UPC · Release
The Complete RIAS Recordings
Wilhelm Furtwängler
4022143214034
113 tracksReleased 2009-01-01Audite
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4022143214034 is the Universal Product Code (UPC barcode) for the release “The Complete RIAS Recordings” by Wilhelm Furtwängler, released 2009-01-01 on Audite. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 113 tracks, each with its own ISRC. Tracks include DEF054900030.
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UPCThe Complete RIAS Recordings
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Track List (113)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Symphony No. 6 in F major, Op. 68 "Pastorale": I. Erwachen heiterer Gefühle bei der Ankunft auf dem Lande. Allegro ma non troppo | — | ||
| 2 | Symphony No. 6 in F major, Op. 68 "Pastorale": II. Szene am Bach. Andante molto mosso | — | ||
| 3 | Symphony No. 6 in F major, Op. 68 "Pastorale": III. Lustiges Zusammensein der Landleute. Allegro | — | ||
| 4 | Symphony No. 6 in F major, Op. 68 "Pastorale": IV. Gewitter, Sturm. Allegro | — | ||
| 5 | Symphony No. 6 in F major, Op. 68 "Pastorale": V. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm. Allegretto | — | ||
| 6 | Symphony No. 5 in C minor, Op. 67: I. Allegro con brio | — | ||
| 7 | Symphony No. 5 in C minor, Op. 67: II. Andante con moto | — | ||
| 8 | Symphony No. 5 in C minor, Op. 67: III. Allegro | — | ||
| 9 | Symphony No. 5 in C minor, Op. 67: IV. Allegro | — | ||
| 2-1 | Overture to "A Midsummer Night's Dream", Op. 21 | — | ||
| 2-2 | Violin Concerto in D major, Op. 61: I. Allegro ma non troppo | — | ||
| 2-3 | Violin Concerto in D major, Op. 61: II. Larghetto | — | ||
| 2-4 | Violin Concerto in D major, Op. 61: III. Rondo | — | ||
| 2-5 | Orchestral Suite in D major, BWV 1068: I. Ouverture | — | ||
| 2-6 | Orchestral Suite in D major, BWV 1068: II. Air | — | ||
| 2-7 | Orchestral Suite in D major, BWV 1068: III. Gavotte | — | ||
| 2-8 | Orchestral Suite in D major, BWV 1068: IV. Bourrée | — | ||
| 2-9 | Orchestral Suite in D major, BWV 1068: V. Gigue | — | ||
| 3-1 | Symphony No. 8 in B minor, D. 759 "Unfinished": I. Allegro moderato | — | ||
| 3-2 | Symphony No. 8 in B minor, D. 759 "Unfinished": II. Andante con moto | — | ||
| 3-3 | Symphony No. 4 in E minor, Op. 98: I. Allegro non troppo | — | ||
| 3-4 | Symphony No. 4 in E minor, Op. 98: II. Andante moderato | — | ||
| 3-5 | Symphony No. 4 in E minor, Op. 98: III. Allegro giocoso - Poco meno presto | — | ||
| 3-6 | Symphony No. 4 in E minor, Op. 98: IV. Allegro energico e passionato - Più Allegro | — | ||
| 5-1 | Overture “Manfred”, op. 115: Rasch | Berliner Philharmoniker, Wilhelm Furtwängler | — | |
| 5-2 | Symphony No. 3 in F major, Op. 90: I. Allegro con brio | — | ||
| 5-3 | Symphony No. 3 in F major, Op. 90: II. Andante | — | ||
| 5-4 | Symphony No. 3 in F major, Op. 90: III. Poco Allegretto | — | ||
| 5-5 | Symphony No. 3 in F major, Op. 90: IV. Allegro | — | ||
| 5-6 | Concerto for Violin and large Chamber Orchestra: I. Allegro con brio | — | ||
| 5-7 | Concerto for Violin and large Chamber Orchestra: II. Canzone. Andantino | — | ||
| 5-8 | Concerto for Violin and large Chamber Orchestra: III. Introduction e Rondo. Molto Allegro - Allegro poco scherzando - Presto | — | ||
| 6-1 | Götterdämmerung (Trauermarsch): Sehr langsam - Feierlich | — | ||
| 6-2 | Die Meistersinger von Nürnberg: Sehr mäßig bewegt | — | ||
