UPC · Release
The Berlin Recordings 1945-1957
Sergiu Celibidache
4022143214232
124 tracksReleased 2013-01-01Audite
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4022143214232 is the Universal Product Code (UPC barcode) for the release “The Berlin Recordings 1945-1957” by Sergiu Celibidache, released 2013-01-01 on Audite. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 124 tracks, each with its own ISRC.
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ISWC3 works
Track List (124)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Symphony no. 4 in A major, op. 90 "Italian": I. Allegro vivace | — | ||
| 2 | Symphony no. 4 in A major, op. 90 "Italian": II. Andante con moto | — | ||
| 3 | Symphony no. 4 in A major, op. 90 "Italian": III. Con moto moderato | — | ||
| 4 | Symphony no. 4 in A major, op. 90 "Italian": IV. Saltarello. Presto | — | ||
| 5 | Concert-Ouverture no. 4 in F major, op. 32 "The fable of the fairest Melusina": Allegro con moto | — | ||
| 6 | Violin Concerto no. 5 in A major, K. 219: I. Allegro aperto | — | ||
| 7 | Violin Concerto no. 5 in A major, K. 219: II. Adagio | — | ||
| 8 | Violin Concerto no. 5 in A major, K. 219: III. Rondeau. Tempo di Menuetto – Allegro – Tempo di Menuetto | — | ||
| 2-1 | Piano Concerto no. 2 in F minor, op. 21: I. Maestoso | — | ||
| 2-2 | Piano Concerto no. 2 in F minor, op. 21: II. Larghetto | — | ||
| 2-3 | Piano Concerto no. 2 in F minor, op. 21: III. Allegro vivace | — | ||
| 2-4 | Le Corsaire. Overture, op. 21: Allegro assai – Adagio sostenuto – Allegro assai | — | ||
| 2-5 | Symphony no. 1 in C major: I. Allegro vivo | — | ||
| 2-6 | Symphony no. 1 in C major: II. Adagio | — | ||
| 2-7 | Symphony no. 1 in C major: III. Scherzo. Allegro vivace | — | ||
| 2-8 | Symphony no. 1 in C major: IV. Allegro vivace | — | ||
| 2-9 | Le carnaval romain. Ouverture caractéristique, op. 9: Allegro assai con fuoco | — | ||
| 3-1 | Symphony no. 4 in E minor, op. 98: I. Allegro non troppo | — | ||
| 3-2 | Symphony no. 4 in E minor, op. 98: II. Andante moderato | — | ||
| 3-3 | Symphony no. 4 in E minor, op. 98: III. Allegro giocoso | — | ||
| 3-4 | Symphony no. 4 in E minor, op. 98: IV. Allegro energico e passionato – Più Allegro | — | ||
| 3-5 | Till Eulenspiegels lustige Streiche, op. 28 | — | ||
| 3-6 | 5 Orchesterlieder: I. Über Nacht | — | ||
| 3-7 | 5 Orchesterlieder: II. Denk’ es, o Seele! | — | ||
| 3-8 | 5 Orchesterlieder: III. Gebet | — | ||
| 3-9 | 5 Orchesterlieder: IV. Anakreons Grab | — | ||
| 3-10 | 5 Orchesterlieder: V. Gesang Weylas | — | ||
| 4-1 | Symphony no. 2 in C minor, op. 17: I. Andante sostenuto – Allegro vivo – Andante sostenuto | — | ||
| 4-2 | Symphony no. 2 in C minor, op. 17: II. Andantino marziale, quasi moderato | — | ||
| 4-3 | Symphony no. 2 in C minor, op. 17: III. Scherzo. Allegro molto vivace | — | ||
| 4-4 | Symphony no. 2 in C minor, op. 17: IV. Finale. Moderato assai – Allegro vivo – Presto | — | ||
| 4-5 | Fantasy-Overture "Romeo and Juliet" (3rd Version 1880) | — | ||
| 4-6 | Russian Easter Festival. Overture on Liturgical Themes, op. 36 | — | ||
| 5-1 | Cello Concerto in B minor, op. 104: I. Allegro | — | ||
| 5-2 | Cello Concerto in B minor, op. 104: II. Adagio ma non troppo | — | ||
| 5-3 | Cello Concerto in B minor, op. 104: III. Finale. Allegro moderato | — | ||
| 5-4 | "Carnaval". Overture for Large Orchestra and Organ in F major, op. 45 | — | ||
| 5-5 | "In modo populari". Suite no. 3, op. 43: I. Allegro moderato – Poco più animato – Tempo primo | — | ||
