UPC · Release
Ludwig van Beethoven
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The UPC for “Ludwig van Beethoven Complete Works” by Ludwig van Beethoven is 4028462022008. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2007-01-01. Label: Am@do Classics. This release contains 993 tracks, each with its own ISRC. Tracks include SEWDL0789705, HKI199740501, HKI199213036.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Symphony No. 1 in C major, Op. 21: I. Adagio molto - Allegro con brio | — | ||
| 2 | Symphony No. 1 in C major, Op. 21: II. Andante cantabile con moto | — | ||
| 3 | Symphony No. 1 in C major, Op. 21: III. Menuetto. Allegro molto e vivace | — | ||
| 4 | Symphony No. 1 in C major, Op. 21: IV. Adagio - Allegro molto e vivace | — | ||
| 5 | Symphony No. 6 in F major, Op. 68 "Pastorale": I. Allegro, ma non troppo "Awakening of cheerful feelings upon arrival in the country" | — | ||
| 6 | Symphony No. 6 in F major, Op. 68 "Pastorale": II. Andante molto mosso "Scene at the brook" | — | ||
| 7 | Symphony No. 6 in F major, Op. 68 "Pastorale": III. Allegro "Happy gathering of country folk", IV. Allegro "Thunderstorm", V. Allegretto "Shepherds' song: Cheerful and thankful feelings after the storm" | — | ||
| 2-1 | Symphony No. 2 in D major, Op. 36: I. Adagio molto - Allegro con brio | — | ||
| 2-2 | Symphony No. 2 in D major, Op. 36: II. Larghetto | — | ||
| 2-3 | Symphony No. 2 in D major, Op. 36: III. Scherzo. Allegro | — | ||
| 2-4 | Symphony No. 2 in D major, Op. 36: IV. Allegro molto | — | ||
| 2-5 | Symphony No. 4 in B-flat major, Op. 60: I. Adagio - Allegro vivace | — | ||
| 2-6 | Symphony No. 4 in B-flat major, Op. 60: II. Adagio | — | ||
| 2-7 | Symphony No. 4 in B-flat major, Op. 60: III. Allegro molto e vivace - Trio. Un poco meno allegro | — | ||
| 2-8 | Symphony No. 4 in B-flat major, Op. 60: IV. Allegro, ma non troppo | — | ||
| 3-1 | Symphony No. 3 in E-flat major, Op. 55 "Eroica": I. Allegro con brio | — | ||
| 3-2 | Symphony No. 3 in E-flat major, Op. 55 "Eroica": II. Marcia funebre. Adagio assai | — | ||
| 3-3 | Symphony No. 3 in E-flat major, Op. 55 "Eroica": III. Scherzo. Allegro vivace | — | ||
| 3-4 | Symphony No. 3 in E-flat major, Op. 55 "Eroica": IV. Finale. Allegro molto | — | ||
| 3-5 | Symphony No. 8 in F major, Op. 93: I. Allegro vivace e con brio | — | ||
| 3-6 | Symphony No. 8 in F major, Op. 93: II. Scherzando. Allegretto | — | ||
| 3-7 | Symphony No. 8 in F major, Op. 93: III. Tempo di minuetto | — | ||
| 3-8 | Symphony No. 8 in F major, Op. 93: IV. Allegro vivace | — | ||
| 4-1 | Symphony No. 5 in C minor, Op. 67: I. Allegro con brio | — | ||
| 4-2 | Symphony No. 5 in C minor, Op. 67: II. Andante con moto | — | ||
| 4-3 | Symphony No. 5 in C minor, Op. 67: III. Scherzo. Allegro / IV. Allegro | — | ||
| 4-4 | Symphony No. 7 in A major, Op. 92: I. Poco sostenuto - Vivace | — | ||
| 4-5 | Symphony No. 7 in A major, Op. 92: II. Allegretto | — | ||
| 4-6 | Symphony No. 7 in A major, Op. 92: III. Presto | — | ||
| 4-7 | Symphony No. 7 in A major, Op. 92: IV. Allegro con brio | — | ||
| 5-1 | Symphony No. 9 in D minor, Op. 125 "Choral": I. Allegro ma non troppo, un poco maestoso | — | ||
| 5-2 | Symphony No. 9 in D minor, Op. 125 "Choral": II. Molto vivace - Presto | — | ||
| 5-3 | Symphony No. 9 in D minor, Op. 125 "Choral": III. Adagio molto e cantabile - Andante Moderato - Tempo I - Andante moderato - Adagio - Lo stesso tempo | — | ||
| 5-4 | Symphony No. 9 in D minor, Op. 125 "Choral": IV. Recitative. (Presto - Allegro, ma non troppo - Vivace - Adagio cantabile - Allegro assai - Presto "O Freunde") - Allegro assai "Freude, schöner Götterfunken" - Alla marcia - Allegro assai vivace "Froh, wie | — | ||
| 6-1 | Concerto for Piano and Orchestra No. 1 in C major, Op. 15: I. Allegro con brio (cadenza: Ludwig van Beethoven) | — | ||
| 6-2 | Concerto for Piano and Orchestra No. 1 in C major, Op. 15: II. Largo | — | ||
| 6-3 | Concerto for Piano and Orchestra No. 1 in C major, Op. 15: III. Rondo. Allegro | — | ||
| 6-4 | Concerto for Piano, Violin, Cello, and Orchestra in C major, Op. 56 "Triple Concerto": I. Allegro | — | ||
| 6-5 | Concerto for Piano, Violin, Cello, and Orchestra in C major, Op. 56 "Triple Concerto": II. Largo / III. Rondo alla Polacca | — | ||
| 7-1 | Concerto for Piano and Orchestra No. 2 in B-flat major, Op. 19: I. Allegro con brio (cadenza: Ludwig van Beethoven) | — | ||
| 7-2 | Concerto for Piano and Orchestra No. 2 in B-flat major, Op. 19: II. Adagio | — | ||
| 7-3 | Concerto for Piano and Orchestra No. 2 in B-flat major, Op. 19: III. Rondo. Molto allegro | — | ||
| 7-4 | Concerto for Piano and Orchestra No. 3 in C minor, Op. 37: I. Allegro con brio (cadenza: Ludwig van Beethoven) | — | ||
| 7-5 | Concerto for Piano and Orchestra No. 3 in C minor, Op. 37: II. Largo | — | ||
| 7-6 | Concerto for Piano and Orchestra No. 3 in C minor, Op. 37: III. Rondo. Allegro | — | ||
| 8-1 | Concerto for Piano and Orchestra No. 4 in G major, Op. 58: I. Allegro moderato (cadenza: Ludwig van Beethoven) | — | ||
| 8-2 | Concerto for Piano and Orchestra No. 4 in G major, Op. 58: II. Andante con moto | — | ||
| 8-3 | Concerto for Piano and Orchestra No. 4 in G major, Op. 58: III. Rondo. Vivace (cadenza: Ludwig van Beethoven) | — | ||
| 8-4 | Concerto for Piano and Orchestra No. 5 in E-flat major, Op. 73 "Emperor": I. Allegro | — | ||
| 8-5 | Concerto no. 5 in E-flat major for Piano and Orchestra, op. 73 "Emperor": II. Adagio un poco mosso - III. Rondo. Allegro | Hanae Nakajima, Nürnberger Symphoniker, Zsolt Deaky | — | |
| 9-1 | Romance for Violin and Orchestra No. 1 in G major, Op. 40: Andante | — | ||
| 9-2 | Romance for Violin and Orchestra No. 2 in F major, Op. 50: Adagio cantabile | — | ||
| 9-3 | Concerto for Violin and Orchestra in D major, Op. 61: I. Allegro ma non troppo (cadenza: Fritz Kreisler) | — | ||
| 9-4 | Concerto for Violin and Orchestra in D major, Op. 61: II. Larghetto | — | ||
| 9-5 | Concerto for Violin and Orchestra in D major, Op. 61: III. Rondo. Allegro (cadenza: Fritz Kreisler) | — | ||
| 9-6 | Concerto for Violin and Orchestra in C major: Allegro con brio (fragment completion: Wilfried Fischer) (candenza: Takaya Urakawa) | — | ||
| 10-1 | 6 Variations for Piano in F major on an Original Theme, Op. 34 | — | ||
| 10-2 | Fantasia, op. 77 | Jenő Jandó | — | |
| 10-3 | Polonaise for Piano in C major, Op. 89: Alla polacca, vivace | — | ||
| 10-4 | Concerto for Piano and Orchestra in E-flat major, WoO 4 (reconstruction from Piano part: Willy Hess): I. Allegro moderato | — | ||
| 10-5 | Concerto for Piano and Orchestra in E-flat major, WoO 4 (reconstruction from Piano part: Willy Hess): II. Larghetto | — | ||
| 10-6 | Concerto for Piano and Orchestra in E-flat major, WoO 4 (reconstruction from Piano part: Willy Hess): III. Rondo. Allegretto (cadenza: Willy Hess) | — | ||
| 11-1 | The Creatures of Prometheus, Op. 43: Overture. Adagio - Allegro molto con brio | — | ||
| 11-2 | The Creatures of Prometheus, Op. 43: Introduction. Allegro non troppo | — | ||
| 11-3 | The Creatures of Prometheus, Op. 43: I. Poco adagio | — | ||
| 11-4 | The Creatures of Prometheus, Op. 43: II. Adagio - Allegro con brio | — | ||
| 11-5 | The Creatures of Prometheus, Op. 43: III. Allegro vivace | — | ||
| 11-6 | The Creatures of Prometheus, Op. 43: IV. Maestoso - Andante | — | ||
| 11-7 | The Creatures of Prometheus, Op. 43: V. Adagio - Andante quasi allegro | — | ||
| 11-8 | The Creatures of Prometheus, Op. 43: VI. Un poco adagio - Allegro | — | ||
| 11-9 | The Creatures of Prometheus, Op. 43: VII. Grave | — | ||
| 11-10 | The Creatures of Prometheus, Op. 43: VIII. Marcia. Allegro con brio | — | ||
| 11-11 | The Creatures of Prometheus, Op. 43: IX. Adagio | — | ||
| 11-12 | The Creatures of Prometheus, Op. 43: X. Pastoral. Allegro | — | ||
| 11-13 | The Creatures of Prometheus, Op. 43: XI. Chorus. Andante (Gioja) | — | ||
| 11-14 | The Creatures of Prometheus, Op. 43: XII. Solo. Maestoso - Adagio (Gioja) | — | ||
| 11-15 | The Creatures of Prometheus, Op. 43: XIII. Allegro | — | ||
| 11-16 | The Creatures of Prometheus, Op. 43: XIV. Solo. Andante - Adagio (Signora Cassentini) | — | ||
| 11-17 | The Creatures of Prometheus, Op. 43: XV. Coro e Solo. Andantino - Adagio (Vigano) | — | ||
| 11-18 | The Creatures of Prometheus, Op. 43: XVI. Finale. Allegretto | — | ||
| 12-1 | Music for a Ballet on Horseback, WoO 1 | — | ||
| 12-2 | Zwölf Menuette, WoO 7: 1 | Capella Istropolitana, Oliver von Dohnányi | — | |
| 12-3 | Zwölf Menuette, WoO 7: 2 | Capella Istropolitana, Oliver von Dohnányi | — | |
| 12-4 | Zwölf Menuette, WoO 7: 3 | Capella Istropolitana, Oliver von Dohnányi | — | |
| 12-5 | Zwölf Menuette, WoO 7: 4 | Capella Istropolitana, Oliver von Dohnányi | — | |
| 12-6 | Zwölf Menuette, WoO 7: 5 | Capella Istropolitana, Oliver von Dohnányi | — | |
| 12-7 | Zwölf Menuette, WoO 7: 6 | Capella Istropolitana, Oliver von Dohnányi | — | |
| 12-8 | Zwölf Menuette, WoO 7: 7 | Capella Istropolitana, Oliver von Dohnányi | — | |
| 12-9 | Zwölf Menuette, WoO 7: 8 | Capella Istropolitana, Oliver von Dohnányi | — | |
| 12-10 | Zwölf Menuette, WoO 7: 9 | Capella Istropolitana, Oliver von Dohnányi | — | |
| 12-11 | Zwölf Menuette, WoO 7: 10 | Capella Istropolitana, Oliver von Dohnányi | — | |
| 12-12 | Zwölf Menuette, WoO 7: 11 | Capella Istropolitana, Oliver von Dohnányi | — | |
| 12-13 | Zwölf Menuette, WoO 7: 12 | Capella Istropolitana, Oliver von Dohnányi | — | |
| 12-14 | Zwölf deutsche Tänze, WoO 8: 1 | Capella Istropolitana, Oliver von Dohnányi | — | |
| 12-15 | Zwölf deutsche Tänze, WoO 8: 2 | Capella Istropolitana, Oliver von Dohnányi | — | |
| 12-16 | Zwölf deutsche Tänze, WoO 8: 3 | Capella Istropolitana, Oliver von Dohnányi | — | |
| 12-17 | Zwölf deutsche Tänze, WoO 8: 4 | Capella Istropolitana, Oliver von Dohnányi | — | |
| 12-18 | Zwölf deutsche Tänze, WoO 8: 5 | Capella Istropolitana, Oliver von Dohnányi | — | |
| 12-19 | Zwölf deutsche Tänze, WoO 8: 6 | Capella Istropolitana, Oliver von Dohnányi | — | |
| 12-20 | Zwölf deutsche Tänze, WoO 8: 7 | Capella Istropolitana, Oliver von Dohnányi | — | |
| 12-21 | Zwölf deutsche Tänze, WoO 8: 8 | Capella Istropolitana, Oliver von Dohnányi | — | |
| 12-22 | Zwölf deutsche Tänze, WoO 8: 9 | Capella Istropolitana, Oliver von Dohnányi | T-909.695.614-8 | |
| 12-23 | Zwölf deutsche Tänze, WoO 8: 10 | Capella Istropolitana, Oliver von Dohnányi | — | |
| 12-24 | Zwölf deutsche Tänze, WoO 8: 11 | Capella Istropolitana, Oliver von Dohnányi | — | |
| 12-25 | Zwölf deutsche Tänze, WoO 8: 12 | Capella Istropolitana, Oliver von Dohnányi | — | |
| 12-26 | 12 Contredances for Orchestra, WoO 14 No. 1 in C major | — | ||
| 12-27 | 12 Contredances for Orchestra, WoO 14 No. 2 in A major | — | ||
| 12-28 | 12 Contredances for Orchestra, WoO 14 No. 3 in D major | — | ||
| 12-29 | 12 Contredances for Orchestra, WoO 14 No. 4 in E-flat major | — | ||
| 12-30 | 12 Contredances for Orchestra, WoO 14 No. 5 in E-flat major | — | ||
| 12-31 | 12 Contredances for Orchestra, WoO 14 No. 6 in C major | — | ||
| 12-32 | 12 Contredances for Orchestra, WoO 14 No. 7 in E-flat major | — | ||
| 12-33 | 12 Contredances for Orchestra, WoO 14 No. 8 in C major | — | ||
| 12-34 | 12 Contredances for Orchestra, WoO 14 No. 9 in A major | — | ||
| 12-35 | 12 Contredances for Orchestra, WoO 14 No. 10 in C major | — | ||
| 12-36 | 12 Contredances for Orchestra, WoO 14 No. 11 in G major | — | ||
| 12-37 | 12 Contredances for Orchestra, WoO 14 No. 12 in E-flat major | — | ||
| 13-1 | Egmont, Op. 84: Ouvertüre | — | ||
| 13-2 | Egmont, Op. 84: Lied: Vivace "Die Trommel gerühret! | — | ||
| 13-3 | Egmont, Op. 84: Zwischenakt I: Andante - Allegro con brio "Es ist keine falsche Ader an ihm" | — | ||
| 13-4 | Egmont, Op. 84: Zwischenakt II: Larghetto | — | ||
| 13-5 | Egmont, Op. 84: Lied: Andante con moto "Freudvoll und leidvoll" | — | ||
| 13-6 | Egmont, Op. 84: Zwischenakt III: Allegro - Marcia; Vivace "Der König meint" | — | ||
| 13-7 | Egmont, Op. 84: Zwischenakt IV: Poco sostenuto e risoluto | — | ||
| 13-8 | Egmont, Op. 84: Monolog I. | — | ||
| 13-9 | Egmont, Op. 84: Klärchens Tod: Larghetto "Arme Seele" | — | ||
| 13-10 | Egmont, Op. 84: Monolog II. | — | ||
| 13-11 | Egmont, Op. 84: Melodrama: Poco sostenuto "Süsser Schlaf! Du kommst wie ein reines Glück" | — | ||
| 13-12 | Egmont, Op. 84: Monolog III. | — | ||
| 13-13 | Egmont, Op. 84: Siegessymphonie: Allegro con brio | — | ||
| 13-14 | Wellingtons Sieg oder die Schlacht bei Vittoria, op. 91: Schlacht | CSR Symphony Orchestra (Bratislava), Ondrej Lenárd | — | |
| 13-15 | Wellingtons Sieg oder die Schlacht bei Vittoria, op. 91: Siegessymphonie | CSR Symphony Orchestra (Bratislava), Ondrej Lenárd | T-902.796.758-4 | |
| 14-1 | Die Ruinen von Athen, Op. 113: Overtüre | — | ||
| 14-2 | Die Ruinen von Athen, Op. 113: Chor: Tochter des mächtigen Zeus | — | ||
| 14-3 | Die Ruinen von Athen, Op. 113: Duett: Ohne verschulden Knechtschaft dulden | — | ||
| 14-4 | Die Ruinen von Athen, Op. 113: Chor der Derwische: Du hast in deines Ärmels Falten den Mond getragen | — | ||
| 14-5 | Die Ruinen von Athen, Op. 113: Türkischer Marsch | — | ||
| 14-6 | Die Ruinen von Athen, Op. 113: Musik hinter der Szene: Es wandelt schon das Volk im Feierkleide | — | ||
| 14-7 | Die Ruinen von Athen, Op. 113: Marsch und Chor: Schmückt die Altäre | — | ||
| 14-8 | Die Ruinen von Athen, Op. 113: Rezitativ: Mit reger Freude, die nie erkaltet | — | ||
| 14-9 | Die Ruinen von Athen, Op. 113: Chor: Wir trafen empfängliche Herzen im Busen | — | ||
| 14-10 | Die Ruinen von Athen, Op. 113: Arie mit Chor: Will unser Genius noch einen Wunsch gewähren | — | ||
| 14-11 | Die Ruinen von Athen, Op. 113: Chor: Heil unserem König! Heil! | — | ||
| 14-12 | Aus: Leonore Prohaska, WoO. 96: Melodram: Du, dem sie gewunden | — | ||
| 14-13 | Aus: Leonore Prohaska, WoO. 96: Trauermarsch | — | ||
| 14-14 | Die Weihe des Hauses: Overtüre C-dur, Op. 124 | — | ||
| 14-15 | Die Weihe des Hauses: Wo sich die Pulse jugendlich jagen WoO. 98 | — | ||
| 15-1 | Romance Cantabile for flute, bassoon & orchestra in E minor, Hess 13 | — | ||
| 15-2 | Vesta's Fire (opera fragment), Hess 115: Scene 1: "Blick, Oh Herr, durch diese Bäume" | — | ||
| 15-3 | Coriolan, Op. 62: Overture E minor: Allegro con brio | — | ||
| 15-4 | Namensfeier (Name-Day Celebration) Overture in C major, Op. 115 | — | ||
| 15-5 | König Stephan (King Stephen), Festival play by August v. Kotzebue, Op. 117: Ouvertüre | — | ||
| 15-6 | König Stephan (King Stephen), Festival play by August v. Kotzebue, Op. 117: Chor: Ruhend von seinen Taten | — | ||
| 15-7 | König Stephan (King Stephen), Festival play by August v. Kotzebue, Op. 117: Chor: Auf dunklem Irrweg in finstren Hainen | — | ||
| 15-8 | König Stephan (King Stephen), Festival play by August v. Kotzebue, Op. 117: Siegesmarsch: Ihr tapfern Krieger, Ungarns Stolz und Zierde | — | ||
| 15-9 | König Stephan (King Stephen), Festival play by August v. Kotzebue, Op. 117: Chor: Wo die Unschuld Blumen streute | — | ||
| 15-10 | König Stephan (King Stephen), Festival play by August v. Kotzebue, Op. 117: Chor: Eine neue strahlende Sonne | — | ||
| 15-11 | König Stephan (King Stephen), Festival play by August v. Kotzebue, Op. 117: Finale Chor: Heil! Heil unsern Enkeln | — | ||
| 15-12 | Tarpeja, WoO 2b: Einzug Akt II | — | ||
| 15-13 | Tarpeja, WoO 2a: Triumpfmarsch | — | ||
| 15-14 | Germania, WoO 94: Final Chorus from "Die gute Nachricht" | — | ||
| 16-1 | Leonore, Hess 109: Overture "Leonore II" | Staatskapelle Dresden, Herbert Blomstedt | T-909.574.378-5 | |
| 16-2 | Leonore: Act I. "Fidelio kommt nicht zurück!" (Marzelline) | Helen Donath, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 16-3 | Leonore: Act I. No. 1 Aria "O wär'ich schon mit dir vereint" (Marzelline) | Helen Donath, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 16-4 | Leonore: Act I. "Wenn ich diese Tür nicht" (Jaquino, Marzelline) | Eberhard Büchner, Helen Donath, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 16-5 | Leonore: Act I. No. 2 Duet "Jetzt, Schätzchen" (Jaquino, Marzelline) | Eberhard Büchner, Helen Donath, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 16-6 | Leonore: Act I. "Höre, Jaquino" (Marzelline, Jaquino, Rocco) | Eberhard Büchner, Helen Donath, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 16-7 | Leonore: Act I. No. 3 Trio "Ein Mann ist bald genommen" (Rocco, Jaquino, Marzelline) | Eberhard Büchner, Helen Donath, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 16-8 | Leonore: Act I. "Ist Fidelio noch nich nach Hause gekommen?" (Rocco, Marzelline, Jaquino, Leonore) | Eberhard Büchner, Helen Donath, Edda Moser, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 16-9 | Leonore: Act I. No. 4 Canon "Mir ist so wunderbar" (Marzelline, Leonore, Rocco, Jaquino) | Eberhard Büchner, Helen Donath, Edda Moser, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 16-10 | Leonore: Act I. "Höre, Fidelio" (Rocco, Marzelline, Leonore) | Eberhard Büchner, Helen Donath, Edda Moser, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 16-11 | Leonore: Act I. No. 5 Aria "Hat man nich auch Gold beineben" (Rocco) | Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 16-12 | Leonore: Act I. "Ihr könnt das leicht sagen" (Leonore, Rocco, Marzelline) | Helen Donath, Edda Moser, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 16-13 | Leonore: Act I. No. 6 Trio "Gut, Sönnchen, gut" (Rocco, Leonore, Marzelline) | Helen Donath, Edda Moser, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 16-14 | Leonore: Act II. No. 7 March | Staatskapelle Dresden, Herbert Blomstedt | — | |
| 16-15 | Leonore: Act II. "Drei Schildwachten auf den Wall" (Pizarro, Rocco) | Theo Adam, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 16-16 | Leonore: Act II. No. 8 Aria with Chorus "Ha! Welch ein Augenblick!" (Pizarro, Rocco) | Theo Adam, MDR Rundfunkchor Leipzig, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 16-17 | Leonore: Act II. "Rocco!" (Pizarro, Rocco) | Theo Adam, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 16-18 | Leonore: Act II. No. 9 Duet "Jetzt, Alter, jetzt hat es Eile!" (Pizarro, Rocco) | Theo Adam, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 16-19 | Leonore: Act II. "Nun ist es endlich entschieden" (Marzelline, Leonore) | Helen Donath, Edda Moser, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 16-20 | Leonore: Act II. No. 10 Duet "Im in der Ehe froh zu leben" (Marzelline, Leonore) | Helen Donath, Edda Moser, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 16-21 | Leonore: Act II. "Sie doch, wie du so schnell" (Marzelline, Leonore) | Helen Donath, Edda Moser, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 16-22 | Leonore: Act II. No. 11 Recitative and Aria "Ach, brich noch nicht" (Leonore) | Edda Moser, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 17-1 | Leonore: Act II. No. 12 Finale "O welche Lust!" (Chorus of the Prisoners) | Richard Cassilly, Reiner Goldberg, Siegfried Lorenz, MDR Rundfunkchor Leipzig, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 17-2 | Leonore: Act II. "Entfernt euch jetzt!" (Rocco, Leonore) | Edda Moser, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 17-3 | Leonore: Act II. "Wir müssen gleich zu Werke schreiten" (Rocco, Leonore, Marzelline, Pizarro) | Theo Adam, Helen Donath, Edda Moser, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 17-4 | Leonore: Act II. "Auf euch nur will ich bauen" (Pizarro, Chorus) | Theo Adam, MDR Rundfunkchor Leipzig, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 17-5 | Leonore: Act III. No. 13 Recitative and Aria "Gott! Welch dunkel hier!" (Florestan) | Richard Cassilly, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 17-6 | Leonore: Act III. No. 14 Melodrama and Duet "Wie kalt ist es" (Leonore, Rocco) | Edda Moser, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 17-7 | Leonore: Act III. "Er erwacht!" (Leonore, Rocco, Florestan) | Richard Cassilly, Edda Moser, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 17-8 | Leonore: Act III. No. 15 Trio "Euch werde Lohn in bessern Welten" (Florestan, Rocco, Leonore) | Richard Cassilly, Edda Moser, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 17-9 | Leonore: Act III. "Alles ist bereit" (Rocco, Leonore, Pizarro) | Theo Adam, Edda Moser, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 17-10 | Leonore: Act III. No. 16 Quartet "Er sterbe!" (Pizarro, Florestan, Leonore, Rocco) | Theo Adam, Richard Cassilly, Edda Moser, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 17-11 | Leonore: Act III. "Die Waffe hab'ich mir" (Leonore) | Edda Moser, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 17-12 | Leonore: Act III. No. 17 Recitative and Duet "Ich kann mich noch nicht fassen" (Florestan, Leonore) | Richard Cassilly, Edda Moser, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 17-13 | Leonore: Act III. "O Leonore, sprich!" (Florestan, Leonore) | Richard Cassilly, Edda Moser, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 17-14 | Leonore: Act III. No. 18 Finale "Zur Rache" (Chorus, Leonore, Florestan, Rocco, Don Fernando) | Eberhard Büchner, Richard Cassilly, Helen Donath, MDR Rundfunkchor Leipzig, Edda Moser, Hermann Christian Polster, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 17-15 | Leonore: Act III. "O Gott! O welch ein Augenblick!" (Leonore, Marzelline, Florestan, Don Fernando, Rocco, Chorus) | Eberhard Büchner, Richard Cassilly, Helen Donath, MDR Rundfunkchor Leipzig, Edda Moser, Hermann Christian Polster, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 17-16 | Leonore: Act III. "Wie lange habt Ihr sie getragen?" (Don Fernando, Florestan, Rocco, Chorus, Leonore, Marzelline, Jaquino) | Eberhard Büchner, Richard Cassilly, Helen Donath, MDR Rundfunkchor Leipzig, Edda Moser, Hermann Christian Polster, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 17-17 | Leonore: Act III. "Preist mit hoher Freude Glut" (Chorus) | MDR Rundfunkchor Leipzig, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 17-18 | Leonore: Act III. "Wer ein solches Weib errungen" (Florestan, Marzelline, Jaquino, Rocco, Don Fernando, Chorus) | Eberhard Büchner, Richard Cassilly, Helen Donath, MDR Rundfunkchor Leipzig, Edda Moser, Hermann Christian Polster, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 18-1 | Fidelio, Act I: Overture | Magyar Rádió Énekkara, Nicolaus Esterházy Sinfonia, Michael Halász | T-909.574.378-5 | |
| 18-2 | Fidelio, Act I: no. 1 Duet: "Jetzt, Schätzchen, jetzt sind wir allein" (Jaquino, Marzelline) | Magyar Rádió Énekkara, Nicolaus Esterházy Sinfonia, Michael Halász | — | |
| 18-3 | Fidelio, Op. 72: Act I, Scene I, No. 2. Aria "O wär' ich schon mit dir vereint" (Marzelline) | — | ||
| 18-4 | Fidelio, Op. 72: Act I, Scene I, No. 3. Quartet "Mir ist so wunderbar" (Marzelline, Leonore, Rocco, Jaquino) | — | ||
| 18-5 | Fidelio, Op. 72: Act I, Scene I, No. 4. Aria "Hat man nicht auch Gold beineben" (Rocco) | — | ||
| 18-6 | Fidelio, Op. 72: Act I, Scene I, No. 5. Trio "Gut, Söhnchen, gut" (Rocco, Leonore, Marzelline) | — | ||
| 18-7 | Fidelio, Op. 72: Act I, Scene II, No. 6. March | — | ||
| 18-8 | Fidelio, Op. 72: Act I, Scene II, No. 7. Aria "Ha! Welch ein Augenblick!" (Pizarro, Chorus) | — | ||
| 18-9 | Fidelio, Op. 72: Act I, Scene II, No. 8. Duet "Jetzt, Alter, hat es Eile!" (Pizarro, Rocco) | — | ||
| 18-10 | Fidelio, Act I: no. 9 Recitative and Aria: "Abscheulicher! wo eilst du hin?" (Leonore) | Nicolaus Esterházy Sinfonia, Michael Halász, Inga Nielsen | — | |
| 18-11 | Fidelio, Op. 72: Act I, Scene II, No. 10a. Prisoner's Chorus "O welche Lust" | — | ||
| 18-12 | Fidelio, Op. 72: Act I, Scene II, No. 10b. Recitative "Nun sprecht, wie ging's?" (Leonore, Rocco) | — | ||
| 18-13 | Fidelio, Op. 72: Act I, Scene II, No. 10g. "Leb wohl, du warmes Sonnenlicht" (Soloists & Chorus) | — | ||
| 19-1 | Fidelio, Op. 72: Act II, Scene I, No. 11a. Introduction and Recitative "Gott! Welch Dunkel hier!" (Florestan) | — | ||
| 19-2 | Fidelio, Op. 72: Act II, Scene I, No. 12a. Melodrama and Duet "Wie kalt ist es" (Leonore, Rocco) | — | ||
| 19-3 | Fidelio, Op. 72: Act II, Scene I, No. 13. Trio "Euch werde Lohn in bessern Welten" (Florestan, Rocco, Leonore) | — | ||
| 19-4 | Fidelio, Op. 72: Act II, Scene I, No. 14. Quartet "Er sterbe!" (Pizarro, Florestan, Leonore, Rocco) | — | ||
| 19-5 | Fidelio, Op. 72: Act II, Scene I, No. 15. Duet "O namenlose Freude!" (Leonore, Florestan) | — | ||
| 19-6 | Fidelio, Op. 72: Act II, Scene I, No. 16a. "Heil sei dem Tag" (Chorus & Soloists) | — | ||
| 19-7 | Fidelio, Op. 72: Act II, Scene I, No. 16a. "Des besten Konigs Wink und Wille (Don Fernando, Chorus) | — | ||
| 19-8 | Fidelio, Op. 72: Act II, Scene I, No. 16e. "Wer ein holdes Weib errungen" (Don Fernando, Don Pizarro, Leonore, Marzelline, Rocco) | — | ||
| 20-1 | Sonata for Piano No. 1 in F minor, Op. 2 No. 1: I. Allegro | — | ||
| 20-2 | Sonata for Piano No. 1 in F minor, Op. 2 No. 1: II. Adagio | — | ||
| 20-3 | Sonata for Piano No. 1 in F minor, Op. 2 No. 1: III. Menuetto. Allegretto | — | ||
| 20-4 | Sonata for Piano No. 1 in F minor, Op. 2 No. 1: IV. Prestissimo | — | ||
| 20-5 | Sonata for Piano No. 2 in A major, Op. 2 No. 2: I. Allegro vivace | — | ||
| 20-6 | Sonata for Piano No. 2 in A major, Op. 2 No. 2: II. Largo appassionato | — | ||
| 20-7 | Sonata for Piano No. 2 in A major, Op. 2 No. 2: III. Scherzo. Allegretto | — | ||
| 20-8 | Sonata for Piano No. 2 in A major, Op. 2 No. 2: IV. Rondo. Grazioso | — | ||
| 20-9 | Sonata for Piano No. 6 in F major, Op. 10 No. 2: I. Allegro | — | ||
| 20-10 | Sonata for Piano No. 6 in F major, Op. 10 No. 2: II. Allegretto | — | ||
| 20-11 | Sonata for Piano No. 6 in F major, Op. 10 No. 2: III. Presto | — | ||
| 21-1 | Sonata for Piano No. 3 in C major, Op. 2 No. 3: I. Allegro con brio | — | ||
| 21-2 | Sonata for Piano No. 3 in C major, Op. 2 No. 3: II. Adagio | — | ||
| 21-3 | Sonata for Piano No. 3 in C major, Op. 2 No. 3: III. Scherzo. Allegro | — | ||
| 21-4 | Sonata for Piano No. 3 in C major, Op. 2 No. 3: IV. Allegro assai | — | ||
| 21-5 | Sonata for Piano No. 4 in E-flat major, Op. 7: I. Allegro molto e con brio | — | ||
| 21-6 | Sonata for Piano No. 4 in E-flat major, Op. 7: II. Largo, con gran espressione | — | ||
| 21-7 | Sonata for Piano No. 4 in E-flat major, Op. 7: III. Allegro | — | ||
| 21-8 | Sonata for Piano No. 4 in E-flat major, Op. 7: IV. Rondo. Poco allegretto e grazioso | — | ||
| 21-9 | Sonata for Piano No. 5 in C minor, Op. 10 No. 1: I. Allegro molto e con brio | — | ||
| 21-10 | Sonata for Piano No. 5 in C minor, Op. 10 No. 1: II. Adagio molto | — | ||
| 21-11 | Sonata for Piano No. 5 in C minor, Op. 10 No. 1: III. Prestissimo | — | ||
| 22-1 | Sonata for Piano No. 7 in D major, Op. 10 No. 3: I. Presto | — | ||
| 22-2 | Sonata for Piano No. 7 in D major, Op. 10 No. 3: II. Largo e mesto | — | ||
| 22-3 | Sonata for Piano No. 7 in D major, Op. 10 No. 3: III. Menuetto. Allegro | — | ||
| 22-4 | Sonata for Piano No. 7 in D major, Op. 10 No. 3: IV. Rondo. Allegro | — | ||
| 22-5 | Sonata for Piano No. 8 in C minor, Op. 13 "Pathétique": I. Grave - Allegro di molto e con brio | — | ||