| 6-3 | Concerto grosso in D minor, Op. 6 No. 10: I. Overture | — | ||
| 6-4 | Concerto grosso in D minor, Op. 6 No. 10: II. Allegro | — | ||
| 6-5 | Concerto grosso in D minor, Op. 6 No. 10: III-IV. Air. Lentement | — | ||
| 6-6 | Concerto grosso in D minor, Op. 6 No. 10: V. Allegro | — | ||
| 6-7 | Concerto grosso in D minor, Op. 6 No. 10: VI. Allegro moderato | — | ||
| 6-8 | Variations on a theme by Joseph Haydn, Op. 56a: I. Chorale St. Antoni. Andante | — | ||
| 6-9 | Variations on a theme by Joseph Haydn, Op. 56a: II. Var. I | — | ||
| 6-10 | Variations on a theme by Joseph Haydn, Op. 56a: III. Var. II | — | ||
| 6-11 | Variations on a theme by Joseph Haydn, Op. 56a: IV. Var. III | — | ||
| 6-12 | Variations on a theme by Joseph Haydn, Op. 56a: V. Var. IV | — | ||
| 6-13 | Variations on a theme by Joseph Haydn, Op. 56a: VI. Var. V | — | ||
| 6-14 | Variations on a theme by Joseph Haydn, Op. 56a: VII. Var. VI | — | ||
| 6-15 | Variations on a theme by Joseph Haydn, Op. 56a: VIII. Var. VII | — | ||
| 6-16 | Variations on a theme by Joseph Haydn, Op. 56a: IX. Var. VIII | — | ||
| 6-17 | Variations on a theme by Joseph Haydn, Op. 56a: X. Finale. Andante | — | ||
| 6-18 | Concerto for Orchestra, Op. 38: I. Mit Kraft, mäßig schnelle Viertel | — | ||
| 6-19 | Concerto for Orchestra, Op. 38 II. Sehr schnelle Halbe | — | ||
| 6-20 | Concerto for Orchestra, Op. 38: III. Marsch für Holzbläser. Nicht zu langsame Viertel | — | ||
| 6-21 | Concerto for Orchestra, Op. 38: IV. Basso ostinato. Schnelle Viertel | — | ||
| 7-1 | Symphony No. 3 in E-flat major, Op. 55 "Eroica": I. Allegro con brio | — | ||
| 7-2 | Symphony No. 3 in E-flat major, Op. 55 "Eroica": II. Marcia funebre. Adagio assai | — | ||
| 7-3 | Symphony No. 3 in E-flat major, Op. 55 "Eroica": III. Scherzo. Allegro vivace | — | ||
| 7-4 | Symphony No. 3 in E-flat major, Op. 55 "Eroica": IV. Finale. Allegro molto | — | ||
| 7-5 | [applause] | — | ||
| 7-6 | Overture to "Alceste": Intrada. Un poco moderato - Andante | — | ||
| 7-7 | Concerto grosso in D major, Op. 6 No. 5: I. [Larghetto e staccato] | — | ||
| 7-8 | Concerto grosso in D major, Op. 6 No. 5: II. Allegro | — | ||
| 7-9 | Concerto grosso in D major, Op. 6 No. 5: III. Presto | — | ||
| 7-10 | Concerto grosso in D major, Op. 6 No. 5: IV. Largo | — | ||
| 7-11 | Concerto grosso in D major, Op. 6 No. 5: VI. Menuet. Un poco larghetto | — | ||
| 7-12 | Concerto grosso in D major, Op. 6 No. 5: V. Allegro | — | ||
| 8-1 | [applause] | — | ||
| 8-2 | Overture to "Der Freischütz": Adagio - Molto vivace | — | ||
| 8-3 | [applause] | — | ||
| 8-4 | Symphony "Die Harmonie der Welt": I. Musica Instrumentalis. Breit - Marsch. Gewichtig | — | ||
| 8-5 | Symphony "Die Harmonie der Welt": II. Musica Humana. Sehr getragen | — | ||
| 8-6 | Symphony "Die Harmonie der Welt": III. Musica mundana. Sehr breit - Passacaglia. Ruhig bewegt | — | ||
| 9-1 | Symphony No. 3 in E-flat major, Op. 55 "Eroica": I. Allegro con brio | — | ||
| 9-2 | Symphony No. 3 in E-flat major, Op. 55 "Eroica": II. Marcia funebre. Adagio assai | — | ||
| 9-3 | Symphony No. 3 in E-flat major, Op. 55 "Eroica": III. Scherzo. Allegro vivace | — | ||
| 9-4 | Symphony No. 3 in E-flat major, Op. 55 "Eroica": IV. Finale. Allegro molto | — | ||
| 9-5 | [applause] | — | ||
| 9-6 | Overture to "Rosamunde", Op. 26 D. 644: Andante - Allegro vivace | — | ||
| 9-7 | [applause] | — | ||