| 5-6 | "In modo populari". Suite no. 3, op. 43: II. Moderato – Meno mosso – Andante – Allegro con moto – Moderato | — | ||
| 5-7 | "In modo populari". Suite no. 3, op. 43: III. Vivace – Pochettino meno mosso – Allegretto – Vivace | — | ||
| 5-8 | "In modo populari". Suite no. 3, op. 43: IV. Moderato – Pochettino più mosso – Poco meno mosso – Tempo primo | — | ||
| 5-9 | "In modo populari". Suite no. 3, op. 43: V. Allegretto – Pochettino meno mosso – Tempo primo | — | ||
| 5-10 | "In modo populari". Suite no. 3, op. 43: VI. Vivace, ma non troppo – Allegro moderato | — | ||
| 6-1 | La mer. Trois esquisses symphoniques: I. De l’aube à midi sur la mer | — | ||
| 6-2 | La mer. Trois esquisses symphoniques: II. Jeux de vagues | — | ||
| 6-3 | La mer. Trois esquisses symphoniques: III. Dialogue du vent et de la mer | — | ||
| 6-4 | Jeux. Poème dansé | — | ||
| 6-5 | Nocturnes. Triptyque symphonique: II. Fêtes | — | ||
| 6-6 | Samson and Dalilah. Opera in three acts, op. 47: Act II - "Sieh, mein Herz erschließet sich" | — | ||
| 6-7 | Concerto for Coloratura Soprano and Orchestra in F minor, op. 82: I. Andante | — | ||
| 6-8 | Concerto for Coloratura Soprano and Orchestra in F minor, op. 82: II. Allegro – Animato – Più allegro – Presto | — | ||
| 7-1 | Symphony no. 9 in E-flat major, op. 70: I. Allegro | — | ||
| 7-2 | Symphony no. 9 in E-flat major, op. 70: II. Moderato | — | ||
| 7-3 | Symphony no. 9 in E-flat major, op. 70: III. Presto | — | ||
| 7-4 | Symphony no. 9 in E-flat major, op. 70: IV. Largo | — | ||
| 7-5 | Symphony no. 9 in E-flat major, op. 70: V. Allegretto – Pochissimo animato – Allegro | — | ||
| 7-6 | "Card Game". Ballet in three deals: I. First Deal | — | ||
| 7-7 | "Card Game". Ballet in three deals: II. Second Deal | — | ||
| 7-8 | "Card Game". Ballet in three deals: III. Third Deal | — | ||
| 7-9 | Music for orchestra in one movement | — | ||
| 7-10 | Berceuse élégiaque. The man's lullaby at his mother's coffin, op. 42 | — | ||
| 8-1 | Symphony no. 1 in D major, op. 25 "Symphonie classique": I. Allegro | — | ||
| 8-2 | Symphony no. 1 in D major, op. 25 "Symphonie classique": II. Larghetto | — | ||
| 8-3 | Symphony no. 1 in D major, op. 25 "Symphonie classique": III. Gavotta. non troppo allegro | — | ||
| 8-4 | Symphony no. 1 in D major, op. 25 "Symphonie classique": IV. [Finale.] Molto vivace | — | ||
| 8-5 | Romeo and Juliet. Suite for Orchestra no. 2, op. 64 b: I. Montagues and Capulets. Andante – Allegro pesante | — | ||
| 8-6 | Romeo and Juliet. Suite for Orchestra no. 2, op. 64 b: II. The child Juliet. Vivace | — | ||
| 8-7 | Romeo and Juliet. Suite for Orchestra no. 2, op. 64 b: III. Friar Laurence. Andante espressivo | — | ||
| 8-8 | Romeo and Juliet. Suite for Orchestra no. 2, op. 64 b: IV. Dance. Vivo | — | ||
| 8-9 | Romeo and Juliet. Suite for Orchestra no. 2, op. 64 b: V. Romeo and Juliet before parting. Lento – Adagio | — | ||
| 8-10 | Romeo and Juliet. Suite for Orchestra no. 2, op. 64 b: VI. Dance of the Girls with Lilies. Andante con eleganza | — | ||
| 8-11 | Romeo and Juliet. Suite for Orchestra no. 2, op. 64 b: VII. Romeo at Juliet’s Grave. Adagio funebre | — | ||
| 8-12 | Petite Suite, op. 39: I. Aubade. Allegretto comodo | — | ||
| 8-13 | Petite Suite, op. 39: II. Pastorale. Andante – Andantino – Andante | — | ||
| 8-14 | Petite Suite, op. 39: III. Mascarade. Allegro con spirito | — | ||
| 9-1 | Suite française, op. 248: I. Normandie. Animato | — | ||
| 9-2 | Suite française, op. 248: II. Bretagne. Lento | — | ||