| 22-6 | Sonata for Piano No. 8 in C minor, Op. 13 "Pathétique": II. Adagio cantabile | — | ||
| 22-7 | Sonata for Piano No. 8 in C minor, Op. 13 "Pathétique": III. Rondo. Allegro | — | ||
| 22-8 | NOT AS PRINTED: Sonata for Piano No. 10 in G major, Op. 14 No. 2: II. Andante | — | ||
| 22-9 | NOT AS PRINTED: Sonata for Piano No. 10 in G major, Op. 14 No. 2: III. Scherzo. Allegro assai | — | ||
| 22-10 | NOT AS PRINTED: Sonata for Piano no. 12 in A-flat major, op. 26 "Funeral March": I. Andante con Variazioni | — | ||
| 22-11 | Mondschein Sonate op. 27, No. 2 in cis‐Moll: Adagio sostenuto | Dubravka Tomšič | T-061.409.365-0 | |
| 22-12 | Sonata for Piano No. 14 in C-sharp minor, Op. 27 No. 2 "Moonlight": II. Allegretto | — | ||
| 22-13 | Sonata for Piano No. 14 in C-sharp minor, Op. 27 No. 2 "Moonlight": III. Presto agitato | — | ||
| 23-1 | Sonata for Piano No. 11 in B-flat major, Op. 22: I. Allegro con brio | — | ||
| 23-2 | Sonata for Piano No. 11 in B-flat major, Op. 22: II. Adagio con molto espressione | — | ||
| 23-3 | Sonata for Piano No. 11 in B-flat major, Op. 22: III. Menuetto | — | ||
| 23-4 | Sonata for Piano No. 11 in B-flat major, Op. 22: IV. Rondo. Allegretto | — | ||
| 23-5 | Sonata for Piano No. 12 in A-flat major, Op. 26 "Funeral March": I. Andante con Variazioni | — | ||
| 23-6 | Sonata for Piano No. 12 in A-flat major, Op. 26 "Funeral March": II. Scherzo. Allegro molto | — | ||
| 23-7 | Sonata for Piano No. 12 in A-flat major, Op. 26 "Funeral March": III. Marcia funebre sulla morte d'un Eroe | — | ||
| 23-8 | Sonata for Piano No. 12 in A-flat major, Op. 26 "Funeral March": IV. Allegro | — | ||
| 23-9 | Sonata for Piano No. 15 in D major, Op. 28 "Pastorale": I. Allegro | — | ||
| 23-10 | Sonata for Piano No. 15 in D major, Op. 28 "Pastorale": II. Andante | — | ||
| 23-11 | Sonata for Piano No. 15 in D major, Op. 28 "Pastorale": III. Scherzo. Allegro vivace | — | ||
| 23-12 | Sonata for Piano No. 15 in D major, Op. 28 "Pastorale": IV. Rondo. Allegro ma non troppo | — | ||
| 24-1 | Sonata for Piano No. 16 in G major, Op. 31 No. 1: I. Allegro vivace | — | ||
| 24-2 | Sonata for Piano No. 16 in G major, Op. 31 No. 1: II. Adagio grazioso | — | ||
| 24-3 | Sonata for Piano No. 16 in G major, Op. 31 No. 1: III. Rondo. Allegretto | — | ||
| 24-4 | Sonata for Piano No. 17 in D minor, Op. 31 No. 2 "Storm": I. Largo - Allegro | — | ||
| 24-5 | Sonata for Piano No. 17 in D minor, Op. 31 No. 2 "Storm": II. Adagio | — | ||
| 24-6 | Sonata for Piano No. 17 in D minor, Op. 31 No. 2 "Storm": III. Allegretto | — | ||
| 24-7 | Sonata for Piano No. 18 in E-flat major, Op. 31 No. 3: I. Allegro | — | ||
| 24-8 | Sonata for Piano No. 18 in E-flat major, Op. 31 No. 3: II. Scherzo. Allegretto vivace | — | ||
| 24-9 | Sonata for Piano No. 18 in E-flat major, Op. 31 No. 3: III. Minuetto. Moderato e grazioso | — | ||
| 24-10 | Sonata for Piano No. 19 in G minor, Op. 49 No. 1: I. Andante | — | ||
| 24-11 | Sonata for Piano No. 19 in G minor, Op. 49 No. 1: II. Rondo. Allegro | — | ||
| 25-1 | Sonata for Piano No. 20 in G major, Op. 49 No. 2: I. Allegro ma non troppo | — | ||
| 25-2 | Sonata for Piano No. 20 in G major, Op. 49 No. 2: II. Tempo di menuetto | — | ||
| 25-3 | Sonata for Piano No. 21 in C major, Op. 53 "Waldstein": I. Allegro con brio | — | ||
| 25-4 | Sonata for Piano No. 21 in C major, Op. 53 "Waldstein": II. Introduzione. Adagio molto | — | ||
| 25-5 | Sonata for Piano No. 21 in C major, Op. 53 "Waldstein": III. Rondo. Allegretto moderato - Prestissimo | — | ||
| 25-6 | Sonata for Piano No. 22 in F major, Op. 54: I. Tempo di menuetto | — | ||
| 25-7 | Sonata for Piano No. 22 in F major, Op. 54: II. Allegretto | — | ||
| 25-8 | Sonata for Piano No. 23 in F minor, Op. 57 "Appassionata": I. Allegro assai | — | ||
| 25-9 | Sonata for Piano No. 23 in F minor, Op. 57 "Appassionata": II. Andante con moto | — | ||
| 25-10 | Sonata for Piano No. 23 in F minor, Op. 57 "Appassionata": III. Allegro ma non troppo | — | ||
| 25-11 | Sonata for Piano No. 24 in F-sharp major, Op. 78 "A Thérèse": I. Adagio cantabile - Allegro ma non troppo | — | ||
| 25-12 | Sonata for Piano No. 24 in F-sharp major, Op. 78 "A Thérèse": II. Allegro assai | — | ||
| 26-1 | Sonata for Piano No. 26 in E-flat major, Op. 81a "Les Adieux": I. Das Lebewohl. Adagio - Allegro "Les Adieux" | Silvia Čápová | — | |
| 26-2 | Sonata for Piano No. 26 in E-flat major, Op. 81a "Les Adieux": II. Die Abwesenheit. Andante espressivo "L'Absence" | — | ||
| 26-3 | Sonata for Piano No. 26 in E-flat major, Op. 81a "Les Adieux": III. Das Wiedersehn. Vivacissimamente "Le Retour" | — | ||
| 26-4 | Sonata for Piano No. 29 in B-flat major, Op. 106 "Hammer-Klavier": I. Allegro | — | ||
| 26-5 | Sonata for Piano No. 29 in B-flat major, Op. 106 "Hammer-Klavier": II. Scherzo. Assai vivace | — | ||
| 26-6 | Sonata for Piano No. 29 in B-flat major, Op. 106 "Hammer-Klavier": III. Adagio sostenuto. Appassionato e molto con sentimento 106 Sonata for Piano No. 29 in B-flat major, Op. 106 "Hammer-Klavier": IV. Largo - Allegro risoluto | — | ||
| 27-1 | Sonata for Piano No. 13 in E-flat major, Op. 27 No. 1: I. Andante | — | ||
| 27-2 | Sonata for Piano No. 13 in E-flat major, Op. 27 No. 1: II. Allegro | — | ||
| 27-3 | Sonata for Piano No. 13 in E-flat major, Op. 27 No. 1: III. Allegro molto | — | ||
| 27-4 | Sonata for Piano No. 25 in G major, Op. 79 "Cuckoo": I. Presto alla tedesca | — | ||
| 27-5 | Sonata for Piano No. 25 in G major, Op. 79 "Cuckoo": II. Andante espressivo | — | ||
| 27-6 | Sonata for Piano No. 25 in G major, Op. 79 "Cuckoo": III. Vivace | — | ||
| 27-7 | Sonata for Piano No. 27 in E minor, Op. 90: I. Mit Lebhaftigkeit und durchaus mit Empfindung und Ausdruck | — | ||
| 27-8 | Sonata for Piano No. 27 in E minor, Op. 90: II. Nicht zu geschwind und sehr singbar vorzutragen | — | ||
| 27-9 | Sonata for Piano No. 28 in A major, Op. 101: I. Etwas lebhaft und mit der innigsten Empfindung. Allegretto ma non troppo | — | ||
| 27-10 | Sonata for Piano No. 28 in A major, Op. 101: II. Lebhaft, marschmäßig. Vivace alla marcia | — | ||
| 27-11 | Sonata for Piano No. 28 in A major, Op. 101: III. Langsam und sehnsuchtsvoll. Adagio, ma non troppo, con affeto - IV. Geschwind, doch nicht zu sehr und mit Entschlossenheit. Allegro | — | ||
| 28-1 | Sonata for Piano No. 30 in E major, Op. 109: Vivace, ma non troppo | — | ||
| 28-2 | Sonata for Piano No. 30 in E major, Op. 109: Gesangvoll, mit innigster Empfindung. Andante molto cantabile | — | ||
| 28-3 | Sonata for Piano No. 31 in A-flat major, Op. 110: I. Moderato cantabile molto espressivo | — | ||
| 28-4 | Sonata for Piano No. 31 in A-flat major, Op. 110: II. Allegro molto | — | ||
| 28-5 | Sonata for Piano No. 31 in A-flat major, Op. 110: III. Adagio, ma non troppo - Fuga. Allegro ma non troppo | — | ||
| 28-6 | Sonata for Piano No. 32 in C minor, Op. 111: I. Maestoso - Allegro con brio ed appassionato | — | ||
| 28-7 | Sonata for Piano No. 32 in C minor, Op. 111: II. Arietta. Adagio molto semplice e cantabile | — | ||
| 29-1 | Bagatelle for Piano, Op. 33 No. 1 in E-flat major: Andante grazioso quasi allegretto | — | ||
| 29-2 | Bagatelle for Piano, Op. 33 No. 2 in C major: Scherzo. Allegro | — | ||
| 29-3 | Bagatelle for Piano, Op. 33 No. 3 in F major: Allegretto | — | ||
| 29-4 | Bagatelle for Piano, Op. 33 No. 4 in A major: Andante | — | ||
| 29-5 | Bagatelle for Piano, Op. 33 No. 5 in C major: Allegro ma non troppo | — | ||
| 29-6 | Bagatelle for Piano, Op. 33 No. 6 in D major: Allegretto quasi andante | — | ||
| 29-7 | Bagatelle for Piano, Op. 33 No. 7 in A-flat major: Presto | — | ||
| 29-8 | Bagatelle for Piano, op. 119 no. 1 in B-flat major: Allegretto | Jenő Jandó | — | |
| 29-9 | Bagatelle for Piano, op. 119 no. 2 in C major: Andante con moto | Jenő Jandó | — | |
| 29-10 | Bagatelle for Piano, op. 119 no. 3 in D major: À l'Allemande | Jenő Jandó | — | |
| 29-11 | Bagatelle for Piano, op. 119 no. 4 in A major: Andante cantabile | Jenő Jandó | — | |
| 29-12 | Bagatelle for Piano, op. 119 no. 5 in C minor: Risoluto | Jenő Jandó | — | |
| 29-13 | Bagatelle for Piano, op. 119 no. 6 in G major: Andante - Allegretto | Jenő Jandó | — | |
| 29-14 | Bagatelle for Piano, op. 119 no. 7 in C major: Allegro ma non troppo | Jenő Jandó | T-031.682.208-8 | |
| 29-15 | Bagatelle for Piano, op. 119 no. 8 in C major: Moderato cantabile | Jenő Jandó | — | |
| 29-16 | Bagatelle for Piano, op. 119 no. 9 in A minor: Vivace moderato | Jenő Jandó | — | |
| 29-17 | Bagatelle for Piano, Op. 119 No. 10 in A major: Allegramente | — | ||
| 29-18 | Bagatelle for Piano, Op. 119 No. 11 in B-flat major: Andante, ma non troppo | — | ||
| 29-19 | Bagatelle for Piano, op. 126 no. 1 in G major: Andante con moto cantabile e compiacevole | Jenő Jandó | — | |
| 29-20 | Bagatelle for Piano, op. 126 no. 2 in G minor: Allegro | Jenő Jandó | — | |
| 29-21 | Bagatelle for Piano, op. 126 no. 3 in E-flat major: Andante cantabile e grazioso | Jenő Jandó | — | |
| 29-22 | Bagatelle for Piano, op. 126 no. 4 in B minor: Presto | Jenő Jandó | — | |
| 29-23 | Bagatelle for Piano, op. 126 no. 5 in G major: Quasi allegretto | Jenő Jandó | — | |
| 29-24 | Bagatelle for Piano, op. 126 no. 6 in E-flat major: Presto - Andante amabile e con moto | Jenő Jandó | — | |
| 29-25 | Bagatelle for Piano in C minor, WoO 52: Presto | — | ||
| 29-26 | Bagatelle for Piano in C major, WoO 56. Allegretto | Jenő Jandó | — | |
| 29-27 | Bagatelle for Piano in A minor, WoO 59 "Für Elise". Poco moto | — | ||
| 30-1 | Fugue for Piano in C major, Hess 64 | Jenő Jandó | — | |
| 30-2 | Allegretto for Piano in C minor, Hess 69 | Jenő Jandó | — | |
| 30-3 | Piano Sonata no. 33 in E-flat, WoO 47 no. 1 “Kurfürstensonate”: I. Allegro cantabile | Jenő Jandó | — | |
| 30-4 | Piano Sonata no. 33 in E-flat, WoO 47 no. 1 “Kurfürstensonate”: II. Andante | Jenő Jandó | — | |
| 30-5 | Piano Sonata no. 33 in E-flat, WoO 47 no. 1 “Kurfürstensonate”: III. Rondo vivace | Jenő Jandó | — | |
| 30-6 | Piano Sonata no. 34 in F minor, WoO 47 no. 2 “Kurfürstensonate”: I. Larghetto maestoso - Allegro assai | Jenő Jandó | — | |
| 30-7 | Piano Sonata no. 34 in F minor, WoO 47 no. 2 “Kurfürstensonate”: II. Andante | Jenő Jandó | — | |
| 30-8 | Piano Sonata no. 34 in F minor, WoO 47 no. 2 “Kurfürstensonate”: III. Presto | Jenő Jandó | — | |
| 30-9 | Piano Sonata no. 35 in D, WoO 47 no. 3 “Kurfürstensonate”: I. Allegro | Jenő Jandó | — | |
| 30-10 | Piano Sonata no. 35 in D, WoO 47 no. 3 “Kurfürstensonate”: II. Menuetto. Sostenuto (con 6 variazioni) | Jenő Jandó | — | |
| 30-11 | Piano Sonata no. 35 in D, WoO 47 no. 3 “Kurfürstensonate”: III. Scherzando. Allegretto ma non troppo | Jenő Jandó | — | |
| 30-12 | Piece for Piano in B-flat major, WoO 60 | Jenő Jandó | — | |
| 30-13 | Allegretto for Piano in B minor, WoO 61 | Jenő Jandó | — | |
| 30-14 | Allegretto for Piano in G minor, WoO 61a | Jenő Jandó | — | |
| 30-15 | Allemande for Piano in A major, WoO 81 | — | ||
| 30-16 | Minuet for Piano in E-flat major, WoO 82. Moderato | — | ||
| 30-17 | Waltz for Piano in E-flat major, WoO 84 | — | ||
| 30-18 | Waltz for Piano in D major, WoO 85 | — | ||
| 30-19 | Ecossaise for Piano in E-flat major, WoO 86 | — | ||
| 31-1 | Rondo for Piano in C major, Op. 51 No. 1: Moderato e grazioso | — | ||
| 31-2 | Rondo for Piano in G major, Op. 51 No. 2: Andante cantabile e grazioso | — | ||
| 31-3 | Rondo in C major, WoO 48 | Jenő Jandó | — | |
| 31-4 | Rondo in A major, WoO 49. Allegretto | — | ||
| 31-5 | 6 Variations for Piano on a Swiss Song in F major, WoO 64 | — | ||
| 31-6 | 24 Variations for Piano on Vincenzo Righini's Arietta "Venni amore" in D major, WoO 65 | — | ||
| 31-7 | 9 Variations for Piano in A major on the Aria "Quant'è più bello" from Giovanni Paisello's opera "La molinara", WoO 69 | — | ||
| 32-1 | 6 Variations for Piano in D major on an Original Theme, Op. 76 | — | ||
| 32-2 | 13 Variations for Piano in A major on the Arietta "Es war einmal ein alter Mann" from Dittersdorf's Singspiel "Das rote Käppchen", WoO 66 | — | ||
| 32-3 | 8 Variations for Piano in C major on the Romance "Une fièvre brulante" from Grétry's opera "Richard Cœur de Lion", WoO 72 | — | ||
| 32-4 | 10 Variations for Piano in B-flat major on the Duet "La stessa, la stessissima" from Antonio Salieri's opera "Falstaff", WoO 73 | — | ||
| 32-5 | 7 Variations for Piano in F major on the Quartet "Kind, willst du ruhig schlafen?" from Peter Winter's opera "Das unterbrochene Opferfest", WoO 75 | — | ||
| 32-6 | 8 Variations for Piano in F major on the Trio "Tändeln und Scherzen" from Franz X. Süssmayr's opera "Soliman II", WoO 76 | — | ||
| 32-7 | 6 Easy Variations for Piano in G major on an Original Theme, WoO 77 | — | ||
| 33-1 | 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, Op. 35 "Eroica Variations" | — | ||
| 33-2 | 6 Minuets for Piano, WoO 10 | — | ||
| 33-3 | 6 Variations on the Duet “Nel cor più non mi sento” by Paisiello in G major, WoO 70 | Jenő Jandó | — | |
| 33-4 | 7 Variations for Piano in C major on "God Save the King", WoO 78 | — | ||
| 33-5 | 5 Variations for Piano in D major on "Rule Britannia" from Thomas Arne's masque "Alfred", WoO 79 | — | ||
| 33-6 | 32 Variations for Piano in C minor on an Original Theme, WoO 80 | — | ||
| 33-7 | 6 Ecossaises in E-flat major, WoO 83 | — | ||
| 34-1 | 33 Variations in C major on a Waltz by A. Diabelli, op. 120: Thema: Vivace | Konstantin Scherbakov | — | |
| 34-2 | 33 Variations in C major on a Waltz by A. Diabelli, op. 120: Variation I: Alla Marcia maestoso | Konstantin Scherbakov | — | |
| 34-3 | 33 Variations in C major on a Waltz by A. Diabelli, op. 120: Variation II: Poco allegro | Konstantin Scherbakov | — | |
| 34-4 | 33 Variations in C major on a Waltz by A. Diabelli, op. 120: Variation III: L’istesso tempo | Konstantin Scherbakov | — | |
| 34-5 | 33 Variations in C major on a Waltz by A. Diabelli, op. 120: Variation IV: Un poco piu vivace | Konstantin Scherbakov | — | |
| 34-6 | 33 Variations in C major on a Waltz by A. Diabelli, op. 120: Variation V: Allegro vivace | Konstantin Scherbakov | — | |
| 34-7 | 33 Variations in C major on a Waltz by A. Diabelli, op. 120: Variation VI: Allegro ma non troppo e serioso | Konstantin Scherbakov | — | |
| 34-8 | 33 Variations in C major on a Waltz by A. Diabelli, op. 120: Variation VII: Un poco piu allegro | Konstantin Scherbakov | — | |
| 34-9 | 33 Variations in C major on a Waltz by A. Diabelli, op. 120: Variation VIII: Poco vivace | Konstantin Scherbakov | — | |
| 34-10 | 33 Variations in C major on a Waltz by A. Diabelli, op. 120: Variation IX: Allegro pesante e risoluto | Konstantin Scherbakov | — | |
| 34-11 | 33 Variations in C major on a Waltz by A. Diabelli, op. 120: Variation X: Presto | Konstantin Scherbakov | — | |
| 34-12 | 33 Variations in C major on a Waltz by A. Diabelli, op. 120: Variation XI: Allegretto | Konstantin Scherbakov | — | |
| 34-13 | 33 Variations in C major on a Waltz by A. Diabelli, op. 120: VarVariation XII: Un poco piu moto | Konstantin Scherbakov | — | |
| 34-14 | 33 Variations in C major on a Waltz by A. Diabelli, op. 120: Variation XIII: Vivace | Konstantin Scherbakov | — | |
| 34-15 | 33 Variations in C major on a Waltz by A. Diabelli, op. 120: VarVariation XIV: Grave e maestoso | Konstantin Scherbakov | — | |
| 34-16 | 33 Variations in C major on a Waltz by A. Diabelli, op. 120: VaVariation XV: Presto scherzando | Konstantin Scherbakov | — | |
| 34-17 | 33 Variations in C major on a Waltz by A. Diabelli, op. 120: Variation XVI: Allegro | Konstantin Scherbakov | — | |
| 34-18 | 33 Variations in C major on a Waltz by A. Diabelli, op. 120: Variation XVII | Konstantin Scherbakov | — | |
| 34-19 | 33 Variations in C major on a Waltz by A. Diabelli, op. 120: Variation XVIII: Poco moderato | Konstantin Scherbakov | — | |
| 34-20 | 33 Variations in C major on a Waltz by A. Diabelli, op. 120: Variation XIX: Presto | Konstantin Scherbakov | — | |
| 34-21 | 33 Variations in C major on a Waltz by A. Diabelli, op. 120: Variation XX: Andante | Konstantin Scherbakov | — | |
| 34-22 | 33 Variations in C major on a Waltz by A. Diabelli, op. 120: Variation XXI: Allegro con brio | Konstantin Scherbakov | — | |
| 34-23 | 33 Variations in C major on a Waltz by A. Diabelli, op. 120: Variation XXII: Allegro molto alla “Notte e giorno faticar” di Mozart | Konstantin Scherbakov | — | |
| 34-24 | 33 Variations in C major on a Waltz by A. Diabelli, op. 120: Variation XXIII: Allegro assai | Konstantin Scherbakov | — | |
| 34-25 | 33 Variations in C major on a Waltz by A. Diabelli, op. 120: Variation XXIV: Fughetta: Andante | Konstantin Scherbakov | — | |
| 34-26 | 33 Variations in C major on a Waltz by A. Diabelli, op. 120: Variation XXV: Allegro | Konstantin Scherbakov | — | |
| 34-27 | 33 Variations in C major on a Waltz by A. Diabelli, op. 120: Variation XXVI: Piacevole | Konstantin Scherbakov | — | |
| 34-28 | 33 Variations in C major on a Waltz by A. Diabelli, op. 120: Variation XXVII: Vivace | Konstantin Scherbakov | — | |
| 34-29 | 33 Variations in C major on a Waltz by A. Diabelli, op. 120: VariaVariation XXVIII: Allegro | Konstantin Scherbakov | — | |
| 34-30 | 33 Variations in C major on a Waltz by A. Diabelli, op. 120: Variation XXIX: Adagio ma non troppo | Konstantin Scherbakov | — | |
| 34-31 | 33 Variations in C major on a Waltz by A. Diabelli, op. 120: Variation XXX: Andante, sempre cantabile | Konstantin Scherbakov | — | |
| 34-32 | 33 Variations in C major on a Waltz by A. Diabelli, op. 120: Variation XXXI: Largo, molto espressivo | Konstantin Scherbakov | — | |
| 34-33 | 33 Variations in C major on a Waltz by A. Diabelli, op. 120: Variation XXXII: Fuga: Allegro | Konstantin Scherbakov | — | |
| 34-34 | 33 Variations in C major on a Waltz by A. Diabelli, op. 120: Variation XXXIII: Tempo di Minuetto moderato (ma non tirarsi dietro) | Konstantin Scherbakov | — | |
| 35-1 | Sonata for 2 Pianos in D major, Op. 6: I. Allegro molto | — | ||
| 35-2 | Sonata for 2 Pianos in D major, Op. 6: II. Rondo. Moderato | — | ||
| 35-3 | Two Preludes, op. 39 | Jenő Jandó | — | |
| 35-4 | 3 Marches for 2 Pianos, Op. 45 No. 1 in C major: Allegro ma non troppo | — | ||
| 35-5 | 3 Marches for 2 Pianos, Op. 45 No. 2 in E-flat major: Vivace | — | ||
| 35-6 | 3 Marches for 2 Pianos, Op. 45 No. 3 in D major: Vivace | — | ||
| 35-7 | Rondo a Capriccio for Piano in G major, Op. 129 "The Rage Over the Lost Penny": Allegro vivace | — | ||
| 35-9 | Andante for Piano in F major, WoO 57 "Andante favori". Andante grazioso con moto | — | ||
| 35-10 | 8 Variations for Piano in C major on a theme by Count Waldstetin, WoO 67: Thema. Andante con moto - Var. I-VII - Var. VIII. Un poco Adagio - Capriccio - Allegro - Adagio - Allegro - Adagio - Allegretto - Allegro - Presto | — | ||
| 35-11 | 12 Variations for Piano in A major on a Russian Dance from Paul Wranitzky's ballet "Das Waldmädchen", WoO 71 | — | ||
| 36-1 | Music For a Knight's Ballet For Piano, Hess 89 (piano arrangement from WoO 1): March | — | ||
| 36-2 | Music For a Knight's Ballet For Piano, Hess 89 (piano arrangement from WoO 1): Deutscher Gesang | — | ||
| 36-3 | Music For a Knight's Ballet For Piano, Hess 89 (piano arrangement from WoO 1): Jagdlied | — | ||
| 36-4 | Music For a Knight's Ballet For Piano, Hess 89 (piano arrangement from WoO 1): Minnelied | — | ||
| 36-5 | Music For a Knight's Ballet For Piano, Hess 89 (piano arrangement from WoO 1): Kriegslied | — | ||
| 36-6 | Music For a Knight's Ballet For Piano, Hess 89 (piano arrangement from WoO 1): Trinklied | — | ||
| 36-7 | Music For a Knight's Ballet For Piano, Hess 89 (piano arrangement from WoO 1): Tanzlied | — | ||
| 36-8 | Music For a Knight's Ballet For Piano, Hess 89 (piano arrangement from WoO 1): Coda | — | ||
| 36-9 | 12 German Dances for Piano, Hess 100 (dances for orchestra WoO 8, for piano) | — | ||
| 36-10 | 12 Minuets for Piano, Hess 101 (minuets for orchestra WoO 7, for piano) | — | ||
| 36-11 | 7 Ländler for Piano in D major, WoO 11 | — | ||
| 36-12 | Twelve German Dances, WoO 13 | Jenő Jandó | — | |
| 37-1 | Sonata for Violin and Piano No. 1 in D major, Op. 12 No. 1: I. Allegro con brio | — | ||
| 37-2 | Sonata for Violin and Piano No. 1 in D major, Op. 12 No. 1: II. Tema con Variazioni. Andante con moto | — | ||
| 37-3 | Sonata for Violin and Piano No. 1 in D major, Op. 12 No. 1: III. Rondo. Allegro | — | ||
| 37-4 | Sonata for Violin and Piano No. 2 in A major, Op. 12 No. 2: I. Allegro vivace | — | ||
| 37-5 | Sonata for Violin and Piano No. 2 in A major, Op. 12 No. 2: II. Andante più tosto allegretto | — | ||
| 37-6 | Sonata for Violin and Piano No. 2 in A major, Op. 12 No. 2: III. Allegro piacevole | — | ||
| 37-7 | Sonata for Violin and Piano No. 3 in E-flat major, Op. 12 No. 3: I. Allegro con spirito | — | ||
| 37-8 | Sonata for Violin and Piano No. 3 in E-flat major, Op. 12 No. 3: II. Adagio con molto espressione | — | ||
| 37-9 | Sonata for Violin and Piano No. 3 in E-flat major, Op. 12 No. 3: III. Rondo. Allegro molto | — | ||
| 38-1 | Sonata for Violin and Piano No. 4 in A minor, Op. 23: I. Presto | — | ||
| 38-2 | Sonata for Violin and Piano No. 4 in A minor, Op. 23: II. Andante scherzoso, più allegretto | — | ||
| 38-3 | Sonata for Violin and Piano No. 4 in A minor, Op. 23: III. Allegro molto | — | ||
| 38-4 | Sonata for Violin and Piano No. 5 in F major, Op. 24 "Spring": I. Allegro | — | ||
| 38-5 | Sonata for Violin and Piano No. 5 in F major, Op. 24 "Spring": II. Adagio molto espressivo | — | ||
| 38-6 | Sonata for Violin and Piano No. 5 in F major, Op. 24 "Spring": III. Scherzo. Allegro molto | — | ||
| 38-7 | Sonata for Violin and Piano No. 5 in F major, Op. 24 "Spring": IV. Rondo. Allegro ma non troppo | — | ||
| 38-8 | Variations for piano and violin, WoO 40 (12 Variations on Mozart "Se vuol ballare") | — | ||
| 38-9 | Rondo for piano and violin, WoO 41 in G major | — | ||
| 38-10 | Sonata for Piano in C major, WoO 51: I. Allegro | — | ||
| 38-11 | Sonata for Piano in C major, WoO 51: II. Adagio | — | ||
| 39-1 | Sonata for Violin and Piano No. 6 in A major, Op. 30 No. 1: I. Allegro | — | ||
| 39-2 | Sonata for Violin and Piano No. 6 in A major, Op. 30 No. 1: II. Adagio molto espressivo | — | ||
| 39-3 | Sonata for Violin and Piano No. 6 in A major, Op. 30 No. 1: III. Allegretto con variazioni | — | ||
| 39-4 | Sonata for Violin and Piano No. 7 in C minor, Op. 30 No. 2: I. Allegro con brio | — | ||
| 39-5 | Sonata for Violin and Piano No. 7 in C minor, Op. 30 No. 2: II. Adagio cantabile | — | ||
| 39-6 | Sonata for Violin and Piano No. 7 in C minor, Op. 30 No. 2: III. Scherzo. Allegro | — | ||
| 39-7 | Sonata for Violin and Piano No. 7 in C minor, Op. 30 No. 2: IV. Finale. Allegro - Presto | — | ||
| 39-8 | Sonata for Violin and Piano No. 8 in G major, Op. 30 No. 3: I. Allegro assai | — | ||
| 39-9 | Sonata for Violin and Piano No. 8 in G major, Op. 30 No. 3: II. Tempo di menuetto, ma molto moderato e grazioso | — | ||
| 39-10 | Sonata for Violin and Piano No. 8 in G major, Op. 30 No. 3: III. Allegro vivace | — | ||
| 40-1 | Sonata for Violin and Piano No. 9 in A major, Op. 47 "Kreutzer": I. Adagio sostenuto - Presto | — | ||
| 40-2 | Sonata for Violin and Piano No. 9 in A major, Op. 47 "Kreutzer": II. Andante con variazioni | — | ||
| 40-3 | Sonata for Violin and Piano No. 9 in A major, Op. 47 "Kreutzer": III. Finale. Presto | — | ||
| 40-4 | Sonata for Violin and Piano No. 10 in G major, Op. 96: I. Allegro moderato | — | ||
| 40-5 | Sonata for Violin and Piano No. 10 in G major, Op. 96: II. Adagio espressivo | — | ||
| 40-6 | Sonata for Violin and Piano No. 10 in G major, Op. 96: III. Scherzo. Allegro | — | ||
| 40-7 | Sonata for Violin and Piano No. 10 in G major, Op. 96: IV. Poco allegretto | — | ||
| 41-1 | Sonata for Cello and Piano No. 1 in F major, Op. 5 No. 1: Adagio sostenuto | — | ||
| 41-2 | Sonata for Cello and Piano No. 1 in F major, Op. 5 No. 1: Allegro - Adagio - Presto - Tempo primo | — | ||
| 41-3 | Sonata for Cello and Piano No. 1 in F major, Op. 5 No. 1: Allegro vivace | — | ||
| 41-4 | Sonata for Cello and Piano No. 2 in G minor, Op. 5 No. 2: Adagio sostenuto e espressivo | — | ||
| 41-5 | Sonata for Cello and Piano No. 2 in G minor, Op. 5 No. 2: Allegro molto più tosto presto | — | ||
| 41-6 | Sonata for Cello and Piano No. 2 in G minor, Op. 5 No. 2: Rondo. Allegro | — | ||
| 41-7 | 12 Variations for cello & piano in F major on Mozart's "Ein Mädchen oder Weibchen" Op. 66 | — | ||
| 41-8 | 7 Variations for cello & piano in E flat major on Mozart's "Bei Männern, welche Liebe fühlen" WoO 46 | — | ||
| 42-1 | Sonata for Cello and Piano no. 3 in A major, op. 69: I. Allegro ma non tanto | — | ||
| 42-2 | Sonata for Cello and Piano no. 3 in A major, op. 69: II. Scherzo. Allegro molto | — | ||
| 42-3 | Sonata for Cello and Piano no. 3 in A major, op. 69: III. Adagio cantabile - Allegro vivace | — | ||
| 42-4 | Sonata for Piano and Cello no. 4 in C major, op. 102 no. 1: I. Andante - Allegro vivace | — | ||
| 42-5 | Sonata for Piano and Cello no. 4 in C major, op. 102 no. 1: II. Adagio - Tempo d’Andante - Allegro vivace | — | ||
| 42-6 | Sonata for Piano and Cello no. 5 in D major, op. 102 no. 2: I. Allegro con brio | — | ||
| 42-7 | Sonata for Piano and Cello no. 5 in D major, op. 102 no. 2: II. Adagio con molto sentimento d’affetto - attacca | — | ||
| 42-8 | Sonata for Piano and Cello no. 5 in D major, op. 102 no. 2: III. Allegro - Allegro fugato | — | ||
| 43-1 | Trio for Piano, Violin, and Cello No. 1 in E-flat major, Op. 1 No. 1: I. Allegro | — | ||
| 43-2 | Trio for Piano, Violin, and Cello No. 1 in E-flat major, Op. 1 No. 1: II. Adagio cantabile | — | ||
| 43-3 | Trio for Piano, Violin, and Cello No. 1 in E-flat major, Op. 1 No. 1: III. Scherzo: Allegro assai | — | ||
| 43-4 | Trio for Piano, Violin, and Cello No. 1 in E-flat major, Op. 1 No. 1: IV. Finale. Presto | — | ||
| 43-5 | Trio for Piano, Violin, and Cello No. 2 in G major, Op. 1 No. 2: I. Adagio - Allegro vivace | — | ||
| 43-6 | Trio for Piano, Violin, and Cello No. 2 in G major, Op. 1 No. 2: II. Largo con espressione | — | ||
| 43-7 | Trio for Piano, Violin, and Cello No. 2 in G major, Op. 1 No. 2: III. Scherzo. Allegro | — | ||
| 43-8 | Trio for Piano, Violin, and Cello No. 2 in G major, Op. 1 No. 2: IV. Finale. Presto | — | ||
| 44-1 | Trio for Piano, Violin, and Cello No. 3 in C minor, Op. 1 No. 3: I. Allegro con brio | — | ||
| 44-2 | Trio for Piano, Violin, and Cello No. 3 in C minor, Op. 1 No. 3: II. Adagio cantabile con variazioni | — | ||
| 44-3 | Trio for Piano, Violin, and Cello No. 3 in C minor, Op. 1 No. 3: III. Menuetto. Quasi allegro | — | ||
| 44-4 | Trio for Piano, Violin, and Cello No. 3 in C minor, Op. 1 No. 3: IV. Finale. Prestissimo | — | ||
| 44-5 | Trio for Piano, Violin, and Cello No. 5 in D major, Op. 70 No. 1 "Ghosts": I. Allegro vivace e con brio | — | ||
| 44-6 | Trio for Piano, Violin, and Cello No. 5 in D major, Op. 70 No. 1 "Ghosts": II. Largo assai e espressivo | — | ||
| 44-7 | Trio for Piano, Violin, and Cello No. 5 in D major, Op. 70 No. 1 "Ghosts": III. Presto | — | ||
