UPC · Release
Singer Pur
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The UPC for “Iacobus Handl-Gallus: Moralia - Harmoniæ Morales” by Singer Pur is 4017563126227. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2000-01-01. Label: Ars Musici. This release contains 100 tracks, each with its own ISRC.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Diversos diversa iuvant, for 8 voices (Moralia, 1) | — | ||
| 2 | Tempore felici multi numerantur amici, for 8 voices (Moralia, 2) | — | ||
| 3 | Usibus edocto si quicquam credis amico, for 8 voices (Moralia, 3) | — | ||
| 4 | Cede repugnanti, for 8 voices (Moralia, 4) | — | ||
| 5 | Quid mihi, livor edax, for 8 voices (Moralia, 5) | — | ||
| 6 | Nec Veneris, nec tu vini capiaris amore, for 8 voices (Moralia, 6) | — | ||
| 7 | Sperne lucrum, for 8 voices (Moralia, 7) | — | ||
| 8 | Quid petitur sacris, for 8 voices (Moralia, 8) | — | ||
| 9 | Adeste Musae, maximi proles iovis, for 8 voices (Moralia, 9) | — | ||
| 10 | Quod later, ignotum est, for 8 voices (Moralia, 10) | — | ||
| 11 | Nescio quid sit amor, for 6 voices (Moralia, 11) | — | ||
| 12 | Qui sermone placet, for 6 voices (Moralia, 12) | — | ||
| 13 | Cui bene succedit, for 6 voices (Moralia, 13) | — | ||
| 14 | Noli laudari, for 6 voices (Moralia, 14) | — | ||
| 15 | Si vitare velis, for 6 voices (Moralia, 15) | — | ||
| 16 | Cui sunt multa bona, for 6 voices (Moralia, 16) | — | ||
| 17 | Carmina laudantur, for 6 voices (Moralia, 17) | — | ||
| 18 | Omnia vincit amor, for 6 voices (Moralia, 18) | — | ||
| 19 | Odi et amo, for 6 voices (Moralia, 19) | — | ||
| 20 | Gaudia principium, for 6 voices (Moralia, 20) | — | ||
| 21 | Turpe sequi casum, for 6 voices (Moralia, 21) | — | ||
| 22 | Qui capit uxorem, for 6 voices (Moralia, 22) | — | ||
| 23 | Oderunt hilarem tristes, for 6 voices (Moralia, 23) | — | ||
| 24 | Principibus placuisse viris, for 6 voices (Moralia, 24) | — | ||
| 25 | Qui cito dat, for 6 voices (Moralia, 25) | — | ||
| 26 | Qui cantum corvi cras imitatur, for 6 voices (Moralia, 26) | — | ||
| 27 | Permultos liceat cuculus, for 6 voices (Moralia, 27) | — | ||
| 28 | Musica noster amor, for 6 voices (Moralia, 28) | — | ||
| 2-1 | Musica Musarum germana, for 6 voices (Moralia, 29) | — | ||
| 2-2 | Multum deliro, for 5 voices (Moralia, 30) | — | ||
| 2-3 | Inveni portum, for 5 voices (Moralia, 31) | — | ||
| 2-4 | Diligitur nemo, for 5 voices (Moralia, 32) | — | ||
| 2-5 | Turpe referre pedem, for 5 voices (Moralia, 33) | — | ||
| 2-6 | Omnis homo nihil est, for 5 voices (Moralia, 34) | — | ||
| 2-7 | Qui leviter credit, for 5 voices (Moralia, 35) | — | ||
| 2-8 | Tempore felici non cognoscuntur amici, for 5 voices (Moralia, 36) | — | ||
| 2-9 | Conscia mens recti, for 5 voices (Moralia, 37) | — | ||
