 184: Variation 4: Das Abenteuer mit der Prozession von Büßern
Daniel Müller-Schott, Herbert Schuch, Christopher Moore, Melbourne Symphony Orchestra, Sir Andrew Davis
—
Don Quixote, op. 35, TrV 184: Variation 5: Don Quixotes Wacht in der Sommernacht
Daniel Müller-Schott, Herbert Schuch, Christopher Moore, Melbourne Symphony Orchestra, Sir Andrew Davis
—
Don Quixote, op. 35, TrV 184: Variation 6: Die verzauberte Dulzinea
Daniel Müller-Schott, Herbert Schuch, Christopher Moore, Melbourne Symphony Orchestra, Sir Andrew Davis
—
Don Quixote, op. 35, TrV 184: Variation 7: Der Ritt durch die Luft
Daniel Müller-Schott, Herbert Schuch, Christopher Moore, Melbourne Symphony Orchestra, Sir Andrew Davis
—
Don Quixote, op. 35, TrV 184: Variation 8: Die Fahrt auf dem verzauberten Nachen
Daniel Müller-Schott, Herbert Schuch, Christopher Moore, Melbourne Symphony Orchestra, Sir Andrew Davis
—
Don Quixote, op. 35, TrV 184: Variation 9: Der Kampf gegen die vermeintlichen Zauberer – der Angriff auf die Mönche
Daniel Müller-Schott, Herbert Schuch, Christopher Moore, Melbourne Symphony Orchestra, Sir Andrew Davis
—
Don Quixote, op. 35, TrV 184: Variation 10: Zweikampf mit dem Ritter vom blanken Monde: Heimkehr des geschlagenen Don Quixote
Daniel Müller-Schott, Herbert Schuch, Christopher Moore, Melbourne Symphony Orchestra, Sir Andrew Davis
—
Don Quixote, op. 35, TrV 184: Finale: Don Quixote’s Tod
Daniel Müller-Schott, Herbert Schuch, Christopher Moore, Melbourne Symphony Orchestra, Sir Andrew Davis
—
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What is UPC 4011790968124?
4011790968124 is a Universal Product Code (UPC) assigned to Don Quixote / Sonata for Cello and Piano / Songs, op. 10 and op. 32 by Richard Strauss, Daniel Müller‐Schott, Melbourne Symphony Orchestra, Sir Andrew Davis. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 19 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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