| 9-3 | Suite française, op. 248: III. Île de France. Vivo | — | ||
| 9-4 | Suite française, op. 248: IV. Alsace-Lorraine. Lento | — | ||
| 9-5 | Suite française, op. 248: V. Provence. Animato | — | ||
| 9-6 | Suite symphonique no. 2, op. 57: I. Ouverture. Modéré | — | ||
| 9-7 | Suite symphonique no. 2, op. 57: IV. Nocturne. Souple et modéré | — | ||
| 9-8 | Suite symphonique no. 2, op. 57: V. Final. Vif | — | ||
| 9-9 | Symphony no. 4 in C major, op. 62: I. Langsam | — | ||
| 9-10 | Symphony no. 4 in C major, op. 62: II. Sehr rhythmisch bewegt | — | ||
| 9-11 | Symphony no. 4 in C major, op. 62: III. Langsam | — | ||
| 9-12 | Symphony no. 4 in C major, op. 62: IV. Frisch, lebendig | — | ||
| 9-13 | Sinfonía de Antígona (Symphony no. 1) | — | ||
| 10-1 | Capricorn Concerto for flute, oboe, trumpet and string orchestra, op. 21: I. Allegro ma non troppo | — | ||
| 10-2 | Capricorn Concerto for flute, oboe, trumpet and string orchestra, op. 21: II. Allegretto | — | ||
| 10-3 | Capricorn Concerto for flute, oboe, trumpet and string orchestra, op. 21: III. Allegro con brio | — | ||
| 10-4 | Appalachian Spring (Concert version of "Ballet for Martha Graham") | — | ||
| 10-5 | Symphony no. 2: I. Moderato – A tempo meno mosso | — | ||
| 10-6 | Symphony no. 2: II. Adagio | — | ||
| 10-7 | Symphony no. 2: III. Allegro | — | ||
| 10-8 | Romance for Violoncello and Orchestra, op. 35: Andante melancolico | — | ||
| 11-1 | Sinfonia da Requiem, op. 20: I. Lacrymosa. Andante ben misurato – Con moto – Largamente, ma con animo deliberato | — | ||
| 11-2 | Sinfonia da Requiem, op. 20: II. Dies irae. Allegro con fuoco – Con anima – Alla marcia (sempre in tempo giusto) – Avanti! – Poco a poco più lento | — | ||
| 11-3 | Sinfonia da Requiem, op. 20: III. Requiem aeternam. Andante molto tranquillo – Largamente – Comodo | — | ||
| 11-4 | King Arthur, or The British Worthy. Suite for string orchestra: I. Overture. Maestoso – Allegro (no. 2, 2nd music) | — | ||
| 11-5 | King Arthur, or The British Worthy. Suite for string orchestra: II. Air. Tempo di Menuetto (no. 3, 2nd music) | — | ||
| 11-6 | King Arthur, or The British Worthy. Suite for string orchestra: III. Hornpipe. Allegro non troppo (no. 30, 3rd act) | — | ||
| 11-7 | King Arthur, or The British Worthy. Suite for string orchestra: IV. Fairest Isle. Allegretto (no. 40, 4th act) | — | ||
| 11-8 | King Arthur, or The British Worthy. Suite for string orchestra: V. Air. Allegro leggiero (no. 33, 5th act) | — | ||
| 11-9 | King Arthur, or The British Worthy. Suite for string orchestra: VI. Chaconne. Allegretto (no. 1, 1st act) | — | ||
| 11-10 | Concerto for violin and strings in D major, RV 210: I. Allegro | — | ||
| 11-11 | Concerto for violin and strings in D major, RV 210: II. Largo | — | ||
| 11-12 | Concerto for violin and strings in D major, RV 210: III. Allegro | — | ||
| 11-13 | Rounds for string orchestra: I. Allegro molto vivace | — | ||
| 11-14 | Rounds for string orchestra: II. Adagio | — | ||
| 11-15 | Rounds for string orchestra: III. Allegro vigoroso | — | ||
| 11-16 | Vorspiel zu einem Revolutionsdrama, op. 33 | — | ||
| 12-1 | Symphony no. 94 in G major, Hob. I;94 "The Surprise" (3rd London Symphony): I. Adagio – Vivace assai | — | ||
| 12-2 | Symphony no. 94 in G major, Hob. I;94 "The Surprise" (3rd London Symphony): II. Andante | — | ||
| 12-3 | Symphony no. 94 in G major, Hob. I;94 "The Surprise" (3rd London Symphony): III. Menuetto. Allegro molto | — | ||
