UPC · Release
hr3 History
Various Artists
4015951041251
56 tracksReleased 1997-01-01Polymedia Special Projects
Last verified:
4015951041251 is the Universal Product Code (UPC barcode) for the release “hr3 History” by Various Artists, released 1997-01-01 on Polymedia Special Projects. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 56 tracks, each with its own ISRC. Tracks include GBAJE7400014, US3M50018014, DKAAS9600606.
Format
401GS1 prefix
5951Company prefix
04125Product
1Check digit
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPChr3 History
ISRC27 recordings
ISWC66 works
IPI12 songwriters
Track List (56)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Kung Fu Fighting | Carl Douglas | T-801.233.026-7 | |
| 2 | Rock and Roll, Part 1 | — | ||
| 3 | Rock and Roll, Part 2 | Gary Glitter | T-010.449.628-7 | |
| 4 | Come On Eileen | Dexys Midnight Runners, The Emerald Express | T-010.478.517-2 | |
| 5 | Fade to Grey | Visage | T-011.375.166-8 | |
| 6 | Tainted Love | Soft Cell | T-070.244.150-6 | |
| 7 | Lessons in Love | — | ||
| 8 | This Flight Tonight | — | ||
| 9 | Wind of Change | Scorpions | T-800.243.707-3 | |
| 10 | Nightshift | Commodores | T-070.154.948-5 | |
| 11 | Don’t Let Me Be Misunderstood | Santa Esmeralda | T-070.261.139-9 | |
| 12 | Daddy Cool | Boney M. | T-801.278.766-6 | |
| 13 | Yé ké yé ké | Mory Kanté | T-003.047.418-0 | |
| 14 | Shake It Up and Dance | — | ||
| 15 | All That She Wants | Ace of Base | — | |
| 16 | Children | Robert Miles | T-005.000.826-8 | |
| 2-1 | Flashdance… What a Feeling | Irene Cara | T-071.393.470-3 | |
| 2-2 | Rock Your Baby | George McCrae | T-030.167.090-5 | |
| 2-3 | Voyage, voyage | Desireless | T-003.049.520-5 | |
| 2-4 | Santa Maria | — | ||
| 2-5 | Guardian Angel | — | ||
| 2-6 | Jessie | Joshua Kadison | T-800.615.197-0 | |
| 2-7 | Would I Lie to You? | Charles & Eddie | T-011.406.461-7 | |
| 2-8 | Love Is Everywhere | Caught in the Act | T-031.542.544-5 | |
| 2-9 | HEART OF GLASS | BLONDIE, VARIOUS ARTISTS | T-070.077.112-5 | |
| 2-10 | Everybody | — | ||
| 2-11 | Let Your Love Flow | The Bellamy Brothers | T-071.000.717-2 | |
| 2-12 | Do You Really Want to Hurt Me | Culture Club | T-070.042.804-1 | |
| 2-13 | Moviestar | Harpo | T-000.166.794-2 | |
| 2-14 | Substitute | Clout | T-070.940.404-5 | |
| 2-15 | Gimme Hope Jo’Anna | Eddy Grant | T-010.558.558-7 | |
| 2-16 | Can the Can | — | ||
| 2-17 | Swing the Mood | Jive Bunny & the Mastermixers | — | |
| 3-1 | Hier! Spielt die Musik | — | ||
| 3-2 | Intro Mittags-Discotheke (Come and Join Us) | — | ||
| 3-3 | Schönen Gruß von Verona | — | ||
| 3-5 | Eine Ansage von Thomas K. | — | ||
| 3-6 | Guten Morgen (Wecker-Marsch) | — | ||
| 3-7 | Pop Muzik | — | ||
| 3-8 | R-U-M-M-S-Thema | — | ||
| 3-9 | Piiep mit Verona und Ede Z. | — | ||
| 3-10 | Ba-Ba-Badesee | — | ||
| 3-11 | The Swingin' Creeper | — | ||
| 3-12 | Being Boiled (Fast version) | The Human League | T-010.472.481-3 | |
| 3-13 | Peter Gunn (live) | — | ||
| 3-14 | Come and Join Us | — | ||
| 3-15 | On the Road | — | ||
| 3-16 | Sabre Dance | Love Sculpture | T-801.025.525-2 | |
| 3-17 | Piiep mit Verona und Udo L. | — | ||
| 3-18 | Surf's Up | — | ||
| 3-19 | Eine Verkehrsdurchsage von Thomas K. | — | ||
| 3-20 | HR 3 Zitter Zitter Mega Mix (single version) | — | ||
| 3-21 | Salsoul 3001 | — | ||
| 3-22 | Top-Time-Thema | — | ||
| 3-23 | Piiep mit Verona und Heiner B. | — | ||
| 3-24 | Outro Mittags-Discotheke (Come and Join Us) | — |
Rock and Roll, Part 1
—
Lessons in Love
—
This Flight Tonight
—
Shake It Up and Dance
—
All That She Wants
Ace of Base
—
Santa Maria
—
Guardian Angel
—
Everybody
—
Can the Can
—
Swing the Mood
Jive Bunny & the Mastermixers
—
Hier! Spielt die Musik
—
Intro Mittags-Discotheke (Come and Join Us)
—
Schönen Gruß von Verona
—
Eine Ansage von Thomas K.