| 2-10 | Pauperiem modico contentus, for 5 voices (Moralia, 38) | — | ||
| 2-11 | Nobile vincendi genus, for 5 voices (Moralia, 39) | — | ||
| 2-12 | Heu, quam difficile est, for 5 voices (Moralia, 40) | — | ||
| 2-13 | Semper pauper eris, for 5 voices (Moralia, 41) | — | ||
| 2-14 | Quam bene apud memore, for 5 voices (Moralia, 42) | — | ||
| 2-15 | Dulces exuvaie, for 5 voices (Moralia, 43) | — | ||
| 2-16 | Cum moritum dives, for 5 voices (Moralia, 44) | — | ||
| 2-17 | Tu ne cede malis, for 5 voices (Moralia, 45) | — | ||
| 2-18 | Usus amicorum bonus, for 5 voices (Moralia, 46) | — | ||
| 2-19 | Plus laudatori, for 5 voices (Moralia, 47) | — | ||
| 2-20 | Dii tibi, si qua pios respectant nimina, for 4 voices (Harmoniæ Morales, Book 1, No. 1) | — | ||
| 2-21 | O Fortuna potens, for 4 voices (Harmoniæ Morales, Book 1, No. 2) | — | ||
| 2-22 | Currit parvus lepulus, for 4 voices (Harmoniæ Morales, Book 1, No. 3) | — | ||
| 2-23 | Qui fugat intrepidos, for 4 voices (Harmoniæ morales, book 1, no. 4) | — | ||
| 2-24 | Casta novenarum iacet aula, for 4 voices (Harmoniæ Morales, Book 1, No. 5) | — | ||
| 2-25 | Gallus amat Venerem, for 4 voices (Harmoniæ Morales, Book 1, No. 6) | — | ||
| 2-26 | Quam gallina suum parit ovum, for 4 voices (Harmoniæ Morales, Book 1, No. 7) | — | ||
| 2-27 | Ergo mihi uxorem qualem ducam?, for 4 voices (Harmoniæ Morales, Book 1, No. 8) | — | ||
| 2-28 | Anna soror, soror Anna, for 4 voices (Harmoniæ Morales, Book 1, No. 9) | — | ||
| 2-29 | Heu, crucior certe, for 4 voices (Harmoniæ Morales, Book 1, No. 10) | — | ||
| 2-30 | Nusquam tuta fides, for 4 voices (Harmoniæ Morales, Book 1, No. 11) | — | ||
| 2-31 | Heroes, pugnate viri fortissimi, for 4 voices (Harmoniæ Morales, Book 1, No. 12) | — | ||
| 2-32 | Proditor est ut hypocrita, for 4 voices (Harmoniæ Morales, Book 1, No. 13) | — | ||
| 2-33 | Cogitate miseri, for 4 voices (Harmoniæ Morales, Book 1, No. 14) | — | ||
| 2-34 | Si vis laudari, for 4 voices (Harmoniæ Morales, Book 2, No. 15) | — | ||
| 2-35 | Si tibi gratia, for 4 voices (Harmoniæ Morales, Book 2, No. 16) | — | ||
| 2-36 | Nil est asperius misero, for 4 voices (Harmoniæ Morales, Book 2, No. 17) | — | ||
| 2-37 | Hanc volo, quae non vult, for 4 voices (Harmoniæ Morales, Book 2, No. 18) | — | ||
| 2-38 | Uxor, amice, tibi est semper mala, for 4 voices (Harmoniæ Morales, Book 2, No. 19) | — | ||
| 3-1 | Quod licet, ingtratum est, for 4 voices (Harmoniæ Morales, Book 2, No. 20) | — | ||
| 3-2 | Dulcis amica, veni, for 4 voices (Harmoniæ Morales, Book 2, No. 21) | — | ||
| 3-3 | Si vox est, canta, for 4 voices (Harmoniæ Morales, Book 2, No. 22) | — | ||
| 3-4 | Perfer et obdura, for 4 voices (Harmoniæ Morales, Book 2, No. 23) | — | ||
