UPC · Release
Anne Clark
Last verified:
4027791004297 is the Universal Product Code (UPC barcode) for the release “Notes Taken, Traces Left” by Anne Clark, released 2004-01-01 on NetMusicZone Records. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 82 tracks, each with its own ISRC.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Introduction to Book | — | ||
| 2 | Introduction to the Sitting Room | — | ||
| 3 | The Sitting Room | — | ||
| 4 | Swimming | — | ||
| 5 | An Ordinary Live | — | ||
| 6 | Shades | — | ||
| 7 | Short Story | — | ||
| 8 | The Power Game (First version) | — | ||
| 9 | All We Have to Be Thankful For | — | ||
| 10 | Introduction to Changing Places | — | ||
| 11 | Contact | — | ||
| 12 | Sleeper in Metropolis | — | ||
| 13 | Poem for a Nuclear Romance | — | ||
| 14 | Wallies | — | ||
| 15 | Lovers Audition | — | ||
| 16 | Poet’s Turmoil 364 | — | ||
| 17 | Echoes Remain Forever | — | ||
| 18 | All Night Party | — | ||
| 19 | Pandora’s Box | — | ||
| 20 | Feel | — | ||
| 21 | The Last Emotion | — | ||
| 22 | Introduction to Joined Up Writing | — | ||
| 23 | Nothing at All | — | ||
| 24 | Weltschmerz | — | ||
| 25 | Killing Time | — | ||
| 26 | True Love Tales | — | ||
| 27 | Self Destruct | — | ||
| 28 | Our Darkness | — | ||
| 29 | Introduction to Pressure Points | — | ||
| 30 | Heaven | — | ||
| 31 | Red Sands | — | ||
| 32 | Alarm Call | — | ||
| 33 | Tide | — | ||
| 34 | The Interruption | — | ||
| 35 | The Power Game (Second version) | — | ||
| 36 | World Without Warning | — | ||
| 37 | Bursting | — | ||
| 38 | Lovers Retreat | — | ||
| 2-1 | Introduction to Hopeless Cases | — | ||
| 2-2 | Homecoming | — | ||
| 2-3 | Up | — | ||
| 2-4 | Cane Hill | — | ||
| 2-5 | Now | — | ||
| 2-6 | Hope Road | — | ||
| 2-7 | Armchair Theatre | — | ||
| 2-8 | Leaving | — | ||
| 2-9 | Introduction to R.S.V.P. | — | ||
| 2-10 | Introduction to Unstill Life | — | ||
| 2-11 | The Moment | — | ||
| 2-12 | Sognsvann | — | ||
| 2-13 | The Spinning Turning of the Summer Earth | — | ||
| 2-14 | White Silence | — | ||
| 2-15 | Makes Me Feel at Ease | — | ||
| 2-16 | Unstill Life | — | ||
| 2-17 | Empty Me | — | ||
| 2-18 | Nida | — | ||
| 2-19 | Counter Act | — | ||
| 2-20 | Abuse | — | ||
| 2-21 | Silent Prayer | — | ||
| 2-22 | Closed Circuit | — | ||
| 2-23 | Introduction to the Law Is an Anagram of Wealth | — | ||
| 2-24 | So Quiet Here | — | ||
| 2-25 | Fragility | — | ||
| 2-26 | Nightship | — | ||
| 2-27 | Seize the Vivid Sky | — | ||
| 2-28 | The Haunted Road | — | ||
| 2-29 | I of the Storm | — | ||
| 2-30 | Introduction to Psychometry | — | ||
| 2-31 | Interlude | — | ||
| 2-32 | Introduction to to Love and Be Loved | — | ||
| 2-33 | Dream Made Real | — | ||
| 2-34 | Mundesley Beach | — | ||
| 2-35 | Letter of Thanks to a Friend | — | ||
| 2-36 | The Healing | — | ||
| 2-37 | The Key | — | ||
| 2-38 | Painting | — | ||
| 2-39 | Athens | — | ||
| 2-40 | Virtuality | — | ||
| 2-41 | Elegy for a Lost Summer | — | ||
| 2-42 | Introduction to Wordprocessing | — | ||
| 2-43 | If I Could | — | ||
| 2-44 | Shell Song | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Credits Graph