| 9-8 | Concertante Musik für Orchester, Op. 10: Moderato - Molto Allegro | — | ||
| 10-1 | Symphony No. 8 in B minor, D. 759 "Unfinished": I. Allegro moderato | — | ||
| 10-2 | Symphony No. 8 in B minor, D. 759 "Unfinished": II. Andante con moto | — | ||
| 10-3 | Symphony No. 9 in C major, D. 944 "The Great": I. Andante - Allegro ma non troppo | — | ||
| 10-4 | Symphony No. 9 in C major, D. 944 "The Great": II. Andante con moto | — | ||
| 10-5 | Symphony No. 9 in C major, D. 944 "The Great": III. Scherzo. Allegro vivace - Trio | — | ||
| 10-6 | Symphony No. 9 in C major, D. 944 "The Great": IV. Finale. Allegro vivace | — | ||
| 11-1 | Symphony No. 3 in F major, Op. 90: I. Allegro con brio | — | ||
| 11-2 | Symphony No. 3 in F major, Op. 90: II. Andante | — | ||
| 11-3 | Symphony No. 3 in F major, Op. 90: III. Poco Allegretto | — | ||
| 11-4 | Symphony No. 3 in F major, Op. 90: IV. Allegro | — | ||
| 11-5 | Don Juan, Op. 20: Allegro molto con brio | — | ||
| 11-6 | Tristan und Isolde: Prelude | — | ||
| 11-7 | Tristan und Isolde: Isoldes Liebestod | — | ||
| 12-1 | Symphony No. 6 in F major, Op. 68 "Pastorale": I. Erwachen heiterer Gefühle bei der Ankunft auf dem Lande. Allegro ma non troppo | — | ||
| 12-2 | Symphony No. 6 in F major, Op. 68 "Pastorale": II. Szene am Bach. Andante molto mosso | — | ||
| 12-3 | Symphony No. 6 in F major, Op. 68 "Pastorale": III. Lustiges Zusammensein der Landleute. Allegro | — | ||
| 12-4 | Symphony No. 6 in F major, Op. 68 "Pastorale": IV. Gewitter, Sturm. Allegro | — | ||
| 12-5 | Symphony No. 6 in F major, Op. 68 "Pastorale": V. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm. Allegretto | — | ||
| 12-6 | Symphony No. 5 in C minor, Op. 67: I. Allegro con brio | — | ||
| 12-7 | Symphony No. 5 in C minor, Op. 67: II. Andante con moto | — | ||
| 12-8 | Symphony No. 5 in C minor, Op. 67: III. Allegro | — | ||
| 12-9 | Symphony No. 5 in C minor, Op. 67: IV. Allegro | — | ||
| 13-1 | Criteria for casting singers | — | ||
| 13-2 | Relationship between conductor and director | — | ||
| 13-3 | Length of breaks / Overture to 'Die Zauberflöte' | — | ||
| 13-4 | Musical tempo | — | ||
| 13-5 | Audience / musical intelligence | — | ||
| 13-6 | General pauses in Bruckner’s works / Principle of the symphony / Future of music / Schott composers | — | ||
| 13-7 | "Emotional music" / freedom in music | — | ||
| 13-8 | Universality of interpretations / Sound volume and size of concert hall | — | ||
| 13-9 | Acoustics of opera houses and concert halls | — | ||
| 13-10 | Casting of Wagnerian roles / impact of gender / perfection and charisma | — | ||
| 13-11 | Orchestra pit – covered or open / The orchestra as an accompanying instrument | — | ||
| 13-12 | The art of accompaniment | — |
Symphony No. 6 in F major, Op. 68 "Pastorale": I. Erwachen heiterer Gefühle bei der Ankunft auf dem Lande. Allegro ma non troppo
—
Symphony No. 6 in F major, Op. 68 "Pastorale": II. Szene am Bach. Andante molto mosso
—
Symphony No. 6 in F major, Op. 68 "Pastorale": III. Lustiges Zusammensein der Landleute. Allegro
—
Symphony No. 6 in F major, Op. 68 "Pastorale": IV. Gewitter, Sturm. Allegro
—
Symphony No. 6 in F major, Op. 68 "Pastorale": V. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm. Allegretto
—
Symphony No. 5 in C minor, Op. 67: I. Allegro con brio
—
Symphony No. 5 in C minor, Op. 67: II. Andante con moto
—
Symphony No. 5 in C minor, Op. 67: III. Allegro
—
Symphony No. 5 in C minor, Op. 67: IV. Allegro
