UPC · Release
Porgy & Bess
George Gershwin, William Warfield, Leontyne Price and 1 more
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4022143234056 is the Universal Product Code (UPC barcode) for the release “Porgy & Bess” by George Gershwin, William Warfield, Leontyne Price, Cab Calloway, released 2008-01-01 on Audite. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 58 tracks, each with its own ISRC.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (58)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Porgy & Bess: Act One, Scene I. Introduction | — | ||
| 2 | Porgy & Bess: Act One, Scene I. Summertime | — | ||
| 3 | Porgy & Bess: Act One, Scene I. Oh, nobody knows when de Lawd is goin’ to call | — | ||
| 4 | Porgy & Bess: Act One, Scene I. I been sweatin’ all day | — | ||
| 5 | Porgy & Bess: Act One, Scene I. Summertime – seven come, seven to pappy! | — | ||
| 6 | Porgy & Bess: Act One, Scene I. Lissen to yo’ daddy – A woman is a sometime thing | — | ||
| 7 | Porgy & Bess: Act One, Scene I. Here’s the ol’ crap shark! | — | ||
| 8 | Porgy & Bess: Act One, Scene I. No, no, brother | — | ||
| 9 | Porgy & Bess: Act One, Scene I. Here comes big boy! | — | ||
| 10 | Porgy & Bess: Act One, Scene I. Don’t you ever let a woman grieve you | — | ||
| 11 | Porgy & Bess: Act One, Scene I. Oh, little stars | — | ||
| 12 | Porgy & Bess: Act One, Scene I. Jesus, he’s killed him! | — | ||
| 13 | Porgy & Bess: Act One, Scene II. Gone, gone, gone | — | ||
| 14 | Porgy & Bess: Act One, Scene II. Come on sister – Overflow | — | ||
| 15 | Porgy & Bess: Act One, Scene II. A saucer‐burial setup, I see | — | ||
| 16 | Porgy & Bess: Act One, Scene II. I ain’t never done nuttin’, boss (I can’t puzzle…) | — | ||
| 17 | Porgy & Bess: Act One, Scene II. My man’s gone now | — | ||
| 18 | Porgy & Bess: Act One, Scene II. How de saucer stand now my sister | — | ||
| 19 | Porgy & Bess: Act One, Scene II. Oh, the train is at the station | — | ||
| 20 | Porgy & Bess: Act One, Scene III. Oh, I’m agoin’ out – it take a long pull to get there | — | ||
| 21 | Porgy & Bess: Act One, Scene III. Oh, I got plenty o’ nuttin’ | — | ||
| 22 | Porgy & Bess: Act One, Scene III. Mornin’, lawyer, lookin’ for somebody? | — | ||
| 23 | Porgy & Bess: Act One, Scene III. ‘Lo Bess, goin’ to picnic? | — | ||
| 24 | Porgy & Bess: Act One, Scene III. Bess, you is my woman now | — | ||
| 25 | Porgy & Bess: Act One, Scene III. I stayin’ with Porgy – sho’ you goin’ | — | ||
| 26 | Porgy & Bess: Act One, Scene III. Goodby, Porgy | — | ||
| 2-1 | Porgy & Bess: Act Two, Scene I. I ain’ got no shame | — | ||
| 2-2 | Porgy & Bess: Act Two, Scene I. It ain’t necessarily so | — | ||
| 2-3 | Porgy & Bess: Act Two, Scene I. Crown, I got something to tell yo | — | ||
| 2-4 | Porgy & Bess: Act Two, Scene I. Oh, what you want wid Bess? | — | ||
| 2-5 | Porgy & Bess: Act Two, Scene I. Interlude | — | ||
| 2-6 | Porgy & Bess: Act Two, Scene II. Honey, dat’s all de breakfast I got time for | — | ||
| 2-7 | Porgy & Bess: Act Two, Scene II. It take a long pull to get there, huh! | — | ||
| 2-8 | Porgy & Bess: Act Two, Scene II. I think dat maybe she goin’ to sleep now | — | ||
| 2-9 | Porgy & Bess: Act Two, Scene II. Oh, Doctor Jesus | — | ||
| 2-10 | Porgy & Bess: Act Two, Scene II. Oh dey’s so fresh an’ fine | — | ||
| 2-11 | Porgy & Bess: Act Two, Scene II. I’m talkin’ about devil crabs | — | ||
| 2-12 | Porgy & Bess: Act Two, Scene II. I lonesome here all by myself | — | ||
| 2-13 | Porgy & Bess: Act Two, Scene II. I wants to stay here | — | ||
| 2-14 | Porgy & Bess: Act Two, Scene II. Why you been out on that wharf so long, Clara? | — | ||
| 2-15 | Porgy & Bess: Act Two, Scene III. The hurricane is rampaging violently | — | ||
| 2-16 | Porgy & Bess: Act Two, Scene III. Oh, de Lowd shake de heavens | — | ||
| 2-17 | Porgy & Bess: Act Two, Scene III. One of dese mornings you goin’ to rise up singin’ | — | ||
| 2-18 | Porgy & Bess: Act Two, Scene III. Oh, dere’s somebody knockin’ at de do’ | — | ||
| 2-19 | Porgy & Bess: Act Two, Scene III. If Gawd want to kill me | — | ||
| 2-20 | Porgy & Bess: Act Two, Scene III. A red‐headed woman make a choo‐choo jump | — | ||
| 2-21 | Porgy & Bess: Act Three, Scene I. Clara, don’t you be downhearted | — | ||
| 2-22 | Porgy & Bess: Act Three, Scene I. Ha ha ha – you low‐life skunk | — | ||
| 2-23 | Porgy & Bess: Act Three, Scene I. Summertime | — | ||
| 2-24 | Porgy & Bess: Act Three, Scene I. Interlude – Death of Crown | — | ||
| 2-25 | Porgy & Bess: Act Three, Scene II. Introduction | — | ||
| 2-26 | Porgy & Bess: Act Three, Scene II. Turn me loose | — | ||
| 2-27 | Porgy & Bess: Act Three, Scene II. There’s a boat dat’s leavin’ soon for New York | — | ||
| 2-28 | Porgy & Bess: Act Three, Scene III. Introduction | — | ||
| 2-29 | Porgy & Bess: Act Three, Scene III. Dem white folks sure ain’ put nuttin’ | — | ||
| 2-30 | Porgy & Bess: Act Three, Scene III. Oh Bess, oh where’s my Bess | — | ||
| 2-31 | Porgy & Bess: Act Three, Scene III. Where Bess gone? | — | ||
| 2-32 | Porgy & Bess: Act Three, Scene III. Oh Lord, I’m on my way | — |
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Credits Graph
People also ask
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What is UPC 4022143234056?
4022143234056 is a Universal Product Code (UPC) assigned to Porgy & Bess by George Gershwin, William Warfield, Leontyne Price, Cab Calloway. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 58 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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