UPC · Release
Alligatoah
Last verified:
4018939288419 is the Universal Product Code (UPC barcode) for the release “Musik ist keine Lösung” by Alligatoah, released 2015-01-01 on Groove Attack. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 15 tracks, each with its own ISRC. Tracks include DEQ121534862, DEQ121534863, DEQ121534864.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Comeback des Jahres (Intro) | Alligatoah | T8036634148 | |
| 2 | Denk an die Kinder | Alligatoah | T-803656496-3 | |
| 3 | Vor Gericht | Alligatoah | T-803584010-0 | |
| 4 | Lass liegen | Alligatoah | T-803590128-2 | |
| 5 | Teamgeist | Alligatoah | T-803656433-8 | |
| 6 | Mama, kannst du mich abholen I | Alligatoah | T-803656457-6 | |
| 7 | Hab ich recht | Alligatoah | T-803656462-3 | |
| 8 | Gute Bekannte | Alligatoah | T-803656463-4 | |
| 9 | Das bedeutet Krieg | Alligatoah, Morlockk Dilemma | T-803656420-3 | |
| 10 | Mama, kannst du mich abholen II | Alligatoah | T-803656457-6 | |
| 11 | Du bist schön | Alligatoah | T-803656464-5 | |
| 12 | Doktor spielen | Alligatoah | T-803656485-0 | |
| 13 | Comeback des Jahres | Alligatoah | T-803663414-8 | |
| 14 | Mama, kannst du mich abholen III | Alligatoah | — | |
| 15 | Musik ist keine Lösung | Alligatoah | T-803656454-3 |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
4018939288419 is a Universal Product Code (UPC) assigned to Musik ist keine Lösung by Alligatoah. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 15 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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