UPC · Release
Sunshine Live, Vol. 57
Various Artists
Last verified:
4015698005424 is the Universal Product Code (UPC barcode) for the release “Sunshine Live, Vol. 57” by Various Artists, released 2016-04-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 53 tracks, each with its own ISRC. Tracks include DEA621501057, GBCEN1500880, NLF711507083.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (53)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | SUGAR ((FEAT. FRANSESCO YATES)) | ROBIN SCHULZ FEAT. FRANCESCO YATES | T-917.661.576-2 | |
| 3 | Revered | — | ||
| 4 | Thank You (Paolo Ortelli & Luke Degree radio edit) | — | ||
| 5 | She Knows You (Update) | — | ||
| 6 | Chunky | Format:B | T-803.459.143-1 | |
| 7 | Vicious Girl | Calvo | T-803.681.286-0 | |
| 8 | Y I Left U | — | ||
| 9 | Blind | — | ||
| 10 | Share Love | — | ||
| 11 | Chocolate | — | ||
| 12 | Street Sounds | — | ||
| 13 | Pump Up the Jam (radio edit) | Keanu Silva | T-302.768.291-9 | |
| 14 | Keep This Party Rockin’ | — | ||
| 16 | Ooh La La (extended mix) | HI-LO | — | |
| 17 | Dat Disco Swindle | — | ||
| 18 | Got the Love (extended mix) | Don Diablo, Khrebto | T-070.940.902-8 | |
| 19 | Waiting | Oliver Heldens, Throttle | T-061.649.152-1 | |
| 20 | N2U | — | ||
| 2-1 | Get Down | — | ||
| 2-2 | The Power of Now | Steve Aoki, Headhunterz | T-902.862.087-3 | |
| 2-3 | Cuba Libre | — | ||
| 2-4 | Work It | — | ||
| 2-5 | East Clintwood | — | ||
| 2-6 | Harmony | — | ||
| 2-7 | I Can Fly | Jewelz & Sparks | T-803.558.542-4 | |
| 2-8 | In My Head | Galantis | T-917.127.820-9 | |
| 2-9 | Sound Barrier | Coone, Bassjackers, GLDY LX | T-922.812.353-3 | |
| 2-10 | That Bass | — | ||
| 2-11 | Get Down | — | ||
| 2-12 | Save Me (Mainstage radio edit) | — | ||
| 2-13 | Beat Back | — | ||
| 2-14 | Turn It Up | — | ||
| 2-15 | Won’t Stop Rocking | R3hab, Headhunterz | T-925.192.712-5 | |
| 2-16 | Bazaar (Official Sunburn Goa 2015 Anthem) | KSHMR, Marnik | T-919.274.647-7 | |
| 2-17 | Bad Bass (Godzilla) | — | ||
| 2-18 | Reality | — | ||
| 2-19 | Morphine | Thomas Gold, Lush & Simon | T-920.639.346-6 | |
| 2-20 | L’Amour toujours (Tiësto edit) | — | ||
| 3-2 | Ecuador | Sash!, Olly james | T-800.648.962-0 | |
| 3-3 | GIVE ME SOME | Fedde Le Grand, Merk & Kremont | T-061.683.162-9 | |
| 3-4 | Move Right | — | ||
| 3-5 | Afropipe | — | ||
| 3-6 | Bora | — | ||
| 3-8 | Bounce | — | ||
| 3-9 | Infinity (Reloaded) | — | ||
| 3-10 | Count to Ten | — | ||
| 3-11 | Lograre | — | ||
| 3-12 | Freak Out | — | ||
| 3-16 | Fading Memories (official Uptrax winner track) | — | ||
| 3-17 | Into the Stars | — | ||
| 3-18 | Never Forget | — | ||
| 3-19 | Believe in Everything | — | ||
| 3-20 | Embrace | Armin van Buuren, Eric Vloeimans | T-926.218.143-1 |
Additional database matches (3)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| SUGAR (FEAT. FRANCESCO YATES) | GORILLAZ, ROBIN SCHULZ, MEDUZA ROBIN SCHULZ, ROBIN SCHULZ | T-917.661.576-2 |
| SUGAR | VARIOUS ARTISTS | T-917.661.576-2 |
| In My Head | Galantis | T-914.234.414-7 |
What other identifiers does this connect to?
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People also ask
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What is UPC 4015698005424?
4015698005424 is a Universal Product Code (UPC) assigned to Sunshine Live, Vol. 57 by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 53 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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