UPC · Release
Various Artists
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The UPC for “Diamond Classics” by Various Artists is 4031276000407. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2003-05-05. Label: Mazur Media GmbH. This release contains 199 tracks, each with its own ISRC. Tracks include USSM19915455, USSM19915456, USSM19915457.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Serenade no. 13 for Strings in G major, K. 525 "Eine kleine Nachtmusik": I. Allegro | — | ||
| 2 | Serenade no. 13 for Strings in G major, K. 525 "Eine kleine Nachtmusik": II. Romance. Andante | — | ||
| 3 | Serenade no. 13 for Strings in G major, K. 525 "Eine kleine Nachtmusik": III. Minuetto. Allegretto & Trio | — | ||
| 4 | Serenade no. 13 for Strings in G major, K. 525 "Eine kleine Nachtmusik": IV. Rondo. Allegro | — | ||
| 5 | Concerto for Clarinet in A major, K. 622: I. Allegro | — | ||
| 6 | Concerto for Clarinet in A major, K. 622: II. Adagio | — | ||
| 7 | Concerto for Clarinet in A major, K. 622: III. Rondo. Allegro | — | ||
| 8 | Concerto for Flute No. 2 in D major, K. 285d/314: I. Allegro aperto | — | ||
| 9 | Concerto for Flute No. 2 in D major, K. 285d/314: II. Adagio ma non troppo | — | ||
| 10 | Concerto for Flute No. 2 in D major, K. 285d/314: III. Rondo. Allegretto | — | ||
| 2-1 | Symphonie No. 5 c-moll, Op. 67: I. Allegro con brio | — | ||
| 2-2 | Symphonie No. 5 c-moll, Op. 67: II. Andante con moto | — | ||
| 2-3 | Symphonie No. 5 c-moll, Op. 67: III. Allegro | — | ||
| 2-4 | Symphonie No. 5 c-moll, Op. 67: IV. Allegro | — | ||
| 2-5 | Symphonie No. 7 A-dur, Op. 92: I. Poco sostenuto - Vivace | — | ||
| 2-6 | Symphonie No. 7 A-dur, Op. 92: II. Allegretto | — | ||
| 2-7 | Symphonie No. 7 A-dur, Op. 92: III. Presto | — | ||
| 2-8 | Symphonie No. 7 A-dur, Op. 92: IV. Allegro con brio | — | ||
| 3-1 | Sinfonie No. 5 B-Dur, D. 485: I. Allegro | — | ||
| 3-2 | Sinfonie No. 5 B-Dur, D. 485: II. Andante con moto | — | ||
| 3-3 | Sinfonie No. 5 B-Dur, D. 485: III. Menuetto. Allegro molto | — | ||
| 3-4 | Sinfonie No. 5 B-Dur, D. 485: IV. Allegro vivace | — | ||
| 3-5 | Sinfonie No. 8 h-Moll, D. 759 "Unvollendete": I. Allegro moderato | — | ||
| 3-6 | Sinfonie No. 8 h-Moll, D. 759 "Unvollendete": II. Andante con moto | — | ||
| 3-7 | Schauspiel zu Rosamunde, D. 797 | — | ||
| 3-8 | Schauspiel zu Rosamunde, D. 797 | — | ||
| 3-9 | Schauspiel zu Rosamunde, D. 797 | — | ||
| 4-1 | Klavierkonzert No. 1 b-moll, Op. 23: I. Allegro non troppo e molto maestoso - Allegro con spirito | — | ||
| 4-2 | Klavierkonzert No. 1 b-moll, Op. 23: II. Andantino semplice - Prestissimo | — | ||
| 4-3 | Klavierkonzert No. 1 b-moll, Op. 23: III. Allegro con fuoco | — | ||
| 4-4 | Konzert für Violine und Orchester D-dur, Op. 35: I. Allegro moderato | — | ||
| 4-5 | Konzert für Violine und Orchester D-dur, Op. 35: II. Canzonetta. Andante | — | ||
| 4-6 | Konzert für Violine und Orchester D-dur, Op. 35: III. Finale. Allegro vivacissimo | — | ||
| 5-1 | Sinfonie No.46 H-dur: I. Vivace | — | ||
| 5-2 | Sinfonie No.46 H-dur: II. Poco adagio | — | ||