| 45-1 | Trio for Piano, Violin, and Cello No. 7 in B-flat major, Op. 97 "Archduke": I. Allegro moderato | — | ||
| 45-2 | Trio for Piano, Violin, and Cello No. 7 in B-flat major, Op. 97 "Archduke": II. Scherzo. Allegro | — | ||
| 45-3 | Trio for Piano, Violin, and Cello No. 7 in B-flat major, Op. 97 "Archduke": III. Andante cantabile ma però con moto | — | ||
| 45-4 | Trio for Piano, Violin, and Cello No. 7 in B-flat major, Op. 97 "Archduke": IV. Allegro moderato | — | ||
| 45-5 | 10 Variations for Piano, Violin, and Cello in G major on Wenzel Müller's Lied "Ich bin der Schneider Kakadu", Op. 121a: Introduzione. Adagio assai - Tema. Allegretto - Var. I-X - Allegretto | — | ||
| 46-1 | Allegretto for Piano, Violin, and Cello in E-flat major, Hess 48 | — | ||
| 46-2 | Trio for Piano, Violin, and Cello No. 10 in E-flat major, Op. 44 (14 variations on an original theme): Thema. Andante - Var. I-IV - Andante | — | ||
| 46-3 | Trio for Piano, Violin, and Cello in E-flat major, WoO 38: I. Allegro moderato | — | ||
| 46-4 | Trio for Piano, Violin, and Cello in E-flat major, WoO 38: II. Scherzo. Allegro ma non troppo | — | ||
| 46-5 | Trio for Piano, Violin, and Cello in E-flat major, WoO 38: III. Rondo. Allegretto | — | ||
| 46-6 | Allegretto for Piano, Violin, and Cello in B-flat major, WoO 39: Allegretto | — | ||
| 46-7 | 12 Variations for piano and cello in G major, WoO 45 ("See the conquering hero comes" from Handel’s oratorio "Judas Maccabaeus") | — | ||
| 47-1 | Piano Trio in D major (transcription of Symphony No. 2 by composer), Op. 36: Adagio, Allegro con brio | — | ||
| 47-2 | Piano Trio in D major (transcription of Symphony No. 2 by composer), Op. 36: Larghetto quasi andante | — | ||
| 47-3 | Piano Trio in D major (transcription of Symphony No. 2 by composer), Op. 36: Scherzo | — | ||
| 47-4 | Piano Trio in D major (transcription of Symphony No. 2 by composer), Op. 36: Allegro molto | — | ||
| 47-5 | Trio for Piano, [Violin or Clarinet], and Cello in E-flat major, Op. 38 (arrangement from "Septet, Op. 20": Ludwig van Beethoven): I. Adagio - Allegro con brio | — | ||
| 47-6 | Trio for Piano, [Violin or Clarinet], and Cello in E-flat major, Op. 38 (arrangement from "Septet, Op. 20": Ludwig van Beethoven): II. Adagio cantabile | — | ||
| 47-7 | Trio for Piano, [Violin or Clarinet], and Cello in E-flat major, Op. 38 (arrangement from "Septet, Op. 20": Ludwig van Beethoven): III. Tempo di menuetto | — | ||
| 47-8 | Trio for Piano, [Violin or Clarinet], and Cello in E-flat major, Op. 38 (arrangement from "Septet, Op. 20": Ludwig van Beethoven): IV. Andante con variazioni | — | ||
| 47-9 | Trio for Piano, [Violin or Clarinet], and Cello in E-flat major, Op. 38 (arrangement from "Septet, Op. 20": Ludwig van Beethoven): V. Scherzo. Allegro molto e vivace | — | ||
| 47-10 | Trio for Piano, [Violin or Clarinet], and Cello in E-flat major, Op. 38 (arrangement from "Septet, Op. 20": Ludwig van Beethoven): VI. Andante con moto alla marcia - Presto | — | ||
| 48-1 | Trio for Violin, Viola, and Cello in E-flat major, Op. 3: I. Allegro con brio | — | ||
| 48-2 | Trio for Violin, Viola, and Cello in E-flat major, Op. 3: II. Andante | — | ||
| 48-3 | Trio for Violin, Viola, and Cello in E-flat major, Op. 3: III. Menuetto. Allegretto | — | ||
| 48-4 | Trio for Violin, Viola, and Cello in E-flat major, Op. 3: IV. Adagio | — | ||
| 48-5 | Trio for Violin, Viola, and Cello in E-flat major, Op. 3: V. Menuetto. Moderato | — | ||
| 48-6 | Trio for Violin, Viola, and Cello in E-flat major, Op. 3: VI. Finale. Allegro | — | ||
| 48-7 | Serenade for Violin, Viola, and Cello in D major, Op. 8: I. Marcia. Allegro | — | ||
| 48-8 | Serenade for Violin, Viola, and Cello in D major, Op. 8: II. Marcia. Adagio | — | ||
| 48-9 | Serenade for Violin, Viola, and Cello in D major, Op. 8: III. Menuetto - Trio | — | ||
| 48-10 | Serenade for Violin, Viola, and Cello in D major, Op. 8: IV. Adagio - Scherzo | — | ||
| 48-11 | Serenade for Violin, Viola, and Cello in D major, Op. 8: V. Allegretto alla polacca | — | ||
| 48-12 | Serenade for Violin, Viola, and Cello in D major, Op. 8: VI. Tema con Variazioni. Andante quasi allegretto | — | ||
| 49-1 | Trio for Violin, Viola, and Cello in G major, Op. 9 No. 1: I. Adagio - Allegro con brio | — | ||
| 49-2 | Trio for Violin, Viola, and Cello in G major, Op. 9 No. 1: II. Adagio, ma non tanto, e cantabile | — | ||
| 49-3 | Trio for Violin, Viola, and Cello in G major, Op. 9 No. 1: III. Scherzo. Allegro | — | ||
| 49-4 | Trio for Violin, Viola, and Cello in G major, Op. 9 No. 1: IV. Presto | — | ||
| 49-5 | Trio for Violin, Viola, and Cello in D major, Op. 9 No. 2: I. Allegretto | — | ||
| 49-6 | Trio for Violin, Viola, and Cello in D major, Op. 9 No. 2: II. Andante quasi allegretto | — | ||
| 49-7 | Trio for Violin, Viola, and Cello in D major, Op. 9 No. 2: III. Menuetto. Allegro | — | ||
| 49-8 | Trio for Violin, Viola, and Cello in D major, Op. 9 No. 2: IV. Rondò. Allegro | — | ||
| 49-9 | Trio for Violin, Viola, and Cello in C minor, Op. 9 No. 3: I. Allegro con spirito | — | ||
| 49-10 | Trio for Violin, Viola, and Cello in C minor, Op. 9 No. 3: II. Adagio con espressione | — | ||
| 49-11 | Trio for Violin, Viola, and Cello in C minor, Op. 9 No. 3: III. Scherzo. Allegro molto e vivace | — | ||
| 49-12 | Trio for Violin, Viola, and Cello in C minor, Op. 9 No. 3: IV. Finale. Presto | — | ||
| 50-1 | String Quartet in F major, op. 18 no. 1: I. Allegro con brio | Kodály Quartet | — | |
| 50-2 | String Quartet in F major, op. 18 no. 1: II. Adagio affettuoso ed appassionato | Kodály Quartet | — | |
| 50-3 | String Quartet in F major, op. 18 no. 1: III. Scherzo: Allegro molto | Kodály Quartet | — | |
| 50-4 | String Quartet in F major, op. 18 no. 1: IV. Allegro | Kodály Quartet | — | |
| 50-5 | Quartet for 2 Violins, Viola, and Cello No. 2 in G major, Op. 18 No. 2: I. Allegro | — | ||
| 50-6 | Quartet for 2 Violins, Viola, and Cello No. 2 in G major, Op. 18 No. 2: II. Adagio cantabile - Allegro - Tempo I | — | ||
| 50-7 | String Quartet no. 2 in G major, op. 18, No. 2: III. Scherzo: Allegro | Kodály Quartet | — | |
| 50-8 | Quartet for 2 Violins, Viola, and Cello No. 2 in G major, Op. 18 No. 2: IV. Allegro molto, quasi presto | — | ||
| 50-9 | Quartet for 2 Violins, Viola, and Cello No. 3 in D major, Op. 18 No. 3: I. Allegro | — | ||
| 50-10 | Quartet for 2 Violins, Viola, and Cello No. 3 in D major, Op. 18 No. 3: II. Andante con moto | — | ||
| 50-11 | Quartet for 2 Violins, Viola, and Cello No. 3 in D major, Op. 18 No. 3: III. Allegro | — | ||
| 50-12 | Quartet for 2 Violins, Viola, and Cello No. 3 in D major, Op. 18 No. 3: IV. Presto | — | ||
| 51-1 | Quartet for 2 Violins, Viola, and Cello No. 4 in C minor, Op. 18 No. 4: I. Allegro ma non tanto | — | ||
| 51-2 | Quartet for 2 Violins, Viola, and Cello No. 4 in C minor, Op. 18 No. 4: II. Andante scherzoso quasi allegretto | — | ||
| 51-3 | Quartet for 2 Violins, Viola, and Cello No. 4 in C minor, Op. 18 No. 4: III. Menuetto. Allegretto | — | ||
| 51-4 | Quartet for 2 Violins, Viola, and Cello No. 4 in C minor, Op. 18 No. 4: IV. Allegro - Prestissimo | — | ||
| 51-5 | Quartet for 2 Violins, Viola, and Cello No. 5 in A major, Op. 18 No. 5: I. Allegro | — | ||
| 51-6 | Quartet for 2 Violins, Viola, and Cello No. 5 in A major, Op. 18 No. 5: II. Menuetto | — | ||
| 51-7 | Quartet for 2 Violins, Viola, and Cello No. 5 in A major, Op. 18 No. 5: III. Andante cantabile | — | ||
| 51-8 | Quartet for 2 Violins, Viola, and Cello No. 5 in A major, Op. 18 No. 5: IV. Allegro | — | ||
| 51-9 | Quartet for 2 Violins, Viola, and Cello No. 6 in B-flat major, Op. 18 No. 6: I. Allegro con brio | — | ||
| 51-10 | Quartet for 2 Violins, Viola, and Cello No. 6 in B-flat major, Op. 18 No. 6: II. Adagio ma non troppo | — | ||
| 51-11 | Quartet for 2 Violins, Viola, and Cello No. 6 in B-flat major, Op. 18 No. 6: III. Scherzo. Allegro | — | ||
| 51-12 | Quartet for 2 Violins, Viola, and Cello No. 6 in B-flat major, Op. 18 No. 6: IV. Adagio "La malinconia" - Allegretto quasi allegro | — | ||
| 52-1 | Prelude and Fugue for 2 Violins, Viola, and Cello in F major, Hess 30: Prelude | — | ||
| 52-2 | Prelude and Fugue for 2 Violins, Viola, and Cello in F major, Hess 30: Fugue | — | ||
| 52-3 | Prelude and Fugue for 2 Violins, Viola, and Cello in C major, Hess 31: Prelude | — | ||
| 52-4 | Prelude and Fugue for 2 Violins, Viola, and Cello in C major, Hess 31: Fugue | — | ||
| 52-9 | Quartet for 2 Violins, Viola, and Cello in E major, Hess 34 (arrangement from "Sonata for Piano, Op. 14 No. 1"): I. Allegro moderato | — | ||
| 52-10 | Quartet for 2 Violins, Viola, and Cello in E major, Hess 34 (arrangement from "Sonata for Piano, Op. 14 No. 1"): II. Allegretto | — | ||
| 52-11 | Quartet for 2 Violins, Viola, and Cello in E major, Hess 34 (arrangement from "Sonata for Piano, Op. 14 No. 1"): III. Allegro | — | ||
| 52-12 | Fugue for 2 Violins, Viola, and Cello, Hess 36 (arrangement from Handel's "Solomon, HWV 67: Overture") | — | ||
| 53-1 | Quartet for 2 Violins, Viola, and Cello No. 7 in F major, Op. 59 No. 1 ("Rasumovsky Quartet No. 1"): I. Allegro | — | ||
| 53-2 | Quartet for 2 Violins, Viola, and Cello No. 7 in F major, Op. 59 No. 1 ("Rasumovsky Quartet No. 1"): II. Allegretto scherzando e sempre vivace | — | ||
| 53-3 | Quartet for 2 Violins, Viola, and Cello No. 7 in F major, Op. 59 No. 1 ("Rasumovsky Quartet No. 1"): III. Adagio molto | — | ||
| 53-4 | Quartet for 2 Violins, Viola, and Cello No. 7 in F major, Op. 59 No. 1 ("Rasumovsky Quartet No. 1"): IV. Thème Russe - Allegro | — | ||
| 53-5 | Quartet for 2 Violins, Viola, and Cello No. 8 in E minor, Op. 59 No. 2 ("Rasumovsky Quartet No. 2"): I. Allegro | — | ||
| 53-6 | Quartet for 2 Violins, Viola, and Cello No. 8 in E minor, Op. 59 No. 2 ("Rasumovsky Quartet No. 2"): II. Molto adagio - Si tratta questo pezzo con molto di sentimento | — | ||
| 53-7 | Quartet for 2 Violins, Viola, and Cello No. 8 in E minor, Op. 59 No. 2 ("Rasumovsky Quartet No. 2"): III. Allegretto - Maggiore - Minore | — | ||
| 53-8 | Quartet for 2 Violins, Viola, and Cello No. 8 in E minor, Op. 59 No. 2 ("Rasumovsky Quartet No. 2"): IV. Finale: Presto | — | ||
| 54-1 | Quartet for 2 Violins, Viola, and Cello No. 9 in C major, Op. 59 No. 3 ("Rasumovsky Quartet No. 3"): I. Andante con moto - Allegro vivace | — | ||
| 54-2 | Quartet for 2 Violins, Viola, and Cello No. 9 in C major, Op. 59 No. 3 ("Rasumovsky Quartet No. 3"): II. Andante con moto quasi allegretto | — | ||
| 54-3 | Quartet for 2 Violins, Viola, and Cello No. 9 in C major, Op. 59 No. 3 ("Rasumovsky Quartet No. 3"): III. Minuetto. Grazioso | — | ||
| 54-4 | Quartet for 2 Violins, Viola, and Cello No. 9 in C major, Op. 59 No. 3 ("Rasumovsky Quartet No. 3"): IV. Allegro molto | — | ||
| 54-5 | Quartet for 2 Violins, Viola, and Cello No. 10 in E-flat major, Op. 74 ("Harp"): I. Poco adagio - Allegro | — | ||
| 54-6 | Quartet for 2 Violins, Viola, and Cello No. 10 in E-flat major, Op. 74 ("Harp"): II. Adagio ma non troppo | — | ||
| 54-7 | Quartet for 2 Violins, Viola, and Cello No. 10 in E-flat major, Op. 74 ("Harp"): III. Presto | — | ||
| 54-8 | Quartet for 2 Violins, Viola, and Cello No. 10 in E-flat major, Op. 74 ("Harp"): IV. Allegretto con variazioni | — | ||
| 55-1 | Quartet for 2 Violins, Viola, and Cello No. 12 in E-flat major, Op. 127: I. Maestoso - Allegro | — | ||
| 55-2 | Quartet for 2 Violins, Viola, and Cello No. 12 in E-flat major, Op. 127: II. Adagio, ma non troppo e molto cantabile - Andante con moto - Adagio molto espressivo - Tempo I | — | ||
| 55-3 | Quartet for 2 Violins, Viola, and Cello No. 12 in E-flat major, Op. 127: III. Scherzando. Vivace | — | ||
| 55-4 | Quartet for 2 Violins, Viola, and Cello No. 12 in E-flat major, Op. 127: IV. Allegro - Allegro comodo | — | ||
| 55-5 | String Quartet in C-sharp minor, op. 131: I. Adagio ma non troppo e molto espressivo | Kodály Quartet | — | |
| 55-6 | String Quartet in C-sharp minor, op. 131: II. Allegro molto vivace | Kodály Quartet | — | |
| 55-7 | String Quartet in C-sharp minor, op. 131: III. Allegro moderato | Kodály Quartet | — | |
| 55-8 | String Quartet in C-sharp minor, op. 131: IV. Andante ma non troppo e molto cantabile | Kodály Quartet | — | |
| 55-9 | String Quartet in C-sharp minor, op. 131: V. Presto | Kodály Quartet | — | |
| 55-10 | String Quartet in C-sharp minor, op. 131: VI. Adagio quasi un poco andante | Kodály Quartet | — | |
| 55-11 | String Quartet in C-sharp minor, op. 131: VII. Allegro | Kodály Quartet | — | |
| 56-1 | Quartet for 2 Violins, Viola, and Cello No. 11 in F minor, Op. 95: I. Allegro con brio | — | ||
| 56-2 | Quartet for 2 Violins, Viola, and Cello No. 11 in F minor, Op. 95: II. Allegretto ma non troppo | — | ||
| 56-3 | Quartet for 2 Violins, Viola, and Cello No. 11 in F minor, Op. 95: III. Allegro assai vivace ma serioso | — | ||
| 56-4 | Quartet for 2 Violins, Viola, and Cello No. 11 in F minor, Op. 95: IV. Larghetto espressivo - Allegretto agitato - Allegro | — | ||
| 56-5 | Quartet for 2 Violins, Viola, and Cello No. 13 in B-flat major, Op. 130: I. Adagio ma non troppo - Allegro | — | ||
| 56-6 | Quartet for 2 Violins, Viola, and Cello No. 13 in B-flat major, Op. 130: II. Presto | — | ||
| 56-7 | Quartet for 2 Violins, Viola, and Cello No. 13 in B-flat major, Op. 130: III. Andante con moto, ma non troppo | — | ||
| 56-8 | Quartet for 2 Violins, Viola, and Cello No. 13 in B-flat major, Op. 130: IV. Alla danza tedesca. Allegro assai | — | ||
| 56-9 | String Quartet in B-flat major, op. 130: V. Cavatina: Adagio molto espressivo | Kodály Quartet | T-310.749.282-6 | |
| 56-10 | Quartet for 2 Violins, Viola, and Cello No. 13 in B-flat major, Op. 130: VI. Finale. Allegro (alternate) | — | ||
| 57-1 | Quartet for 2 Violins, Viola, and Cello No. 15 in A minor, Op. 132: I. Assai sostenuto - Allegro | — | ||
| 57-2 | Quartet for 2 Violins, Viola, and Cello No. 15 in A minor, Op. 132: II. Allegro ma non tanto | — | ||
| 57-3 | Quartet for 2 Violins, Viola, and Cello No. 15 in A minor, Op. 132: III. A Convalescent's Holy Song of Thanksgiving to the Deity, in the Lydian Mode. Molto adagio - Andante - Molto adagio - Andante - Molto adagio. Mit innigster Empfindung | — | ||
| 57-4 | Quartet for 2 Violins, Viola, and Cello No. 15 in A minor, Op. 132: IV. Alla Marcia, vivace assai - Più allegro | — | ||
| 57-5 | Quartet for 2 Violins, Viola, and Cello No. 15 in A minor, Op. 132: V. Allegro appassionato - Presto | — | ||
| 57-6 | String Quartet in F major, op. 135: I. Allegretto | Kodály Quartet | — | |
| 57-7 | String Quartet in F major, op. 135: II. Vivace | Kodály Quartet | — | |
| 57-8 | String Quartet in F major, op. 135: III. Lento assai, e cantante tranquillo | Kodály Quartet | — | |
| 57-9 | String Quartet in F major, op. 135: IV. Grave, ma non troppo tratto - Allegro | Kodály Quartet | — | |
| 58-1 | Quartet for Piano, Violin, Viola, and Cello, WoO 36 No. 1 in E-flat major: I. Adagio assai | — | ||
| 58-2 | Quartet for Piano, Violin, Viola, and Cello, WoO 36 No. 1 in E-flat major: II. Allegro con spirito | — | ||
| 58-3 | Quartet for Piano, Violin, Viola, and Cello, WoO 36 No. 1 in E-flat major: III. Tema. Cantabile - Variazioni I-VI - Tema. Allegretto | — | ||
| 58-4 | Quartet for Piano, Violin, Viola, and Cello, WoO 36 No. 2 in D major: I. Allegro moderato | — | ||
| 58-5 | Quartet for Piano, Violin, Viola, and Cello, WoO 36 No. 2 in D major: II. Andante con moto | — | ||
| 58-6 | Quartet for Piano, Violin, Viola, and Cello, WoO 36 No. 2 in D major: III. Rondo. Allegro | — | ||
| 58-7 | Quartet for Piano, Violin, Viola, and Cello, WoO 36 No. 3 in C major: I. Allegro vivace | — | ||
| 58-8 | Quartet for Piano, Violin, Viola, and Cello, WoO 36 No. 3 in C major: II. Adagio con espressione | — | ||
| 58-9 | Quartet for Piano, Violin, Viola, and Cello, WoO 36 No. 3 in C major: III. Rondo. Allegro | — | ||
| 59-1 | Sonata for Horn and Piano in F major, Op. 17: I. Allegro moderato | — | ||
| 59-2 | Sonata for Horn and Piano in F major, Op. 17: II. Poco adagio, quasi andante | — | ||
| 59-3 | Sonata for Horn and Piano in F major, Op. 17: III. Rondo. Allegro moderato | — | ||
| 59-4 | Sextet for 2 Horns, 2 Violins, Viola, and Cello in E-flat major, Op. 81b: I. Allegro con brio | — | ||
| 59-5 | Sextet for 2 Horns, 2 Violins, Viola, and Cello in E-flat major, Op. 81b: II. Adagio | — | ||
| 59-6 | Sextet for 2 Horns, 2 Violins, Viola, and Cello in E-flat major, Op. 81b: III. Rondo. Allegro | — | ||
| 59-7 | Trio for Piano, Flute, and Bassoon in G major, WoO 37: I. Allegro | — | ||
| 59-8 | Trio for Piano, Flute, and Bassoon in G major, WoO 37: II. Adagio | — | ||
| 59-9 | Trio for Piano, Flute, and Bassoon in G major, WoO 37: III. Tema andante con Variazioni | — | ||
| 60-1 | Quintet for Piano, Oboe, Clarinet, Horn, and Bassoon in E-flat major, Op. 16: I. Grave - Allegro ma non troppo | — | ||
| 60-2 | Quintet for Piano, Oboe, Clarinet, Horn, and Bassoon in E-flat major, Op. 16: II. Andante cantabile | — | ||
| 60-3 | Quintet for Piano, Oboe, Clarinet, Horn, and Bassoon in E-flat major, Op. 16: III. Rondo. Allegro ma non troppo | — | ||
| 60-4 | Serenade for Flute, Violin, and Viola in D major, Op. 25: I. Entrada. Allegro | — | ||
| 60-5 | Serenade for Flute, Violin, and Viola in D major, Op. 25: II. Tempo ordinario d'un minuetto | — | ||
| 60-6 | Serenade for Flute, Violin, and Viola in D major, Op. 25: III. Allegro molto | — | ||
| 60-7 | Serenade for Flute, Violin, and Viola in D major, Op. 25: IV. Andante con variazioni | — | ||
| 60-8 | Serenade for Flute, Violin, and Viola in D major, Op. 25: V. Allegro scherzando e vivace | — | ||
| 60-9 | Serenade for Flute, Violin, and Viola in D major, Op. 25: VI. Adagio - Allegro vivace e disinvolto | — | ||
| 60-10 | Sonatina for Mandolin and Piano in C minor, WoO 43a. Adagio | — | ||
| 60-11 | Adagio for Mandolin and Piano in E-flat major, WoO 43b. Adagio (ma non troppo) | — | ||
| 60-12 | Sonatina for Mandolin and Klavier in C major, WoO 44a. Allegro | — | ||
| 60-13 | Variations in D major for Mandolin and Piano, WoO 44b. Andante | — | ||
| 61-1 | Trio for Piano, [Clarinet or Violin], and Cello No. 4 in B-flat major, Op. 11 "Gassenhauer-Trio": I. Allegro con brio | — | ||
| 61-2 | Trio for Piano, [Clarinet or Violin], and Cello No. 4 in B-flat major, Op. 11 "Gassenhauer-Trio": II. Adagio | — | ||
| 61-3 | Trio for Piano, [Clarinet or Violin], and Cello No. 4 in B-flat major, Op. 11 "Gassenhauer-Trio": III. Allegretto con variazioni | — | ||
| 61-4 | Septet for Violin, Viola, Clarinet, Horn, Bassoon, Cello, and Double Bass in E-flat major, Op. 20: I. Adagio - Allegro con brio | — | ||
| 61-5 | Septet for Violin, Viola, Clarinet, Horn, Bassoon, Cello, and Double Bass in E-flat major, Op. 20: II. Adagio cantabile | — | ||
| 61-6 | Septet for Violin, Viola, Clarinet, Horn, Bassoon, Cello, and Double Bass in E-flat major, Op. 20: III. Tempo di menuetto | — | ||
| 61-7 | Septet for Violin, Viola, Clarinet, Horn, Bassoon, Cello, and Double Bass in E-flat major, Op. 20: IV. Tema con Variazioni | — | ||
| 61-8 | Septet for Violin, Viola, Clarinet, Horn, Bassoon, Cello, and Double Bass in E-flat major, Op. 20: V. Scherzo. Allegro molto e vivace | — | ||
| 61-9 | Septet for Violin, Viola, Clarinet, Horn, Bassoon, Cello, and Double Bass in E-flat major, Op. 20: VI. Andante con moto - Presto | — | ||
| 62-1 | Quintet for 2 Violins, 2 Violas, and Cello in C major, Op. 29: I. Allegro moderato | — | ||
| 62-2 | Quintet for 2 Violins, 2 Violas, and Cello in C major, Op. 29: II. Adagio molto espressivo | — | ||
| 62-3 | Quintet for 2 Violins, 2 Violas, and Cello in C major, Op. 29: III. Scherzo. Allegro | — | ||
| 62-4 | Quintet for 2 Violins, 2 Violas, and Cello in C major, Op. 29: IV. Presto | — | ||
| 62-5 | Fugue for 2 Violins, 2 Violas, and Cello in D major, Op. 137: Allegretto | — | ||
| 62-6 | 6 Minuets for 2 Violins and Bass, WoO 9 No. 1 in E-flat major | — | ||
| 62-7 | 6 Minuets for 2 Violins and Bass, WoO 9 No. 2 in G major | — | ||
| 62-8 | 6 Minuets for 2 Violins and Bass, WoO 9 No. 3 in C major | — | ||
| 62-9 | 6 Minuets for 2 Violins and Bass, WoO 9 No. 4 in F major | — | ||
| 62-10 | 6 Minuets for 2 Violins and Bass, WoO 9 No. 5 in D major | — | ||
| 62-11 | 6 Minuets for 2 Violins and Bass, WoO 9 No. 6 in G major | — | ||
| 62-12 | Six Ländler for 2 Violins and Bass, WoO 15 Nos. 1 - 6 in D major | — | ||
| 62-13 | Duo for Viola and Cello in E-flat major, WoO 32 "Duet with two obbligato eyeglasses": I. Allegro | — | ||
| 62-14 | Duo for Viola and Cello in E-flat major, WoO 32 "Duet with two obbligato eyeglasses": II. Allegretto | — | ||
| 62-15 | Duet for 2 Violins in A major, WoO 34 | — | ||
| 62-16 | Canon (probably for 2 Violins) in A major, WoO 35 | — | ||
| 63-1 | Air écossais for [Flute or Violin] and Piano, Op. 105 No. 1 in G major "The Cottage Maid": Tema. Andantino quasi allegretto - Var. I-II - Var. III. Allegro - Tempo I | — | ||
| 63-2 | Air écossais for [Flute or Violin] and Piano, Op. 105 No. 2 in C minor "Von edlem Geschlecht war Shinkin": Tema. Allegretto scherzoso - Var. I-II - Var. III. Allegretto - Allegro | — | ||
| 63-3 | Air autrichien for [Flute or Violin] and Piano, Op. 105 No. 3 in C major "A Schüsserl und a Reindl": Tema. Andantino - Var. I-IV - Var. V. Adagio sostenuto, ma non troppo - Var. VI. Andante con moto | — | ||
| 63-4 | Air écossais for [Flute or Violin] and Piano, Op. 105 No. 4 in E-flat major "The Last Rose of Summer": Tema. Andante espressivo assai - Var. I-III | — | ||
| 63-5 | Air écossais for [Flute or Violin] and Piano, Op. 105 No. 5 in E-flat major "Chiling O'Guiry": Tema. Allegretto spiritoso - Var. I-II - Var. III. Allegro assai | — | ||
| 63-6 | Air écossais for [Flute or Violin] and Piano, Op. 105 No. 6 in D major "Paddy Whack": Tema. Allegretto più tosto vivace - Var. I-IV | — | ||
| 63-7 | Air tirolien for [Flute or Violin] and Piano, Op. 107 No. 1 in E-flat major "l bin a Tiroler Bua": Tema. Moderato - Var. I-III - Var. IV. Allegro | — | ||
| 63-8 | Air écossais for [Flute or Violin] and Piano, Op. 107 No. 2 in F major "Bonnie Laddie, Highland Laddie": Tema. Allegretto, quasi vivace - Var. I-III - Var. IV. Andante mosso, alla Siciliano - Allegro | — | ||
| 63-9 | Volkslied aus Kleinrussland for [Flute or Violin] and Piano, Op. 107 No. 3 in G major: Tema. Vivace - Var. I-IV - Var. V. Adagio sostenuto - Tempo I | — | ||
| 63-10 | Air écossais for [Flute or Violin] and Piano, Op. 107 No. 4 in F major "St. Patrick's Day": Tema. Allegretto scherzoso - Var. I - Var. II. Poco adagio - Vivace - Moderato - Tempo I | — | ||
| 63-11 | Air tirolien for [Flute or Violin] and Piano, Op. 107 No. 5 in F major "A Madel, ja a Madel": Tema. Moderato - Var. I-II - Var. III. Maestoso - Allegro | — | ||
| 63-12 | Air écossais for [Flute or Violin] and Piano, Op. 107 No. 6 in E-flat major "Peggy's Daughter": Tema. Andante comodo - Var. I-III - Var. IV. Vivace | — | ||
| 63-13 | Air russe for [Flute or Violin] and Piano, Op. 107 No. 7 in A minor "Schöne Minka": Tema. Andante - Var. I-IV - Var. V. Andante moderato - Var. VI. Allegro - Adagio - Andante commodo - Poco vivace | — | ||
| 63-14 | Air écossais for [Flute or Violin] and Piano, Op. 107 No. 8 in D major "O Mary at they window be": Tema. Andantino quasi allegretto - Var. I-III - Var. IV. Un poco più mosso - Allegro assai | — | ||
| 63-15 | Air écossais for [Flute or Violin] and Piano, Op. 107 No. 9 in E-flat major "Oh, Thou art the Lad of my Heart": Tema. Allegretto più tosto vivace - Var. I - Var. II. Cantabile e legato - Var. III - Var. IV. Andante espressivo - Var. V. Vivace | — | ||
| 63-16 | Air écossais for [Flute or Violin] and Piano, Op. 107 No. 10 in G minor "The Highland Watch": Tema. Spiritoso e marziale - Var. I-II - Var. III. Più moto - Var. IV. Adagio espressivo - Var. V. Allegro | — | ||
| 64-1 | Trio for [2 Oboes and English Horn (or Violin, Viola, and Cello)] in C major, Op. 87: I. Allegro | — | ||
| 64-2 | Trio for [2 Oboes and English Horn (or Violin, Viola, and Cello)] in C major, Op. 87: II. Adagio cantabile | — | ||
| 64-3 | Trio for [2 Oboes and English Horn (or Violin, Viola, and Cello)] in C major, Op. 87: III. Menuetto. Allegro molto. Scherzo | — | ||
| 64-4 | Trio for [2 Oboes and English Horn (or Violin, Viola, and Cello)] in C major, Op. 87: IV. Finale. Presto | — | ||
| 64-5 | Variations for 2 Oboes and English Horn in C major on "Là ci darem la mano" from Mozart's opera "Don Giovanni", WoO 28 | — | ||
| 64-6 | Octet for 2 Oboes, 2 Clarinets, 2 Horns, and 2 Bassoons in E-flat major, Op. 103: I. Allegro | — | ||
| 64-7 | Octet for 2 Oboes, 2 Clarinets, 2 Horns, and 2 Bassoons in E-flat major, Op. 103: II. Andante | — | ||
| 64-8 | Octet for 2 Oboes, 2 Clarinets, 2 Horns, and 2 Bassoons in E-flat major, Op. 103: III. Menuetto | — | ||
| 64-9 | Octet for 2 Oboes, 2 Clarinets, 2 Horns, and 2 Bassoons in E-flat major, Op. 103: IV. Finale. Presto | — | ||
| 65-1 | Sextet for 2 Clarinets, 2 Horns, and 2 Bassoons in E-flat major, Op. 71: I. Adagio - Allegro | — | ||
| 65-2 | Sextet for 2 Clarinets, 2 Horns, and 2 Bassoons in E-flat major, Op. 71: II. Adagio | — | ||
| 65-3 | Sextet for 2 Clarinets, 2 Horns, and 2 Bassoons in E-flat major, Op. 71: III. Menuetto. Quasi allegretto | — | ||
| 65-4 | Sextet for 2 Clarinets, 2 Horns, and 2 Bassoons in E-flat major, Op. 71: IV. Rondò. Allegro | — | ||
| 65-5 | Duo for clarinet and bassoon in C major, WoO 27 No. 1: I. Allegro commodo | — | ||
| 65-6 | Duo for clarinet and bassoon in C major, WoO 27 No. 1: II. Larghetto sostenuto | — | ||
| 65-7 | Duo for clarinet and bassoon in C major, WoO 27 No. 1: III. Rondo: Allegretto | — | ||
| 65-8 | Duo for clarinet and bassoon in F major, WoO 27 No. 2: I. Allegro affettuoso | — | ||
| 65-9 | Duo for clarinet and bassoon in F major, WoO 27 No. 2: II. Aria Larghetto | — | ||
| 65-10 | Duo for clarinet and bassoon in F major, WoO 27 No. 2: III. Rondo: Allegretto moderato | — | ||
| 65-11 | Duo for clarinet and bassoon in B flat major, WoO 27 No. 3: I. Allegro sostenuto | — | ||
| 65-12 | Duo for clarinet and bassoon in B flat major, WoO 27 No. 3: II. Aria con variazioni | — | ||
| 65-13 | March for Military Music in D major, WoO 24 | — | ||
| 65-14 | March for 2 Clarinets, 2 Horns, and 2 Bassoons in B-flat major, WoO 29 | — | ||
| 65-15 | Equali for 4 Trombones, WoO 30 Nos. 1-3 | — | ||
| 66-1 | Song for Voice and Piano, Op. 48 No. 1 in E major: Feierlich und mit Andacht "Bitten: Gott, deine Güte reicht so weit" | — | ||
| 66-2 | Song for Voice and Piano, Op. 48 No. 2 in E-flat major: Lebhaft, doch nicht zu sehr "Die Liebe des Nächsten: So jemand spricht: Ich liebe Gott!" | — | ||
| 66-3 | Song for Voice and Piano, Op. 48 No. 3 in F-sharp minor: Müssig und eher langsam als geschwind "Vom Tode: Meine Lebenszeit verstreicht" | — | ||
| 66-4 | Song for Voice and Piano, Op. 48 No. 4 in C major: Majestätisch und erhaben "Die Ehre Gottes in der Natur: Die Himmel rühmen des Ewigen Ehre" | — | ||
| 66-5 | Song for Voice and Piano, Op. 48 No. 5 in C major: Mit Kraft und Feuer "Gottes Macht und Vorsehung: Gott ist mein Lied!" | — | ||