—
Overture to "A Midsummer Night's Dream", Op. 21
—
Violin Concerto in D major, Op. 61: I. Allegro ma non troppo
—
Violin Concerto in D major, Op. 61: II. Larghetto
—
Violin Concerto in D major, Op. 61: III. Rondo
—
Orchestral Suite in D major, BWV 1068: I. Ouverture
—
Orchestral Suite in D major, BWV 1068: II. Air
—
Orchestral Suite in D major, BWV 1068: III. Gavotte
—
Orchestral Suite in D major, BWV 1068: IV. Bourrée
—
Orchestral Suite in D major, BWV 1068: V. Gigue
—
Symphony No. 8 in B minor, D. 759 "Unfinished": I. Allegro moderato
—
Symphony No. 8 in B minor, D. 759 "Unfinished": II. Andante con moto
—
Symphony No. 4 in E minor, Op. 98: I. Allegro non troppo
—
Symphony No. 4 in E minor, Op. 98: II. Andante moderato
—
Symphony No. 4 in E minor, Op. 98: III. Allegro giocoso - Poco meno presto
—
Symphony No. 4 in E minor, Op. 98: IV. Allegro energico e passionato - Più Allegro
—
Overture “Manfred”, op. 115: Rasch
Berliner Philharmoniker, Wilhelm Furtwängler
—
Symphony No. 3 in F major, Op. 90: I. Allegro con brio
—
Symphony No. 3 in F major, Op. 90: II. Andante
—
Symphony No. 3 in F major, Op. 90: III. Poco Allegretto
—
Symphony No. 3 in F major, Op. 90: IV. Allegro
—
Concerto for Violin and large Chamber Orchestra: I. Allegro con brio
—
Concerto for Violin and large Chamber Orchestra: II. Canzone. Andantino
—
Concerto for Violin and large Chamber Orchestra: III. Introduction e Rondo. Molto Allegro - Allegro poco scherzando - Presto
—
Götterdämmerung (Trauermarsch): Sehr langsam - Feierlich
—
Die Meistersinger von Nürnberg: Sehr mäßig bewegt
—
Concerto grosso in D minor, Op. 6 No. 10: I. Overture
—
Concerto grosso in D minor, Op. 6 No. 10: II. Allegro
—
Concerto grosso in D minor, Op. 6 No. 10: III-IV. Air. Lentement
—
Concerto grosso in D minor, Op. 6 No. 10: V. Allegro
—
Concerto grosso in D minor, Op. 6 No. 10: VI. Allegro moderato
—
Variations on a theme by Joseph Haydn, Op. 56a: I. Chorale St. Antoni. Andante
—
Variations on a theme by Joseph Haydn, Op. 56a: II. Var. I
—
Variations on a theme by Joseph Haydn, Op. 56a: III. Var. II
—
Variations on a theme by Joseph Haydn, Op. 56a: IV. Var. III
—
Variations on a theme by Joseph Haydn, Op. 56a: V. Var. IV
—
Variations on a theme by Joseph Haydn, Op. 56a: VI. Var. V
—
Variations on a theme by Joseph Haydn, Op. 56a: VII. Var. VI
—
Variations on a theme by Joseph Haydn, Op. 56a: VIII. Var. VII
—
Variations on a theme by Joseph Haydn, Op. 56a: IX. Var. VIII
—
Variations on a theme by Joseph Haydn, Op. 56a: X. Finale. Andante
—
Concerto for Orchestra, Op. 38: I. Mit Kraft, mäßig schnelle Viertel
—
Concerto for Orchestra, Op. 38 II. Sehr schnelle Halbe
—
Concerto for Orchestra, Op. 38: III. Marsch für Holzbläser. Nicht zu langsame Viertel
—
Concerto for Orchestra, Op. 38: IV. Basso ostinato. Schnelle Viertel
—
Symphony No. 3 in E-flat major, Op. 55 "Eroica": I. Allegro con brio
—
Symphony No. 3 in E-flat major, Op. 55 "Eroica": II. Marcia funebre. Adagio assai
—
Symphony No. 3 in E-flat major, Op. 55 "Eroica": III. Scherzo. Allegro vivace
—
Symphony No. 3 in E-flat major, Op. 55 "Eroica": IV. Finale. Allegro molto
—
[applause]
—
Overture to "Alceste": Intrada. Un poco moderato - Andante
—
Concerto grosso in D major, Op. 6 No. 5: I. [Larghetto e staccato]
—
Concerto grosso in D major, Op. 6 No. 5: II. Allegro
—
Concerto grosso in D major, Op. 6 No. 5: III. Presto
—
Concerto grosso in D major, Op. 6 No. 5: IV. Largo
