UPC · Release
Die Verratenen
Ursula Poznanski, Julia Nachtmann
Last verified:
4012144299727 is the Universal Product Code (UPC barcode) for the release “Die Verratenen” by Ursula Poznanski, Julia Nachtmann, released 2012-10-24. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 67 tracks, each with its own ISRC.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Track List (67)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Verluste | — | ||
| 2 | Ohne Farben | — | ||
| 3 | Die Sphäre Hoffnung, Teil 1 | — | ||
| 4 | Die Sphäre Hoffnung, Teil 2 | — | ||
| 5 | Prims | — | ||
| 6 | Jordans Chronik, Teil 1 | — | ||
| 7 | Jordans Chronik, Teil 2 | — | ||
| 8 | Nummern werden zu Namen | — | ||
| 9 | Verschwörung, Teil 1 | — | ||
| 10 | Verschwörung, Teil 2 | — | ||
| 11 | Nr. 1 - Aureljo, Teil 1 | — | ||
| 12 | Nr. 1 - Aureljo, Teil 2 | — | ||
| 13 | Nr. 89 - Tycho | — | ||
| 14 | Grauko | — | ||
| 15 | Wir sind die Elite | — | ||
| 2-1 | Eine besondere Ehre, Teil 1 | — | ||
| 2-2 | Eine besondere Ehre, Teil 2 | — | ||
| 2-3 | Eine Reise ins Ungewisse | — | ||
| 2-4 | Die Flucht, Teil 1 | — | ||
| 2-5 | Die Flucht, Teil 2 | — | ||
| 2-6 | Die Flucht, Teil 3 | — | ||
| 2-7 | Den Tod vor Augen, Teil 1 | — | ||
| 2-8 | Den Tod vor Augen, Teil 2 | — | ||
| 2-9 | Die Wahrheit, Teil 1 | — | ||
| 2-10 | Die Wahrheit, Teil 2 | — | ||
| 2-11 | Der Unterschlupf, Teil 1 | — | ||
| 2-12 | Der Unterschlupf, Teil 2 | — | ||
| 2-13 | Der Unterschlupf, Teil 3 | — | ||
| 2-14 | Der Unterschlupf, Teil 4 | — | ||
| 2-15 | Der Unterschlupf, Teil 5 | — | ||
| 3-1 | Fahnder, Teil 1 | — | ||
| 3-2 | Fahnder, Teil 2 | — | ||
| 3-3 | Lieblinge des Schicksals, Teil 1 | — | ||
| 3-4 | Lieblinge des Schicksals, Teil 2 | — | ||
| 3-5 | Lieblinge des Schicksals, Teil 3 | — | ||
| 3-6 | Verräter | — | ||
| 3-7 | Angriff der Scharten, Teil 1 | — | ||
| 3-8 | Angriff der Scharten, Teil 2 | — | ||
| 3-9 | Hoffnung | — | ||
| 3-10 | Zeichen deuten, Teil 1 | — | ||
| 3-11 | Zeichen deuten, Teil 2 | — | ||
| 3-12 | Der Schwarzdorn-Clan, Teil 1 | — | ||
| 3-13 | Der Schwarzdorn-Clan, Teil 2 | — | ||
| 4-1 | Der Überfall, Teil 1 | — | ||
| 4-2 | Der Überfall, Teil 2 | — | ||
| 4-3 | Der Überfall, Teil 3 | — | ||
| 4-4 | Der Überfall, Teil 4 | — | ||
| 4-5 | Der Überfall, Teil 5 | — | ||
| 4-6 | Die Todesliste, Teil 1 | — | ||
| 4-7 | Die Todesliste, Teil 2 | — | ||
| 4-8 | Vienna 2, Teil 1 | — | ||
| 4-9 | Vienna 2, Teil 2 | — | ||
| 4-10 | Eine Rückkehr, Teil 1 | — | ||
| 4-11 | Eine Rückkehr, Teil 2 | — | ||
| 4-12 | Sentinel, Teil 1 | — | ||
| 4-13 | Sentinel, Teil 2 | — | ||
| 5-1 | Hinterhalt, Teil 1 | — | ||
| 5-2 | Hinterhalt, Teil 2 | — | ||
| 5-3 | Hinterhalt, Teil 3 | — | ||
| 5-4 | Hinterhalt, Teil 4 | — | ||
| 5-5 | Hinterhalt, Teil 5 | — | ||
| 5-6 | Nr. 32 - Fleming, Teil 1 | — | ||
| 5-7 | Nr. 32 - Fleming, Teil 2 | — | ||
| 5-8 | Nr. 32 - Fleming, Teil 3 | — | ||
| 5-9 | Nr. 32 - Fleming, Teil 4 | — | ||
| 5-10 | Nr. 32 - Fleming, Teil 5 | — | ||
| 5-11 | Im Untergrund | — |
What other identifiers does this connect to?
Creative Contributors (ISNI)
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People also ask
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What is UPC 4012144299727?
4012144299727 is a Universal Product Code (UPC) assigned to Die Verratenen by Ursula Poznanski, Julia Nachtmann. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 67 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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