| 66-6 | Song for Voice and Piano, Op. 48 No. 6 in A minor: Poco adagio "Bußlied: An Dir allein, an Dir hab' ich gesündigt" | — | ||
| 66-7 | Songs for Voice and Piano, Op. 83 No. 1 in E major: Andante espressivo "Wonne der Wehmut: Trocknet nicht" | — | ||
| 66-8 | Songs for Voice and Piano, Op. 83 No. 2 in B minor: Allegretto "Sehnsucht: Was zieht mir das Herz so?" | — | ||
| 66-9 | Songs for Voice and Piano, Op. 83 No. 3 in F major: Leichtlich und mit Grazie vorzutragen "Mit einem gemalten Band: Kleine Blumen, kleine Blätter" | — | ||
| 66-10 | An die ferne Geliebte, Op. 98 Nos. 1-6 | — | ||
| 66-11 | Song for Voice and Piano in E-flat major, Op. 32 "An die Hoffnung": Poco adagio | — | ||
| 66-12 | "An die Hoffnung", Op. 94 | — | ||
| 66-13 | Cantata for Voice and Piano in B-flat major, Op. 46: Larghetto "Adelaide: Einsam wandelt dein Freund im Frühlings Garten" | — | ||
| 66-14 | "Der Kuß", Op. 128 | — | ||
| 66-15 | "Seufzer eines Ungeliebten", WoO 118 | — | ||
| 66-16 | "Zärtliche Liebe", WoO 123 | — | ||
| 66-17 | "La partenza", WoO 124 | — | ||
| 66-18 | "Der Wachtelschlag", WoO 129 | — | ||
| 66-19 | "Als die Geliebte sich trennen wollte", WoO 132 | — | ||
| 66-20 | Song for Voice and Piano and A major, Op. 88: Andante quasi allegretto "Das Glück der Freundschaft: Der lebt ein Leben wonniglich" | — | ||
| 67-1 | Song for Voice and Piano, Op. 52 No. 1 in A minor: In einer massigen geschwinden Bewegung "Urians Reise um die Welt: Wenn jemand eine Reise tut" | — | ||
| 67-2 | Song for Voice and Piano, Op. 52 No. 2 in G major: Andante con moto "Feuerfarb': Ich weiss eine Farbe" | — | ||
| 67-3 | Song for Voice and Piano, Op. 52 No. 3 in F major: Adagio "Das Liedchen von der Ruhe: Im Arm der Liebe ruht sich's wohl" | — | ||
| 67-4 | Song for Voice and Piano, Op. 52 No. 4 in A-flat major: Allegro "Mailied: Wie herrlich leuchtet mir die Natur" | — | ||
| 67-5 | Song for Voice and Piano, Op. 52 No. 5 in G major: Adagio con espessione "Molly's Abschied: Lebe wohl, du Mann der Lust" | — | ||
| 67-6 | Song for Voice and Piano, Op. 52 No. 6 in F major: Allegretto "Die Liebe: Ohne Liebe lebe wer da kann" | — | ||
| 67-7 | Song for Voice and Piano, Op. 52 No. 7 in A minor: Allegretto "Marmotte: Ich komme schon durch manches Land" | — | ||
| 67-8 | Song for Voice and Piano, Op. 52 No. 8 in G major: Andante "Das Blümchen Wunderhold: Es blüht ein Blümchen irgendwo in einem stillen Tal" | — | ||
| 67-9 | Songs for Voice and Piano, Op. 75 No. 1 in A major: Ziemlich langsam "Mignon: Kennst du das Land?" | — | ||
| 67-10 | Songs for Voice and Piano, Op. 75 No. 2 in C major: Lebhaft, doch nicht zu sehr "Neue Liebe, neues Leben: Herz, mein Herz, was soll das geben?" | — | ||
| 67-11 | Songs for Voice and Piano, Op. 75 No. 3 in G minor: Poco Allegretto "Aus Goethe's Faust: Es war einmal ein Konig" | — | ||
| 67-12 | Songs for Voice and Piano, Op. 75 No. 4 in A major: Etwas lebhaft "Gretels Warnung: Mit Liebesblick und Spiel und Sang" | — | ||
| 67-13 | Songs for Voice and Piano, Op. 75 No. 5 in G major: Larghetto "An den fernen Geliebten: Einst wohnten süsse Ruh' und gold'ner Frieden In meiner Brust" | — | ||
| 67-14 | Songs for Voice and Piano, Op. 75 No. 6 in A major: Froh und heiter, etwas lebhaft "Der Zufriedene: Zwar schuf das Glück hienieden" | — | ||
| 67-15 | Song for Voice and Piano in G major, Op. 99 "Der Mann von Wort: Du sagtest, Freund, an diesen Ort komm ich zurück" | — | ||
| 67-16 | Song for Voice and Piano in F major, Op. 100 "Merkenstein: Wo ich wandle denk ich dein": Massig, jedoch nicht schleppend | — | ||
| 67-17 | Hochzeitslied for solo, chorus & piano, WoO 105 "Auf, Freunde, singt dem Gott der Ehen" | — | ||
| 67-18 | Lobkowitz Birthday Cantata for solo voice, chorus & piano, WoO 106, "Es lebe unser teurer Fürst" | — | ||
| 67-19 | An einen Säugling, song for voice & piano, WoO 108 | — | ||
| 67-20 | Man strebt, die Flamme zu verhehlen, song for voice & piano, WoO 120 | — | ||
| 67-21 | Abschiedsgesang an Wiens Bürger, song for voice & piano (or orchestra), WoO 121 | — | ||
| 67-22 | Kriegslied der Österreicher "Ein großes deutsches Volk" for voice & piano (or orchestra), WoO 122 | — | ||
| 67-23 | Sehnsucht "Nur wer die Sehnsucht kennt", song for voice & piano, WoO 134 (4 settings) | — | ||
| 67-24 | Die laute Klage, song for voice & piano, WoO 135 | — | ||
| 67-25 | Der Bardengeist, for voice & piano, WoO 142 | — | ||
| 67-26 | Merkenstein, song for voice & piano, WoO 144 | — | ||
| 67-27 | Der edle Mensch sei hilfreich und gut, for voice & piano, WoO 151 | — | ||
| 68-1 | Musical joke for three voices & chorus "Lob auf den Dicken"; WoO 100: "Schuppanzigh ist ein Lump" | — | ||
| 68-2 | Musical joke for three voices "Graf, Graf, liebster Graf", WoO 101 | — | ||
| 68-3 | Chorus for male voices, Abschiedsgesang, "Die Stunde schlägt" WoO 102 | — | ||
| 68-4 | Two canons, in 3 and 4 parts, WoO 160: I. Dreistimmiger Kanon | — | ||
| 68-5 | Two canons, in 3 and 4 parts, WoO 160: II. Vierstimmiger Kanon | — | ||
| 68-6 | Canon for 4 voices "Ta ta ta, lieber Mälzel", WoO 162 (spurious) | — | ||
| 68-7 | Canon in 4 parts in G major "Glück fehl' dir vor allem", WoO 171 | — | ||
| 68-8 | Three canons, WoO 181 No. 1 - Canon in 4 parts in C major "Gedenket heute an Baden", WoO 181/1 | — | ||
| 68-9 | Three canons, WoO 181 No. 2 - Canon in 3 parts in C major "Gehabt euch wohl" | — | ||
| 68-10 | Three canons, WoO 181 No. 3 - canon for 3 voices "Tugend ist kein leerer Name" | — | ||
| 68-11 | Trinklied (beim Abschied zu singen) for voice & piano (or orchestra), WoO 109 | — | ||
| 68-12 | Punschlied "Wer nicht, wenn warm von Hand" for voice, unsion chorus & piano, WoO 111 | — | ||
| 68-13 | Schilderung eines Mädchens, song for voice & piano, WoO 107 | — | ||
| 68-14 | Selbstgespräch "Ich, der mit flatterndem Sinn", song for voice & piano, WoO 114 | — | ||
| 68-15 | An Minna, song for voice & piano, WoO 115 | — | ||
| 68-16 | Gedenke mein, for voice & piano, WoO 130 | — | ||
| 68-17 | Der Liebende, song for voice & piano, WoO 139 | — | ||
| 68-20 | Elegie auf den Tod eines Pudels, for voice & piano, WoO 110 | — | ||
| 68-21 | An Laura, song for voice & piano, WoO 112 | — | ||
| 68-22 | Klage, song for voice & piano, WoO 113 | — | ||
| 68-23 | Der Freie Mann, song for voice & piano (or orchestra), WoO 117 | — | ||
| 68-24 | Des Kriegers Abschied, song for voice & piano, WoO 143 | — | ||
| 68-25 | Das Geheimnis, song for voice & piano, WoO 145 | — | ||
| 68-26 | So oder so, song for voice & piano, WoO 148 | — | ||
| 68-27 | Abendlied unterm gestirnten Himmel, song for voice & piano, WoO 150 | — | ||
| 68-28 | Opferlied "Die Flamme lodert", song for voice & piano, WoO 126 | — | ||
| 68-29 | In questa tomba oscura, arietta for voice and piano (or orchestra), WoO 133 | — | ||
| 68-30 | Que le temps me dure, song for voice & piano (2 versions), WoO 116 | — | ||
| 68-31 | O care selve, oh cara, for voice & piano/orchestra, WoO 119 | — | ||
| 68-32 | La Tiranna for voice & piano, WoO 125 | — | ||
| 68-33 | Plaisir d'aimer, for voice & piano "Romance", WoO 128 | — | ||
| 69-1 | Twenty-five Scottish songs: for voice, mixed chorus, violin, violoncello and piano, Op. 108: I. "Music, Love and Wine" | — | ||
| 69-2 | Twenty-five Scottish songs: for voice, mixed chorus, violin, violoncello and piano, Op. 108: II. "Sunset" | — | ||
| 69-3 | Twenty-five Scottish songs: for voice, mixed chorus, violin, violoncello and piano, Op. 108: III. "O sweet were the hours" | — | ||
| 69-4 | Twenty-five Scottish songs: for voice, mixed chorus, violin, violoncello and piano, Op. 108: IV. "The Maid of Isla" | — | ||
| 69-5 | Twenty-five Scottish songs: for voice, mixed chorus, violin, violoncello and piano, Op. 108: V. "The sweetest lad was Jamie" | — | ||
| 69-6 | Twenty-five Scottish songs: for voice, mixed chorus, violin, violoncello and piano, Op. 108: VI. "Dim, dim is my eye" | — | ||
| 69-7 | Twenty-five Scottish songs: for voice, mixed chorus, violin, violoncello and piano, Op. 108: VII. "Bonnie Laddie, Highland Laddie" | — | ||
| 69-8 | Twenty-five Scottish songs: for voice, mixed chorus, violin, violoncello and piano, Op. 108: VIII. "The lovely lass of Inverness" | — | ||
| 69-9 | Twenty-five Scottish songs: for voice, mixed chorus, violin, violoncello and piano, Op. 108: IX. "Behold, my Love" | — | ||
| 69-10 | Twenty-five Scottish songs: for voice, mixed chorus, violin, violoncello and piano, Op. 108: X. "Sympathy" | — | ||
| 69-11 | Twenty-five Scottish songs: for voice, mixed chorus, violin, violoncello and piano, Op. 108: XI. "Oh, Thou Art the Lad of My Heart, Willy" | — | ||
| 69-12 | Twenty-five Scottish songs: for voice, mixed chorus, violin, violoncello and piano, Op. 108: XII. "Oh, Had My Fate Been Join'd With Thine" | — | ||
| 69-13 | Twenty-five Scottish songs: for voice, mixed chorus, violin, violoncello and piano, Op. 108: XIII. "Come Fill, Fill, My Good Fellow" | — | ||
| 69-14 | Twenty-five Scottish songs: for voice, mixed chorus, violin, violoncello and piano, Op. 108: XIV. "O How Can I Be Blithe" | — | ||
| 69-15 | Twenty-five Scottish songs: for voice, mixed chorus, violin, violoncello and piano, Op. 108: XV. "O Cruel was My Father" | — | ||
| 69-16 | Twenty-five Scottish songs: for voice, mixed chorus, violin, violoncello and piano, Op. 108: XVI. "Could This Ill World Have Been Contriv'd" | — | ||
| 69-17 | Twenty-five Scottish songs: for voice, mixed chorus, violin, violoncello and piano, Op. 108: XVII. "O Mary at Thy Window Be" | — | ||
| 69-18 | Twenty-five Scottish songs: for voice, mixed chorus, violin, violoncello and piano, Op. 108: XVIII. "Enchantress, Farewell" | — | ||
| 69-19 | Twenty-five Scottish songs: for voice, mixed chorus, violin, violoncello and piano, Op. 108: IX. "O Swiftly Glides the Bonny Boat" | — | ||
| 69-20 | Twenty-five Scottish songs: for voice, mixed chorus, violin, violoncello and piano, Op. 108: XX. "Faithfu' Johnie" | — | ||
| 69-21 | Twenty-five Scottish songs: for voice, mixed chorus, violin, violoncello and piano, Op. 108: XXI. "Jeanie's Distress" | — | ||
| 69-22 | Twenty-five Scottish songs: for voice, mixed chorus, violin, violoncello and piano, Op. 108: XXII. "The Highland Watch" | — | ||
| 69-23 | Twenty-five Scottish songs: for voice, mixed chorus, violin, violoncello and piano, Op. 108: XXIII. "The Shepherd's Song" | — | ||
| 69-24 | Twenty-five Scottish songs: for voice, mixed chorus, violin, violoncello and piano, Op. 108: XXIV. "Again, my Lyre, yet once again" | — | ||
| 69-25 | Twenty-five Scottish songs: for voice, mixed chorus, violin, violoncello and piano, Op. 108: XXV. "Sally in Our Alley" | — | ||
| 69-26 | "Bundeslied" for soloists, chorus & wind instruments, Op. 122 | — | ||
| 69-27 | "Lied aus der Ferne", for voice & piano, WoO 137 | — | ||
| 69-28 | "Der Jüngling in der Fremde", song for voice & piano, WoO 138 | — | ||
| 69-29 | "Sehnsucht", song for voice & piano, WoO 146 | — | ||
| 69-30 | "Ruf vom Berge", song for voice & piano, WoO 147 | — | ||
| 70-1 | Irish Songs (25) for voice & piano trio, WoO 152 Nr. 2. "Sweet Power of Song" (duet) | — | ||
| 70-2 | Irish Songs (25) for voice & piano trio, WoO 152 Nr. 5. "On the massacre of Glencoe" | — | ||
| 70-3 | Irish Songs (25) for voice & piano trio, WoO 152 Nr. 6. "What shall I do to shew how much I love her?" (duet) | — | ||
| 70-4 | Irish Songs (25) for voice & piano trio, WoO 152 Nr. 8. "Come draw we round a cheerful ring" | — | ||
| 70-5 | Irish Songs (25) for voice & piano trio, WoO 152 Nr. 10. "The deserter" | — | ||
| 70-6 | Irish Songs (25) for voice & piano trio, WoO 152 Nr. 11. "Thou emblem of faith" | — | ||
| 70-7 | Irish Songs (25) for voice & piano trio, WoO 152 Nr. 13. "Musing on the roaring ocean" | — | ||
| 70-8 | Irish Songs (25) for voice & piano trio, WoO 152 Nr. 15. "Let brain-spinning swains" | — | ||
| 70-9 | Irish Songs (25) for voice & piano trio, WoO 152 Nr. 17. "In vain to this desert my fate I deplore" | — | ||
| 70-10 | Irish Songs (25) for voice & piano trio, WoO 152 Nr. 19. "Wife, children and friends" | — | ||
| 70-11 | Irish Songs (25) for voice & piano trio, WoO 152 Nr. 20. "Farewell bliss and farewell Nancy" (duet) | — | ||
| 70-12 | Irish Songs (25) for voice & piano trio, WoO 152 Nr. 21. "Morning a cruel turmoil is" | — | ||
| 70-13 | Irish Songs (25) for voice & piano trio, WoO 152 Nr. 23. "The wandering gypsy, Sirs, am I" | — | ||
| 70-14 | Irish Songs (25) for voice & piano trio, WoO 152 Nr. 24. "The trough welcome" | — | ||
| 70-15 | Irish Songs (20) for voice & piano trio, WoO 153 Nr. 1. "When Eve's last rays in twilight" | — | ||
| 70-16 | Irish Songs (20) for voice & piano trio, WoO 153 Nr. 4. "Since greybeards inform us that youth will decay" | — | ||
| 70-17 | Irish Songs (20) for voice & piano trio, WoO 153 Nr. 5. "I dream'd I lay where flow'rs were springing" (duet) | — | ||
| 70-18 | Irish Songs (20) for voice & piano trio, WoO 153 Nr. 7. "O soothe me, my lyre" | — | ||
| 70-19 | Irish Songs (20) for voice & piano trio, WoO 153 Nr. 8. "Farewell mirth and hilarity" | — | ||
| 70-20 | Irish Songs (20) for voice & piano trio, WoO 153 Nr. 10. "Oh! Thou hapless soldier" (duet) | — | ||
| 70-21 | Irish Songs (20) for voice & piano trio, WoO 153 Nr. 15. "T'is but in vain, for nothing thrives" | — | ||
| 70-22 | Irish Songs (20) for voice & piano trio, WoO 153 Nr. 17. "Come, Darby dear, easy, be easy" | — | ||
| 70-23 | Irish Songs (20) for voice & piano trio, WoO 153 Nr. 20. "Thy ship must sail, my Henry dear" | — | ||
| 70-24 | Canon in 3 parts in C major "Brauchle, Linke", WoO 167 | — | ||
| 70-25 | Canon in 2 parts in C major "Ich küsse Sie", WoO 169 | — | ||
| 70-26 | Canon in 3 parts in E flat major "Ich bitt' dich, schreib' mir die Es-Scala auf ", WoO 172 | — | ||
| 70-27 | Canon in 2 parts in B flat major "Hol' euch der Teufel! B'hüt euch Gott", WoO 173 | — | ||
| 70-28 | Canon "Glaube und hoffe", for 4 voices, WoO 174 | — | ||
| 70-29 | Canons (2) in 2 parts "Sankt Petrus war ein Fels!", WoO 175 | — | ||
| 70-30 | Canon in 2 parts in C major "Ich war hier, Doktor", WoO 190 | — | ||
| 70-31 | Canon in 3 parts in B flat major "Kühl, nicht lau", WoO 191 | — | ||
| 70-32 | Canon in 2 parts in F major "Ars longa, vita brevis", WoO 192 | — | ||
| 70-33 | Canon in 2 parts in G major, Hess 274 | — | ||
| 70-34 | Canon in 2 parts in A flat major, Hess 275 | — | ||
| 70-35 | Canon in 3 parts "Herr Graf, ich komme zu fragen", Hess 276 | — | ||
| 70-36 | Canon in 2 parts with 1 ostinato part "Esel aller Esel", Hess 277 | — | ||
| 70-37 | Gesang der Mönche "Rasch tritt der Tod den Menschen an, ..." for 2 tenors and bass, WoO 104 | — | ||
| 70-38 | Canon in 3 parts in F major "Im Arm der Liebe ruht sich's wohl", WoO 159 | — | ||
| 70-39 | Canon in 3 parts in C major "Ewig dein", WoO 161 | — | ||
| 70-40 | Canon in 3 parts in F minor "Kurz ist der Schmerz", WoO 163 | — | ||
| 70-41 | Canon in 3 parts in C major "Freundschaft ist der Quell wahrer Glückseligkeit", WoO 164 | — | ||
| 70-42 | Canon in 4 parts in E flat major "Glück zum neuen Jahr", WoO 165 | — | ||
| 70-43 | Canon in 3 parts in F major "Das Schweigen: Lerne schweigen, o Freund", WoO 168/1 | — | ||
| 70-44 | Aria for Soprano and Piano, Op. 82 No. 1 in A major: Allegro moderato "Hoffnung: Dimmi ben mio - Nimmer den lieben dem Herzen" | — | ||
| 70-45 | Aria for Soprano and Piano, Op. 82 No. 2 in D major: Adagio ma non troppo "Liebsklage: T'indendo, si, mio cor - Den stummen Felsen nur" | — | ||
| 70-46 | Aria for Soprano and Piano, Op. 82 No. 3 in E-flat major: Allegro "Stille Frage: Che fa il mio bene? - Darf nimmer ich dir nahen?" | — | ||
| 70-47 | Aria for Soprano and Piano, Op. 82 No. 4 in B-flat major: Andante con espressione "Liebes-Ungeduld: Che fa il mio bene? - So muss ich ihm entsagen" | — | ||
| 70-48 | Duet for Soprano and Tenor, Op. 82 No. 5 in E major: Andante vivace "Lebens-Genuss: Odi l'aura che dolce sospira - Schnell verbluhen" | — | ||
| 70-49 | Variations (6) on "Ich denke dein," for piano, 4 hands in D major, WoO 74 | — | ||
| 71-1 | Ah! perfido! concert aria for soprano and orchestra, Op. 65 | — | ||
| 71-2 | Irish Songs (25) for voice & piano trio, WoO 152 Nr. 1. "The Return to Ulster" | — | ||
| 71-3 | Irish Songs (20) for voice & piano trio, WoO 153 Nr. 9. "The kiss, dear maid, thy lip has left" | — | ||
| 71-4 | Irish Songs (20) for voice & piano trio, WoO 153 Nr. 11. "When far from the home of our youth we have rang'd" | — | ||
| 71-5 | Irish Songs (12) for voice & piano trio, WoO 154 Nr. 1. "The elfin fairies" | — | ||
| 71-6 | Irish Songs (12) for voice & piano trio, WoO 154 Nr. 5. "Oh! Who, my dear Dermot" | — | ||
| 71-7 | Welsh Songs (26) for voice(s) & piano trio WoO 155 Nr. 1. "Sion, the song of Evan" | — | ||
| 71-8 | Welsh Songs (26) for voice(s) & piano trio WoO 155 Nr. 4. "Love without hope" | — | ||
| 71-9 | Welsh Songs (26) for voice(s) & piano trio WoO 155 Nr. 7. "Oh let the night my blushes hide" | — | ||
| 71-10 | Welsh Songs (26) for voice(s) & piano trio WoO 155 Nr. 12. "Waken lords and ladies gay" | — | ||
| 71-11 | Welsh Songs (26) for voice(s) & piano trio WoO 155 Nr. 21. "Cupid's kindness" | — | ||
| 71-12 | Welsh Songs (26) for voice(s) & piano trio WoO 155 Nr. 25. "The parting kiss" | — | ||
| 71-13 | Welsh Songs (26) for voice(s) & piano trio WoO 155 Nr. 26. "Good night" | — | ||
| 71-14 | Scottish Songs (12) for voices & piano trio, WoO 156 Nr. 10. "Glencoe" | — | ||
| 71-15 | Scottish Songs (12) for voices & piano trio, WoO 156 Nr. 11. "Auld lang syne" | — | ||
| 72-1 | Unaccompanied Italian duets, trios & quartets (26) for voices, WoO 99 Nr. 2. "Chi mai di questo core" | — | ||
| 72-2 | Unaccompanied Italian duets, trios & quartets (26) for voices, WoO 99 Nr. 3b. "Fra tutte le pene" (H 225) | — | ||
| 72-3 | Unaccompanied Italian duets, trios & quartets (26) for voices, WoO 99 Nr. 4a. "Gia la notte s'avvicina" (H 222) | — | ||
| 72-4 | Unaccompanied Italian duets, trios & quartets (26) for voices, WoO 99 Nr. 5a. "Giura il nocchier" (H 221) | — | ||
| 72-5 | Unaccompanied Italian duets, trios & quartets (26) for voices, WoO 99 Nr. 7b. "Nei campi e nelle selve" (H 220) | — | ||
| 72-6 | Unaccompanied Italian duets, trios & quartets (26) for voices, WoO 99 Nr. 10c. "Quella cetra ah pur tu sei" (H 219) | — | ||
| 72-7 | Cantata for 4 voices & piano (Rural Cantata/ Cantata campestre) "Un lieto Brindisi", , WoO 103 | — | ||
| 72-8 | Song for voice & piano "Andenken", WoO 136 | — | ||
| 72-9 | Der Gesang der Nachtigall "Höre, die Nachtigall singt" for voice & piano, WoO 141 | — | ||
| 72-10 | Resignation "Lisch aus, mein Licht", song for voice & piano, WoO 149 | — | ||
| 72-11 | Irish Songs (20) for voice & piano trio, WoO 153 Nr. 16. "O might I but my Patrick love" | — | ||
| 72-12 | Irish Songs (20) for voice & piano trio, WoO 153 Nr. 19. "Judy, lovely matchless creature" | — | ||
| 72-13 | Irish Songs (12) for voice & piano trio, WoO 154 Nr. 4. "The pulse of an Irishman ever beats quicker" | — | ||
| 72-14 | Irish Songs (12) for voice & piano trio, WoO 154 Nr. 11. "The soldier in a foreign land" | — | ||
| 72-15 | Welsh Songs (26) for voice(s) & piano trio WoO 155 Nr. 15. "When mortals all to rest retire" | — | ||
| 72-16 | Scottish Songs (12) for voices & piano trio, WoO 156 Nr. 9. "Lochnagar" | — | ||
| 72-17 | Songs (12) of Various Nationality for voice & piano trio, WoO 157 Nr. 1. "God save the king" | — | ||
| 72-18 | Songs (12) of Various Nationality for voice & piano trio, WoO 157 Nr. 2. "The soldier" | — | ||
| 72-19 | Songs (12) of Various Nationality for voice & piano trio, WoO 157 Nr. 3. "Charlie is my darling" | — | ||
| 72-20 | Songs (12) of Various Nationality for voice & piano trio, WoO 157 Nr. 4. "O Sanctissima" | — | ||
| 72-21 | Songs (12) of Various Nationality for voice & piano trio, WoO 157 Nr. 9. "Highlander's lament" | — | ||
| 72-22 | Songs (12) of Various Nationality for voice & piano trio, WoO 157 Nr. 10. "Sir Johnnie Cope" | — | ||
| 72-23 | Songs (12) of Various Nationality for voice & piano trio, WoO 157 Nr. 12. "La Gondoletta" | — | ||
| 73-1 | Grenadier March for mechanical clock in F major, Hess 107 | — | ||
| 73-2 | Das liebe Kätzchen, folk song for voice & piano trio, Hess 133 | — | ||
| 73-3 | Der Knabe auf dem Berge, song for voice & piano trio, Hess 134 | — | ||
| 73-4 | Quartet for Solo Voice(s): "Fra tutte le pene" (WoO 99/3c), 3 of 3 settings, Hess 210 | — | ||
| 73-5 | Duet in C major: "Salvo tu vuoi lo sposo?", Hess 228 | — | ||
| 73-6 | Quartet for Solo Voice(s) in C major: "Giura il nocchier" Hess 230 | — | ||
| 73-7 | Duet in C major: "Sei mio ben", Hess 231 | — | ||
| 73-8 | Chorus for Orchestra & Chorus in A major: "Chor auf die verbündeten Fürsten", WoO 95 | — | ||
| 73-9 | Italian Songs a Cappella, WoO 99 No. 1: Bei labbri, che Amore (H 211) | — | ||
| 73-10 | Italian Songs a Cappella, WoO 99 No. 3a: Fra tutte le pene | — | ||
| 73-11 | Italian Songs a Cappella, WoO 99 No. 3c: Fra tutte le pene (H 224) | — | ||
| 73-12 | Italian Songs a Cappella, WoO 99 No. 4b: Gia la notte s'avvicina (H 223) | — | ||
| 73-13 | Italian Songs a Cappella, WoO 99 No. 5b: Giura il nocchier (H 227) | — | ||
| 73-14 | Italian Songs a Cappella, WoO 99 No. 6: Ma tu tremi, o mio tesoro (H 212) | — | ||
| 73-15 | Italian Songs a Cappella, WoO 99 No. 7a: Nei campi e nelle selve (H 217) | — | ||
| 73-16 | Italian Songs a Cappella, WoO 99 No. 9: Per te d'amico aprile (H 216) | — | ||
| 73-17 | Italian Songs a Cappella, WoO 99 No. 10a: Quella cetra ah pur tu sei (H 213) | — | ||
| 73-18 | Italian Songs a Cappella, WoO 99 No. 10b: Quella cetra ah pur tu sei (H 218) | — | ||
| 73-19 | Italian Songs a Cappella, WoO 99 No. 11: Scrivo in te (H 215) | — | ||
| 73-20 | Neue Liebe, neues Leben, song for voice & piano, WoO 127 | — | ||
| 73-21 | Erlkönig, song for voice & piano, WoO 131 | — | ||
| 73-22 | Welsh Songs (26) for voice(s) & piano trio WoO 155 No. 19: The vale of Clwyd | — | ||
| 73-23 | Welsh Songs (26) for voice(s) & piano trio WoO 155 No. 20: To the blackbird | — | ||
| 73-24 | Welsh Songs (26) for voice(s) & piano trio WoO 155 No. 22: Constancy | — | ||
| 73-25 | Welsh Songs (26) for voice(s) & piano trio WoO 155 No. 23: The old strain | — | ||
| 73-26 | Welsh Songs (26) for voice(s) & piano trio WoO 155 No. 24: Three hundred pounds | — | ||
| 73-27 | Scottish Songs (12) for voices & piano trio, WoO 156 No. 1: The banner of Buccleuch | — | ||
| 73-28 | Scottish Songs (12) for voices & piano trio, WoO 156 No. 2: Duncan Grey | — | ||
| 73-29 | Scottish Songs (12) for voices & piano trio, WoO 156 No. 3: Up! Quit the bower | — | ||
| 73-30 | Scottish Songs (12) for voices & piano trio, WoO 156 No. 4: Ye shepherds of this pleasant | — | ||
| 73-31 | Scottish Songs (12) for voices & piano trio, WoO 156 No. 5: Cease your funning | — | ||
| 73-32 | Scottish Songs (12) for voices & piano trio, WoO 156 No. 6: Highland Harry | — | ||
| 73-33 | Scottish Songs (12) for voices & piano trio, WoO 156 No. 7: Polly Stewart | — | ||
| 73-34 | Scottish Songs (12) for voices & piano trio, WoO 156 No. 8: Womankind | — | ||
| 73-35 | Scottish Songs (12) for voices & piano trio, WoO 156 No. 12: The Quaker's wife | — | ||
| 73-36 | Canon in 3 parts in F major, WoO 166: "Kurz ist der Schmerz" | — | ||
| 73-37 | Canon in 2 parts in C major, WoO 170: "Ars longa, vita brevis" | — | ||
| 73-38 | Canon in 3 parts in F major, WoO 176: "Glück, Glück zum neuen Jahr" | — | ||
| 73-39 | Canon in 4 parts in C major, WoO 189: "Doktor sperrt das Tor dem Tod" | — | ||
| 73-40 | Canon in 2 parts in C major, WoO 193: "Ars longa, vita brevis" | — | ||
| 73-41 | Canon in F major, WoO 194: "Si non per portas, per muros" | — | ||
| 73-42 | Ich bin der Herr von zu, Du bist der Herr von von, musical joke for voice, WoO 199 | — | ||
| 73-43 | Ich bin bereit..., musical joke for voices, WoO 201 | — | ||
| 73-44 | Das Schöne zum Guten, Stammbuch entry for voice, WoO 202 | — | ||
| 73-45 | Das Schöne zu dem Guten, Stammbuch entry for voice, WoO 203 | — | ||
| 73-46 | Holz, holz, geigt die Quartette so, musical joke, WoO 204 | — | ||
| 73-47 | Musical greetings for Solo Voice(s) in C major, WoO 205 No. 1 : "Baron, Baron, Baron" | — | ||
| 73-48 | Musical greetings for Solo Voice(s) in C major, WoO 205 No. 2: "Allein, allein, allein, jedoch. Silentium!" | — | ||
| 73-49 | Musical greetings for Solo Voice(s) in A minor, WoO 205 No. 3: "O Adjutant" | — | ||
| 73-50 | Musical greetings for Solo Voice(s) in C major, WoO 205 No. 4: "Wo? Wo?" | — | ||
| 73-51 | Musical greetings for Solo Voice(s) in D major, WoO 205 No. 5: "Erfüllung, Erfüllung" | — | ||
| 73-52 | Musical greetings for Solo Voice(s) in F major, WoO 205 No. 6: "Scheut euch nicht" | — | ||
| 73-53 | Musical greetings for Solo Voice(s) in E major, WoO 205 No. 7: "Tobias! Paternostergäßler. Tobias! Paternostergäßlerischer, Bierhäuslerischer musikalischer Philister!" | — | ||
| 73-54 | Musical greetings for Solo Voice(s) in D major, WoO 205 No. 8: "Tobias Tobias" | — | ||
| 73-55 | Musical greetings for Solo Voice(s) in C major, WoO 205 No. 9: "Bester Tobias" | — | ||
| 73-56 | Musical greetings for Solo Voice(s) in C major, WoO 205 No. 10: "Erster aller Tobiasse" | — | ||
| 74-1 | Irish Songs (25) for voice & piano trio, WoO 152 No. 3: Once more I hail thee | — | ||
| 74-2 | Irish Songs (25) for voice & piano trio, WoO 152 No. 4: The morning air plays on my face | — | ||
| 74-3 | Irish Songs (25) for voice & piano trio, WoO 152 No. 7: His boat comes on the sunny tide | — | ||
| 74-4 | Irish Songs (25) for voice & piano trio, WoO 152 No. 9: The soldier's dream | — | ||
| 74-5 | Irish Songs (25) for voice & piano trio, WoO 152 No. 12: English bulls | — | ||
| 74-6 | Irish Songs (25) for voice & piano trio, WoO 152 No. 14: Dermont and Shelah | — | ||
| 74-7 | Irish Songs (25) for voice & piano trio, WoO 152 No. 16: Hide not thy anguish | — | ||
| 74-8 | Irish Songs (25) for voice & piano trio, WoO 152 No. 18: They bid me slight my dermot dear | — | ||
| 74-9 | Irish Songs (25) for voice & piano trio, WoO 152 No. 22: From Garyone, my happy home | — | ||
| 74-10 | Irish Songs (25) for voice & piano trio, WoO 152 No. 25: Oh harp of Erin | — | ||
| 74-11 | Irish Songs (20) for voice & piano trio, WoO 153 No. 2: No riches from scanty store | — | ||
| 74-12 | Irish Songs (20) for voice & piano trio, WoO 153 No. 3: The British light dragoons | — | ||
| 74-13 | Irish Songs (20) for voice & piano trio, WoO 153 No. 6: Sad and luckless was the season | — | ||
| 74-14 | Irish Songs (20) for voice & piano trio, WoO 153 No. 12: I'll praise the saints with early song | — | ||
| 74-15 | Irish Songs (20) for voice & piano trio, WoO 153 No. 13: Sunshine | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Identifier Graph
4028462022008 is a Universal Product Code (UPC) assigned to Ludwig van Beethoven Complete Works by Ludwig van Beethoven. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 993 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Bagatelle in C major “Lustig-Traurig”, WoO 54 | Jenő Jandó | — |
| Prelude in F minor, WoO 55 | Jenő Jandó | — |