| 3-5 | Si prolixa facit sapientem barba, for 4 voices (Harmoniæ Morales, Book 2, No. 24) | — | ||
| 3-6 | Quisquis amat dictis, for 4 voices (Harmoniæ Morales, Book 2, No. 25) | — | ||
| 3-7 | Ne iactes, for 4 voices (Harmoniæ Morales, Book 2, No. 26) | — | ||
| 3-8 | Vos, qui nulla datis, for 4 voices (Harmoniæ Morales, Book 2, No. 27) | — | ||
| 3-9 | O homo, si scires, for 4 voices (Harmoniæ Morales, Book 2, No. 28) | — | ||
| 3-10 | Nemo placet stultis, for 4 voices (Harmoniæ Morales, Book 2, No. 29) | — | ||
| 3-11 | Vitam quae faciunt beatiorem, for 4 voices (Harmoniæ Morales, Book 2, No. 30) | — | ||
| 3-12 | Libertas animi cibus, for 4 voices (Harmoniæ Morales, Book 2, No. 31) | — | ||
| 3-13 | Barbara, Celarent, for 4 voices (Harmoniæ Morales, Book 2, No. 32) | — | ||
| 3-14 | Vivite felices, for 4 voices (Harmoniæ Morales, Book 2, No. 33) | — | ||
| 3-15 | In terra sumus rex, for 4 voices (Harmoniæ Morales, Book 3, No. 34) | — | ||
| 3-16 | Cui dolus est gratus, for 4 voices (Harmoniæ Morales, Book 3, No. 35) | — | ||
| 3-17 | Archipoeta facit versus, for 4 voices (Harmoniæ Morales, Book 3, No. 36) | — | ||
| 3-18 | Doctus ait, for 4 voices (Harmoniæ Morales, Book 3, No. 37) | — | ||
| 3-19 | Quod vitae sectabor iter, for 4 voices (Harmoniæ Morales, Book 3, No. 38) | — | ||
| 3-20 | O, quam dure premit miseros conditio vitae, for 4 voices (Harmoniæ Morales, Book 3, No. 39) | — | ||
| 3-21 | Sunt tibi vitandi sermones, for 4 voices (Harmoniæ Morales, Book 3, No. 40) | — | ||
| 3-22 | Quid sis, quid fueris, for 4 voices (Harmoniæ Morales, Book 3, No. 41) | — | ||
| 3-23 | O mores, for 4 voices (Harmoniæ Morales, Book 3, No. 42) | — | ||
| 3-24 | En ego campana, for 4 voices (Harmoniæ Morales, Book 3, No. 43) | — | ||
| 3-25 | Nunquam bella bonis, for 4 voices (Harmoniæ Morales, Book 3, No. 44) | — | ||
| 3-26 | Clare vi, for 4 voices (Harmoniæ Morales, Book 3, No. 45) | — | ||
| 3-27 | Linquo coax ranis, for 4 voices (Harmoniæ Morales, Book 3, No. 46) | — | ||
| 3-28 | Anseris est giga, for 4 voices (Harmoniæ Morales, Book 3, No. 47) | — | ||
| 3-29 | Scilicet extremis, for 4 voices (Harmoniæ Morales, Book 3, No. 48) | — | ||
| 3-30 | Linguarum non est praestantior ulla Latina, for 4 voices (Harmoniæ Morales, Book 3, No. 49) | — | ||
| 3-31 | Livide, quare tibi mea musica displicet uni?, for 4 voices (Harmoniæ Morales, Book 3, No. 50) | — | ||
| 3-32 | Lex et natura, for 4 voices (Harmoniæ Morales, Book 3, No. 51) | — | ||
| 3-33 | Opto placere bonis, for 4 voices (Harmoniæ Morales, Book 3, No. 52) | — | ||
| 3-34 | Pascitur in vivis livor, for 4 voices (Harmoniæ Morales, Book 3, No. 53) | — |
Creative Contributors (ISNI)
Credits Graph