4027791004297 is a Universal Product Code (UPC) assigned to Notes Taken, Traces Left by Anne Clark. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 82 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
4027791004297 is the Universal Product Code (UPC barcode) for the release “Notes Taken, Traces Left” by Anne Clark, released 2004-01-01 on NetMusicZone Records. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 82 tracks, each with its own ISRC.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Introduction to Book | — | ||
| 2 | Introduction to the Sitting Room | — | ||
| 3 | The Sitting Room | — | ||
| 4 | Swimming | — | ||
| 5 | An Ordinary Live | — | ||
| 6 | Shades | — | ||
| 7 | Short Story | — | ||
| 8 | The Power Game (First version) | — | ||
| 9 | All We Have to Be Thankful For | — | ||
| 10 | Introduction to Changing Places | — | ||
| 11 | Contact | — | ||
| 12 | Sleeper in Metropolis | — | ||
| 13 | Poem for a Nuclear Romance | — | ||
| 14 | Wallies | — | ||
| 15 | Lovers Audition | — | ||
| 16 | Poet’s Turmoil 364 | — | ||
| 17 | Echoes Remain Forever | — | ||
| 18 | All Night Party | — | ||
| 19 | Pandora’s Box | — | ||
| 20 | Feel | — | ||
| 21 | The Last Emotion | — | ||
| 22 | Introduction to Joined Up Writing | — | ||
| 23 | Nothing at All | — | ||
| 24 | Weltschmerz | — | ||
| 25 | Killing Time | — | ||
| 26 | True Love Tales | — | ||
| 27 | Self Destruct | — | ||
| 28 | Our Darkness | — | ||
| 29 | Introduction to Pressure Points | — | ||
| 30 | Heaven | — | ||
| 31 | Red Sands | — | ||
| 32 | Alarm Call | — | ||
| 33 | Tide | — | ||
| 34 | The Interruption | — | ||
| 35 | The Power Game (Second version) | — | ||
| 36 | World Without Warning | — | ||
| 37 | Bursting | — | ||
| 38 | Lovers Retreat | — | ||
| 2-1 | Introduction to Hopeless Cases | — | ||
| 2-2 | Homecoming | — | ||
| 2-3 | Up | — | ||
| 2-4 | Cane Hill | — | ||
| 2-5 | Now | — | ||
| 2-6 | Hope Road | — | ||
| 2-7 | Armchair Theatre | — | ||
| 2-8 | Leaving | — | ||
| 2-9 | Introduction to R.S.V.P. | — | ||
| 2-10 | Introduction to Unstill Life | — | ||
| 2-11 | The Moment | — | ||
| 2-12 | Sognsvann | — | ||
| 2-13 | The Spinning Turning of the Summer Earth | — | ||
| 2-14 | White Silence | — | ||
| 2-15 | Makes Me Feel at Ease | — | ||
| 2-16 | Unstill Life | — | ||
| 2-17 | Empty Me | — | ||
| 2-18 | Nida | — | ||
| 2-19 | Counter Act | — | ||
| 2-20 | Abuse | — | ||
| 2-21 | Silent Prayer | — | ||
| 2-22 | Closed Circuit | — | ||
| 2-23 | Introduction to the Law Is an Anagram of Wealth | — | ||
| 2-24 | So Quiet Here | — | ||
| 2-25 | Fragility | — | ||
| 2-26 | Nightship | — | ||
| 2-27 | Seize the Vivid Sky | — | ||
| 2-28 | The Haunted Road | — | ||
| 2-29 | I of the Storm | — | ||
| 2-30 | Introduction to Psychometry | — | ||
| 2-31 | Interlude | — | ||
| 2-32 | Introduction to to Love and Be Loved | — | ||
| 2-33 | Dream Made Real | — | ||
| 2-34 | Mundesley Beach | — | ||
| 2-35 | Letter of Thanks to a Friend | — | ||
| 2-36 | The Healing | — | ||
| 2-37 | The Key | — | ||
| 2-38 | Painting | — | ||
| 2-39 | Athens | — | ||
| 2-40 | Virtuality | — | ||
| 2-41 | Elegy for a Lost Summer | — | ||
| 2-42 | Introduction to Wordprocessing | — | ||
| 2-43 | If I Could | — | ||
| 2-44 | Shell Song | — |