| Rondo for Piano and Orchestra in B-flat major, WoO 6. Allegro (cadenza: Carl Czerny) | Stefan Vladar, Capella Istropolitana, Barry Wordsworth | — |
Creative Contributors (ISNI)
The UPC for “Ludwig van Beethoven Complete Works” by Ludwig van Beethoven is 4028462022008. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2007-01-01. Label: Am@do Classics. This release contains 993 tracks, each with its own ISRC. Tracks include SEWDL0789705, HKI199740501, HKI199213036.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Symphony No. 1 in C major, Op. 21: I. Adagio molto - Allegro con brio | — | ||
| 2 | Symphony No. 1 in C major, Op. 21: II. Andante cantabile con moto | — | ||
| 3 | Symphony No. 1 in C major, Op. 21: III. Menuetto. Allegro molto e vivace | — | ||
| 4 | Symphony No. 1 in C major, Op. 21: IV. Adagio - Allegro molto e vivace | — | ||
| 5 | Symphony No. 6 in F major, Op. 68 "Pastorale": I. Allegro, ma non troppo "Awakening of cheerful feelings upon arrival in the country" | — | ||
| 6 | Symphony No. 6 in F major, Op. 68 "Pastorale": II. Andante molto mosso "Scene at the brook" | — | ||
| 7 | Symphony No. 6 in F major, Op. 68 "Pastorale": III. Allegro "Happy gathering of country folk", IV. Allegro "Thunderstorm", V. Allegretto "Shepherds' song: Cheerful and thankful feelings after the storm" | — | ||
| 2-1 | Symphony No. 2 in D major, Op. 36: I. Adagio molto - Allegro con brio | — | ||
| 2-2 | Symphony No. 2 in D major, Op. 36: II. Larghetto | — | ||
| 2-3 | Symphony No. 2 in D major, Op. 36: III. Scherzo. Allegro | — | ||
| 2-4 | Symphony No. 2 in D major, Op. 36: IV. Allegro molto | — | ||
| 2-5 | Symphony No. 4 in B-flat major, Op. 60: I. Adagio - Allegro vivace | — | ||
| 2-6 | Symphony No. 4 in B-flat major, Op. 60: II. Adagio | — | ||
| 2-7 | Symphony No. 4 in B-flat major, Op. 60: III. Allegro molto e vivace - Trio. Un poco meno allegro | — | ||
| 2-8 | Symphony No. 4 in B-flat major, Op. 60: IV. Allegro, ma non troppo | — | ||
| 3-1 | Symphony No. 3 in E-flat major, Op. 55 "Eroica": I. Allegro con brio | — | ||
| 3-2 | Symphony No. 3 in E-flat major, Op. 55 "Eroica": II. Marcia funebre. Adagio assai | — | ||
| 3-3 | Symphony No. 3 in E-flat major, Op. 55 "Eroica": III. Scherzo. Allegro vivace | — | ||
| 3-4 | Symphony No. 3 in E-flat major, Op. 55 "Eroica": IV. Finale. Allegro molto | — | ||
| 3-5 | Symphony No. 8 in F major, Op. 93: I. Allegro vivace e con brio | — | ||
| 3-6 | Symphony No. 8 in F major, Op. 93: II. Scherzando. Allegretto | — | ||
| 3-7 | Symphony No. 8 in F major, Op. 93: III. Tempo di minuetto | — | ||
| 3-8 | Symphony No. 8 in F major, Op. 93: IV. Allegro vivace | — | ||
| 4-1 | Symphony No. 5 in C minor, Op. 67: I. Allegro con brio | — | ||
| 4-2 | Symphony No. 5 in C minor, Op. 67: II. Andante con moto | — | ||
| 4-3 | Symphony No. 5 in C minor, Op. 67: III. Scherzo. Allegro / IV. Allegro | — | ||
| 4-4 | Symphony No. 7 in A major, Op. 92: I. Poco sostenuto - Vivace | — | ||
| 4-5 | Symphony No. 7 in A major, Op. 92: II. Allegretto | — | ||
| 4-6 | Symphony No. 7 in A major, Op. 92: III. Presto | — | ||
| 4-7 | Symphony No. 7 in A major, Op. 92: IV. Allegro con brio | — | ||
| 5-1 | Symphony No. 9 in D minor, Op. 125 "Choral": I. Allegro ma non troppo, un poco maestoso | — | ||
| 5-2 | Symphony No. 9 in D minor, Op. 125 "Choral": II. Molto vivace - Presto | — | ||
| 5-3 | Symphony No. 9 in D minor, Op. 125 "Choral": III. Adagio molto e cantabile - Andante Moderato - Tempo I - Andante moderato - Adagio - Lo stesso tempo | — | ||
| 5-4 | Symphony No. 9 in D minor, Op. 125 "Choral": IV. Recitative. (Presto - Allegro, ma non troppo - Vivace - Adagio cantabile - Allegro assai - Presto "O Freunde") - Allegro assai "Freude, schöner Götterfunken" - Alla marcia - Allegro assai vivace "Froh, wie | — | ||
| 6-1 | Concerto for Piano and Orchestra No. 1 in C major, Op. 15: I. Allegro con brio (cadenza: Ludwig van Beethoven) | — | ||
| 6-2 | Concerto for Piano and Orchestra No. 1 in C major, Op. 15: II. Largo | — | ||
| 6-3 | Concerto for Piano and Orchestra No. 1 in C major, Op. 15: III. Rondo. Allegro | — | ||
| 6-4 | Concerto for Piano, Violin, Cello, and Orchestra in C major, Op. 56 "Triple Concerto": I. Allegro | — | ||
| 6-5 | Concerto for Piano, Violin, Cello, and Orchestra in C major, Op. 56 "Triple Concerto": II. Largo / III. Rondo alla Polacca | — | ||
| 7-1 | Concerto for Piano and Orchestra No. 2 in B-flat major, Op. 19: I. Allegro con brio (cadenza: Ludwig van Beethoven) | — | ||
| 7-2 | Concerto for Piano and Orchestra No. 2 in B-flat major, Op. 19: II. Adagio | — | ||
| 7-3 | Concerto for Piano and Orchestra No. 2 in B-flat major, Op. 19: III. Rondo. Molto allegro | — | ||
| 7-4 | Concerto for Piano and Orchestra No. 3 in C minor, Op. 37: I. Allegro con brio (cadenza: Ludwig van Beethoven) | — | ||
| 7-5 | Concerto for Piano and Orchestra No. 3 in C minor, Op. 37: II. Largo | — | ||
| 7-6 | Concerto for Piano and Orchestra No. 3 in C minor, Op. 37: III. Rondo. Allegro | — | ||
| 8-1 | Concerto for Piano and Orchestra No. 4 in G major, Op. 58: I. Allegro moderato (cadenza: Ludwig van Beethoven) | — | ||
| 8-2 | Concerto for Piano and Orchestra No. 4 in G major, Op. 58: II. Andante con moto | — | ||
| 8-3 | Concerto for Piano and Orchestra No. 4 in G major, Op. 58: III. Rondo. Vivace (cadenza: Ludwig van Beethoven) | — | ||
| 8-4 | Concerto for Piano and Orchestra No. 5 in E-flat major, Op. 73 "Emperor": I. Allegro | — | ||
| 8-5 | Concerto no. 5 in E-flat major for Piano and Orchestra, op. 73 "Emperor": II. Adagio un poco mosso - III. Rondo. Allegro | Hanae Nakajima, Nürnberger Symphoniker, Zsolt Deaky | — | |
| 9-1 | Romance for Violin and Orchestra No. 1 in G major, Op. 40: Andante | — | ||
| 9-2 | Romance for Violin and Orchestra No. 2 in F major, Op. 50: Adagio cantabile | — | ||
| 9-3 | Concerto for Violin and Orchestra in D major, Op. 61: I. Allegro ma non troppo (cadenza: Fritz Kreisler) | — | ||
| 9-4 | Concerto for Violin and Orchestra in D major, Op. 61: II. Larghetto | — | ||
| 9-5 | Concerto for Violin and Orchestra in D major, Op. 61: III. Rondo. Allegro (cadenza: Fritz Kreisler) | — | ||
| 9-6 | Concerto for Violin and Orchestra in C major: Allegro con brio (fragment completion: Wilfried Fischer) (candenza: Takaya Urakawa) | — | ||
| 10-1 | 6 Variations for Piano in F major on an Original Theme, Op. 34 | — | ||
| 10-2 | Fantasia, op. 77 | Jenő Jandó | — | |
| 10-3 | Polonaise for Piano in C major, Op. 89: Alla polacca, vivace | — | ||
| 10-4 | Concerto for Piano and Orchestra in E-flat major, WoO 4 (reconstruction from Piano part: Willy Hess): I. Allegro moderato | — | ||
| 10-5 | Concerto for Piano and Orchestra in E-flat major, WoO 4 (reconstruction from Piano part: Willy Hess): II. Larghetto | — | ||
| 10-6 | Concerto for Piano and Orchestra in E-flat major, WoO 4 (reconstruction from Piano part: Willy Hess): III. Rondo. Allegretto (cadenza: Willy Hess) | — | ||
| 11-1 | The Creatures of Prometheus, Op. 43: Overture. Adagio - Allegro molto con brio | — | ||
| 11-2 | The Creatures of Prometheus, Op. 43: Introduction. Allegro non troppo | — | ||
| 11-3 | The Creatures of Prometheus, Op. 43: I. Poco adagio | — | ||
| 11-4 | The Creatures of Prometheus, Op. 43: II. Adagio - Allegro con brio | — | ||
| 11-5 | The Creatures of Prometheus, Op. 43: III. Allegro vivace | — | ||
| 11-6 | The Creatures of Prometheus, Op. 43: IV. Maestoso - Andante | — | ||
| 11-7 | The Creatures of Prometheus, Op. 43: V. Adagio - Andante quasi allegro | — | ||
| 11-8 | The Creatures of Prometheus, Op. 43: VI. Un poco adagio - Allegro | — | ||
| 11-9 | The Creatures of Prometheus, Op. 43: VII. Grave | — | ||
| 11-10 | The Creatures of Prometheus, Op. 43: VIII. Marcia. Allegro con brio | — | ||
| 11-11 | The Creatures of Prometheus, Op. 43: IX. Adagio | — | ||
| 11-12 | The Creatures of Prometheus, Op. 43: X. Pastoral. Allegro | — | ||
| 11-13 | The Creatures of Prometheus, Op. 43: XI. Chorus. Andante (Gioja) | — | ||
| 11-14 | The Creatures of Prometheus, Op. 43: XII. Solo. Maestoso - Adagio (Gioja) | — | ||
| 11-15 | The Creatures of Prometheus, Op. 43: XIII. Allegro | — | ||
| 11-16 | The Creatures of Prometheus, Op. 43: XIV. Solo. Andante - Adagio (Signora Cassentini) | — | ||
| 11-17 | The Creatures of Prometheus, Op. 43: XV. Coro e Solo. Andantino - Adagio (Vigano) | — | ||
| 11-18 | The Creatures of Prometheus, Op. 43: XVI. Finale. Allegretto | — | ||
| 12-1 | Music for a Ballet on Horseback, WoO 1 | — | ||
| 12-2 | Zwölf Menuette, WoO 7: 1 | Capella Istropolitana, Oliver von Dohnányi | — | |
| 12-3 | Zwölf Menuette, WoO 7: 2 | Capella Istropolitana, Oliver von Dohnányi | — | |
| 12-4 | Zwölf Menuette, WoO 7: 3 | Capella Istropolitana, Oliver von Dohnányi | — | |
| 12-5 | Zwölf Menuette, WoO 7: 4 | Capella Istropolitana, Oliver von Dohnányi | — | |
| 12-6 | Zwölf Menuette, WoO 7: 5 | Capella Istropolitana, Oliver von Dohnányi | — | |
| 12-7 | Zwölf Menuette, WoO 7: 6 | Capella Istropolitana, Oliver von Dohnányi | — | |
| 12-8 | Zwölf Menuette, WoO 7: 7 | Capella Istropolitana, Oliver von Dohnányi | — | |
| 12-9 | Zwölf Menuette, WoO 7: 8 | Capella Istropolitana, Oliver von Dohnányi | — | |
| 12-10 | Zwölf Menuette, WoO 7: 9 | Capella Istropolitana, Oliver von Dohnányi | — | |
| 12-11 | Zwölf Menuette, WoO 7: 10 | Capella Istropolitana, Oliver von Dohnányi | — | |
| 12-12 | Zwölf Menuette, WoO 7: 11 | Capella Istropolitana, Oliver von Dohnányi | — | |
| 12-13 | Zwölf Menuette, WoO 7: 12 | Capella Istropolitana, Oliver von Dohnányi | — | |
| 12-14 | Zwölf deutsche Tänze, WoO 8: 1 | Capella Istropolitana, Oliver von Dohnányi | — | |
| 12-15 | Zwölf deutsche Tänze, WoO 8: 2 | Capella Istropolitana, Oliver von Dohnányi | — | |
| 12-16 | Zwölf deutsche Tänze, WoO 8: 3 | Capella Istropolitana, Oliver von Dohnányi | — | |
| 12-17 | Zwölf deutsche Tänze, WoO 8: 4 | Capella Istropolitana, Oliver von Dohnányi | — | |
| 12-18 | Zwölf deutsche Tänze, WoO 8: 5 | Capella Istropolitana, Oliver von Dohnányi | — | |
| 12-19 | Zwölf deutsche Tänze, WoO 8: 6 | Capella Istropolitana, Oliver von Dohnányi | — | |
| 12-20 | Zwölf deutsche Tänze, WoO 8: 7 | Capella Istropolitana, Oliver von Dohnányi | — | |
| 12-21 | Zwölf deutsche Tänze, WoO 8: 8 | Capella Istropolitana, Oliver von Dohnányi | — | |
| 12-22 | Zwölf deutsche Tänze, WoO 8: 9 | Capella Istropolitana, Oliver von Dohnányi | T-909.695.614-8 | |
| 12-23 | Zwölf deutsche Tänze, WoO 8: 10 | Capella Istropolitana, Oliver von Dohnányi | — | |
| 12-24 | Zwölf deutsche Tänze, WoO 8: 11 | Capella Istropolitana, Oliver von Dohnányi | — | |
| 12-25 | Zwölf deutsche Tänze, WoO 8: 12 | Capella Istropolitana, Oliver von Dohnányi | — | |
| 12-26 | 12 Contredances for Orchestra, WoO 14 No. 1 in C major | — | ||
| 12-27 | 12 Contredances for Orchestra, WoO 14 No. 2 in A major | — | ||
| 12-28 | 12 Contredances for Orchestra, WoO 14 No. 3 in D major | — | ||
| 12-29 | 12 Contredances for Orchestra, WoO 14 No. 4 in E-flat major | — | ||
| 12-30 | 12 Contredances for Orchestra, WoO 14 No. 5 in E-flat major | — | ||
| 12-31 | 12 Contredances for Orchestra, WoO 14 No. 6 in C major | — | ||
| 12-32 | 12 Contredances for Orchestra, WoO 14 No. 7 in E-flat major | — | ||
| 12-33 | 12 Contredances for Orchestra, WoO 14 No. 8 in C major | — | ||
| 12-34 | 12 Contredances for Orchestra, WoO 14 No. 9 in A major | — | ||
| 12-35 | 12 Contredances for Orchestra, WoO 14 No. 10 in C major | — | ||
| 12-36 | 12 Contredances for Orchestra, WoO 14 No. 11 in G major | — | ||
| 12-37 | 12 Contredances for Orchestra, WoO 14 No. 12 in E-flat major | — | ||
| 13-1 | Egmont, Op. 84: Ouvertüre | — | ||
| 13-2 | Egmont, Op. 84: Lied: Vivace "Die Trommel gerühret! | — | ||
| 13-3 | Egmont, Op. 84: Zwischenakt I: Andante - Allegro con brio "Es ist keine falsche Ader an ihm" | — | ||
| 13-4 | Egmont, Op. 84: Zwischenakt II: Larghetto | — | ||
| 13-5 | Egmont, Op. 84: Lied: Andante con moto "Freudvoll und leidvoll" | — | ||
| 13-6 | Egmont, Op. 84: Zwischenakt III: Allegro - Marcia; Vivace "Der König meint" | — | ||
| 13-7 | Egmont, Op. 84: Zwischenakt IV: Poco sostenuto e risoluto | — | ||
| 13-8 | Egmont, Op. 84: Monolog I. | — | ||
| 13-9 | Egmont, Op. 84: Klärchens Tod: Larghetto "Arme Seele" | — | ||
| 13-10 | Egmont, Op. 84: Monolog II. | — | ||
| 13-11 | Egmont, Op. 84: Melodrama: Poco sostenuto "Süsser Schlaf! Du kommst wie ein reines Glück" | — | ||
| 13-12 | Egmont, Op. 84: Monolog III. | — | ||
| 13-13 | Egmont, Op. 84: Siegessymphonie: Allegro con brio | — | ||
| 13-14 | Wellingtons Sieg oder die Schlacht bei Vittoria, op. 91: Schlacht | CSR Symphony Orchestra (Bratislava), Ondrej Lenárd | — | |
| 13-15 | Wellingtons Sieg oder die Schlacht bei Vittoria, op. 91: Siegessymphonie | CSR Symphony Orchestra (Bratislava), Ondrej Lenárd | T-902.796.758-4 | |
| 14-1 | Die Ruinen von Athen, Op. 113: Overtüre | — | ||
| 14-2 | Die Ruinen von Athen, Op. 113: Chor: Tochter des mächtigen Zeus | — | ||
| 14-3 | Die Ruinen von Athen, Op. 113: Duett: Ohne verschulden Knechtschaft dulden | — | ||
| 14-4 | Die Ruinen von Athen, Op. 113: Chor der Derwische: Du hast in deines Ärmels Falten den Mond getragen | — | ||
| 14-5 | Die Ruinen von Athen, Op. 113: Türkischer Marsch | — | ||
| 14-6 | Die Ruinen von Athen, Op. 113: Musik hinter der Szene: Es wandelt schon das Volk im Feierkleide | — | ||
| 14-7 | Die Ruinen von Athen, Op. 113: Marsch und Chor: Schmückt die Altäre | — | ||
| 14-8 | Die Ruinen von Athen, Op. 113: Rezitativ: Mit reger Freude, die nie erkaltet | — | ||
| 14-9 | Die Ruinen von Athen, Op. 113: Chor: Wir trafen empfängliche Herzen im Busen | — | ||
| 14-10 | Die Ruinen von Athen, Op. 113: Arie mit Chor: Will unser Genius noch einen Wunsch gewähren | — | ||
| 14-11 | Die Ruinen von Athen, Op. 113: Chor: Heil unserem König! Heil! | — | ||
| 14-12 | Aus: Leonore Prohaska, WoO. 96: Melodram: Du, dem sie gewunden | — | ||
| 14-13 | Aus: Leonore Prohaska, WoO. 96: Trauermarsch | — | ||
| 14-14 | Die Weihe des Hauses: Overtüre C-dur, Op. 124 | — | ||
| 14-15 | Die Weihe des Hauses: Wo sich die Pulse jugendlich jagen WoO. 98 | — | ||
| 15-1 | Romance Cantabile for flute, bassoon & orchestra in E minor, Hess 13 | — | ||
| 15-2 | Vesta's Fire (opera fragment), Hess 115: Scene 1: "Blick, Oh Herr, durch diese Bäume" | — | ||
| 15-3 | Coriolan, Op. 62: Overture E minor: Allegro con brio | — | ||
| 15-4 | Namensfeier (Name-Day Celebration) Overture in C major, Op. 115 | — | ||
| 15-5 | König Stephan (King Stephen), Festival play by August v. Kotzebue, Op. 117: Ouvertüre | — | ||
| 15-6 | König Stephan (King Stephen), Festival play by August v. Kotzebue, Op. 117: Chor: Ruhend von seinen Taten | — | ||
| 15-7 | König Stephan (King Stephen), Festival play by August v. Kotzebue, Op. 117: Chor: Auf dunklem Irrweg in finstren Hainen | — | ||
| 15-8 | König Stephan (King Stephen), Festival play by August v. Kotzebue, Op. 117: Siegesmarsch: Ihr tapfern Krieger, Ungarns Stolz und Zierde | — | ||
| 15-9 | König Stephan (King Stephen), Festival play by August v. Kotzebue, Op. 117: Chor: Wo die Unschuld Blumen streute | — | ||
| 15-10 | König Stephan (King Stephen), Festival play by August v. Kotzebue, Op. 117: Chor: Eine neue strahlende Sonne | — | ||
| 15-11 | König Stephan (King Stephen), Festival play by August v. Kotzebue, Op. 117: Finale Chor: Heil! Heil unsern Enkeln | — | ||
| 15-12 | Tarpeja, WoO 2b: Einzug Akt II | — | ||
| 15-13 | Tarpeja, WoO 2a: Triumpfmarsch | — | ||
| 15-14 | Germania, WoO 94: Final Chorus from "Die gute Nachricht" | — | ||
| 16-1 | Leonore, Hess 109: Overture "Leonore II" | Staatskapelle Dresden, Herbert Blomstedt | T-909.574.378-5 | |
| 16-2 | Leonore: Act I. "Fidelio kommt nicht zurück!" (Marzelline) | Helen Donath, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 16-3 | Leonore: Act I. No. 1 Aria "O wär'ich schon mit dir vereint" (Marzelline) | Helen Donath, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 16-4 | Leonore: Act I. "Wenn ich diese Tür nicht" (Jaquino, Marzelline) | Eberhard Büchner, Helen Donath, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 16-5 | Leonore: Act I. No. 2 Duet "Jetzt, Schätzchen" (Jaquino, Marzelline) | Eberhard Büchner, Helen Donath, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 16-6 | Leonore: Act I. "Höre, Jaquino" (Marzelline, Jaquino, Rocco) | Eberhard Büchner, Helen Donath, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 16-7 | Leonore: Act I. No. 3 Trio "Ein Mann ist bald genommen" (Rocco, Jaquino, Marzelline) | Eberhard Büchner, Helen Donath, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 16-8 | Leonore: Act I. "Ist Fidelio noch nich nach Hause gekommen?" (Rocco, Marzelline, Jaquino, Leonore) | Eberhard Büchner, Helen Donath, Edda Moser, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 16-9 | Leonore: Act I. No. 4 Canon "Mir ist so wunderbar" (Marzelline, Leonore, Rocco, Jaquino) | Eberhard Büchner, Helen Donath, Edda Moser, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 16-10 | Leonore: Act I. "Höre, Fidelio" (Rocco, Marzelline, Leonore) | Eberhard Büchner, Helen Donath, Edda Moser, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 16-11 | Leonore: Act I. No. 5 Aria "Hat man nich auch Gold beineben" (Rocco) | Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 16-12 | Leonore: Act I. "Ihr könnt das leicht sagen" (Leonore, Rocco, Marzelline) | Helen Donath, Edda Moser, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 16-13 | Leonore: Act I. No. 6 Trio "Gut, Sönnchen, gut" (Rocco, Leonore, Marzelline) | Helen Donath, Edda Moser, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 16-14 | Leonore: Act II. No. 7 March | Staatskapelle Dresden, Herbert Blomstedt | — | |
| 16-15 | Leonore: Act II. "Drei Schildwachten auf den Wall" (Pizarro, Rocco) | Theo Adam, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 16-16 | Leonore: Act II. No. 8 Aria with Chorus "Ha! Welch ein Augenblick!" (Pizarro, Rocco) | Theo Adam, MDR Rundfunkchor Leipzig, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 16-17 | Leonore: Act II. "Rocco!" (Pizarro, Rocco) | Theo Adam, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 16-18 | Leonore: Act II. No. 9 Duet "Jetzt, Alter, jetzt hat es Eile!" (Pizarro, Rocco) | Theo Adam, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 16-19 | Leonore: Act II. "Nun ist es endlich entschieden" (Marzelline, Leonore) | Helen Donath, Edda Moser, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 16-20 | Leonore: Act II. No. 10 Duet "Im in der Ehe froh zu leben" (Marzelline, Leonore) | Helen Donath, Edda Moser, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 16-21 | Leonore: Act II. "Sie doch, wie du so schnell" (Marzelline, Leonore) | Helen Donath, Edda Moser, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 16-22 | Leonore: Act II. No. 11 Recitative and Aria "Ach, brich noch nicht" (Leonore) | Edda Moser, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 17-1 | Leonore: Act II. No. 12 Finale "O welche Lust!" (Chorus of the Prisoners) | Richard Cassilly, Reiner Goldberg, Siegfried Lorenz, MDR Rundfunkchor Leipzig, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 17-2 | Leonore: Act II. "Entfernt euch jetzt!" (Rocco, Leonore) | Edda Moser, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 17-3 | Leonore: Act II. "Wir müssen gleich zu Werke schreiten" (Rocco, Leonore, Marzelline, Pizarro) | Theo Adam, Helen Donath, Edda Moser, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 17-4 | Leonore: Act II. "Auf euch nur will ich bauen" (Pizarro, Chorus) | Theo Adam, MDR Rundfunkchor Leipzig, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 17-5 | Leonore: Act III. No. 13 Recitative and Aria "Gott! Welch dunkel hier!" (Florestan) | Richard Cassilly, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 17-6 | Leonore: Act III. No. 14 Melodrama and Duet "Wie kalt ist es" (Leonore, Rocco) | Edda Moser, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 17-7 | Leonore: Act III. "Er erwacht!" (Leonore, Rocco, Florestan) | Richard Cassilly, Edda Moser, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 17-8 | Leonore: Act III. No. 15 Trio "Euch werde Lohn in bessern Welten" (Florestan, Rocco, Leonore) | Richard Cassilly, Edda Moser, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 17-9 | Leonore: Act III. "Alles ist bereit" (Rocco, Leonore, Pizarro) | Theo Adam, Edda Moser, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 17-10 | Leonore: Act III. No. 16 Quartet "Er sterbe!" (Pizarro, Florestan, Leonore, Rocco) | Theo Adam, Richard Cassilly, Edda Moser, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 17-11 | Leonore: Act III. "Die Waffe hab'ich mir" (Leonore) | Edda Moser, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 17-12 | Leonore: Act III. No. 17 Recitative and Duet "Ich kann mich noch nicht fassen" (Florestan, Leonore) | Richard Cassilly, Edda Moser, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 17-13 | Leonore: Act III. "O Leonore, sprich!" (Florestan, Leonore) | Richard Cassilly, Edda Moser, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 17-14 | Leonore: Act III. No. 18 Finale "Zur Rache" (Chorus, Leonore, Florestan, Rocco, Don Fernando) | Eberhard Büchner, Richard Cassilly, Helen Donath, MDR Rundfunkchor Leipzig, Edda Moser, Hermann Christian Polster, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 17-15 | Leonore: Act III. "O Gott! O welch ein Augenblick!" (Leonore, Marzelline, Florestan, Don Fernando, Rocco, Chorus) | Eberhard Büchner, Richard Cassilly, Helen Donath, MDR Rundfunkchor Leipzig, Edda Moser, Hermann Christian Polster, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 17-16 | Leonore: Act III. "Wie lange habt Ihr sie getragen?" (Don Fernando, Florestan, Rocco, Chorus, Leonore, Marzelline, Jaquino) | Eberhard Büchner, Richard Cassilly, Helen Donath, MDR Rundfunkchor Leipzig, Edda Moser, Hermann Christian Polster, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 17-17 | Leonore: Act III. "Preist mit hoher Freude Glut" (Chorus) | MDR Rundfunkchor Leipzig, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 17-18 | Leonore: Act III. "Wer ein solches Weib errungen" (Florestan, Marzelline, Jaquino, Rocco, Don Fernando, Chorus) | Eberhard Büchner, Richard Cassilly, Helen Donath, MDR Rundfunkchor Leipzig, Edda Moser, Hermann Christian Polster, Karl Ridderbusch, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 18-1 | Fidelio, Act I: Overture | Magyar Rádió Énekkara, Nicolaus Esterházy Sinfonia, Michael Halász | T-909.574.378-5 | |
| 18-2 | Fidelio, Act I: no. 1 Duet: "Jetzt, Schätzchen, jetzt sind wir allein" (Jaquino, Marzelline) | Magyar Rádió Énekkara, Nicolaus Esterházy Sinfonia, Michael Halász | — | |
| 18-3 | Fidelio, Op. 72: Act I, Scene I, No. 2. Aria "O wär' ich schon mit dir vereint" (Marzelline) | — | ||
| 18-4 | Fidelio, Op. 72: Act I, Scene I, No. 3. Quartet "Mir ist so wunderbar" (Marzelline, Leonore, Rocco, Jaquino) | — | ||
| 18-5 | Fidelio, Op. 72: Act I, Scene I, No. 4. Aria "Hat man nicht auch Gold beineben" (Rocco) | — | ||
| 18-6 | Fidelio, Op. 72: Act I, Scene I, No. 5. Trio "Gut, Söhnchen, gut" (Rocco, Leonore, Marzelline) | — | ||
| 18-7 | Fidelio, Op. 72: Act I, Scene II, No. 6. March | — | ||
| 18-8 | Fidelio, Op. 72: Act I, Scene II, No. 7. Aria "Ha! Welch ein Augenblick!" (Pizarro, Chorus) | — | ||
| 18-9 | Fidelio, Op. 72: Act I, Scene II, No. 8. Duet "Jetzt, Alter, hat es Eile!" (Pizarro, Rocco) | — | ||
| 18-10 | Fidelio, Act I: no. 9 Recitative and Aria: "Abscheulicher! wo eilst du hin?" (Leonore) | Nicolaus Esterházy Sinfonia, Michael Halász, Inga Nielsen | — | |
| 18-11 | Fidelio, Op. 72: Act I, Scene II, No. 10a. Prisoner's Chorus "O welche Lust" | — | ||
| 18-12 | Fidelio, Op. 72: Act I, Scene II, No. 10b. Recitative "Nun sprecht, wie ging's?" (Leonore, Rocco) | — | ||
| 18-13 | Fidelio, Op. 72: Act I, Scene II, No. 10g. "Leb wohl, du warmes Sonnenlicht" (Soloists & Chorus) | — | ||
| 19-1 | Fidelio, Op. 72: Act II, Scene I, No. 11a. Introduction and Recitative "Gott! Welch Dunkel hier!" (Florestan) | — | ||
| 19-2 | Fidelio, Op. 72: Act II, Scene I, No. 12a. Melodrama and Duet "Wie kalt ist es" (Leonore, Rocco) | — | ||
| 19-3 | Fidelio, Op. 72: Act II, Scene I, No. 13. Trio "Euch werde Lohn in bessern Welten" (Florestan, Rocco, Leonore) | — | ||
| 19-4 | Fidelio, Op. 72: Act II, Scene I, No. 14. Quartet "Er sterbe!" (Pizarro, Florestan, Leonore, Rocco) | — | ||
| 19-5 | Fidelio, Op. 72: Act II, Scene I, No. 15. Duet "O namenlose Freude!" (Leonore, Florestan) | — | ||
| 19-6 | Fidelio, Op. 72: Act II, Scene I, No. 16a. "Heil sei dem Tag" (Chorus & Soloists) | — | ||
| 19-7 | Fidelio, Op. 72: Act II, Scene I, No. 16a. "Des besten Konigs Wink und Wille (Don Fernando, Chorus) | — | ||
| 19-8 | Fidelio, Op. 72: Act II, Scene I, No. 16e. "Wer ein holdes Weib errungen" (Don Fernando, Don Pizarro, Leonore, Marzelline, Rocco) | — | ||
| 20-1 | Sonata for Piano No. 1 in F minor, Op. 2 No. 1: I. Allegro | — | ||
| 20-2 | Sonata for Piano No. 1 in F minor, Op. 2 No. 1: II. Adagio | — | ||
| 20-3 | Sonata for Piano No. 1 in F minor, Op. 2 No. 1: III. Menuetto. Allegretto | — | ||
| 20-4 | Sonata for Piano No. 1 in F minor, Op. 2 No. 1: IV. Prestissimo | — | ||
| 20-5 | Sonata for Piano No. 2 in A major, Op. 2 No. 2: I. Allegro vivace | — | ||
| 20-6 | Sonata for Piano No. 2 in A major, Op. 2 No. 2: II. Largo appassionato | — | ||
| 20-7 | Sonata for Piano No. 2 in A major, Op. 2 No. 2: III. Scherzo. Allegretto | — | ||
| 20-8 | Sonata for Piano No. 2 in A major, Op. 2 No. 2: IV. Rondo. Grazioso | — | ||
| 20-9 | Sonata for Piano No. 6 in F major, Op. 10 No. 2: I. Allegro | — | ||
| 20-10 | Sonata for Piano No. 6 in F major, Op. 10 No. 2: II. Allegretto | — | ||
| 20-11 | Sonata for Piano No. 6 in F major, Op. 10 No. 2: III. Presto | — | ||
| 21-1 | Sonata for Piano No. 3 in C major, Op. 2 No. 3: I. Allegro con brio | — | ||
| 21-2 | Sonata for Piano No. 3 in C major, Op. 2 No. 3: II. Adagio | — | ||
| 21-3 | Sonata for Piano No. 3 in C major, Op. 2 No. 3: III. Scherzo. Allegro | — | ||
| 21-4 | Sonata for Piano No. 3 in C major, Op. 2 No. 3: IV. Allegro assai | — | ||
| 21-5 | Sonata for Piano No. 4 in E-flat major, Op. 7: I. Allegro molto e con brio | — | ||
| 21-6 | Sonata for Piano No. 4 in E-flat major, Op. 7: II. Largo, con gran espressione | — | ||
| 21-7 | Sonata for Piano No. 4 in E-flat major, Op. 7: III. Allegro | — | ||
| 21-8 | Sonata for Piano No. 4 in E-flat major, Op. 7: IV. Rondo. Poco allegretto e grazioso | — | ||
| 21-9 | Sonata for Piano No. 5 in C minor, Op. 10 No. 1: I. Allegro molto e con brio | — | ||
| 21-10 | Sonata for Piano No. 5 in C minor, Op. 10 No. 1: II. Adagio molto | — | ||
| 21-11 | Sonata for Piano No. 5 in C minor, Op. 10 No. 1: III. Prestissimo | — | ||
| 22-1 | Sonata for Piano No. 7 in D major, Op. 10 No. 3: I. Presto | — | ||
| 22-2 | Sonata for Piano No. 7 in D major, Op. 10 No. 3: II. Largo e mesto | — | ||
| 22-3 | Sonata for Piano No. 7 in D major, Op. 10 No. 3: III. Menuetto. Allegro | — | ||
| 22-4 | Sonata for Piano No. 7 in D major, Op. 10 No. 3: IV. Rondo. Allegro | — | ||