4017563126227 is a Universal Product Code (UPC) assigned to Iacobus Handl-Gallus: Moralia - Harmoniæ Morales by Singer Pur. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 100 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “Iacobus Handl-Gallus: Moralia - Harmoniæ Morales” by Singer Pur is 4017563126227. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2000-01-01. Label: Ars Musici. This release contains 100 tracks, each with its own ISRC.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Diversos diversa iuvant, for 8 voices (Moralia, 1) | — | ||
| 2 | Tempore felici multi numerantur amici, for 8 voices (Moralia, 2) | — | ||
| 3 | Usibus edocto si quicquam credis amico, for 8 voices (Moralia, 3) | — | ||
| 4 | Cede repugnanti, for 8 voices (Moralia, 4) | — | ||
| 5 | Quid mihi, livor edax, for 8 voices (Moralia, 5) | — | ||
| 6 | Nec Veneris, nec tu vini capiaris amore, for 8 voices (Moralia, 6) | — | ||
| 7 | Sperne lucrum, for 8 voices (Moralia, 7) | — | ||
| 8 | Quid petitur sacris, for 8 voices (Moralia, 8) | — | ||
| 9 | Adeste Musae, maximi proles iovis, for 8 voices (Moralia, 9) | — | ||
| 10 | Quod later, ignotum est, for 8 voices (Moralia, 10) | — | ||
| 11 | Nescio quid sit amor, for 6 voices (Moralia, 11) | — | ||
| 12 | Qui sermone placet, for 6 voices (Moralia, 12) | — | ||
| 13 | Cui bene succedit, for 6 voices (Moralia, 13) | — | ||
| 14 | Noli laudari, for 6 voices (Moralia, 14) | — | ||
| 15 | Si vitare velis, for 6 voices (Moralia, 15) | — | ||
| 16 | Cui sunt multa bona, for 6 voices (Moralia, 16) | — | ||
| 17 | Carmina laudantur, for 6 voices (Moralia, 17) | — | ||
| 18 | Omnia vincit amor, for 6 voices (Moralia, 18) | — | ||
| 19 | Odi et amo, for 6 voices (Moralia, 19) | — | ||
| 20 | Gaudia principium, for 6 voices (Moralia, 20) | — | ||
| 21 | Turpe sequi casum, for 6 voices (Moralia, 21) | — | ||
| 22 | Qui capit uxorem, for 6 voices (Moralia, 22) | — | ||
| 23 | Oderunt hilarem tristes, for 6 voices (Moralia, 23) | — | ||
| 24 | Principibus placuisse viris, for 6 voices (Moralia, 24) | — | ||
| 25 | Qui cito dat, for 6 voices (Moralia, 25) | — | ||
| 26 | Qui cantum corvi cras imitatur, for 6 voices (Moralia, 26) | — | ||
| 27 | Permultos liceat cuculus, for 6 voices (Moralia, 27) | — | ||
| 28 | Musica noster amor, for 6 voices (Moralia, 28) | — | ||
| 2-1 | Musica Musarum germana, for 6 voices (Moralia, 29) | — | ||
| 2-2 | Multum deliro, for 5 voices (Moralia, 30) | — | ||
| 2-3 | Inveni portum, for 5 voices (Moralia, 31) | — | ||
| 2-4 | Diligitur nemo, for 5 voices (Moralia, 32) | — | ||
| 2-5 | Turpe referre pedem, for 5 voices (Moralia, 33) | — | ||
| 2-6 | Omnis homo nihil est, for 5 voices (Moralia, 34) | — | ||
| 2-7 | Qui leviter credit, for 5 voices (Moralia, 35) | — | ||