| 12-4 | Symphony no. 94 in G major, Hob. I;94 "The Surprise" (3rd London Symphony): IV. Finale. Allegro di molto | — | ||
| 12-5 | Symphony no. 104 in D major, Hob. I;104 "Salomon" (7th London Symphony): I. Adagio – Allegro | — | ||
| 12-6 | Symphony no. 104 in D major, Hob. I;104 "Salomon" (7th London Symphony): II. Andante | — | ||
| 12-7 | Symphony no. 104 in D major, Hob. I;104 "Salomon" (7th London Symphony): III. Menuetto. Allegro | — | ||
| 12-8 | Symphony no. 104 in D major, Hob. I;104 "Salomon" (7th London Symphony): IV. Finale. Allegro spiritoso | — | ||
| 12-9 | Leonore Overture no. 3, op. 72a: Adagio – Allegro – Presto | — | ||
| 13-1 | Symphony no. 7 in A major, op. 92: I. Poco sostenuto – Vivace | — | ||
| 13-2 | Symphony no. 7 in A major, op. 92: II. Allegretto | — | ||
| 13-3 | Symphony no. 7 in A major, op. 92: III. Presto (fragment) | — |
Symphony no. 4 in A major, op. 90 "Italian": I. Allegro vivace
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Symphony no. 4 in A major, op. 90 "Italian": II. Andante con moto
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Symphony no. 4 in A major, op. 90 "Italian": III. Con moto moderato
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Symphony no. 4 in A major, op. 90 "Italian": IV. Saltarello. Presto
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Concert-Ouverture no. 4 in F major, op. 32 "The fable of the fairest Melusina": Allegro con moto
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Violin Concerto no. 5 in A major, K. 219: I. Allegro aperto
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Violin Concerto no. 5 in A major, K. 219: II. Adagio
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Violin Concerto no. 5 in A major, K. 219: III. Rondeau. Tempo di Menuetto – Allegro – Tempo di Menuetto
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Piano Concerto no. 2 in F minor, op. 21: I. Maestoso
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Piano Concerto no. 2 in F minor, op. 21: II. Larghetto
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Piano Concerto no. 2 in F minor, op. 21: III. Allegro vivace
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Le Corsaire. Overture, op. 21: Allegro assai – Adagio sostenuto – Allegro assai
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Symphony no. 1 in C major: I. Allegro vivo
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Symphony no. 1 in C major: II. Adagio
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Symphony no. 1 in C major: III. Scherzo. Allegro vivace
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Symphony no. 1 in C major: IV. Allegro vivace
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Le carnaval romain. Ouverture caractéristique, op. 9: Allegro assai con fuoco
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Symphony no. 4 in E minor, op. 98: I. Allegro non troppo
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Symphony no. 4 in E minor, op. 98: II. Andante moderato
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Symphony no. 4 in E minor, op. 98: III. Allegro giocoso
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Symphony no. 4 in E minor, op. 98: IV. Allegro energico e passionato – Più Allegro
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Till Eulenspiegels lustige Streiche, op. 28
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5 Orchesterlieder: I. Über Nacht
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5 Orchesterlieder: II. Denk’ es, o Seele!