| 5-3 | Sinfonie No.46 H-dur: III. Menuetto Allegretto - Trio | — | ||
| 5-4 | Sinfonie No.46 H-dur: IV. Finale. Presto e scherzando | — | ||
| 5-5 | Sinfonie No.92 G-dur "Oxford": I. Adagio - Allegro spiritoso | — | ||
| 5-6 | Sinfonie No.92 G-dur "Oxford": II. Adagio | — | ||
| 5-7 | Sinfonie No.92 G-dur "Oxford" III. Menuetto - Trio | — | ||
| 5-8 | Sinfonie No.92 G-dur "Oxford" IV. Finale. Presto | — | ||
| 5-9 | Sinfonie No.104 D-dur "Londoner Sinfonie": I. Adagio - Allegro | — | ||
| 5-10 | Sinfonie No.104 D-dur "Londoner Sinfonie": II. Andante | — | ||
| 5-11 | Sinfonie No.104 D-dur "Londoner Sinfonie": III. Menuetto Allegro - Trio | — | ||
| 5-12 | Sinfonie No.104 D-dur "Londoner Sinfonie": IV. Finale. Spiritoso | — | ||
| 6-1 | Brandenburgische Konzerte No.1 in F-Dur, BWV 1046, Allegro moderato | — | ||
| 6-2 | Brandenburgische Konzerte No.1 in F-Dur, BWV 1046, Adagio | — | ||
| 6-3 | Brandenburgische Konzerte No.1 in F-Dur, BWV 1046, Allegro | — | ||
| 6-4 | Brandenburgische Konzerte No.1 in F-Dur, BWV 1046, Menuetto | — | ||
| 6-5 | Brandenburgische Konzerte No.2 in F-Dur, BWV 1047, Allegro moderato | — | ||
| 6-6 | Brandenburgische Konzerte No.2 in F-Dur, BWV 1047, Andante | — | ||
| 6-7 | Brandenburgische Konzerte No.2 in F-Dur, BWV 1047, Allegro assai | — | ||
| 6-8 | Brandenburgische Konzerte No.3 in G-Dur, BWV 1048, Allegro mode | — | ||
| 6-9 | Brandenburgische Konzerte No.3 in G-Dur, BWV 1048, Allegro | — | ||
| 6-10 | Toccata & Fuge in D-Moll, BWV 565 | — | ||
| 6-11 | Orgel Koncert in D-Moll, BWV 596 nach Vivaldi, Grave | — | ||
| 7-1 | Wassermusik, Suite Nr.1 F-dur, I. Ouvertüre. Largo - Allegro | — | ||
| 7-2 | Wassermusik, Suite Nr.1 F-dur, II. Adagio e staccato | — | ||
| 7-3 | Wassermusik, Suite Nr.1 F-dur, III. | — | ||
| 7-4 | Wassermusik, Suite Nr.1 F-dur, IV. Andante | — | ||
| 7-5 | Wassermusik, Suite Nr.1 F-dur, V. | — | ||
| 7-6 | Wassermusik, Suite Nr.1 F-dur, VI. Air | — | ||
| 7-7 | Wassermusik, Suite Nr.1 F-dur, VII. Menuetto | — | ||
| 7-8 | Wassermusik, Suite Nr.1 F-dur, VIII. Bourrée | — | ||
| 7-9 | Wassermusik, Suite Nr.1 F-dur, IX. Hornpipe | — | ||
| 7-10 | Wassermusik, Suite Nr.1 F-dur, X. Finale | — | ||
| 7-11 | Wassermusik, Suite Nr.2 D-dur, I. | — | ||
| 7-12 | Wassermusik, Suite Nr.2 D-dur, II. Alla Hornpipe | — | ||
| 7-13 | Wassermusik, Suite Nr.2 D-dur, III. Menuetto | — | ||
| 7-14 | Wassermusik, Suite Nr.2 D-dur, IV. Lentement | — | ||
| 7-15 | Wassermusik, Suite Nr.2 D-dur, V. Bourrée | — | ||
| 7-16 | Wassermusik, Suite Nr.3 G-dur, I. | — | ||
| 7-17 | Wassermusik, Suite Nr.3 G-dur, II. Rigaudon | — | ||
| 7-18 | Wassermusik, Suite Nr.3 G-dur, III. | — | ||
| 7-19 | Wassermusik, Suite Nr.3 G-dur, IV. Menuetto | — | ||
| 7-20 | Wassermusik, Suite Nr.3 G-dur, V. | — | ||
| 7-21 | Wassermusik, Suite Nr.3 G-dur, VI. | — | ||
| 7-22 | Wassermusik, Suite Nr.3 G-dur, VII. | — | ||
| 7-23 | Feuerwerksmusik, I. Ouvertüre. Adagio - Allegro - Lentement | — | ||
| 7-24 | Feuerwerksmusik, II. Bourrée | — | ||
| 7-25 | Feuerwerksmusik, III. La paix Largo alla Siciliana | — | ||
| 7-26 | Feuerwerksmusik, IV. La Réjouissance. Allegro | — | ||