| 22-5 | Sonata for Piano No. 8 in C minor, Op. 13 "Pathétique": I. Grave - Allegro di molto e con brio | — | ||
| 22-6 | Sonata for Piano No. 8 in C minor, Op. 13 "Pathétique": II. Adagio cantabile | — | ||
| 22-7 | Sonata for Piano No. 8 in C minor, Op. 13 "Pathétique": III. Rondo. Allegro | — | ||
| 22-8 | NOT AS PRINTED: Sonata for Piano No. 10 in G major, Op. 14 No. 2: II. Andante | — | ||
| 22-9 | NOT AS PRINTED: Sonata for Piano No. 10 in G major, Op. 14 No. 2: III. Scherzo. Allegro assai | — | ||
| 22-10 | NOT AS PRINTED: Sonata for Piano no. 12 in A-flat major, op. 26 "Funeral March": I. Andante con Variazioni | — | ||
| 22-11 | Mondschein Sonate op. 27, No. 2 in cis‐Moll: Adagio sostenuto | Dubravka Tomšič | T-061.409.365-0 | |
| 22-12 | Sonata for Piano No. 14 in C-sharp minor, Op. 27 No. 2 "Moonlight": II. Allegretto | — | ||
| 22-13 | Sonata for Piano No. 14 in C-sharp minor, Op. 27 No. 2 "Moonlight": III. Presto agitato | — | ||
| 23-1 | Sonata for Piano No. 11 in B-flat major, Op. 22: I. Allegro con brio | — | ||
| 23-2 | Sonata for Piano No. 11 in B-flat major, Op. 22: II. Adagio con molto espressione | — | ||
| 23-3 | Sonata for Piano No. 11 in B-flat major, Op. 22: III. Menuetto | — | ||
| 23-4 | Sonata for Piano No. 11 in B-flat major, Op. 22: IV. Rondo. Allegretto | — | ||
| 23-5 | Sonata for Piano No. 12 in A-flat major, Op. 26 "Funeral March": I. Andante con Variazioni | — | ||
| 23-6 | Sonata for Piano No. 12 in A-flat major, Op. 26 "Funeral March": II. Scherzo. Allegro molto | — | ||
| 23-7 | Sonata for Piano No. 12 in A-flat major, Op. 26 "Funeral March": III. Marcia funebre sulla morte d'un Eroe | — | ||
| 23-8 | Sonata for Piano No. 12 in A-flat major, Op. 26 "Funeral March": IV. Allegro | — | ||
| 23-9 | Sonata for Piano No. 15 in D major, Op. 28 "Pastorale": I. Allegro | — | ||
| 23-10 | Sonata for Piano No. 15 in D major, Op. 28 "Pastorale": II. Andante | — | ||
| 23-11 | Sonata for Piano No. 15 in D major, Op. 28 "Pastorale": III. Scherzo. Allegro vivace | — | ||
| 23-12 | Sonata for Piano No. 15 in D major, Op. 28 "Pastorale": IV. Rondo. Allegro ma non troppo | — | ||
| 24-1 | Sonata for Piano No. 16 in G major, Op. 31 No. 1: I. Allegro vivace | — | ||
| 24-2 | Sonata for Piano No. 16 in G major, Op. 31 No. 1: II. Adagio grazioso | — | ||
| 24-3 | Sonata for Piano No. 16 in G major, Op. 31 No. 1: III. Rondo. Allegretto | — | ||
| 24-4 | Sonata for Piano No. 17 in D minor, Op. 31 No. 2 "Storm": I. Largo - Allegro | — | ||
| 24-5 | Sonata for Piano No. 17 in D minor, Op. 31 No. 2 "Storm": II. Adagio | — | ||
| 24-6 | Sonata for Piano No. 17 in D minor, Op. 31 No. 2 "Storm": III. Allegretto | — | ||
| 24-7 | Sonata for Piano No. 18 in E-flat major, Op. 31 No. 3: I. Allegro | — | ||
| 24-8 | Sonata for Piano No. 18 in E-flat major, Op. 31 No. 3: II. Scherzo. Allegretto vivace | — | ||
| 24-9 | Sonata for Piano No. 18 in E-flat major, Op. 31 No. 3: III. Minuetto. Moderato e grazioso | — | ||
| 24-10 | Sonata for Piano No. 19 in G minor, Op. 49 No. 1: I. Andante | — | ||
| 24-11 | Sonata for Piano No. 19 in G minor, Op. 49 No. 1: II. Rondo. Allegro | — | ||
| 25-1 | Sonata for Piano No. 20 in G major, Op. 49 No. 2: I. Allegro ma non troppo | — | ||
| 25-2 | Sonata for Piano No. 20 in G major, Op. 49 No. 2: II. Tempo di menuetto | — | ||
| 25-3 | Sonata for Piano No. 21 in C major, Op. 53 "Waldstein": I. Allegro con brio | — | ||
| 25-4 | Sonata for Piano No. 21 in C major, Op. 53 "Waldstein": II. Introduzione. Adagio molto | — | ||
| 25-5 | Sonata for Piano No. 21 in C major, Op. 53 "Waldstein": III. Rondo. Allegretto moderato - Prestissimo | — | ||
| 25-6 | Sonata for Piano No. 22 in F major, Op. 54: I. Tempo di menuetto | — | ||
| 25-7 | Sonata for Piano No. 22 in F major, Op. 54: II. Allegretto | — | ||
| 25-8 | Sonata for Piano No. 23 in F minor, Op. 57 "Appassionata": I. Allegro assai | — | ||
| 25-9 | Sonata for Piano No. 23 in F minor, Op. 57 "Appassionata": II. Andante con moto | — | ||
| 25-10 | Sonata for Piano No. 23 in F minor, Op. 57 "Appassionata": III. Allegro ma non troppo | — | ||
| 25-11 | Sonata for Piano No. 24 in F-sharp major, Op. 78 "A Thérèse": I. Adagio cantabile - Allegro ma non troppo | — | ||
| 25-12 | Sonata for Piano No. 24 in F-sharp major, Op. 78 "A Thérèse": II. Allegro assai | — | ||
| 26-1 | Sonata for Piano No. 26 in E-flat major, Op. 81a "Les Adieux": I. Das Lebewohl. Adagio - Allegro "Les Adieux" | Silvia Čápová | — | |
| 26-2 | Sonata for Piano No. 26 in E-flat major, Op. 81a "Les Adieux": II. Die Abwesenheit. Andante espressivo "L'Absence" | — | ||
| 26-3 | Sonata for Piano No. 26 in E-flat major, Op. 81a "Les Adieux": III. Das Wiedersehn. Vivacissimamente "Le Retour" | — | ||
| 26-4 | Sonata for Piano No. 29 in B-flat major, Op. 106 "Hammer-Klavier": I. Allegro | — | ||
| 26-5 | Sonata for Piano No. 29 in B-flat major, Op. 106 "Hammer-Klavier": II. Scherzo. Assai vivace | — | ||
| 26-6 | Sonata for Piano No. 29 in B-flat major, Op. 106 "Hammer-Klavier": III. Adagio sostenuto. Appassionato e molto con sentimento 106 Sonata for Piano No. 29 in B-flat major, Op. 106 "Hammer-Klavier": IV. Largo - Allegro risoluto | — | ||
| 27-1 | Sonata for Piano No. 13 in E-flat major, Op. 27 No. 1: I. Andante | — | ||
| 27-2 | Sonata for Piano No. 13 in E-flat major, Op. 27 No. 1: II. Allegro | — | ||
| 27-3 | Sonata for Piano No. 13 in E-flat major, Op. 27 No. 1: III. Allegro molto | — | ||
| 27-4 | Sonata for Piano No. 25 in G major, Op. 79 "Cuckoo": I. Presto alla tedesca | — | ||
| 27-5 | Sonata for Piano No. 25 in G major, Op. 79 "Cuckoo": II. Andante espressivo | — | ||
| 27-6 | Sonata for Piano No. 25 in G major, Op. 79 "Cuckoo": III. Vivace | — | ||
| 27-7 | Sonata for Piano No. 27 in E minor, Op. 90: I. Mit Lebhaftigkeit und durchaus mit Empfindung und Ausdruck | — | ||
| 27-8 | Sonata for Piano No. 27 in E minor, Op. 90: II. Nicht zu geschwind und sehr singbar vorzutragen | — | ||
| 27-9 | Sonata for Piano No. 28 in A major, Op. 101: I. Etwas lebhaft und mit der innigsten Empfindung. Allegretto ma non troppo | — | ||
| 27-10 | Sonata for Piano No. 28 in A major, Op. 101: II. Lebhaft, marschmäßig. Vivace alla marcia | — | ||
| 27-11 | Sonata for Piano No. 28 in A major, Op. 101: III. Langsam und sehnsuchtsvoll. Adagio, ma non troppo, con affeto - IV. Geschwind, doch nicht zu sehr und mit Entschlossenheit. Allegro | — | ||
| 28-1 | Sonata for Piano No. 30 in E major, Op. 109: Vivace, ma non troppo | — | ||
| 28-2 | Sonata for Piano No. 30 in E major, Op. 109: Gesangvoll, mit innigster Empfindung. Andante molto cantabile | — | ||
| 28-3 | Sonata for Piano No. 31 in A-flat major, Op. 110: I. Moderato cantabile molto espressivo | — | ||
| 28-4 | Sonata for Piano No. 31 in A-flat major, Op. 110: II. Allegro molto | — | ||
| 28-5 | Sonata for Piano No. 31 in A-flat major, Op. 110: III. Adagio, ma non troppo - Fuga. Allegro ma non troppo | — | ||
| 28-6 | Sonata for Piano No. 32 in C minor, Op. 111: I. Maestoso - Allegro con brio ed appassionato | — | ||
| 28-7 | Sonata for Piano No. 32 in C minor, Op. 111: II. Arietta. Adagio molto semplice e cantabile | — | ||
| 29-1 | Bagatelle for Piano, Op. 33 No. 1 in E-flat major: Andante grazioso quasi allegretto | — | ||
| 29-2 | Bagatelle for Piano, Op. 33 No. 2 in C major: Scherzo. Allegro | — | ||
| 29-3 | Bagatelle for Piano, Op. 33 No. 3 in F major: Allegretto | — | ||
| 29-4 | Bagatelle for Piano, Op. 33 No. 4 in A major: Andante | — | ||
| 29-5 | Bagatelle for Piano, Op. 33 No. 5 in C major: Allegro ma non troppo | — | ||
| 29-6 | Bagatelle for Piano, Op. 33 No. 6 in D major: Allegretto quasi andante | — | ||
| 29-7 | Bagatelle for Piano, Op. 33 No. 7 in A-flat major: Presto | — | ||
| 29-8 | Bagatelle for Piano, op. 119 no. 1 in B-flat major: Allegretto | Jenő Jandó | — | |
| 29-9 | Bagatelle for Piano, op. 119 no. 2 in C major: Andante con moto | Jenő Jandó | — | |
| 29-10 | Bagatelle for Piano, op. 119 no. 3 in D major: À l'Allemande | Jenő Jandó | — | |
| 29-11 | Bagatelle for Piano, op. 119 no. 4 in A major: Andante cantabile | Jenő Jandó | — | |
| 29-12 | Bagatelle for Piano, op. 119 no. 5 in C minor: Risoluto | Jenő Jandó | — | |
| 29-13 | Bagatelle for Piano, op. 119 no. 6 in G major: Andante - Allegretto | Jenő Jandó | — | |
| 29-14 | Bagatelle for Piano, op. 119 no. 7 in C major: Allegro ma non troppo | Jenő Jandó | T-031.682.208-8 | |
| 29-15 | Bagatelle for Piano, op. 119 no. 8 in C major: Moderato cantabile | Jenő Jandó | — | |
| 29-16 | Bagatelle for Piano, op. 119 no. 9 in A minor: Vivace moderato | Jenő Jandó | — | |
| 29-17 | Bagatelle for Piano, Op. 119 No. 10 in A major: Allegramente | — | ||
| 29-18 | Bagatelle for Piano, Op. 119 No. 11 in B-flat major: Andante, ma non troppo | — | ||
| 29-19 | Bagatelle for Piano, op. 126 no. 1 in G major: Andante con moto cantabile e compiacevole | Jenő Jandó | — | |
| 29-20 | Bagatelle for Piano, op. 126 no. 2 in G minor: Allegro | Jenő Jandó | — | |
| 29-21 | Bagatelle for Piano, op. 126 no. 3 in E-flat major: Andante cantabile e grazioso | Jenő Jandó | — | |
| 29-22 | Bagatelle for Piano, op. 126 no. 4 in B minor: Presto | Jenő Jandó | — | |
| 29-23 | Bagatelle for Piano, op. 126 no. 5 in G major: Quasi allegretto | Jenő Jandó | — | |
| 29-24 | Bagatelle for Piano, op. 126 no. 6 in E-flat major: Presto - Andante amabile e con moto | Jenő Jandó | — | |
| 29-25 | Bagatelle for Piano in C minor, WoO 52: Presto | — | ||
| 29-26 | Bagatelle for Piano in C major, WoO 56. Allegretto | Jenő Jandó | — | |
| 29-27 | Bagatelle for Piano in A minor, WoO 59 "Für Elise". Poco moto | — | ||
| 30-1 | Fugue for Piano in C major, Hess 64 | Jenő Jandó | — | |
| 30-2 | Allegretto for Piano in C minor, Hess 69 | Jenő Jandó | — | |
| 30-3 | Piano Sonata no. 33 in E-flat, WoO 47 no. 1 “Kurfürstensonate”: I. Allegro cantabile | Jenő Jandó | — | |
| 30-4 | Piano Sonata no. 33 in E-flat, WoO 47 no. 1 “Kurfürstensonate”: II. Andante | Jenő Jandó | — | |
| 30-5 | Piano Sonata no. 33 in E-flat, WoO 47 no. 1 “Kurfürstensonate”: III. Rondo vivace | Jenő Jandó | — | |
| 30-6 | Piano Sonata no. 34 in F minor, WoO 47 no. 2 “Kurfürstensonate”: I. Larghetto maestoso - Allegro assai | Jenő Jandó | — | |
| 30-7 | Piano Sonata no. 34 in F minor, WoO 47 no. 2 “Kurfürstensonate”: II. Andante | Jenő Jandó | — | |
| 30-8 | Piano Sonata no. 34 in F minor, WoO 47 no. 2 “Kurfürstensonate”: III. Presto | Jenő Jandó | — | |
| 30-9 | Piano Sonata no. 35 in D, WoO 47 no. 3 “Kurfürstensonate”: I. Allegro | Jenő Jandó | — | |
| 30-10 | Piano Sonata no. 35 in D, WoO 47 no. 3 “Kurfürstensonate”: II. Menuetto. Sostenuto (con 6 variazioni) | Jenő Jandó | — | |
| 30-11 | Piano Sonata no. 35 in D, WoO 47 no. 3 “Kurfürstensonate”: III. Scherzando. Allegretto ma non troppo | Jenő Jandó | — | |
| 30-12 | Piece for Piano in B-flat major, WoO 60 | Jenő Jandó | — | |
| 30-13 | Allegretto for Piano in B minor, WoO 61 | Jenő Jandó | — | |
| 30-14 | Allegretto for Piano in G minor, WoO 61a | Jenő Jandó | — | |
| 30-15 | Allemande for Piano in A major, WoO 81 | — | ||
| 30-16 | Minuet for Piano in E-flat major, WoO 82. Moderato | — | ||
| 30-17 | Waltz for Piano in E-flat major, WoO 84 | — | ||
| 30-18 | Waltz for Piano in D major, WoO 85 | — | ||
| 30-19 | Ecossaise for Piano in E-flat major, WoO 86 | — | ||
| 31-1 | Rondo for Piano in C major, Op. 51 No. 1: Moderato e grazioso | — | ||
| 31-2 | Rondo for Piano in G major, Op. 51 No. 2: Andante cantabile e grazioso | — | ||
| 31-3 | Rondo in C major, WoO 48 | Jenő Jandó | — | |
| 31-4 | Rondo in A major, WoO 49. Allegretto | — | ||
| 31-5 | 6 Variations for Piano on a Swiss Song in F major, WoO 64 | — | ||
| 31-6 | 24 Variations for Piano on Vincenzo Righini's Arietta "Venni amore" in D major, WoO 65 | — | ||
| 31-7 | 9 Variations for Piano in A major on the Aria "Quant'è più bello" from Giovanni Paisello's opera "La molinara", WoO 69 | — | ||
| 32-1 | 6 Variations for Piano in D major on an Original Theme, Op. 76 | — | ||
| 32-2 | 13 Variations for Piano in A major on the Arietta "Es war einmal ein alter Mann" from Dittersdorf's Singspiel "Das rote Käppchen", WoO 66 | — | ||
| 32-3 | 8 Variations for Piano in C major on the Romance "Une fièvre brulante" from Grétry's opera "Richard Cœur de Lion", WoO 72 | — | ||
| 32-4 | 10 Variations for Piano in B-flat major on the Duet "La stessa, la stessissima" from Antonio Salieri's opera "Falstaff", WoO 73 | — | ||
| 32-5 | 7 Variations for Piano in F major on the Quartet "Kind, willst du ruhig schlafen?" from Peter Winter's opera "Das unterbrochene Opferfest", WoO 75 | — | ||
| 32-6 | 8 Variations for Piano in F major on the Trio "Tändeln und Scherzen" from Franz X. Süssmayr's opera "Soliman II", WoO 76 | — | ||
| 32-7 | 6 Easy Variations for Piano in G major on an Original Theme, WoO 77 | — | ||
| 33-1 | 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, Op. 35 "Eroica Variations" | — | ||
| 33-2 | 6 Minuets for Piano, WoO 10 | — | ||
| 33-3 | 6 Variations on the Duet “Nel cor più non mi sento” by Paisiello in G major, WoO 70 | Jenő Jandó | — | |
| 33-4 | 7 Variations for Piano in C major on "God Save the King", WoO 78 | — | ||
| 33-5 | 5 Variations for Piano in D major on "Rule Britannia" from Thomas Arne's masque "Alfred", WoO 79 | — | ||
| 33-6 | 32 Variations for Piano in C minor on an Original Theme, WoO 80 | — | ||
| 33-7 | 6 Ecossaises in E-flat major, WoO 83 | — | ||
| 34-1 | 33 Variations in C major on a Waltz by A. Diabelli, op. 120: Thema: Vivace | Konstantin Scherbakov | — | |
| 34-2 | 33 Variations in C major on a Waltz by A. Diabelli, op. 120: Variation I: Alla Marcia maestoso | Konstantin Scherbakov | — | |
| 34-3 | 33 Variations in C major on a Waltz by A. Diabelli, op. 120: Variation II: Poco allegro | Konstantin Scherbakov | — | |
| 34-4 | 33 Variations in C major on a Waltz by A. Diabelli, op. 120: Variation III: L’istesso tempo | Konstantin Scherbakov | — | |
| 34-5 | 33 Variations in C major on a Waltz by A. Diabelli, op. 120: Variation IV: Un poco piu vivace | Konstantin Scherbakov | — | |
| 34-6 | 33 Variations in C major on a Waltz by A. Diabelli, op. 120: Variation V: Allegro vivace | Konstantin Scherbakov | — | |
| 34-7 | 33 Variations in C major on a Waltz by A. Diabelli, op. 120: Variation VI: Allegro ma non troppo e serioso | Konstantin Scherbakov | — | |
| 34-8 | 33 Variations in C major on a Waltz by A. Diabelli, op. 120: Variation VII: Un poco piu allegro | Konstantin Scherbakov | — | |
| 34-9 | 33 Variations in C major on a Waltz by A. Diabelli, op. 120: Variation VIII: Poco vivace | Konstantin Scherbakov | — | |
| 34-10 | 33 Variations in C major on a Waltz by A. Diabelli, op. 120: Variation IX: Allegro pesante e risoluto | Konstantin Scherbakov | — | |
| 34-11 | 33 Variations in C major on a Waltz by A. Diabelli, op. 120: Variation X: Presto | Konstantin Scherbakov | — | |
| 34-12 | 33 Variations in C major on a Waltz by A. Diabelli, op. 120: Variation XI: Allegretto | Konstantin Scherbakov | — | |
| 34-13 | 33 Variations in C major on a Waltz by A. Diabelli, op. 120: VarVariation XII: Un poco piu moto | Konstantin Scherbakov | — | |
| 34-14 | 33 Variations in C major on a Waltz by A. Diabelli, op. 120: Variation XIII: Vivace | Konstantin Scherbakov | — | |
| 34-15 | 33 Variations in C major on a Waltz by A. Diabelli, op. 120: VarVariation XIV: Grave e maestoso | Konstantin Scherbakov | — | |
| 34-16 | 33 Variations in C major on a Waltz by A. Diabelli, op. 120: VaVariation XV: Presto scherzando | Konstantin Scherbakov | — | |
| 34-17 | 33 Variations in C major on a Waltz by A. Diabelli, op. 120: Variation XVI: Allegro | Konstantin Scherbakov | — | |
| 34-18 | 33 Variations in C major on a Waltz by A. Diabelli, op. 120: Variation XVII | Konstantin Scherbakov | — | |
| 34-19 | 33 Variations in C major on a Waltz by A. Diabelli, op. 120: Variation XVIII: Poco moderato | Konstantin Scherbakov | — | |
| 34-20 | 33 Variations in C major on a Waltz by A. Diabelli, op. 120: Variation XIX: Presto | Konstantin Scherbakov | — | |
| 34-21 | 33 Variations in C major on a Waltz by A. Diabelli, op. 120: Variation XX: Andante | Konstantin Scherbakov | — | |
| 34-22 | 33 Variations in C major on a Waltz by A. Diabelli, op. 120: Variation XXI: Allegro con brio | Konstantin Scherbakov | — | |
| 34-23 | 33 Variations in C major on a Waltz by A. Diabelli, op. 120: Variation XXII: Allegro molto alla “Notte e giorno faticar” di Mozart | Konstantin Scherbakov | — | |
| 34-24 | 33 Variations in C major on a Waltz by A. Diabelli, op. 120: Variation XXIII: Allegro assai | Konstantin Scherbakov | — | |
| 34-25 | 33 Variations in C major on a Waltz by A. Diabelli, op. 120: Variation XXIV: Fughetta: Andante | Konstantin Scherbakov | — | |
| 34-26 | 33 Variations in C major on a Waltz by A. Diabelli, op. 120: Variation XXV: Allegro | Konstantin Scherbakov | — | |
| 34-27 | 33 Variations in C major on a Waltz by A. Diabelli, op. 120: Variation XXVI: Piacevole | Konstantin Scherbakov | — | |
| 34-28 | 33 Variations in C major on a Waltz by A. Diabelli, op. 120: Variation XXVII: Vivace | Konstantin Scherbakov | — | |
| 34-29 | 33 Variations in C major on a Waltz by A. Diabelli, op. 120: VariaVariation XXVIII: Allegro | Konstantin Scherbakov | — | |
| 34-30 | 33 Variations in C major on a Waltz by A. Diabelli, op. 120: Variation XXIX: Adagio ma non troppo | Konstantin Scherbakov | — | |
| 34-31 | 33 Variations in C major on a Waltz by A. Diabelli, op. 120: Variation XXX: Andante, sempre cantabile | Konstantin Scherbakov | — | |
| 34-32 | 33 Variations in C major on a Waltz by A. Diabelli, op. 120: Variation XXXI: Largo, molto espressivo | Konstantin Scherbakov | — | |
| 34-33 | 33 Variations in C major on a Waltz by A. Diabelli, op. 120: Variation XXXII: Fuga: Allegro | Konstantin Scherbakov | — | |
| 34-34 | 33 Variations in C major on a Waltz by A. Diabelli, op. 120: Variation XXXIII: Tempo di Minuetto moderato (ma non tirarsi dietro) | Konstantin Scherbakov | — | |
| 35-1 | Sonata for 2 Pianos in D major, Op. 6: I. Allegro molto | — | ||
| 35-2 | Sonata for 2 Pianos in D major, Op. 6: II. Rondo. Moderato | — | ||
| 35-3 | Two Preludes, op. 39 | Jenő Jandó | — | |
| 35-4 | 3 Marches for 2 Pianos, Op. 45 No. 1 in C major: Allegro ma non troppo | — | ||
| 35-5 | 3 Marches for 2 Pianos, Op. 45 No. 2 in E-flat major: Vivace | — | ||
| 35-6 | 3 Marches for 2 Pianos, Op. 45 No. 3 in D major: Vivace | — | ||
| 35-7 | Rondo a Capriccio for Piano in G major, Op. 129 "The Rage Over the Lost Penny": Allegro vivace | — | ||
| 35-9 | Andante for Piano in F major, WoO 57 "Andante favori". Andante grazioso con moto | — | ||
| 35-10 | 8 Variations for Piano in C major on a theme by Count Waldstetin, WoO 67: Thema. Andante con moto - Var. I-VII - Var. VIII. Un poco Adagio - Capriccio - Allegro - Adagio - Allegro - Adagio - Allegretto - Allegro - Presto | — | ||
| 35-11 | 12 Variations for Piano in A major on a Russian Dance from Paul Wranitzky's ballet "Das Waldmädchen", WoO 71 | — | ||
| 36-1 | Music For a Knight's Ballet For Piano, Hess 89 (piano arrangement from WoO 1): March | — | ||
| 36-2 | Music For a Knight's Ballet For Piano, Hess 89 (piano arrangement from WoO 1): Deutscher Gesang | — | ||
| 36-3 | Music For a Knight's Ballet For Piano, Hess 89 (piano arrangement from WoO 1): Jagdlied | — | ||
| 36-4 | Music For a Knight's Ballet For Piano, Hess 89 (piano arrangement from WoO 1): Minnelied | — | ||
| 36-5 | Music For a Knight's Ballet For Piano, Hess 89 (piano arrangement from WoO 1): Kriegslied | — | ||
| 36-6 | Music For a Knight's Ballet For Piano, Hess 89 (piano arrangement from WoO 1): Trinklied | — | ||
| 36-7 | Music For a Knight's Ballet For Piano, Hess 89 (piano arrangement from WoO 1): Tanzlied | — | ||
| 36-8 | Music For a Knight's Ballet For Piano, Hess 89 (piano arrangement from WoO 1): Coda | — | ||
| 36-9 | 12 German Dances for Piano, Hess 100 (dances for orchestra WoO 8, for piano) | — | ||
| 36-10 | 12 Minuets for Piano, Hess 101 (minuets for orchestra WoO 7, for piano) | — | ||
| 36-11 | 7 Ländler for Piano in D major, WoO 11 | — | ||
| 36-12 | Twelve German Dances, WoO 13 | Jenő Jandó | — | |
| 37-1 | Sonata for Violin and Piano No. 1 in D major, Op. 12 No. 1: I. Allegro con brio | — | ||
| 37-2 | Sonata for Violin and Piano No. 1 in D major, Op. 12 No. 1: II. Tema con Variazioni. Andante con moto | — | ||
| 37-3 | Sonata for Violin and Piano No. 1 in D major, Op. 12 No. 1: III. Rondo. Allegro | — | ||
| 37-4 | Sonata for Violin and Piano No. 2 in A major, Op. 12 No. 2: I. Allegro vivace | — | ||
| 37-5 | Sonata for Violin and Piano No. 2 in A major, Op. 12 No. 2: II. Andante più tosto allegretto | — | ||
| 37-6 | Sonata for Violin and Piano No. 2 in A major, Op. 12 No. 2: III. Allegro piacevole | — | ||
| 37-7 | Sonata for Violin and Piano No. 3 in E-flat major, Op. 12 No. 3: I. Allegro con spirito | — | ||
| 37-8 | Sonata for Violin and Piano No. 3 in E-flat major, Op. 12 No. 3: II. Adagio con molto espressione | — | ||
| 37-9 | Sonata for Violin and Piano No. 3 in E-flat major, Op. 12 No. 3: III. Rondo. Allegro molto | — | ||
| 38-1 | Sonata for Violin and Piano No. 4 in A minor, Op. 23: I. Presto | — | ||
| 38-2 | Sonata for Violin and Piano No. 4 in A minor, Op. 23: II. Andante scherzoso, più allegretto | — | ||
| 38-3 | Sonata for Violin and Piano No. 4 in A minor, Op. 23: III. Allegro molto | — | ||
| 38-4 | Sonata for Violin and Piano No. 5 in F major, Op. 24 "Spring": I. Allegro | — | ||
| 38-5 | Sonata for Violin and Piano No. 5 in F major, Op. 24 "Spring": II. Adagio molto espressivo | — | ||
| 38-6 | Sonata for Violin and Piano No. 5 in F major, Op. 24 "Spring": III. Scherzo. Allegro molto | — | ||
| 38-7 | Sonata for Violin and Piano No. 5 in F major, Op. 24 "Spring": IV. Rondo. Allegro ma non troppo | — | ||
| 38-8 | Variations for piano and violin, WoO 40 (12 Variations on Mozart "Se vuol ballare") | — | ||
| 38-9 | Rondo for piano and violin, WoO 41 in G major | — | ||
| 38-10 | Sonata for Piano in C major, WoO 51: I. Allegro | — | ||
| 38-11 | Sonata for Piano in C major, WoO 51: II. Adagio | — | ||
| 39-1 | Sonata for Violin and Piano No. 6 in A major, Op. 30 No. 1: I. Allegro | — | ||
| 39-2 | Sonata for Violin and Piano No. 6 in A major, Op. 30 No. 1: II. Adagio molto espressivo | — | ||
| 39-3 | Sonata for Violin and Piano No. 6 in A major, Op. 30 No. 1: III. Allegretto con variazioni | — | ||
| 39-4 | Sonata for Violin and Piano No. 7 in C minor, Op. 30 No. 2: I. Allegro con brio | — | ||
| 39-5 | Sonata for Violin and Piano No. 7 in C minor, Op. 30 No. 2: II. Adagio cantabile | — | ||
| 39-6 | Sonata for Violin and Piano No. 7 in C minor, Op. 30 No. 2: III. Scherzo. Allegro | — | ||
| 39-7 | Sonata for Violin and Piano No. 7 in C minor, Op. 30 No. 2: IV. Finale. Allegro - Presto | — | ||
| 39-8 | Sonata for Violin and Piano No. 8 in G major, Op. 30 No. 3: I. Allegro assai | — | ||
| 39-9 | Sonata for Violin and Piano No. 8 in G major, Op. 30 No. 3: II. Tempo di menuetto, ma molto moderato e grazioso | — | ||
| 39-10 | Sonata for Violin and Piano No. 8 in G major, Op. 30 No. 3: III. Allegro vivace | — | ||
| 40-1 | Sonata for Violin and Piano No. 9 in A major, Op. 47 "Kreutzer": I. Adagio sostenuto - Presto | — | ||
| 40-2 | Sonata for Violin and Piano No. 9 in A major, Op. 47 "Kreutzer": II. Andante con variazioni | — | ||
| 40-3 | Sonata for Violin and Piano No. 9 in A major, Op. 47 "Kreutzer": III. Finale. Presto | — | ||
| 40-4 | Sonata for Violin and Piano No. 10 in G major, Op. 96: I. Allegro moderato | — | ||
| 40-5 | Sonata for Violin and Piano No. 10 in G major, Op. 96: II. Adagio espressivo | — | ||
| 40-6 | Sonata for Violin and Piano No. 10 in G major, Op. 96: III. Scherzo. Allegro | — | ||
| 40-7 | Sonata for Violin and Piano No. 10 in G major, Op. 96: IV. Poco allegretto | — | ||
| 41-1 | Sonata for Cello and Piano No. 1 in F major, Op. 5 No. 1: Adagio sostenuto | — | ||
| 41-2 | Sonata for Cello and Piano No. 1 in F major, Op. 5 No. 1: Allegro - Adagio - Presto - Tempo primo | — | ||
| 41-3 | Sonata for Cello and Piano No. 1 in F major, Op. 5 No. 1: Allegro vivace | — | ||
| 41-4 | Sonata for Cello and Piano No. 2 in G minor, Op. 5 No. 2: Adagio sostenuto e espressivo | — | ||
| 41-5 | Sonata for Cello and Piano No. 2 in G minor, Op. 5 No. 2: Allegro molto più tosto presto | — | ||
| 41-6 | Sonata for Cello and Piano No. 2 in G minor, Op. 5 No. 2: Rondo. Allegro | — | ||
| 41-7 | 12 Variations for cello & piano in F major on Mozart's "Ein Mädchen oder Weibchen" Op. 66 | — | ||
| 41-8 | 7 Variations for cello & piano in E flat major on Mozart's "Bei Männern, welche Liebe fühlen" WoO 46 | — | ||
| 42-1 | Sonata for Cello and Piano no. 3 in A major, op. 69: I. Allegro ma non tanto | — | ||
| 42-2 | Sonata for Cello and Piano no. 3 in A major, op. 69: II. Scherzo. Allegro molto | — | ||
| 42-3 | Sonata for Cello and Piano no. 3 in A major, op. 69: III. Adagio cantabile - Allegro vivace | — | ||
| 42-4 | Sonata for Piano and Cello no. 4 in C major, op. 102 no. 1: I. Andante - Allegro vivace | — | ||
| 42-5 | Sonata for Piano and Cello no. 4 in C major, op. 102 no. 1: II. Adagio - Tempo d’Andante - Allegro vivace | — | ||
| 42-6 | Sonata for Piano and Cello no. 5 in D major, op. 102 no. 2: I. Allegro con brio | — | ||
| 42-7 | Sonata for Piano and Cello no. 5 in D major, op. 102 no. 2: II. Adagio con molto sentimento d’affetto - attacca | — | ||
| 42-8 | Sonata for Piano and Cello no. 5 in D major, op. 102 no. 2: III. Allegro - Allegro fugato | — | ||
| 43-1 | Trio for Piano, Violin, and Cello No. 1 in E-flat major, Op. 1 No. 1: I. Allegro | — | ||
| 43-2 | Trio for Piano, Violin, and Cello No. 1 in E-flat major, Op. 1 No. 1: II. Adagio cantabile | — | ||
| 43-3 | Trio for Piano, Violin, and Cello No. 1 in E-flat major, Op. 1 No. 1: III. Scherzo: Allegro assai | — | ||
| 43-4 | Trio for Piano, Violin, and Cello No. 1 in E-flat major, Op. 1 No. 1: IV. Finale. Presto | — | ||
| 43-5 | Trio for Piano, Violin, and Cello No. 2 in G major, Op. 1 No. 2: I. Adagio - Allegro vivace | — | ||
| 43-6 | Trio for Piano, Violin, and Cello No. 2 in G major, Op. 1 No. 2: II. Largo con espressione | — | ||
| 43-7 | Trio for Piano, Violin, and Cello No. 2 in G major, Op. 1 No. 2: III. Scherzo. Allegro | — | ||
| 43-8 | Trio for Piano, Violin, and Cello No. 2 in G major, Op. 1 No. 2: IV. Finale. Presto | — | ||
| 44-1 | Trio for Piano, Violin, and Cello No. 3 in C minor, Op. 1 No. 3: I. Allegro con brio | — | ||
| 44-2 | Trio for Piano, Violin, and Cello No. 3 in C minor, Op. 1 No. 3: II. Adagio cantabile con variazioni | — | ||
| 44-3 | Trio for Piano, Violin, and Cello No. 3 in C minor, Op. 1 No. 3: III. Menuetto. Quasi allegro | — | ||
| 44-4 | Trio for Piano, Violin, and Cello No. 3 in C minor, Op. 1 No. 3: IV. Finale. Prestissimo | — | ||
| 44-5 | Trio for Piano, Violin, and Cello No. 5 in D major, Op. 70 No. 1 "Ghosts": I. Allegro vivace e con brio | — | ||
| 44-6 | Trio for Piano, Violin, and Cello No. 5 in D major, Op. 70 No. 1 "Ghosts": II. Largo assai e espressivo | — | ||
