UPC · Release
FMP: Im Rückblick – In Retrospect
Various Artists
Last verified:
4014704020109 is the Universal Product Code (UPC barcode) for the release “FMP: Im Rückblick – In Retrospect” by Various Artists, released 2011-01-01 on FMP. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 85 tracks, each with its own ISRC.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (85)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Marañao | — | ||
| 2 | U‐487 | — | ||
| 3 | Jahrmarkt | — | ||
| 4 | Hanebüchen | — | ||
| 5 | The Forge | — | ||
| 2-1 | Cloudy | — | ||
| 2-2 | Moon | — | ||
| 2-3 | Stabs | — | ||
| 2-4 | No Baby | — | ||
| 2-5 | Deadline | — | ||
| 2-6 | Coastline | — | ||
| 2-7 | The Duck | — | ||
| 2-8 | Esteem | — | ||
| 2-9 | Follies | — | ||
| 3-1 | Messer | — | ||
| 3-2 | Come‐On‐Bert | — | ||
| 3-3 | Göndsi Mitenand | — | ||
| 3-4 | Conn‐Conn | — | ||
| 3-5 | [untitled] | — | ||
| 4-1 | Black Holes | — | ||
| 4-2 | Three Nails Left: For P.L. | — | ||
| 4-3 | The Hidden Peak I | — | ||
| 4-4 | The Hidden Peak II | — | ||
| 4-5 | The Hidden Peak III | — | ||
| 4-6 | The Hidden Peak IV | — | ||
| 4-7 | The Hidden Peak V | — | ||
| 5-1 | Brunches | — | ||
| 5-2 | Two Birds in a Feather | — | ||
| 5-3 | Piece for Two Clarinets | — | ||
| 5-4 | Wolke in Hosen | — | ||
| 5-5 | Der Grieche | — | ||
| 5-6 | Blue Balls | — | ||
| 5-7 | Scrambag | — | ||
| 5-8 | Piece for Two Clarinets | — | ||
| 5-9 | Humpty Dumpty | — | ||
| 5-10 | Jack‐in‐the‐Box | — | ||
| 5-11 | Twee(D)Dldum | — | ||
| 5-12 | Eine kleine Marschmusik | — | ||
| 6-1 | Und? | — | ||
| 6-2 | So | — | ||
| 6-3 | ‘Tis a Point | — | ||
| 6-4 | Cotpotok (Still Valid) | — | ||
| 6-5 | Untitled? | — | ||
| 7-1 | Sharp wie ein F in Berlin | — | ||
| 7-2 | Chiens chauds stimés | — | ||
| 7-3 | Sagen Sie einfach Free Music und es gibt Frühstück | — | ||
| 7-4 | Joost mag het weten | — | ||
| 7-5 | Grote tremolo met klap | — | ||
| 7-6 | Other Piece | — | ||
| 7-7 | Toespraak | — | ||
| 7-8 | Zizque d’anvers voor G.R. uit L. | — | ||
| 7-9 | Prosper Wals | — | ||
| 7-10 | Iest | — | ||
| 7-11 | Twits | — | ||
| 7-12 | Dards | — | ||
| 7-13 | Lest | — | ||
| 8-1 | Close Up/Man | — | ||
| 8-2 | Close Up/Woman | — | ||
| 9-1 | Bounce Nr. 2 (choral) | — | ||
| 9-2 | B‐A‐C‐H | — | ||
| 9-3 | Choral‐Konzert | — | ||
| 9-4 | Dresden Suite (4. Satz) | — | ||
| 10-1 | Ei! | — | ||
| 10-2 | Im | — | ||
| 10-3 | Pro | — | ||
| 10-4 | Vi | — | ||
| 10-5 | Sie | — | ||
| 10-6 | Re | — | ||
| 10-7 | Rei…! | — | ||
| 10-8 | Those Were the Days | — | ||
| 11-1 | Part A | — | ||
| 11-2 | Part B | — | ||
| 11-3 | Part C | — | ||
| 11-4 | Part D | — | ||
| 11-5 | Part E | — | ||
| 11-6 | Part F | — | ||
| 11-7 | Part G | — | ||
| 12-1 | Can | — | ||
| 12-2 | You | — | ||
| 12-3 | Imagine | — | ||
| 12-4 | A Conversation | — | ||
| 12-5 | Between | — | ||
| 12-6 | A Table | — | ||
| 12-7 | And A | — | ||
| 12-8 | Chair? | — |
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Credits Graph
People also ask
Verified on
What is UPC 4014704020109?
4014704020109 is a Universal Product Code (UPC) assigned to FMP: Im Rückblick – In Retrospect by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 85 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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