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5 Orchesterlieder: III. Gebet
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5 Orchesterlieder: IV. Anakreons Grab
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5 Orchesterlieder: V. Gesang Weylas
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Symphony no. 2 in C minor, op. 17: I. Andante sostenuto – Allegro vivo – Andante sostenuto
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Symphony no. 2 in C minor, op. 17: II. Andantino marziale, quasi moderato
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Symphony no. 2 in C minor, op. 17: III. Scherzo. Allegro molto vivace
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Symphony no. 2 in C minor, op. 17: IV. Finale. Moderato assai – Allegro vivo – Presto
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Fantasy-Overture "Romeo and Juliet" (3rd Version 1880)
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Russian Easter Festival. Overture on Liturgical Themes, op. 36
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Cello Concerto in B minor, op. 104: I. Allegro
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Cello Concerto in B minor, op. 104: II. Adagio ma non troppo
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Cello Concerto in B minor, op. 104: III. Finale. Allegro moderato
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"Carnaval". Overture for Large Orchestra and Organ in F major, op. 45
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"In modo populari". Suite no. 3, op. 43: I. Allegro moderato – Poco più animato – Tempo primo
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"In modo populari". Suite no. 3, op. 43: II. Moderato – Meno mosso – Andante – Allegro con moto – Moderato
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"In modo populari". Suite no. 3, op. 43: III. Vivace – Pochettino meno mosso – Allegretto – Vivace
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"In modo populari". Suite no. 3, op. 43: IV. Moderato – Pochettino più mosso – Poco meno mosso – Tempo primo
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"In modo populari". Suite no. 3, op. 43: V. Allegretto – Pochettino meno mosso – Tempo primo
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"In modo populari". Suite no. 3, op. 43: VI. Vivace, ma non troppo – Allegro moderato
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La mer. Trois esquisses symphoniques: I. De l’aube à midi sur la mer
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La mer. Trois esquisses symphoniques: II. Jeux de vagues
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La mer. Trois esquisses symphoniques: III. Dialogue du vent et de la mer
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Jeux. Poème dansé
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Nocturnes. Triptyque symphonique: II. Fêtes
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Samson and Dalilah. Opera in three acts, op. 47: Act II - "Sieh, mein Herz erschließet sich"
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Concerto for Coloratura Soprano and Orchestra in F minor, op. 82: I. Andante
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Concerto for Coloratura Soprano and Orchestra in F minor, op. 82: II. Allegro – Animato – Più allegro – Presto
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Symphony no. 9 in E-flat major, op. 70: I. Allegro
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Symphony no. 9 in E-flat major, op. 70: II. Moderato
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Symphony no. 9 in E-flat major, op. 70: III. Presto
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Symphony no. 9 in E-flat major, op. 70: IV. Largo
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Symphony no. 9 in E-flat major, op. 70: V. Allegretto – Pochissimo animato – Allegro
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"Card Game". Ballet in three deals: I. First Deal
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"Card Game". Ballet in three deals: II. Second Deal
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"Card Game". Ballet in three deals: III. Third Deal
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Music for orchestra in one movement
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Berceuse élégiaque. The man's lullaby at his mother's coffin, op. 42
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Symphony no. 1 in D major, op. 25 "Symphonie classique": I. Allegro
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Symphony no. 1 in D major, op. 25 "Symphonie classique": II. Larghetto
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Symphony no. 1 in D major, op. 25 "Symphonie classique": III. Gavotta. non troppo allegro
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Symphony no. 1 in D major, op. 25 "Symphonie classique": IV. [Finale.] Molto vivace
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Romeo and Juliet. Suite for Orchestra no. 2, op. 64 b: I. Montagues and Capulets. Andante – Allegro pesante
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Romeo and Juliet. Suite for Orchestra no. 2, op. 64 b: II. The child Juliet. Vivace
—
Romeo and Juliet. Suite for Orchestra no. 2, op. 64 b: III. Friar Laurence. Andante espressivo
—
Romeo and Juliet. Suite for Orchestra no. 2, op. 64 b: IV. Dance. Vivo
—
Romeo and Juliet. Suite for Orchestra no. 2, op. 64 b: V. Romeo and Juliet before parting. Lento – Adagio
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Romeo and Juliet. Suite for Orchestra no. 2, op. 64 b: VI. Dance of the Girls with Lilies. Andante con eleganza
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Romeo and Juliet. Suite for Orchestra no. 2, op. 64 b: VII. Romeo at Juliet’s Grave. Adagio funebre
—
Petite Suite, op. 39: I. Aubade. Allegretto comodo
—
Petite Suite, op. 39: II. Pastorale. Andante – Andantino – Andante
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Petite Suite, op. 39: III. Mascarade. Allegro con spirito