| 2-8 | Tempore felici non cognoscuntur amici, for 5 voices (Moralia, 36) | — | ||
| 2-9 | Conscia mens recti, for 5 voices (Moralia, 37) | — | ||
| 2-10 | Pauperiem modico contentus, for 5 voices (Moralia, 38) | — | ||
| 2-11 | Nobile vincendi genus, for 5 voices (Moralia, 39) | — | ||
| 2-12 | Heu, quam difficile est, for 5 voices (Moralia, 40) | — | ||
| 2-13 | Semper pauper eris, for 5 voices (Moralia, 41) | — | ||
| 2-14 | Quam bene apud memore, for 5 voices (Moralia, 42) | — | ||
| 2-15 | Dulces exuvaie, for 5 voices (Moralia, 43) | — | ||
| 2-16 | Cum moritum dives, for 5 voices (Moralia, 44) | — | ||
| 2-17 | Tu ne cede malis, for 5 voices (Moralia, 45) | — | ||
| 2-18 | Usus amicorum bonus, for 5 voices (Moralia, 46) | — | ||
| 2-19 | Plus laudatori, for 5 voices (Moralia, 47) | — | ||
| 2-20 | Dii tibi, si qua pios respectant nimina, for 4 voices (Harmoniæ Morales, Book 1, No. 1) | — | ||
| 2-21 | O Fortuna potens, for 4 voices (Harmoniæ Morales, Book 1, No. 2) | — | ||
| 2-22 | Currit parvus lepulus, for 4 voices (Harmoniæ Morales, Book 1, No. 3) | — | ||
| 2-23 | Qui fugat intrepidos, for 4 voices (Harmoniæ morales, book 1, no. 4) | — | ||
| 2-24 | Casta novenarum iacet aula, for 4 voices (Harmoniæ Morales, Book 1, No. 5) | — | ||
| 2-25 | Gallus amat Venerem, for 4 voices (Harmoniæ Morales, Book 1, No. 6) | — | ||
| 2-26 | Quam gallina suum parit ovum, for 4 voices (Harmoniæ Morales, Book 1, No. 7) | — | ||
| 2-27 | Ergo mihi uxorem qualem ducam?, for 4 voices (Harmoniæ Morales, Book 1, No. 8) | — | ||
| 2-28 | Anna soror, soror Anna, for 4 voices (Harmoniæ Morales, Book 1, No. 9) | — | ||
| 2-29 | Heu, crucior certe, for 4 voices (Harmoniæ Morales, Book 1, No. 10) | — | ||
| 2-30 | Nusquam tuta fides, for 4 voices (Harmoniæ Morales, Book 1, No. 11) | — | ||
| 2-31 | Heroes, pugnate viri fortissimi, for 4 voices (Harmoniæ Morales, Book 1, No. 12) | — | ||
| 2-32 | Proditor est ut hypocrita, for 4 voices (Harmoniæ Morales, Book 1, No. 13) | — | ||
| 2-33 | Cogitate miseri, for 4 voices (Harmoniæ Morales, Book 1, No. 14) | — | ||
| 2-34 | Si vis laudari, for 4 voices (Harmoniæ Morales, Book 2, No. 15) | — | ||
| 2-35 | Si tibi gratia, for 4 voices (Harmoniæ Morales, Book 2, No. 16) | — | ||
| 2-36 | Nil est asperius misero, for 4 voices (Harmoniæ Morales, Book 2, No. 17) | — | ||
| 2-37 | Hanc volo, quae non vult, for 4 voices (Harmoniæ Morales, Book 2, No. 18) | — | ||
| 2-38 | Uxor, amice, tibi est semper mala, for 4 voices (Harmoniæ Morales, Book 2, No. 19) | — | ||
| 3-1 | Quod licet, ingtratum est, for 4 voices (Harmoniæ Morales, Book 2, No. 20) | — | ||
| 3-2 | Dulcis amica, veni, for 4 voices (Harmoniæ Morales, Book 2, No. 21) | — | ||
| 3-3 | Si vox est, canta, for 4 voices (Harmoniæ Morales, Book 2, No. 22) | — | ||