—
Guten Morgen (Wecker-Marsch)
—
Pop Muzik
—
R-U-M-M-S-Thema
—
Piiep mit Verona und Ede Z.
—
Ba-Ba-Badesee
—
The Swingin' Creeper
—
Peter Gunn (live)
—
Come and Join Us
—
On the Road
—
Piiep mit Verona und Udo L.
—
Surf's Up
—
Eine Verkehrsdurchsage von Thomas K.
—
HR 3 Zitter Zitter Mega Mix (single version)
—
Salsoul 3001
—
Top-Time-Thema
—
Piiep mit Verona und Heiner B.
—
Outro Mittags-Discotheke (Come and Join Us)
—
Additional database matches (10)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| All That She Wants | Ace of Base | T-914.149.518-3 |
| All That She Wants | Ace of Base | — |
| All That She Wants | Ace of Base | — |
| Yéké Yéké | Mory Kanté | T-003.047.418-0 |
| Tainted Love / Where Did Our Love Go (original 12″) | Soft Cell | T-070.244.150-6 |
| All That She Wants | Ace of Base | — |
| HEART OF GLASS [BLONDIE] | VARIOUS ARTISTS | T-070.077.112-5 |
| HEART OF GLASS - SPECIAL MIX | BLONDIE | T-070.077.112-5 |
| All That She Wants | Ace of Base | T-914.149.518-3 |
| All That She Wants | Ace of Base | T-914.149.518-3 |
Ace of Base
All That She Wants
Ace of Base
—
All That She Wants
Ace of Base
—
Mory Kanté
All That She Wants
Ace of Base
—
VARIOUS ARTISTS
Ace of Base
Ace of Base
What other identifiers does this connect to?
Musical Works (ISWC)
T-000.166.794-2T-000.166.794-2T-003.047.418-0T-003.049.520-5T-003.047.418-0T-003.049.520-5T-005.000.826-8T-005.000.826-8T-010.472.481-3T-010.478.517-2
+56 more
T-010.558.558-7T-010.388.623-2T-010.449.628-7T-010.454.077-3T-010.471.541-4T-010.472.481-3T-010.478.517-2T-010.558.558-7T-010.879.753-0T-011.375.166-8T-011.406.461-7T-011.349.912-9T-011.375.166-8T-011.406.461-7T-011.761.631-5T-030.167.090-5T-030.167.090-5T-031.542.544-5T-031.542.544-5T-070.042.804-1T-070.154.948-5T-070.244.150-6T-070.261.139-9T-070.940.404-5T-070.042.804-1T-070.077.112-5T-070.154.948-5T-070.244.150-6T-070.261.139-9T-070.278.961-4T-070.886.955-9T-070.940.059-8T-070.940.404-5T-071.000.717-2T-071.393.470-3T-071.000.717-2T-071.393.470-3T-800.243.707-3T-800.615.197-0T-800.098.902-7T-800.243.707-3T-800.372.669-1T-800.615.197-0T-800.751.709-2T-801.025.525-2T-801.233.026-7T-801.278.766-6T-801.025.525-2T-801.233.026-7T-801.278.766-6T-900.233.508-2T-900.776.401-4T-901.015.794-5T-914.729.240-8T-070.077.112-5T-914.149.518-3
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
00000000155382850000000024077548000000006309736500000000710224780000000073671535000000007839105700000000853589090000000095886860000000009954696X0000000101488691
+23 more
0000000107245690000000010941429100000001101481890000000110916387000000011441459500000001145071180000000114796060000000011508089X00000001163253850000000119255060000000011956295X0000000120339202000000012188180200000001219626880000000122538176000000012291088X0000000123216777000000012364910X0000000123699537000000012375337X000000036848140500000003685864180000000439846265
Identifier Graph
People also ask
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What is UPC 4015951041251?
4015951041251 is a Universal Product Code (UPC) assigned to hr3 History by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 56 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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