UPC · Release
Markus Eichenlaub, Organist am Hohen Dom zu Limburg, spielt an der großen Rieger-Orgel der Abteikirche Marienstatt
Felix Mendelssohn Bartholdy, Marco Enrico Bossi, Léon Boëllmann, Markus Eichenlaub
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4017029302219 is the Universal Product Code (UPC barcode) for the release “Markus Eichenlaub, Organist am Hohen Dom zu Limburg, spielt an der großen Rieger-Orgel der Abteikirche Marienstatt” by Felix Mendelssohn Bartholdy, Marco Enrico Bossi, Léon Boëllmann, Markus Eichenlaub, released 1999-01-01 on Diamo. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 30 tracks, each with its own ISRC.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Track List (30)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Sonate Nr. 3 in A-Dur: I. Con moto maestoso | — | ||
| 2 | Sonate Nr. 3 in A-Dur: II. Andante tranquillo | — | ||
| 3 | Thema und Variationen, op. 115: Maestosamente - Thema. Andante affetuoso - Variationen: Stesso tempo / A tempo rubato / Vivacissimo / Sostenuto / Andantino / Allegro / Pastorale finale | — | ||
| 4 | Versets aus Heures Mystiques, op. 30: 1. Allegro, C-Dur | — | ||
| 5 | Versets aus Heures Mystiques, op. 30: 2. Allegretto, c-moll | — | ||
| 6 | Versets aus Heures Mystiques, op. 30: 3. Andante espressivo, cis-moll | — | ||
| 7 | Versets aus Heures Mystiques, op. 30: 4. Andantino, Des-Dur | — | ||
| 8 | Versets aus Heures Mystiques, op. 30: 5. Allegro, D-Dur | — | ||
| 9 | Versets aus Heures Mystiques, op. 30: 6. Moderato, D-Dur | — | ||
| 10 | Versets aus Heures Mystiques, op. 30: 7. Andantino non troppo, d-Moll | — | ||
| 11 | Versets aus Heures Mystiques, op. 30: 8. Allegretto grazioso, Es-Dur | — | ||
| 12 | Versets aus Heures Mystiques, op. 30: 9. Allegretto cantabile, E-Dur | — | ||
| 13 | Versets aus Heures Mystiques, op. 30: 10. Allegretto, e-Moll | — | ||
| 14 | Versets aus Heures Mystiques, op. 30: 11. Allegro vivo e leggiero, F-Dur | — | ||
| 15 | Versets aus Heures Mystiques, op. 30: 12. Andantino espressivo, f-Moll | — | ||
| 16 | Versets aus Heures Mystiques, op. 30: 13. Poco allegreto, fis-Moll | — | ||
| 17 | Versets aus Heures Mystiques, op. 30: 14. Allegro animato, G-Dur | — | ||
| 18 | Versets aus Heures Mystiques, op. 30: 15. Allegro, g-Moll | — | ||
| 19 | Versets aus Heures Mystiques, op. 30: 16. Poco, animato, A-Dur | — | ||
| 20 | Versets aus Heures Mystiques, op. 30: 17. Allegro assai, A-Dur | — | ||
| 21 | Versets aus Heures Mystiques, op. 30: 18. Allegro, a-moll | — | ||
| 22 | Versets aus Heures Mystiques, op. 30: 19. Andante molto, As-Dur | — | ||
| 23 | Versets aus Heures Mystiques, op. 30: 20. Allegro grazioso, B-Dur | — | ||
| 24 | Versets aus Heures Mystiques, op. 30: 21. Allegro moderato, b-Moll | — | ||
| 25 | Versets aus Heures Mystiques, op. 30: 22. Allegretto, h-moll | — | ||
| 26 | Versets aus Heures Mystiques, op. 30: 23. Allegretto ben marcato, H-DUr | — | ||
| 27 | Sonate Nr. 1 f-Moll, op. 65/1: Allegro moderato e serioso | — | ||
| 28 | Sonate Nr. 1 f-Moll, op. 65/1: Adagio | — | ||
| 29 | Sonate Nr. 1 f-Moll, op. 65/1: Andante recitativo | — | ||
| 30 | Sonate Nr. 1 f-Moll, op. 65/1: IV. Allegro assai vivace | — |
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What is UPC 4017029302219?
4017029302219 is a Universal Product Code (UPC) assigned to Markus Eichenlaub, Organist am Hohen Dom zu Limburg, spielt an der großen Rieger-Orgel der Abteikirche Marienstatt by Felix Mendelssohn Bartholdy, Marco Enrico Bossi, Léon Boëllmann, Markus Eichenlaub. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 30 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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