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Suite française, op. 248: I. Normandie. Animato
—
Suite française, op. 248: II. Bretagne. Lento
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Suite française, op. 248: III. Île de France. Vivo
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Suite française, op. 248: IV. Alsace-Lorraine. Lento
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Suite française, op. 248: V. Provence. Animato
—
Suite symphonique no. 2, op. 57: I. Ouverture. Modéré
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Suite symphonique no. 2, op. 57: IV. Nocturne. Souple et modéré
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Suite symphonique no. 2, op. 57: V. Final. Vif
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Symphony no. 4 in C major, op. 62: I. Langsam
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Symphony no. 4 in C major, op. 62: II. Sehr rhythmisch bewegt
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Symphony no. 4 in C major, op. 62: III. Langsam
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Symphony no. 4 in C major, op. 62: IV. Frisch, lebendig
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Sinfonía de Antígona (Symphony no. 1)
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Capricorn Concerto for flute, oboe, trumpet and string orchestra, op. 21: I. Allegro ma non troppo
—
Capricorn Concerto for flute, oboe, trumpet and string orchestra, op. 21: II. Allegretto
—
Capricorn Concerto for flute, oboe, trumpet and string orchestra, op. 21: III. Allegro con brio
—
Appalachian Spring (Concert version of "Ballet for Martha Graham")
—
Symphony no. 2: I. Moderato – A tempo meno mosso
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Symphony no. 2: II. Adagio
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Symphony no. 2: III. Allegro
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Romance for Violoncello and Orchestra, op. 35: Andante melancolico
—
Sinfonia da Requiem, op. 20: I. Lacrymosa. Andante ben misurato – Con moto – Largamente, ma con animo deliberato
—
Sinfonia da Requiem, op. 20: II. Dies irae. Allegro con fuoco – Con anima – Alla marcia (sempre in tempo giusto) – Avanti! – Poco a poco più lento
—
Sinfonia da Requiem, op. 20: III. Requiem aeternam. Andante molto tranquillo – Largamente – Comodo
—
King Arthur, or The British Worthy. Suite for string orchestra: I. Overture. Maestoso – Allegro (no. 2, 2nd music)
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King Arthur, or The British Worthy. Suite for string orchestra: II. Air. Tempo di Menuetto (no. 3, 2nd music)
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King Arthur, or The British Worthy. Suite for string orchestra: III. Hornpipe. Allegro non troppo (no. 30, 3rd act)
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King Arthur, or The British Worthy. Suite for string orchestra: IV. Fairest Isle. Allegretto (no. 40, 4th act)
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King Arthur, or The British Worthy. Suite for string orchestra: V. Air. Allegro leggiero (no. 33, 5th act)
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King Arthur, or The British Worthy. Suite for string orchestra: VI. Chaconne. Allegretto (no. 1, 1st act)
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Concerto for violin and strings in D major, RV 210: I. Allegro
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Concerto for violin and strings in D major, RV 210: II. Largo
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Concerto for violin and strings in D major, RV 210: III. Allegro
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Rounds for string orchestra: I. Allegro molto vivace
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Rounds for string orchestra: II. Adagio
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Rounds for string orchestra: III. Allegro vigoroso
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Vorspiel zu einem Revolutionsdrama, op. 33
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Symphony no. 94 in G major, Hob. I;94 "The Surprise" (3rd London Symphony): I. Adagio – Vivace assai
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Symphony no. 94 in G major, Hob. I;94 "The Surprise" (3rd London Symphony): II. Andante
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Symphony no. 94 in G major, Hob. I;94 "The Surprise" (3rd London Symphony): III. Menuetto. Allegro molto
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Symphony no. 94 in G major, Hob. I;94 "The Surprise" (3rd London Symphony): IV. Finale. Allegro di molto
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Symphony no. 104 in D major, Hob. I;104 "Salomon" (7th London Symphony): I. Adagio – Allegro
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Symphony no. 104 in D major, Hob. I;104 "Salomon" (7th London Symphony): II. Andante
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Symphony no. 104 in D major, Hob. I;104 "Salomon" (7th London Symphony): III. Menuetto. Allegro
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Symphony no. 104 in D major, Hob. I;104 "Salomon" (7th London Symphony): IV. Finale. Allegro spiritoso
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Leonore Overture no. 3, op. 72a: Adagio – Allegro – Presto
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Symphony no. 7 in A major, op. 92: I. Poco sostenuto – Vivace
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Symphony no. 7 in A major, op. 92: II. Allegretto
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Symphony no. 7 in A major, op. 92: III. Presto (fragment)
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What is UPC 4022143214232?
4022143214232 is a Universal Product Code (UPC) assigned to The Berlin Recordings 1945-1957 by Sergiu Celibidache. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 124 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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