| 3-4 | Perfer et obdura, for 4 voices (Harmoniæ Morales, Book 2, No. 23) | — | ||
| 3-5 | Si prolixa facit sapientem barba, for 4 voices (Harmoniæ Morales, Book 2, No. 24) | — | ||
| 3-6 | Quisquis amat dictis, for 4 voices (Harmoniæ Morales, Book 2, No. 25) | — | ||
| 3-7 | Ne iactes, for 4 voices (Harmoniæ Morales, Book 2, No. 26) | — | ||
| 3-8 | Vos, qui nulla datis, for 4 voices (Harmoniæ Morales, Book 2, No. 27) | — | ||
| 3-9 | O homo, si scires, for 4 voices (Harmoniæ Morales, Book 2, No. 28) | — | ||
| 3-10 | Nemo placet stultis, for 4 voices (Harmoniæ Morales, Book 2, No. 29) | — | ||
| 3-11 | Vitam quae faciunt beatiorem, for 4 voices (Harmoniæ Morales, Book 2, No. 30) | — | ||
| 3-12 | Libertas animi cibus, for 4 voices (Harmoniæ Morales, Book 2, No. 31) | — | ||
| 3-13 | Barbara, Celarent, for 4 voices (Harmoniæ Morales, Book 2, No. 32) | — | ||
| 3-14 | Vivite felices, for 4 voices (Harmoniæ Morales, Book 2, No. 33) | — | ||
| 3-15 | In terra sumus rex, for 4 voices (Harmoniæ Morales, Book 3, No. 34) | — | ||
| 3-16 | Cui dolus est gratus, for 4 voices (Harmoniæ Morales, Book 3, No. 35) | — | ||
| 3-17 | Archipoeta facit versus, for 4 voices (Harmoniæ Morales, Book 3, No. 36) | — | ||
| 3-18 | Doctus ait, for 4 voices (Harmoniæ Morales, Book 3, No. 37) | — | ||
| 3-19 | Quod vitae sectabor iter, for 4 voices (Harmoniæ Morales, Book 3, No. 38) | — | ||
| 3-20 | O, quam dure premit miseros conditio vitae, for 4 voices (Harmoniæ Morales, Book 3, No. 39) | — | ||
| 3-21 | Sunt tibi vitandi sermones, for 4 voices (Harmoniæ Morales, Book 3, No. 40) | — | ||
| 3-22 | Quid sis, quid fueris, for 4 voices (Harmoniæ Morales, Book 3, No. 41) | — | ||
| 3-23 | O mores, for 4 voices (Harmoniæ Morales, Book 3, No. 42) | — | ||
| 3-24 | En ego campana, for 4 voices (Harmoniæ Morales, Book 3, No. 43) | — | ||
| 3-25 | Nunquam bella bonis, for 4 voices (Harmoniæ Morales, Book 3, No. 44) | — | ||
| 3-26 | Clare vi, for 4 voices (Harmoniæ Morales, Book 3, No. 45) | — | ||
| 3-27 | Linquo coax ranis, for 4 voices (Harmoniæ Morales, Book 3, No. 46) | — | ||
| 3-28 | Anseris est giga, for 4 voices (Harmoniæ Morales, Book 3, No. 47) | — | ||
| 3-29 | Scilicet extremis, for 4 voices (Harmoniæ Morales, Book 3, No. 48) | — | ||
| 3-30 | Linguarum non est praestantior ulla Latina, for 4 voices (Harmoniæ Morales, Book 3, No. 49) | — | ||
| 3-31 | Livide, quare tibi mea musica displicet uni?, for 4 voices (Harmoniæ Morales, Book 3, No. 50) | — | ||
| 3-32 | Lex et natura, for 4 voices (Harmoniæ Morales, Book 3, No. 51) | — | ||
| 3-33 | Opto placere bonis, for 4 voices (Harmoniæ Morales, Book 3, No. 52) | — | ||
| 3-34 | Pascitur in vivis livor, for 4 voices (Harmoniæ Morales, Book 3, No. 53) | — |
