UPC · Release
Tanz‐Marathon
Various Artists
Last verified:
4029758702826 is the Universal Product Code (UPC barcode) for the release “Tanz‐Marathon” by Various Artists, released 2006-01-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 58 tracks, each with its own ISRC. Tracks include DEN120205511, DEN950501380, NLF360801720.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (58)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | An der schönen blauen Donau (WW) | — | ||
| 2 | First Day of My Life (BL) | — | ||
| 3 | If I Hadn’t Got You (CC) | — | ||
| 4 | Pop Muzak (SB) | — | ||
| 5 | Popcorn (DF) | — | ||
| 6 | Call On Me (CC) | — | ||
| 7 | Daddy Cool (DF) | — | ||
| 8 | Automatic (I’m Talking to You) (CC) | — | ||
| 9 | In‐Tango (TG) | — | ||
| 10 | I Just Can’t Wait (CC) | — | ||
| 11 | Still in Love With You | No Angels | T-000.232.886-0 | |
| 12 | New York New York (SF) | — | ||
| 13 | Hunters of the Night (DF) | — | ||
| 14 | Honeymoon Day (CC) | — | ||
| 15 | Naked Love (DF) | — | ||
| 16 | Turbo Polka (CC) | — | ||
| 17 | Where Do You Go to My Lovely (WW) | — | ||
| 18 | Bee Gees Medley | — | ||
| 2-1 | Some People (CC) | — | ||
| 2-2 | Trippin’ (RB) | — | ||
| 2-3 | Move in My Direction (CC) | — | ||
| 2-4 | Ladies Night (SB) | — | ||
| 2-5 | A Walk in the Park (DF) | — | ||
| 2-6 | California (CC) | — | ||
| 2-7 | Ilarie (MB) | — | ||
| 2-8 | Take Me to the Clouds Above (CC) | — | ||
| 2-9 | Sing Hallelujah! | Yamboo, Dr. Alban | T-000.005.356-4 | |
| 2-10 | Desenchantée (JV) | — | ||
| 2-11 | La Poupée (DF) | — | ||
| 2-12 | Falling Stars (CC) | — | ||
| 2-13 | Femme Like You (DF) | — | ||
| 2-14 | Suavemente (CC) | — | ||
| 2-15 | The Other Side (FT) | — | ||
| 2-16 | Rosana (WW) | — | ||
| 2-17 | Half a Minute (SB) | — | ||
| 2-18 | Give That Girl a Diamond (RB) | — | ||
| 2-19 | Singing in the Rain (FT) | — | ||
| 2-20 | Flashdance (What a Feeling) (DF) | — | ||
| 2-21 | Da wird die Sau geschlacht’ (WW) | — | ||
| 3-1 | La Camisa Negra (SB) | — | ||
| 3-2 | Let the Good Times Roll (SF) | — | ||
| 3-3 | What the World Needs Now (LW) | — | ||
| 3-4 | Feels Like Heaven (CC) | — | ||
| 3-5 | My Love Is a Tango (TG) | — | ||
| 3-6 | Obsessiòn (CC) | — | ||
| 3-7 | Rama Lama Ding Dong (BG) | — | ||
| 3-8 | Que Sera Mi Vida (If You Should Go) (DF) | — | ||
| 3-9 | The Lennon‐McCartney Disco Mix (CC) | — | ||
| 3-10 | Backseat Of Your Cadillac (DF) | — | ||
| 3-11 | La Bamba (CC) | — | ||
| 3-12 | Let’s Twist Again (JV) | — | ||
| 3-13 | Sweets for My Sweet (CC) | — | ||
| 3-14 | Here Comes My Baby (JV) | — | ||
| 3-15 | Hey Baby! (CC) | — | ||
| 3-16 | It’s My Party (CC) | — | ||
| 3-17 | Reality | Richard Sanderson | T-003.035.947-7 | |
| 3-19 | Stars on 45 | Stars on 45 | — | |
| 3-20 | Radetzky Marsch (Polka) | — |
Additional database matches (1)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Stars on 45 | Stars on 45 | T-900.035.323-1 |
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
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Credits Graph
People also ask
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What is UPC 4029758702826?
4029758702826 is a Universal Product Code (UPC) assigned to Tanz‐Marathon by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 58 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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