UPC · Release
Live at the Garden
Alice Cooper
Last verified:
4013268240107 is the Universal Product Code (UPC barcode) for the release “Live at the Garden” by Alice Cooper, released 1994-01-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 16 tracks, each with its own ISRC.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (16)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Welcome to My Nightmare | — | ||
| 2 | Billion Dollar Babies | — | ||
| 3 | No More Mr. Nice Guy | — | ||
| 4 | Be My Lover | — | ||
| 5 | I’m Eighteen | — | ||
| 6 | The World Needs Guts | — | ||
| 7 | Give It Up | — | ||
| 8 | Cold Ethyl | — | ||
| 9 | Only Women Bleed | — | ||
| 10 | Go to Hell | — | ||
| 11 | Ballad of Dwight Fry | — | ||
| 12 | Elected | — | ||
| 13 | Under My Wheels | — | ||
| 14 | Sick Things | — | ||
| 15 | I Love the Dead | — | ||
| 16 | School’s Out | — |
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Credits Graph
People also ask
Verified on
What is UPC 4013268240107?
4013268240107 is a Universal Product Code (UPC) assigned to Live at the Garden by Alice Cooper. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 16 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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