| 44-7 | Trio for Piano, Violin, and Cello No. 5 in D major, Op. 70 No. 1 "Ghosts": III. Presto | — | ||
| 45-1 | Trio for Piano, Violin, and Cello No. 7 in B-flat major, Op. 97 "Archduke": I. Allegro moderato | — | ||
| 45-2 | Trio for Piano, Violin, and Cello No. 7 in B-flat major, Op. 97 "Archduke": II. Scherzo. Allegro | — | ||
| 45-3 | Trio for Piano, Violin, and Cello No. 7 in B-flat major, Op. 97 "Archduke": III. Andante cantabile ma però con moto | — | ||
| 45-4 | Trio for Piano, Violin, and Cello No. 7 in B-flat major, Op. 97 "Archduke": IV. Allegro moderato | — | ||
| 45-5 | 10 Variations for Piano, Violin, and Cello in G major on Wenzel Müller's Lied "Ich bin der Schneider Kakadu", Op. 121a: Introduzione. Adagio assai - Tema. Allegretto - Var. I-X - Allegretto | — | ||
| 46-1 | Allegretto for Piano, Violin, and Cello in E-flat major, Hess 48 | — | ||
| 46-2 | Trio for Piano, Violin, and Cello No. 10 in E-flat major, Op. 44 (14 variations on an original theme): Thema. Andante - Var. I-IV - Andante | — | ||
| 46-3 | Trio for Piano, Violin, and Cello in E-flat major, WoO 38: I. Allegro moderato | — | ||
| 46-4 | Trio for Piano, Violin, and Cello in E-flat major, WoO 38: II. Scherzo. Allegro ma non troppo | — | ||
| 46-5 | Trio for Piano, Violin, and Cello in E-flat major, WoO 38: III. Rondo. Allegretto | — | ||
| 46-6 | Allegretto for Piano, Violin, and Cello in B-flat major, WoO 39: Allegretto | — | ||
| 46-7 | 12 Variations for piano and cello in G major, WoO 45 ("See the conquering hero comes" from Handel’s oratorio "Judas Maccabaeus") | — | ||
| 47-1 | Piano Trio in D major (transcription of Symphony No. 2 by composer), Op. 36: Adagio, Allegro con brio | — | ||
| 47-2 | Piano Trio in D major (transcription of Symphony No. 2 by composer), Op. 36: Larghetto quasi andante | — | ||
| 47-3 | Piano Trio in D major (transcription of Symphony No. 2 by composer), Op. 36: Scherzo | — | ||
| 47-4 | Piano Trio in D major (transcription of Symphony No. 2 by composer), Op. 36: Allegro molto | — | ||
| 47-5 | Trio for Piano, [Violin or Clarinet], and Cello in E-flat major, Op. 38 (arrangement from "Septet, Op. 20": Ludwig van Beethoven): I. Adagio - Allegro con brio | — | ||
| 47-6 | Trio for Piano, [Violin or Clarinet], and Cello in E-flat major, Op. 38 (arrangement from "Septet, Op. 20": Ludwig van Beethoven): II. Adagio cantabile | — | ||
| 47-7 | Trio for Piano, [Violin or Clarinet], and Cello in E-flat major, Op. 38 (arrangement from "Septet, Op. 20": Ludwig van Beethoven): III. Tempo di menuetto | — | ||
| 47-8 | Trio for Piano, [Violin or Clarinet], and Cello in E-flat major, Op. 38 (arrangement from "Septet, Op. 20": Ludwig van Beethoven): IV. Andante con variazioni | — | ||
| 47-9 | Trio for Piano, [Violin or Clarinet], and Cello in E-flat major, Op. 38 (arrangement from "Septet, Op. 20": Ludwig van Beethoven): V. Scherzo. Allegro molto e vivace | — | ||
| 47-10 | Trio for Piano, [Violin or Clarinet], and Cello in E-flat major, Op. 38 (arrangement from "Septet, Op. 20": Ludwig van Beethoven): VI. Andante con moto alla marcia - Presto | — | ||
| 48-1 | Trio for Violin, Viola, and Cello in E-flat major, Op. 3: I. Allegro con brio | — | ||
| 48-2 | Trio for Violin, Viola, and Cello in E-flat major, Op. 3: II. Andante | — | ||
| 48-3 | Trio for Violin, Viola, and Cello in E-flat major, Op. 3: III. Menuetto. Allegretto | — | ||
| 48-4 | Trio for Violin, Viola, and Cello in E-flat major, Op. 3: IV. Adagio | — | ||
| 48-5 | Trio for Violin, Viola, and Cello in E-flat major, Op. 3: V. Menuetto. Moderato | — | ||
| 48-6 | Trio for Violin, Viola, and Cello in E-flat major, Op. 3: VI. Finale. Allegro | — | ||
| 48-7 | Serenade for Violin, Viola, and Cello in D major, Op. 8: I. Marcia. Allegro | — | ||
| 48-8 | Serenade for Violin, Viola, and Cello in D major, Op. 8: II. Marcia. Adagio | — | ||
| 48-9 | Serenade for Violin, Viola, and Cello in D major, Op. 8: III. Menuetto - Trio | — | ||
| 48-10 | Serenade for Violin, Viola, and Cello in D major, Op. 8: IV. Adagio - Scherzo | — | ||
| 48-11 | Serenade for Violin, Viola, and Cello in D major, Op. 8: V. Allegretto alla polacca | — | ||
| 48-12 | Serenade for Violin, Viola, and Cello in D major, Op. 8: VI. Tema con Variazioni. Andante quasi allegretto | — | ||
| 49-1 | Trio for Violin, Viola, and Cello in G major, Op. 9 No. 1: I. Adagio - Allegro con brio | — | ||
| 49-2 | Trio for Violin, Viola, and Cello in G major, Op. 9 No. 1: II. Adagio, ma non tanto, e cantabile | — | ||
| 49-3 | Trio for Violin, Viola, and Cello in G major, Op. 9 No. 1: III. Scherzo. Allegro | — | ||
| 49-4 | Trio for Violin, Viola, and Cello in G major, Op. 9 No. 1: IV. Presto | — | ||
| 49-5 | Trio for Violin, Viola, and Cello in D major, Op. 9 No. 2: I. Allegretto | — | ||
| 49-6 | Trio for Violin, Viola, and Cello in D major, Op. 9 No. 2: II. Andante quasi allegretto | — | ||
| 49-7 | Trio for Violin, Viola, and Cello in D major, Op. 9 No. 2: III. Menuetto. Allegro | — | ||
| 49-8 | Trio for Violin, Viola, and Cello in D major, Op. 9 No. 2: IV. Rondò. Allegro | — | ||
| 49-9 | Trio for Violin, Viola, and Cello in C minor, Op. 9 No. 3: I. Allegro con spirito | — | ||
| 49-10 | Trio for Violin, Viola, and Cello in C minor, Op. 9 No. 3: II. Adagio con espressione | — | ||
| 49-11 | Trio for Violin, Viola, and Cello in C minor, Op. 9 No. 3: III. Scherzo. Allegro molto e vivace | — | ||
| 49-12 | Trio for Violin, Viola, and Cello in C minor, Op. 9 No. 3: IV. Finale. Presto | — | ||
| 50-1 | String Quartet in F major, op. 18 no. 1: I. Allegro con brio | Kodály Quartet | — | |
| 50-2 | String Quartet in F major, op. 18 no. 1: II. Adagio affettuoso ed appassionato | Kodály Quartet | — | |
| 50-3 | String Quartet in F major, op. 18 no. 1: III. Scherzo: Allegro molto | Kodály Quartet | — | |
| 50-4 | String Quartet in F major, op. 18 no. 1: IV. Allegro | Kodály Quartet | — | |
| 50-5 | Quartet for 2 Violins, Viola, and Cello No. 2 in G major, Op. 18 No. 2: I. Allegro | — | ||
| 50-6 | Quartet for 2 Violins, Viola, and Cello No. 2 in G major, Op. 18 No. 2: II. Adagio cantabile - Allegro - Tempo I | — | ||
| 50-7 | String Quartet no. 2 in G major, op. 18, No. 2: III. Scherzo: Allegro | Kodály Quartet | — | |
| 50-8 | Quartet for 2 Violins, Viola, and Cello No. 2 in G major, Op. 18 No. 2: IV. Allegro molto, quasi presto | — | ||
| 50-9 | Quartet for 2 Violins, Viola, and Cello No. 3 in D major, Op. 18 No. 3: I. Allegro | — | ||
| 50-10 | Quartet for 2 Violins, Viola, and Cello No. 3 in D major, Op. 18 No. 3: II. Andante con moto | — | ||
| 50-11 | Quartet for 2 Violins, Viola, and Cello No. 3 in D major, Op. 18 No. 3: III. Allegro | — | ||
| 50-12 | Quartet for 2 Violins, Viola, and Cello No. 3 in D major, Op. 18 No. 3: IV. Presto | — | ||
| 51-1 | Quartet for 2 Violins, Viola, and Cello No. 4 in C minor, Op. 18 No. 4: I. Allegro ma non tanto | — | ||
| 51-2 | Quartet for 2 Violins, Viola, and Cello No. 4 in C minor, Op. 18 No. 4: II. Andante scherzoso quasi allegretto | — | ||
| 51-3 | Quartet for 2 Violins, Viola, and Cello No. 4 in C minor, Op. 18 No. 4: III. Menuetto. Allegretto | — | ||
| 51-4 | Quartet for 2 Violins, Viola, and Cello No. 4 in C minor, Op. 18 No. 4: IV. Allegro - Prestissimo | — | ||
| 51-5 | Quartet for 2 Violins, Viola, and Cello No. 5 in A major, Op. 18 No. 5: I. Allegro | — | ||
| 51-6 | Quartet for 2 Violins, Viola, and Cello No. 5 in A major, Op. 18 No. 5: II. Menuetto | — | ||
| 51-7 | Quartet for 2 Violins, Viola, and Cello No. 5 in A major, Op. 18 No. 5: III. Andante cantabile | — | ||
| 51-8 | Quartet for 2 Violins, Viola, and Cello No. 5 in A major, Op. 18 No. 5: IV. Allegro | — | ||
| 51-9 | Quartet for 2 Violins, Viola, and Cello No. 6 in B-flat major, Op. 18 No. 6: I. Allegro con brio | — | ||
| 51-10 | Quartet for 2 Violins, Viola, and Cello No. 6 in B-flat major, Op. 18 No. 6: II. Adagio ma non troppo | — | ||
| 51-11 | Quartet for 2 Violins, Viola, and Cello No. 6 in B-flat major, Op. 18 No. 6: III. Scherzo. Allegro | — | ||
| 51-12 | Quartet for 2 Violins, Viola, and Cello No. 6 in B-flat major, Op. 18 No. 6: IV. Adagio "La malinconia" - Allegretto quasi allegro | — | ||
| 52-1 | Prelude and Fugue for 2 Violins, Viola, and Cello in F major, Hess 30: Prelude | — | ||
| 52-2 | Prelude and Fugue for 2 Violins, Viola, and Cello in F major, Hess 30: Fugue | — | ||
| 52-3 | Prelude and Fugue for 2 Violins, Viola, and Cello in C major, Hess 31: Prelude | — | ||
| 52-4 | Prelude and Fugue for 2 Violins, Viola, and Cello in C major, Hess 31: Fugue | — | ||
| 52-9 | Quartet for 2 Violins, Viola, and Cello in E major, Hess 34 (arrangement from "Sonata for Piano, Op. 14 No. 1"): I. Allegro moderato | — | ||
| 52-10 | Quartet for 2 Violins, Viola, and Cello in E major, Hess 34 (arrangement from "Sonata for Piano, Op. 14 No. 1"): II. Allegretto | — | ||
| 52-11 | Quartet for 2 Violins, Viola, and Cello in E major, Hess 34 (arrangement from "Sonata for Piano, Op. 14 No. 1"): III. Allegro | — | ||
| 52-12 | Fugue for 2 Violins, Viola, and Cello, Hess 36 (arrangement from Handel's "Solomon, HWV 67: Overture") | — | ||
| 53-1 | Quartet for 2 Violins, Viola, and Cello No. 7 in F major, Op. 59 No. 1 ("Rasumovsky Quartet No. 1"): I. Allegro | — | ||
| 53-2 | Quartet for 2 Violins, Viola, and Cello No. 7 in F major, Op. 59 No. 1 ("Rasumovsky Quartet No. 1"): II. Allegretto scherzando e sempre vivace | — | ||
| 53-3 | Quartet for 2 Violins, Viola, and Cello No. 7 in F major, Op. 59 No. 1 ("Rasumovsky Quartet No. 1"): III. Adagio molto | — | ||
| 53-4 | Quartet for 2 Violins, Viola, and Cello No. 7 in F major, Op. 59 No. 1 ("Rasumovsky Quartet No. 1"): IV. Thème Russe - Allegro | — | ||
| 53-5 | Quartet for 2 Violins, Viola, and Cello No. 8 in E minor, Op. 59 No. 2 ("Rasumovsky Quartet No. 2"): I. Allegro | — | ||
| 53-6 | Quartet for 2 Violins, Viola, and Cello No. 8 in E minor, Op. 59 No. 2 ("Rasumovsky Quartet No. 2"): II. Molto adagio - Si tratta questo pezzo con molto di sentimento | — | ||
| 53-7 | Quartet for 2 Violins, Viola, and Cello No. 8 in E minor, Op. 59 No. 2 ("Rasumovsky Quartet No. 2"): III. Allegretto - Maggiore - Minore | — | ||
| 53-8 | Quartet for 2 Violins, Viola, and Cello No. 8 in E minor, Op. 59 No. 2 ("Rasumovsky Quartet No. 2"): IV. Finale: Presto | — | ||
| 54-1 | Quartet for 2 Violins, Viola, and Cello No. 9 in C major, Op. 59 No. 3 ("Rasumovsky Quartet No. 3"): I. Andante con moto - Allegro vivace | — | ||
| 54-2 | Quartet for 2 Violins, Viola, and Cello No. 9 in C major, Op. 59 No. 3 ("Rasumovsky Quartet No. 3"): II. Andante con moto quasi allegretto | — | ||
| 54-3 | Quartet for 2 Violins, Viola, and Cello No. 9 in C major, Op. 59 No. 3 ("Rasumovsky Quartet No. 3"): III. Minuetto. Grazioso | — | ||
| 54-4 | Quartet for 2 Violins, Viola, and Cello No. 9 in C major, Op. 59 No. 3 ("Rasumovsky Quartet No. 3"): IV. Allegro molto | — | ||
| 54-5 | Quartet for 2 Violins, Viola, and Cello No. 10 in E-flat major, Op. 74 ("Harp"): I. Poco adagio - Allegro | — | ||
| 54-6 | Quartet for 2 Violins, Viola, and Cello No. 10 in E-flat major, Op. 74 ("Harp"): II. Adagio ma non troppo | — | ||
| 54-7 | Quartet for 2 Violins, Viola, and Cello No. 10 in E-flat major, Op. 74 ("Harp"): III. Presto | — | ||
| 54-8 | Quartet for 2 Violins, Viola, and Cello No. 10 in E-flat major, Op. 74 ("Harp"): IV. Allegretto con variazioni | — | ||
| 55-1 | Quartet for 2 Violins, Viola, and Cello No. 12 in E-flat major, Op. 127: I. Maestoso - Allegro | — | ||
| 55-2 | Quartet for 2 Violins, Viola, and Cello No. 12 in E-flat major, Op. 127: II. Adagio, ma non troppo e molto cantabile - Andante con moto - Adagio molto espressivo - Tempo I | — | ||
| 55-3 | Quartet for 2 Violins, Viola, and Cello No. 12 in E-flat major, Op. 127: III. Scherzando. Vivace | — | ||
| 55-4 | Quartet for 2 Violins, Viola, and Cello No. 12 in E-flat major, Op. 127: IV. Allegro - Allegro comodo | — | ||
| 55-5 | String Quartet in C-sharp minor, op. 131: I. Adagio ma non troppo e molto espressivo | Kodály Quartet | — | |
| 55-6 | String Quartet in C-sharp minor, op. 131: II. Allegro molto vivace | Kodály Quartet | — | |
| 55-7 | String Quartet in C-sharp minor, op. 131: III. Allegro moderato | Kodály Quartet | — | |
| 55-8 | String Quartet in C-sharp minor, op. 131: IV. Andante ma non troppo e molto cantabile | Kodály Quartet | — | |
| 55-9 | String Quartet in C-sharp minor, op. 131: V. Presto | Kodály Quartet | — | |
| 55-10 | String Quartet in C-sharp minor, op. 131: VI. Adagio quasi un poco andante | Kodály Quartet | — | |
| 55-11 | String Quartet in C-sharp minor, op. 131: VII. Allegro | Kodály Quartet | — | |
| 56-1 | Quartet for 2 Violins, Viola, and Cello No. 11 in F minor, Op. 95: I. Allegro con brio | — | ||
| 56-2 | Quartet for 2 Violins, Viola, and Cello No. 11 in F minor, Op. 95: II. Allegretto ma non troppo | — | ||
| 56-3 | Quartet for 2 Violins, Viola, and Cello No. 11 in F minor, Op. 95: III. Allegro assai vivace ma serioso | — | ||
| 56-4 | Quartet for 2 Violins, Viola, and Cello No. 11 in F minor, Op. 95: IV. Larghetto espressivo - Allegretto agitato - Allegro | — | ||
| 56-5 | Quartet for 2 Violins, Viola, and Cello No. 13 in B-flat major, Op. 130: I. Adagio ma non troppo - Allegro | — | ||
| 56-6 | Quartet for 2 Violins, Viola, and Cello No. 13 in B-flat major, Op. 130: II. Presto | — | ||
| 56-7 | Quartet for 2 Violins, Viola, and Cello No. 13 in B-flat major, Op. 130: III. Andante con moto, ma non troppo | — | ||
| 56-8 | Quartet for 2 Violins, Viola, and Cello No. 13 in B-flat major, Op. 130: IV. Alla danza tedesca. Allegro assai | — | ||
| 56-9 | String Quartet in B-flat major, op. 130: V. Cavatina: Adagio molto espressivo | Kodály Quartet | T-310.749.282-6 | |
| 56-10 | Quartet for 2 Violins, Viola, and Cello No. 13 in B-flat major, Op. 130: VI. Finale. Allegro (alternate) | — | ||
| 57-1 | Quartet for 2 Violins, Viola, and Cello No. 15 in A minor, Op. 132: I. Assai sostenuto - Allegro | — | ||
| 57-2 | Quartet for 2 Violins, Viola, and Cello No. 15 in A minor, Op. 132: II. Allegro ma non tanto | — | ||
| 57-3 | Quartet for 2 Violins, Viola, and Cello No. 15 in A minor, Op. 132: III. A Convalescent's Holy Song of Thanksgiving to the Deity, in the Lydian Mode. Molto adagio - Andante - Molto adagio - Andante - Molto adagio. Mit innigster Empfindung | — | ||
| 57-4 | Quartet for 2 Violins, Viola, and Cello No. 15 in A minor, Op. 132: IV. Alla Marcia, vivace assai - Più allegro | — | ||
| 57-5 | Quartet for 2 Violins, Viola, and Cello No. 15 in A minor, Op. 132: V. Allegro appassionato - Presto | — | ||
| 57-6 | String Quartet in F major, op. 135: I. Allegretto | Kodály Quartet | — | |
| 57-7 | String Quartet in F major, op. 135: II. Vivace | Kodály Quartet | — | |
| 57-8 | String Quartet in F major, op. 135: III. Lento assai, e cantante tranquillo | Kodály Quartet | — | |
| 57-9 | String Quartet in F major, op. 135: IV. Grave, ma non troppo tratto - Allegro | Kodály Quartet | — | |
| 58-1 | Quartet for Piano, Violin, Viola, and Cello, WoO 36 No. 1 in E-flat major: I. Adagio assai | — | ||
| 58-2 | Quartet for Piano, Violin, Viola, and Cello, WoO 36 No. 1 in E-flat major: II. Allegro con spirito | — | ||
| 58-3 | Quartet for Piano, Violin, Viola, and Cello, WoO 36 No. 1 in E-flat major: III. Tema. Cantabile - Variazioni I-VI - Tema. Allegretto | — | ||
| 58-4 | Quartet for Piano, Violin, Viola, and Cello, WoO 36 No. 2 in D major: I. Allegro moderato | — | ||
| 58-5 | Quartet for Piano, Violin, Viola, and Cello, WoO 36 No. 2 in D major: II. Andante con moto | — | ||
| 58-6 | Quartet for Piano, Violin, Viola, and Cello, WoO 36 No. 2 in D major: III. Rondo. Allegro | — | ||
| 58-7 | Quartet for Piano, Violin, Viola, and Cello, WoO 36 No. 3 in C major: I. Allegro vivace | — | ||
| 58-8 | Quartet for Piano, Violin, Viola, and Cello, WoO 36 No. 3 in C major: II. Adagio con espressione | — | ||
| 58-9 | Quartet for Piano, Violin, Viola, and Cello, WoO 36 No. 3 in C major: III. Rondo. Allegro | — | ||
| 59-1 | Sonata for Horn and Piano in F major, Op. 17: I. Allegro moderato | — | ||
| 59-2 | Sonata for Horn and Piano in F major, Op. 17: II. Poco adagio, quasi andante | — | ||
| 59-3 | Sonata for Horn and Piano in F major, Op. 17: III. Rondo. Allegro moderato | — | ||
| 59-4 | Sextet for 2 Horns, 2 Violins, Viola, and Cello in E-flat major, Op. 81b: I. Allegro con brio | — | ||
| 59-5 | Sextet for 2 Horns, 2 Violins, Viola, and Cello in E-flat major, Op. 81b: II. Adagio | — | ||
| 59-6 | Sextet for 2 Horns, 2 Violins, Viola, and Cello in E-flat major, Op. 81b: III. Rondo. Allegro | — | ||
| 59-7 | Trio for Piano, Flute, and Bassoon in G major, WoO 37: I. Allegro | — | ||
| 59-8 | Trio for Piano, Flute, and Bassoon in G major, WoO 37: II. Adagio | — | ||
| 59-9 | Trio for Piano, Flute, and Bassoon in G major, WoO 37: III. Tema andante con Variazioni | — | ||
| 60-1 | Quintet for Piano, Oboe, Clarinet, Horn, and Bassoon in E-flat major, Op. 16: I. Grave - Allegro ma non troppo | — | ||
| 60-2 | Quintet for Piano, Oboe, Clarinet, Horn, and Bassoon in E-flat major, Op. 16: II. Andante cantabile | — | ||
| 60-3 | Quintet for Piano, Oboe, Clarinet, Horn, and Bassoon in E-flat major, Op. 16: III. Rondo. Allegro ma non troppo | — | ||
| 60-4 | Serenade for Flute, Violin, and Viola in D major, Op. 25: I. Entrada. Allegro | — | ||
| 60-5 | Serenade for Flute, Violin, and Viola in D major, Op. 25: II. Tempo ordinario d'un minuetto | — | ||
| 60-6 | Serenade for Flute, Violin, and Viola in D major, Op. 25: III. Allegro molto | — | ||
| 60-7 | Serenade for Flute, Violin, and Viola in D major, Op. 25: IV. Andante con variazioni | — | ||
| 60-8 | Serenade for Flute, Violin, and Viola in D major, Op. 25: V. Allegro scherzando e vivace | — | ||
| 60-9 | Serenade for Flute, Violin, and Viola in D major, Op. 25: VI. Adagio - Allegro vivace e disinvolto | — | ||
| 60-10 | Sonatina for Mandolin and Piano in C minor, WoO 43a. Adagio | — | ||
| 60-11 | Adagio for Mandolin and Piano in E-flat major, WoO 43b. Adagio (ma non troppo) | — | ||
| 60-12 | Sonatina for Mandolin and Klavier in C major, WoO 44a. Allegro | — | ||
| 60-13 | Variations in D major for Mandolin and Piano, WoO 44b. Andante | — | ||
| 61-1 | Trio for Piano, [Clarinet or Violin], and Cello No. 4 in B-flat major, Op. 11 "Gassenhauer-Trio": I. Allegro con brio | — | ||
| 61-2 | Trio for Piano, [Clarinet or Violin], and Cello No. 4 in B-flat major, Op. 11 "Gassenhauer-Trio": II. Adagio | — | ||
| 61-3 | Trio for Piano, [Clarinet or Violin], and Cello No. 4 in B-flat major, Op. 11 "Gassenhauer-Trio": III. Allegretto con variazioni | — | ||
| 61-4 | Septet for Violin, Viola, Clarinet, Horn, Bassoon, Cello, and Double Bass in E-flat major, Op. 20: I. Adagio - Allegro con brio | — | ||
| 61-5 | Septet for Violin, Viola, Clarinet, Horn, Bassoon, Cello, and Double Bass in E-flat major, Op. 20: II. Adagio cantabile | — | ||
| 61-6 | Septet for Violin, Viola, Clarinet, Horn, Bassoon, Cello, and Double Bass in E-flat major, Op. 20: III. Tempo di menuetto | — | ||
| 61-7 | Septet for Violin, Viola, Clarinet, Horn, Bassoon, Cello, and Double Bass in E-flat major, Op. 20: IV. Tema con Variazioni | — | ||
| 61-8 | Septet for Violin, Viola, Clarinet, Horn, Bassoon, Cello, and Double Bass in E-flat major, Op. 20: V. Scherzo. Allegro molto e vivace | — | ||
| 61-9 | Septet for Violin, Viola, Clarinet, Horn, Bassoon, Cello, and Double Bass in E-flat major, Op. 20: VI. Andante con moto - Presto | — | ||
| 62-1 | Quintet for 2 Violins, 2 Violas, and Cello in C major, Op. 29: I. Allegro moderato | — | ||
| 62-2 | Quintet for 2 Violins, 2 Violas, and Cello in C major, Op. 29: II. Adagio molto espressivo | — | ||
| 62-3 | Quintet for 2 Violins, 2 Violas, and Cello in C major, Op. 29: III. Scherzo. Allegro | — | ||
| 62-4 | Quintet for 2 Violins, 2 Violas, and Cello in C major, Op. 29: IV. Presto | — | ||
| 62-5 | Fugue for 2 Violins, 2 Violas, and Cello in D major, Op. 137: Allegretto | — | ||
| 62-6 | 6 Minuets for 2 Violins and Bass, WoO 9 No. 1 in E-flat major | — | ||
| 62-7 | 6 Minuets for 2 Violins and Bass, WoO 9 No. 2 in G major | — | ||
| 62-8 | 6 Minuets for 2 Violins and Bass, WoO 9 No. 3 in C major | — | ||
| 62-9 | 6 Minuets for 2 Violins and Bass, WoO 9 No. 4 in F major | — | ||
| 62-10 | 6 Minuets for 2 Violins and Bass, WoO 9 No. 5 in D major | — | ||
| 62-11 | 6 Minuets for 2 Violins and Bass, WoO 9 No. 6 in G major | — | ||
| 62-12 | Six Ländler for 2 Violins and Bass, WoO 15 Nos. 1 - 6 in D major | — | ||
| 62-13 | Duo for Viola and Cello in E-flat major, WoO 32 "Duet with two obbligato eyeglasses": I. Allegro | — | ||
| 62-14 | Duo for Viola and Cello in E-flat major, WoO 32 "Duet with two obbligato eyeglasses": II. Allegretto | — | ||
| 62-15 | Duet for 2 Violins in A major, WoO 34 | — | ||
| 62-16 | Canon (probably for 2 Violins) in A major, WoO 35 | — | ||
| 63-1 | Air écossais for [Flute or Violin] and Piano, Op. 105 No. 1 in G major "The Cottage Maid": Tema. Andantino quasi allegretto - Var. I-II - Var. III. Allegro - Tempo I | — | ||
| 63-2 | Air écossais for [Flute or Violin] and Piano, Op. 105 No. 2 in C minor "Von edlem Geschlecht war Shinkin": Tema. Allegretto scherzoso - Var. I-II - Var. III. Allegretto - Allegro | — | ||
| 63-3 | Air autrichien for [Flute or Violin] and Piano, Op. 105 No. 3 in C major "A Schüsserl und a Reindl": Tema. Andantino - Var. I-IV - Var. V. Adagio sostenuto, ma non troppo - Var. VI. Andante con moto | — | ||
| 63-4 | Air écossais for [Flute or Violin] and Piano, Op. 105 No. 4 in E-flat major "The Last Rose of Summer": Tema. Andante espressivo assai - Var. I-III | — | ||
| 63-5 | Air écossais for [Flute or Violin] and Piano, Op. 105 No. 5 in E-flat major "Chiling O'Guiry": Tema. Allegretto spiritoso - Var. I-II - Var. III. Allegro assai | — | ||
| 63-6 | Air écossais for [Flute or Violin] and Piano, Op. 105 No. 6 in D major "Paddy Whack": Tema. Allegretto più tosto vivace - Var. I-IV | — | ||
| 63-7 | Air tirolien for [Flute or Violin] and Piano, Op. 107 No. 1 in E-flat major "l bin a Tiroler Bua": Tema. Moderato - Var. I-III - Var. IV. Allegro | — | ||
| 63-8 | Air écossais for [Flute or Violin] and Piano, Op. 107 No. 2 in F major "Bonnie Laddie, Highland Laddie": Tema. Allegretto, quasi vivace - Var. I-III - Var. IV. Andante mosso, alla Siciliano - Allegro | — | ||
| 63-9 | Volkslied aus Kleinrussland for [Flute or Violin] and Piano, Op. 107 No. 3 in G major: Tema. Vivace - Var. I-IV - Var. V. Adagio sostenuto - Tempo I | — | ||
| 63-10 | Air écossais for [Flute or Violin] and Piano, Op. 107 No. 4 in F major "St. Patrick's Day": Tema. Allegretto scherzoso - Var. I - Var. II. Poco adagio - Vivace - Moderato - Tempo I | — | ||
| 63-11 | Air tirolien for [Flute or Violin] and Piano, Op. 107 No. 5 in F major "A Madel, ja a Madel": Tema. Moderato - Var. I-II - Var. III. Maestoso - Allegro | — | ||
| 63-12 | Air écossais for [Flute or Violin] and Piano, Op. 107 No. 6 in E-flat major "Peggy's Daughter": Tema. Andante comodo - Var. I-III - Var. IV. Vivace | — | ||
| 63-13 | Air russe for [Flute or Violin] and Piano, Op. 107 No. 7 in A minor "Schöne Minka": Tema. Andante - Var. I-IV - Var. V. Andante moderato - Var. VI. Allegro - Adagio - Andante commodo - Poco vivace | — | ||
| 63-14 | Air écossais for [Flute or Violin] and Piano, Op. 107 No. 8 in D major "O Mary at they window be": Tema. Andantino quasi allegretto - Var. I-III - Var. IV. Un poco più mosso - Allegro assai | — | ||
| 63-15 | Air écossais for [Flute or Violin] and Piano, Op. 107 No. 9 in E-flat major "Oh, Thou art the Lad of my Heart": Tema. Allegretto più tosto vivace - Var. I - Var. II. Cantabile e legato - Var. III - Var. IV. Andante espressivo - Var. V. Vivace | — | ||
| 63-16 | Air écossais for [Flute or Violin] and Piano, Op. 107 No. 10 in G minor "The Highland Watch": Tema. Spiritoso e marziale - Var. I-II - Var. III. Più moto - Var. IV. Adagio espressivo - Var. V. Allegro | — | ||
| 64-1 | Trio for [2 Oboes and English Horn (or Violin, Viola, and Cello)] in C major, Op. 87: I. Allegro | — | ||
| 64-2 | Trio for [2 Oboes and English Horn (or Violin, Viola, and Cello)] in C major, Op. 87: II. Adagio cantabile | — | ||
| 64-3 | Trio for [2 Oboes and English Horn (or Violin, Viola, and Cello)] in C major, Op. 87: III. Menuetto. Allegro molto. Scherzo | — | ||
| 64-4 | Trio for [2 Oboes and English Horn (or Violin, Viola, and Cello)] in C major, Op. 87: IV. Finale. Presto | — | ||
| 64-5 | Variations for 2 Oboes and English Horn in C major on "Là ci darem la mano" from Mozart's opera "Don Giovanni", WoO 28 | — | ||
| 64-6 | Octet for 2 Oboes, 2 Clarinets, 2 Horns, and 2 Bassoons in E-flat major, Op. 103: I. Allegro | — | ||
| 64-7 | Octet for 2 Oboes, 2 Clarinets, 2 Horns, and 2 Bassoons in E-flat major, Op. 103: II. Andante | — | ||
| 64-8 | Octet for 2 Oboes, 2 Clarinets, 2 Horns, and 2 Bassoons in E-flat major, Op. 103: III. Menuetto | — | ||
| 64-9 | Octet for 2 Oboes, 2 Clarinets, 2 Horns, and 2 Bassoons in E-flat major, Op. 103: IV. Finale. Presto | — | ||
| 65-1 | Sextet for 2 Clarinets, 2 Horns, and 2 Bassoons in E-flat major, Op. 71: I. Adagio - Allegro | — | ||
| 65-2 | Sextet for 2 Clarinets, 2 Horns, and 2 Bassoons in E-flat major, Op. 71: II. Adagio | — | ||
| 65-3 | Sextet for 2 Clarinets, 2 Horns, and 2 Bassoons in E-flat major, Op. 71: III. Menuetto. Quasi allegretto | — | ||
| 65-4 | Sextet for 2 Clarinets, 2 Horns, and 2 Bassoons in E-flat major, Op. 71: IV. Rondò. Allegro | — | ||
| 65-5 | Duo for clarinet and bassoon in C major, WoO 27 No. 1: I. Allegro commodo | — | ||
| 65-6 | Duo for clarinet and bassoon in C major, WoO 27 No. 1: II. Larghetto sostenuto | — | ||
| 65-7 | Duo for clarinet and bassoon in C major, WoO 27 No. 1: III. Rondo: Allegretto | — | ||
| 65-8 | Duo for clarinet and bassoon in F major, WoO 27 No. 2: I. Allegro affettuoso | — | ||
| 65-9 | Duo for clarinet and bassoon in F major, WoO 27 No. 2: II. Aria Larghetto | — | ||
| 65-10 | Duo for clarinet and bassoon in F major, WoO 27 No. 2: III. Rondo: Allegretto moderato | — | ||
| 65-11 | Duo for clarinet and bassoon in B flat major, WoO 27 No. 3: I. Allegro sostenuto | — | ||
| 65-12 | Duo for clarinet and bassoon in B flat major, WoO 27 No. 3: II. Aria con variazioni | — | ||
| 65-13 | March for Military Music in D major, WoO 24 | — | ||
| 65-14 | March for 2 Clarinets, 2 Horns, and 2 Bassoons in B-flat major, WoO 29 | — | ||
| 65-15 | Equali for 4 Trombones, WoO 30 Nos. 1-3 | — | ||
| 66-1 | Song for Voice and Piano, Op. 48 No. 1 in E major: Feierlich und mit Andacht "Bitten: Gott, deine Güte reicht so weit" | — | ||
| 66-2 | Song for Voice and Piano, Op. 48 No. 2 in E-flat major: Lebhaft, doch nicht zu sehr "Die Liebe des Nächsten: So jemand spricht: Ich liebe Gott!" | — | ||
| 66-3 | Song for Voice and Piano, Op. 48 No. 3 in F-sharp minor: Müssig und eher langsam als geschwind "Vom Tode: Meine Lebenszeit verstreicht" | — | ||
| 66-4 | Song for Voice and Piano, Op. 48 No. 4 in C major: Majestätisch und erhaben "Die Ehre Gottes in der Natur: Die Himmel rühmen des Ewigen Ehre" | — | ||