—
Concerto grosso in D major, Op. 6 No. 5: VI. Menuet. Un poco larghetto
—
Concerto grosso in D major, Op. 6 No. 5: V. Allegro
—
[applause]
—
Overture to "Der Freischütz": Adagio - Molto vivace
—
[applause]
—
Symphony "Die Harmonie der Welt": I. Musica Instrumentalis. Breit - Marsch. Gewichtig
—
Symphony "Die Harmonie der Welt": II. Musica Humana. Sehr getragen
—
Symphony "Die Harmonie der Welt": III. Musica mundana. Sehr breit - Passacaglia. Ruhig bewegt
—
Symphony No. 3 in E-flat major, Op. 55 "Eroica": I. Allegro con brio
—
Symphony No. 3 in E-flat major, Op. 55 "Eroica": II. Marcia funebre. Adagio assai
—
Symphony No. 3 in E-flat major, Op. 55 "Eroica": III. Scherzo. Allegro vivace
—
Symphony No. 3 in E-flat major, Op. 55 "Eroica": IV. Finale. Allegro molto
—
[applause]
—
Overture to "Rosamunde", Op. 26 D. 644: Andante - Allegro vivace
—
[applause]
—
Concertante Musik für Orchester, Op. 10: Moderato - Molto Allegro
—
Symphony No. 8 in B minor, D. 759 "Unfinished": I. Allegro moderato
—
Symphony No. 8 in B minor, D. 759 "Unfinished": II. Andante con moto
—
Symphony No. 9 in C major, D. 944 "The Great": I. Andante - Allegro ma non troppo
—
Symphony No. 9 in C major, D. 944 "The Great": II. Andante con moto
—
Symphony No. 9 in C major, D. 944 "The Great": III. Scherzo. Allegro vivace - Trio
—
Symphony No. 9 in C major, D. 944 "The Great": IV. Finale. Allegro vivace
—
Symphony No. 3 in F major, Op. 90: I. Allegro con brio
—
Symphony No. 3 in F major, Op. 90: II. Andante
—
Symphony No. 3 in F major, Op. 90: III. Poco Allegretto
—
Symphony No. 3 in F major, Op. 90: IV. Allegro
—
Don Juan, Op. 20: Allegro molto con brio
—
Tristan und Isolde: Prelude
—
Tristan und Isolde: Isoldes Liebestod
—
Symphony No. 6 in F major, Op. 68 "Pastorale": I. Erwachen heiterer Gefühle bei der Ankunft auf dem Lande. Allegro ma non troppo
—
Symphony No. 6 in F major, Op. 68 "Pastorale": II. Szene am Bach. Andante molto mosso
—
Symphony No. 6 in F major, Op. 68 "Pastorale": III. Lustiges Zusammensein der Landleute. Allegro
—
Symphony No. 6 in F major, Op. 68 "Pastorale": IV. Gewitter, Sturm. Allegro
—
Symphony No. 6 in F major, Op. 68 "Pastorale": V. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm. Allegretto
—
Symphony No. 5 in C minor, Op. 67: I. Allegro con brio
—
Symphony No. 5 in C minor, Op. 67: II. Andante con moto
—
Symphony No. 5 in C minor, Op. 67: III. Allegro
—
Symphony No. 5 in C minor, Op. 67: IV. Allegro
—
Criteria for casting singers
—
Relationship between conductor and director
—
Length of breaks / Overture to 'Die Zauberflöte'
—
Musical tempo
—
Audience / musical intelligence
—
General pauses in Bruckner’s works / Principle of the symphony / Future of music / Schott composers
—
"Emotional music" / freedom in music
—
Universality of interpretations / Sound volume and size of concert hall
—
Acoustics of opera houses and concert halls
—
Casting of Wagnerian roles / impact of gender / perfection and charisma
—
Orchestra pit – covered or open / The orchestra as an accompanying instrument
—
The art of accompaniment
—
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What is UPC 4022143214034?
4022143214034 is a Universal Product Code (UPC) assigned to The Complete RIAS Recordings by Wilhelm Furtwängler. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 113 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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