UPC · Release
Der 5. Mann (Live)
Tango Five
Last verified:
4022797201817 is the Universal Product Code (UPC barcode) for the release “Der 5. Mann (Live)” by Tango Five, released 1996-01-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 20 tracks, each with its own ISRC.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Track List (20)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | I spui mit meim Trio (A-Train) | — | ||
| 2 | Liebe in der Schweiz | — | ||
| 3 | Lied der Berge (Vesperpause) | — | ||
| 4 | Anatolische Bergblume | — | ||
| 5 | Wirt | — | ||
| 6 | Rinder Horse | — | ||
| 7 | Nimm Zigeuner | — | ||
| 8 | Ungarisch 3 | — | ||
| 9 | Django | — | ||
| 10 | Ein Glück, dass man sich so verlieben kann | — | ||
| 11 | Der Theobald | — | ||
| 12 | Seid zur Freundschaft bereit | — | ||
| 13 | Das Herz eines Boxers | — | ||
| 14 | Tango Five in America | — | ||
| 15 | Nur ein Schatten | — | ||
| 16 | That's Amore | — | ||
| 17 | Sohnemann-Blues | — | ||
| 18 | Hello Selge | — | ||
| 19 | El Choclo | — | ||
| 20 | New York Tango | — |
Credits Graph
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What is UPC 4022797201817?
4022797201817 is a Universal Product Code (UPC) assigned to Der 5. Mann (Live) by Tango Five. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 20 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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