| 66-5 | Song for Voice and Piano, Op. 48 No. 5 in C major: Mit Kraft und Feuer "Gottes Macht und Vorsehung: Gott ist mein Lied!" | — | ||
| 66-6 | Song for Voice and Piano, Op. 48 No. 6 in A minor: Poco adagio "Bußlied: An Dir allein, an Dir hab' ich gesündigt" | — | ||
| 66-7 | Songs for Voice and Piano, Op. 83 No. 1 in E major: Andante espressivo "Wonne der Wehmut: Trocknet nicht" | — | ||
| 66-8 | Songs for Voice and Piano, Op. 83 No. 2 in B minor: Allegretto "Sehnsucht: Was zieht mir das Herz so?" | — | ||
| 66-9 | Songs for Voice and Piano, Op. 83 No. 3 in F major: Leichtlich und mit Grazie vorzutragen "Mit einem gemalten Band: Kleine Blumen, kleine Blätter" | — | ||
| 66-10 | An die ferne Geliebte, Op. 98 Nos. 1-6 | — | ||
| 66-11 | Song for Voice and Piano in E-flat major, Op. 32 "An die Hoffnung": Poco adagio | — | ||
| 66-12 | "An die Hoffnung", Op. 94 | — | ||
| 66-13 | Cantata for Voice and Piano in B-flat major, Op. 46: Larghetto "Adelaide: Einsam wandelt dein Freund im Frühlings Garten" | — | ||
| 66-14 | "Der Kuß", Op. 128 | — | ||
| 66-15 | "Seufzer eines Ungeliebten", WoO 118 | — | ||
| 66-16 | "Zärtliche Liebe", WoO 123 | — | ||
| 66-17 | "La partenza", WoO 124 | — | ||
| 66-18 | "Der Wachtelschlag", WoO 129 | — | ||
| 66-19 | "Als die Geliebte sich trennen wollte", WoO 132 | — | ||
| 66-20 | Song for Voice and Piano and A major, Op. 88: Andante quasi allegretto "Das Glück der Freundschaft: Der lebt ein Leben wonniglich" | — | ||
| 67-1 | Song for Voice and Piano, Op. 52 No. 1 in A minor: In einer massigen geschwinden Bewegung "Urians Reise um die Welt: Wenn jemand eine Reise tut" | — | ||
| 67-2 | Song for Voice and Piano, Op. 52 No. 2 in G major: Andante con moto "Feuerfarb': Ich weiss eine Farbe" | — | ||
| 67-3 | Song for Voice and Piano, Op. 52 No. 3 in F major: Adagio "Das Liedchen von der Ruhe: Im Arm der Liebe ruht sich's wohl" | — | ||
| 67-4 | Song for Voice and Piano, Op. 52 No. 4 in A-flat major: Allegro "Mailied: Wie herrlich leuchtet mir die Natur" | — | ||
| 67-5 | Song for Voice and Piano, Op. 52 No. 5 in G major: Adagio con espessione "Molly's Abschied: Lebe wohl, du Mann der Lust" | — | ||
| 67-6 | Song for Voice and Piano, Op. 52 No. 6 in F major: Allegretto "Die Liebe: Ohne Liebe lebe wer da kann" | — | ||
| 67-7 | Song for Voice and Piano, Op. 52 No. 7 in A minor: Allegretto "Marmotte: Ich komme schon durch manches Land" | — | ||
| 67-8 | Song for Voice and Piano, Op. 52 No. 8 in G major: Andante "Das Blümchen Wunderhold: Es blüht ein Blümchen irgendwo in einem stillen Tal" | — | ||
| 67-9 | Songs for Voice and Piano, Op. 75 No. 1 in A major: Ziemlich langsam "Mignon: Kennst du das Land?" | — | ||
| 67-10 | Songs for Voice and Piano, Op. 75 No. 2 in C major: Lebhaft, doch nicht zu sehr "Neue Liebe, neues Leben: Herz, mein Herz, was soll das geben?" | — | ||
| 67-11 | Songs for Voice and Piano, Op. 75 No. 3 in G minor: Poco Allegretto "Aus Goethe's Faust: Es war einmal ein Konig" | — | ||
| 67-12 | Songs for Voice and Piano, Op. 75 No. 4 in A major: Etwas lebhaft "Gretels Warnung: Mit Liebesblick und Spiel und Sang" | — | ||
| 67-13 | Songs for Voice and Piano, Op. 75 No. 5 in G major: Larghetto "An den fernen Geliebten: Einst wohnten süsse Ruh' und gold'ner Frieden In meiner Brust" | — | ||
| 67-14 | Songs for Voice and Piano, Op. 75 No. 6 in A major: Froh und heiter, etwas lebhaft "Der Zufriedene: Zwar schuf das Glück hienieden" | — | ||
| 67-15 | Song for Voice and Piano in G major, Op. 99 "Der Mann von Wort: Du sagtest, Freund, an diesen Ort komm ich zurück" | — | ||
| 67-16 | Song for Voice and Piano in F major, Op. 100 "Merkenstein: Wo ich wandle denk ich dein": Massig, jedoch nicht schleppend | — | ||
| 67-17 | Hochzeitslied for solo, chorus & piano, WoO 105 "Auf, Freunde, singt dem Gott der Ehen" | — | ||
| 67-18 | Lobkowitz Birthday Cantata for solo voice, chorus & piano, WoO 106, "Es lebe unser teurer Fürst" | — | ||
| 67-19 | An einen Säugling, song for voice & piano, WoO 108 | — | ||
| 67-20 | Man strebt, die Flamme zu verhehlen, song for voice & piano, WoO 120 | — | ||
| 67-21 | Abschiedsgesang an Wiens Bürger, song for voice & piano (or orchestra), WoO 121 | — | ||
| 67-22 | Kriegslied der Österreicher "Ein großes deutsches Volk" for voice & piano (or orchestra), WoO 122 | — | ||
| 67-23 | Sehnsucht "Nur wer die Sehnsucht kennt", song for voice & piano, WoO 134 (4 settings) | — | ||
| 67-24 | Die laute Klage, song for voice & piano, WoO 135 | — | ||
| 67-25 | Der Bardengeist, for voice & piano, WoO 142 | — | ||
| 67-26 | Merkenstein, song for voice & piano, WoO 144 | — | ||
| 67-27 | Der edle Mensch sei hilfreich und gut, for voice & piano, WoO 151 | — | ||
| 68-1 | Musical joke for three voices & chorus "Lob auf den Dicken"; WoO 100: "Schuppanzigh ist ein Lump" | — | ||
| 68-2 | Musical joke for three voices "Graf, Graf, liebster Graf", WoO 101 | — | ||
| 68-3 | Chorus for male voices, Abschiedsgesang, "Die Stunde schlägt" WoO 102 | — | ||
| 68-4 | Two canons, in 3 and 4 parts, WoO 160: I. Dreistimmiger Kanon | — | ||
| 68-5 | Two canons, in 3 and 4 parts, WoO 160: II. Vierstimmiger Kanon | — | ||
| 68-6 | Canon for 4 voices "Ta ta ta, lieber Mälzel", WoO 162 (spurious) | — | ||
| 68-7 | Canon in 4 parts in G major "Glück fehl' dir vor allem", WoO 171 | — | ||
| 68-8 | Three canons, WoO 181 No. 1 - Canon in 4 parts in C major "Gedenket heute an Baden", WoO 181/1 | — | ||
| 68-9 | Three canons, WoO 181 No. 2 - Canon in 3 parts in C major "Gehabt euch wohl" | — | ||
| 68-10 | Three canons, WoO 181 No. 3 - canon for 3 voices "Tugend ist kein leerer Name" | — | ||
| 68-11 | Trinklied (beim Abschied zu singen) for voice & piano (or orchestra), WoO 109 | — | ||
| 68-12 | Punschlied "Wer nicht, wenn warm von Hand" for voice, unsion chorus & piano, WoO 111 | — | ||
| 68-13 | Schilderung eines Mädchens, song for voice & piano, WoO 107 | — | ||
| 68-14 | Selbstgespräch "Ich, der mit flatterndem Sinn", song for voice & piano, WoO 114 | — | ||
| 68-15 | An Minna, song for voice & piano, WoO 115 | — | ||
| 68-16 | Gedenke mein, for voice & piano, WoO 130 | — | ||
| 68-17 | Der Liebende, song for voice & piano, WoO 139 | — | ||
| 68-20 | Elegie auf den Tod eines Pudels, for voice & piano, WoO 110 | — | ||
| 68-21 | An Laura, song for voice & piano, WoO 112 | — | ||
| 68-22 | Klage, song for voice & piano, WoO 113 | — | ||
| 68-23 | Der Freie Mann, song for voice & piano (or orchestra), WoO 117 | — | ||
| 68-24 | Des Kriegers Abschied, song for voice & piano, WoO 143 | — | ||
| 68-25 | Das Geheimnis, song for voice & piano, WoO 145 | — | ||
| 68-26 | So oder so, song for voice & piano, WoO 148 | — | ||
| 68-27 | Abendlied unterm gestirnten Himmel, song for voice & piano, WoO 150 | — | ||
| 68-28 | Opferlied "Die Flamme lodert", song for voice & piano, WoO 126 | — | ||
| 68-29 | In questa tomba oscura, arietta for voice and piano (or orchestra), WoO 133 | — | ||
| 68-30 | Que le temps me dure, song for voice & piano (2 versions), WoO 116 | — | ||
| 68-31 | O care selve, oh cara, for voice & piano/orchestra, WoO 119 | — | ||
| 68-32 | La Tiranna for voice & piano, WoO 125 | — | ||
| 68-33 | Plaisir d'aimer, for voice & piano "Romance", WoO 128 | — | ||
| 69-1 | Twenty-five Scottish songs: for voice, mixed chorus, violin, violoncello and piano, Op. 108: I. "Music, Love and Wine" | — | ||
| 69-2 | Twenty-five Scottish songs: for voice, mixed chorus, violin, violoncello and piano, Op. 108: II. "Sunset" | — | ||
| 69-3 | Twenty-five Scottish songs: for voice, mixed chorus, violin, violoncello and piano, Op. 108: III. "O sweet were the hours" | — | ||
| 69-4 | Twenty-five Scottish songs: for voice, mixed chorus, violin, violoncello and piano, Op. 108: IV. "The Maid of Isla" | — | ||
| 69-5 | Twenty-five Scottish songs: for voice, mixed chorus, violin, violoncello and piano, Op. 108: V. "The sweetest lad was Jamie" | — | ||
| 69-6 | Twenty-five Scottish songs: for voice, mixed chorus, violin, violoncello and piano, Op. 108: VI. "Dim, dim is my eye" | — | ||
| 69-7 | Twenty-five Scottish songs: for voice, mixed chorus, violin, violoncello and piano, Op. 108: VII. "Bonnie Laddie, Highland Laddie" | — | ||
| 69-8 | Twenty-five Scottish songs: for voice, mixed chorus, violin, violoncello and piano, Op. 108: VIII. "The lovely lass of Inverness" | — | ||
| 69-9 | Twenty-five Scottish songs: for voice, mixed chorus, violin, violoncello and piano, Op. 108: IX. "Behold, my Love" | — | ||
| 69-10 | Twenty-five Scottish songs: for voice, mixed chorus, violin, violoncello and piano, Op. 108: X. "Sympathy" | — | ||
| 69-11 | Twenty-five Scottish songs: for voice, mixed chorus, violin, violoncello and piano, Op. 108: XI. "Oh, Thou Art the Lad of My Heart, Willy" | — | ||
| 69-12 | Twenty-five Scottish songs: for voice, mixed chorus, violin, violoncello and piano, Op. 108: XII. "Oh, Had My Fate Been Join'd With Thine" | — | ||
| 69-13 | Twenty-five Scottish songs: for voice, mixed chorus, violin, violoncello and piano, Op. 108: XIII. "Come Fill, Fill, My Good Fellow" | — | ||
| 69-14 | Twenty-five Scottish songs: for voice, mixed chorus, violin, violoncello and piano, Op. 108: XIV. "O How Can I Be Blithe" | — | ||
| 69-15 | Twenty-five Scottish songs: for voice, mixed chorus, violin, violoncello and piano, Op. 108: XV. "O Cruel was My Father" | — | ||
| 69-16 | Twenty-five Scottish songs: for voice, mixed chorus, violin, violoncello and piano, Op. 108: XVI. "Could This Ill World Have Been Contriv'd" | — | ||
| 69-17 | Twenty-five Scottish songs: for voice, mixed chorus, violin, violoncello and piano, Op. 108: XVII. "O Mary at Thy Window Be" | — | ||
| 69-18 | Twenty-five Scottish songs: for voice, mixed chorus, violin, violoncello and piano, Op. 108: XVIII. "Enchantress, Farewell" | — | ||
| 69-19 | Twenty-five Scottish songs: for voice, mixed chorus, violin, violoncello and piano, Op. 108: IX. "O Swiftly Glides the Bonny Boat" | — | ||
| 69-20 | Twenty-five Scottish songs: for voice, mixed chorus, violin, violoncello and piano, Op. 108: XX. "Faithfu' Johnie" | — | ||
| 69-21 | Twenty-five Scottish songs: for voice, mixed chorus, violin, violoncello and piano, Op. 108: XXI. "Jeanie's Distress" | — | ||
| 69-22 | Twenty-five Scottish songs: for voice, mixed chorus, violin, violoncello and piano, Op. 108: XXII. "The Highland Watch" | — | ||
| 69-23 | Twenty-five Scottish songs: for voice, mixed chorus, violin, violoncello and piano, Op. 108: XXIII. "The Shepherd's Song" | — | ||
| 69-24 | Twenty-five Scottish songs: for voice, mixed chorus, violin, violoncello and piano, Op. 108: XXIV. "Again, my Lyre, yet once again" | — | ||
| 69-25 | Twenty-five Scottish songs: for voice, mixed chorus, violin, violoncello and piano, Op. 108: XXV. "Sally in Our Alley" | — | ||
| 69-26 | "Bundeslied" for soloists, chorus & wind instruments, Op. 122 | — | ||
| 69-27 | "Lied aus der Ferne", for voice & piano, WoO 137 | — | ||
| 69-28 | "Der Jüngling in der Fremde", song for voice & piano, WoO 138 | — | ||
| 69-29 | "Sehnsucht", song for voice & piano, WoO 146 | — | ||
| 69-30 | "Ruf vom Berge", song for voice & piano, WoO 147 | — | ||
| 70-1 | Irish Songs (25) for voice & piano trio, WoO 152 Nr. 2. "Sweet Power of Song" (duet) | — | ||
| 70-2 | Irish Songs (25) for voice & piano trio, WoO 152 Nr. 5. "On the massacre of Glencoe" | — | ||
| 70-3 | Irish Songs (25) for voice & piano trio, WoO 152 Nr. 6. "What shall I do to shew how much I love her?" (duet) | — | ||
| 70-4 | Irish Songs (25) for voice & piano trio, WoO 152 Nr. 8. "Come draw we round a cheerful ring" | — | ||
| 70-5 | Irish Songs (25) for voice & piano trio, WoO 152 Nr. 10. "The deserter" | — | ||
| 70-6 | Irish Songs (25) for voice & piano trio, WoO 152 Nr. 11. "Thou emblem of faith" | — | ||
| 70-7 | Irish Songs (25) for voice & piano trio, WoO 152 Nr. 13. "Musing on the roaring ocean" | — | ||
| 70-8 | Irish Songs (25) for voice & piano trio, WoO 152 Nr. 15. "Let brain-spinning swains" | — | ||
| 70-9 | Irish Songs (25) for voice & piano trio, WoO 152 Nr. 17. "In vain to this desert my fate I deplore" | — | ||
| 70-10 | Irish Songs (25) for voice & piano trio, WoO 152 Nr. 19. "Wife, children and friends" | — | ||
| 70-11 | Irish Songs (25) for voice & piano trio, WoO 152 Nr. 20. "Farewell bliss and farewell Nancy" (duet) | — | ||
| 70-12 | Irish Songs (25) for voice & piano trio, WoO 152 Nr. 21. "Morning a cruel turmoil is" | — | ||
| 70-13 | Irish Songs (25) for voice & piano trio, WoO 152 Nr. 23. "The wandering gypsy, Sirs, am I" | — | ||
| 70-14 | Irish Songs (25) for voice & piano trio, WoO 152 Nr. 24. "The trough welcome" | — | ||
| 70-15 | Irish Songs (20) for voice & piano trio, WoO 153 Nr. 1. "When Eve's last rays in twilight" | — | ||
| 70-16 | Irish Songs (20) for voice & piano trio, WoO 153 Nr. 4. "Since greybeards inform us that youth will decay" | — | ||
| 70-17 | Irish Songs (20) for voice & piano trio, WoO 153 Nr. 5. "I dream'd I lay where flow'rs were springing" (duet) | — | ||
| 70-18 | Irish Songs (20) for voice & piano trio, WoO 153 Nr. 7. "O soothe me, my lyre" | — | ||
| 70-19 | Irish Songs (20) for voice & piano trio, WoO 153 Nr. 8. "Farewell mirth and hilarity" | — | ||
| 70-20 | Irish Songs (20) for voice & piano trio, WoO 153 Nr. 10. "Oh! Thou hapless soldier" (duet) | — | ||
| 70-21 | Irish Songs (20) for voice & piano trio, WoO 153 Nr. 15. "T'is but in vain, for nothing thrives" | — | ||
| 70-22 | Irish Songs (20) for voice & piano trio, WoO 153 Nr. 17. "Come, Darby dear, easy, be easy" | — | ||
| 70-23 | Irish Songs (20) for voice & piano trio, WoO 153 Nr. 20. "Thy ship must sail, my Henry dear" | — | ||
| 70-24 | Canon in 3 parts in C major "Brauchle, Linke", WoO 167 | — | ||
| 70-25 | Canon in 2 parts in C major "Ich küsse Sie", WoO 169 | — | ||
| 70-26 | Canon in 3 parts in E flat major "Ich bitt' dich, schreib' mir die Es-Scala auf ", WoO 172 | — | ||
| 70-27 | Canon in 2 parts in B flat major "Hol' euch der Teufel! B'hüt euch Gott", WoO 173 | — | ||
| 70-28 | Canon "Glaube und hoffe", for 4 voices, WoO 174 | — | ||
| 70-29 | Canons (2) in 2 parts "Sankt Petrus war ein Fels!", WoO 175 | — | ||
| 70-30 | Canon in 2 parts in C major "Ich war hier, Doktor", WoO 190 | — | ||
| 70-31 | Canon in 3 parts in B flat major "Kühl, nicht lau", WoO 191 | — | ||
| 70-32 | Canon in 2 parts in F major "Ars longa, vita brevis", WoO 192 | — | ||
| 70-33 | Canon in 2 parts in G major, Hess 274 | — | ||
| 70-34 | Canon in 2 parts in A flat major, Hess 275 | — | ||
| 70-35 | Canon in 3 parts "Herr Graf, ich komme zu fragen", Hess 276 | — | ||
| 70-36 | Canon in 2 parts with 1 ostinato part "Esel aller Esel", Hess 277 | — | ||
| 70-37 | Gesang der Mönche "Rasch tritt der Tod den Menschen an, ..." for 2 tenors and bass, WoO 104 | — | ||
| 70-38 | Canon in 3 parts in F major "Im Arm der Liebe ruht sich's wohl", WoO 159 | — | ||
| 70-39 | Canon in 3 parts in C major "Ewig dein", WoO 161 | — | ||
| 70-40 | Canon in 3 parts in F minor "Kurz ist der Schmerz", WoO 163 | — | ||
| 70-41 | Canon in 3 parts in C major "Freundschaft ist der Quell wahrer Glückseligkeit", WoO 164 | — | ||
| 70-42 | Canon in 4 parts in E flat major "Glück zum neuen Jahr", WoO 165 | — | ||
| 70-43 | Canon in 3 parts in F major "Das Schweigen: Lerne schweigen, o Freund", WoO 168/1 | — | ||
| 70-44 | Aria for Soprano and Piano, Op. 82 No. 1 in A major: Allegro moderato "Hoffnung: Dimmi ben mio - Nimmer den lieben dem Herzen" | — | ||
| 70-45 | Aria for Soprano and Piano, Op. 82 No. 2 in D major: Adagio ma non troppo "Liebsklage: T'indendo, si, mio cor - Den stummen Felsen nur" | — | ||
| 70-46 | Aria for Soprano and Piano, Op. 82 No. 3 in E-flat major: Allegro "Stille Frage: Che fa il mio bene? - Darf nimmer ich dir nahen?" | — | ||
| 70-47 | Aria for Soprano and Piano, Op. 82 No. 4 in B-flat major: Andante con espressione "Liebes-Ungeduld: Che fa il mio bene? - So muss ich ihm entsagen" | — | ||
| 70-48 | Duet for Soprano and Tenor, Op. 82 No. 5 in E major: Andante vivace "Lebens-Genuss: Odi l'aura che dolce sospira - Schnell verbluhen" | — | ||
| 70-49 | Variations (6) on "Ich denke dein," for piano, 4 hands in D major, WoO 74 | — | ||
| 71-1 | Ah! perfido! concert aria for soprano and orchestra, Op. 65 | — | ||
| 71-2 | Irish Songs (25) for voice & piano trio, WoO 152 Nr. 1. "The Return to Ulster" | — | ||
| 71-3 | Irish Songs (20) for voice & piano trio, WoO 153 Nr. 9. "The kiss, dear maid, thy lip has left" | — | ||
| 71-4 | Irish Songs (20) for voice & piano trio, WoO 153 Nr. 11. "When far from the home of our youth we have rang'd" | — | ||
| 71-5 | Irish Songs (12) for voice & piano trio, WoO 154 Nr. 1. "The elfin fairies" | — | ||
| 71-6 | Irish Songs (12) for voice & piano trio, WoO 154 Nr. 5. "Oh! Who, my dear Dermot" | — | ||
| 71-7 | Welsh Songs (26) for voice(s) & piano trio WoO 155 Nr. 1. "Sion, the song of Evan" | — | ||
| 71-8 | Welsh Songs (26) for voice(s) & piano trio WoO 155 Nr. 4. "Love without hope" | — | ||
| 71-9 | Welsh Songs (26) for voice(s) & piano trio WoO 155 Nr. 7. "Oh let the night my blushes hide" | — | ||
| 71-10 | Welsh Songs (26) for voice(s) & piano trio WoO 155 Nr. 12. "Waken lords and ladies gay" | — | ||
| 71-11 | Welsh Songs (26) for voice(s) & piano trio WoO 155 Nr. 21. "Cupid's kindness" | — | ||
| 71-12 | Welsh Songs (26) for voice(s) & piano trio WoO 155 Nr. 25. "The parting kiss" | — | ||
| 71-13 | Welsh Songs (26) for voice(s) & piano trio WoO 155 Nr. 26. "Good night" | — | ||
| 71-14 | Scottish Songs (12) for voices & piano trio, WoO 156 Nr. 10. "Glencoe" | — | ||
| 71-15 | Scottish Songs (12) for voices & piano trio, WoO 156 Nr. 11. "Auld lang syne" | — | ||
| 72-1 | Unaccompanied Italian duets, trios & quartets (26) for voices, WoO 99 Nr. 2. "Chi mai di questo core" | — | ||
| 72-2 | Unaccompanied Italian duets, trios & quartets (26) for voices, WoO 99 Nr. 3b. "Fra tutte le pene" (H 225) | — | ||
| 72-3 | Unaccompanied Italian duets, trios & quartets (26) for voices, WoO 99 Nr. 4a. "Gia la notte s'avvicina" (H 222) | — | ||
| 72-4 | Unaccompanied Italian duets, trios & quartets (26) for voices, WoO 99 Nr. 5a. "Giura il nocchier" (H 221) | — | ||
| 72-5 | Unaccompanied Italian duets, trios & quartets (26) for voices, WoO 99 Nr. 7b. "Nei campi e nelle selve" (H 220) | — | ||
| 72-6 | Unaccompanied Italian duets, trios & quartets (26) for voices, WoO 99 Nr. 10c. "Quella cetra ah pur tu sei" (H 219) | — | ||
| 72-7 | Cantata for 4 voices & piano (Rural Cantata/ Cantata campestre) "Un lieto Brindisi", , WoO 103 | — | ||
| 72-8 | Song for voice & piano "Andenken", WoO 136 | — | ||
| 72-9 | Der Gesang der Nachtigall "Höre, die Nachtigall singt" for voice & piano, WoO 141 | — | ||
| 72-10 | Resignation "Lisch aus, mein Licht", song for voice & piano, WoO 149 | — | ||
| 72-11 | Irish Songs (20) for voice & piano trio, WoO 153 Nr. 16. "O might I but my Patrick love" | — | ||
| 72-12 | Irish Songs (20) for voice & piano trio, WoO 153 Nr. 19. "Judy, lovely matchless creature" | — | ||
| 72-13 | Irish Songs (12) for voice & piano trio, WoO 154 Nr. 4. "The pulse of an Irishman ever beats quicker" | — | ||
| 72-14 | Irish Songs (12) for voice & piano trio, WoO 154 Nr. 11. "The soldier in a foreign land" | — | ||
| 72-15 | Welsh Songs (26) for voice(s) & piano trio WoO 155 Nr. 15. "When mortals all to rest retire" | — | ||
| 72-16 | Scottish Songs (12) for voices & piano trio, WoO 156 Nr. 9. "Lochnagar" | — | ||
| 72-17 | Songs (12) of Various Nationality for voice & piano trio, WoO 157 Nr. 1. "God save the king" | — | ||
| 72-18 | Songs (12) of Various Nationality for voice & piano trio, WoO 157 Nr. 2. "The soldier" | — | ||
| 72-19 | Songs (12) of Various Nationality for voice & piano trio, WoO 157 Nr. 3. "Charlie is my darling" | — | ||
| 72-20 | Songs (12) of Various Nationality for voice & piano trio, WoO 157 Nr. 4. "O Sanctissima" | — | ||
| 72-21 | Songs (12) of Various Nationality for voice & piano trio, WoO 157 Nr. 9. "Highlander's lament" | — | ||
| 72-22 | Songs (12) of Various Nationality for voice & piano trio, WoO 157 Nr. 10. "Sir Johnnie Cope" | — | ||
| 72-23 | Songs (12) of Various Nationality for voice & piano trio, WoO 157 Nr. 12. "La Gondoletta" | — | ||
| 73-1 | Grenadier March for mechanical clock in F major, Hess 107 | — | ||
| 73-2 | Das liebe Kätzchen, folk song for voice & piano trio, Hess 133 | — | ||
| 73-3 | Der Knabe auf dem Berge, song for voice & piano trio, Hess 134 | — | ||
| 73-4 | Quartet for Solo Voice(s): "Fra tutte le pene" (WoO 99/3c), 3 of 3 settings, Hess 210 | — | ||
| 73-5 | Duet in C major: "Salvo tu vuoi lo sposo?", Hess 228 | — | ||
| 73-6 | Quartet for Solo Voice(s) in C major: "Giura il nocchier" Hess 230 | — | ||
| 73-7 | Duet in C major: "Sei mio ben", Hess 231 | — | ||
| 73-8 | Chorus for Orchestra & Chorus in A major: "Chor auf die verbündeten Fürsten", WoO 95 | — | ||
| 73-9 | Italian Songs a Cappella, WoO 99 No. 1: Bei labbri, che Amore (H 211) | — | ||
| 73-10 | Italian Songs a Cappella, WoO 99 No. 3a: Fra tutte le pene | — | ||
| 73-11 | Italian Songs a Cappella, WoO 99 No. 3c: Fra tutte le pene (H 224) | — | ||
| 73-12 | Italian Songs a Cappella, WoO 99 No. 4b: Gia la notte s'avvicina (H 223) | — | ||
| 73-13 | Italian Songs a Cappella, WoO 99 No. 5b: Giura il nocchier (H 227) | — | ||
| 73-14 | Italian Songs a Cappella, WoO 99 No. 6: Ma tu tremi, o mio tesoro (H 212) | — | ||
| 73-15 | Italian Songs a Cappella, WoO 99 No. 7a: Nei campi e nelle selve (H 217) | — | ||
| 73-16 | Italian Songs a Cappella, WoO 99 No. 9: Per te d'amico aprile (H 216) | — | ||
| 73-17 | Italian Songs a Cappella, WoO 99 No. 10a: Quella cetra ah pur tu sei (H 213) | — | ||
| 73-18 | Italian Songs a Cappella, WoO 99 No. 10b: Quella cetra ah pur tu sei (H 218) | — | ||
| 73-19 | Italian Songs a Cappella, WoO 99 No. 11: Scrivo in te (H 215) | — | ||
| 73-20 | Neue Liebe, neues Leben, song for voice & piano, WoO 127 | — | ||
| 73-21 | Erlkönig, song for voice & piano, WoO 131 | — | ||
| 73-22 | Welsh Songs (26) for voice(s) & piano trio WoO 155 No. 19: The vale of Clwyd | — | ||
| 73-23 | Welsh Songs (26) for voice(s) & piano trio WoO 155 No. 20: To the blackbird | — | ||
| 73-24 | Welsh Songs (26) for voice(s) & piano trio WoO 155 No. 22: Constancy | — | ||
| 73-25 | Welsh Songs (26) for voice(s) & piano trio WoO 155 No. 23: The old strain | — | ||
| 73-26 | Welsh Songs (26) for voice(s) & piano trio WoO 155 No. 24: Three hundred pounds | — | ||
| 73-27 | Scottish Songs (12) for voices & piano trio, WoO 156 No. 1: The banner of Buccleuch | — | ||
| 73-28 | Scottish Songs (12) for voices & piano trio, WoO 156 No. 2: Duncan Grey | — | ||
| 73-29 | Scottish Songs (12) for voices & piano trio, WoO 156 No. 3: Up! Quit the bower | — | ||
| 73-30 | Scottish Songs (12) for voices & piano trio, WoO 156 No. 4: Ye shepherds of this pleasant | — | ||
| 73-31 | Scottish Songs (12) for voices & piano trio, WoO 156 No. 5: Cease your funning | — | ||
| 73-32 | Scottish Songs (12) for voices & piano trio, WoO 156 No. 6: Highland Harry | — | ||
| 73-33 | Scottish Songs (12) for voices & piano trio, WoO 156 No. 7: Polly Stewart | — | ||
| 73-34 | Scottish Songs (12) for voices & piano trio, WoO 156 No. 8: Womankind | — | ||
| 73-35 | Scottish Songs (12) for voices & piano trio, WoO 156 No. 12: The Quaker's wife | — | ||
| 73-36 | Canon in 3 parts in F major, WoO 166: "Kurz ist der Schmerz" | — | ||
| 73-37 | Canon in 2 parts in C major, WoO 170: "Ars longa, vita brevis" | — | ||
| 73-38 | Canon in 3 parts in F major, WoO 176: "Glück, Glück zum neuen Jahr" | — | ||
| 73-39 | Canon in 4 parts in C major, WoO 189: "Doktor sperrt das Tor dem Tod" | — | ||
| 73-40 | Canon in 2 parts in C major, WoO 193: "Ars longa, vita brevis" | — | ||
| 73-41 | Canon in F major, WoO 194: "Si non per portas, per muros" | — | ||
| 73-42 | Ich bin der Herr von zu, Du bist der Herr von von, musical joke for voice, WoO 199 | — | ||
| 73-43 | Ich bin bereit..., musical joke for voices, WoO 201 | — | ||
| 73-44 | Das Schöne zum Guten, Stammbuch entry for voice, WoO 202 | — | ||
| 73-45 | Das Schöne zu dem Guten, Stammbuch entry for voice, WoO 203 | — | ||
| 73-46 | Holz, holz, geigt die Quartette so, musical joke, WoO 204 | — | ||
| 73-47 | Musical greetings for Solo Voice(s) in C major, WoO 205 No. 1 : "Baron, Baron, Baron" | — | ||
| 73-48 | Musical greetings for Solo Voice(s) in C major, WoO 205 No. 2: "Allein, allein, allein, jedoch. Silentium!" | — | ||
| 73-49 | Musical greetings for Solo Voice(s) in A minor, WoO 205 No. 3: "O Adjutant" | — | ||
| 73-50 | Musical greetings for Solo Voice(s) in C major, WoO 205 No. 4: "Wo? Wo?" | — | ||
| 73-51 | Musical greetings for Solo Voice(s) in D major, WoO 205 No. 5: "Erfüllung, Erfüllung" | — | ||
| 73-52 | Musical greetings for Solo Voice(s) in F major, WoO 205 No. 6: "Scheut euch nicht" | — | ||
| 73-53 | Musical greetings for Solo Voice(s) in E major, WoO 205 No. 7: "Tobias! Paternostergäßler. Tobias! Paternostergäßlerischer, Bierhäuslerischer musikalischer Philister!" | — | ||
| 73-54 | Musical greetings for Solo Voice(s) in D major, WoO 205 No. 8: "Tobias Tobias" | — | ||
| 73-55 | Musical greetings for Solo Voice(s) in C major, WoO 205 No. 9: "Bester Tobias" | — | ||
| 73-56 | Musical greetings for Solo Voice(s) in C major, WoO 205 No. 10: "Erster aller Tobiasse" | — | ||
| 74-1 | Irish Songs (25) for voice & piano trio, WoO 152 No. 3: Once more I hail thee | — | ||
| 74-2 | Irish Songs (25) for voice & piano trio, WoO 152 No. 4: The morning air plays on my face | — | ||
| 74-3 | Irish Songs (25) for voice & piano trio, WoO 152 No. 7: His boat comes on the sunny tide | — | ||
| 74-4 | Irish Songs (25) for voice & piano trio, WoO 152 No. 9: The soldier's dream | — | ||
| 74-5 | Irish Songs (25) for voice & piano trio, WoO 152 No. 12: English bulls | — | ||
| 74-6 | Irish Songs (25) for voice & piano trio, WoO 152 No. 14: Dermont and Shelah | — | ||
| 74-7 | Irish Songs (25) for voice & piano trio, WoO 152 No. 16: Hide not thy anguish | — | ||
| 74-8 | Irish Songs (25) for voice & piano trio, WoO 152 No. 18: They bid me slight my dermot dear | — | ||
| 74-9 | Irish Songs (25) for voice & piano trio, WoO 152 No. 22: From Garyone, my happy home | — | ||
| 74-10 | Irish Songs (25) for voice & piano trio, WoO 152 No. 25: Oh harp of Erin | — | ||
| 74-11 | Irish Songs (20) for voice & piano trio, WoO 153 No. 2: No riches from scanty store | — | ||
| 74-12 | Irish Songs (20) for voice & piano trio, WoO 153 No. 3: The British light dragoons | — | ||
| 74-13 | Irish Songs (20) for voice & piano trio, WoO 153 No. 6: Sad and luckless was the season | — | ||
| 74-14 | Irish Songs (20) for voice & piano trio, WoO 153 No. 12: I'll praise the saints with early song | — | ||
| 74-15 | Irish Songs (20) for voice & piano trio, WoO 153 No. 13: Sunshine | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Bagatelle in C major “Lustig-Traurig”, WoO 54 | Jenő Jandó | — |
| Prelude in F minor, WoO 55 | Jenő Jandó | — |
| Rondo for Piano and Orchestra in B-flat major, WoO 6. Allegro (cadenza: Carl Czerny) | Stefan Vladar, Capella Istropolitana, Barry Wordsworth | — |