| 7-27 | Feuerwerksmusik, V. Menuet I | — | ||
| 7-28 | Feuerwerksmusik, VI. Menuet II | — | ||
| 7-29 | Aus Xerxes: Largo | — | ||
| 8-1 | Die vier Jahreszeiten / Konzerte für Violine, Streicher & Cembalo, op.8, Der Frühling. Konzert No.1 | — | ||
| 8-2 | Die vier Jahreszeiten / Konzerte für Violine, Streicher & Cembalo, op.8, Der Frühling. Konzert No.1 | — | ||
| 8-3 | Die vier Jahreszeiten / Konzerte für Violine, Streicher & Cembalo, op.8, Der Frühling. Konzert No.1 | — | ||
| 8-4 | Die vier Jahreszeiten / Konzerte für Violine, Streicher & Cembalo, op.8, Der Sommer. Konzert No.2 G | — | ||
| 8-5 | Die vier Jahreszeiten / Konzerte für Violine, Streicher & Cembalo, op.8, Der Sommer. Konzert No.2 G | — | ||
| 8-6 | Die vier Jahreszeiten / Konzerte für Violine, Streicher & Cembalo, op.8, Der Sommer. Konzert No.2 G | — | ||
| 8-7 | Die vier Jahreszeiten / Konzerte für Violine, Streicher & Cembalo, op.8, Der Herbst. Konzert No.3 F | — | ||
| 8-8 | Die vier Jahreszeiten / Konzerte für Violine, Streicher & Cembalo, op.8, Der Herbst. Konzert No.3 F | — | ||
| 8-9 | Die vier Jahreszeiten / Konzerte für Violine, Streicher & Cembalo, op.8, Der Herbst. Konzert No.3 F | — | ||
| 8-10 | Die vier Jahreszeiten / Konzerte für Violine, Streicher & Cembalo, op.8, Der Winter. Konzert No.4 F | — | ||
| 8-11 | Die vier Jahreszeiten / Konzerte für Violine, Streicher & Cembalo, op.8, Der Winter. Konzert No.4 F | — | ||
| 8-12 | Die vier Jahreszeiten / Konzerte für Violine, Streicher & Cembalo, op.8, Der Winter. Konzert No.4 F | — | ||
| 8-13 | Konzert für Oboe & Streichorchester A / moll, I. Allegro | — | ||
| 8-14 | Konzert für Oboe & Streichorchester A / moll, II. Larghetto | — | ||
| 8-15 | Konzert für Oboe & Streichorchester A / moll, III. Allegro | — | ||
| 8-16 | Konzert für Fagott & Orchester A / moll, RV 497, I. Allegro molto | — | ||
| 8-17 | Konzert für Fagott & Orchester A / moll, RV 497, II. Andante molto | — | ||
| 8-18 | Konzert für Fagott & Orchester A / moll, RV 497, III. Allegro | — | ||
| 8-19 | Concerto for Flute, Strings and Basso Continuo in F major, RV 433 "La Tempesta di Mare": I. Allegro | Alexander Kiskachi, Kammerorchester "Renaissance", Leo Korchin | — | |
| 8-20 | Concerto for Flute, Strings and Basso Continuo in F major, RV 433 "La Tempesta di Mare": II. Largo | Alexander Kiskachi, Kammerorchester "Renaissance", Leo Korchin | — | |
| 8-21 | Concerto for Flute, Strings and Basso Continuo in F major, RV 433 "La Tempesta di Mare": III. Presto | Alexander Kischaki, Alexander Kiskachi, Kammerorchester "Renaissance", Leo Korchin | — | |
| 9-1 | Sinfonie No. 40 g-Moll, K. 550: I. Molto allegro | — | ||
| 9-2 | Sinfonie No. 40 g-Moll, K. 550: II. Andante | — | ||
| 9-3 | Sinfonie No. 40 g-Moll, K. 550: III. Menuetto. Allegretto | — | ||
| 9-4 | Sinfonie No. 40 g-Moll, K. 550: IV. Finale. Allegro assai | — | ||
| 9-5 | Sinfonie No. 41 C-Dur, K. 551 "Jupiter": I. Allegro vivace | — | ||
| 9-6 | Sinfonie No. 41 C-Dur, K. 551 "Jupiter": II. Andante cantabile | — | ||
| 9-7 | Sinfonie No. 41 C-Dur, K. 551 "Jupiter": III. Menuetto. Allegretto | — | ||
| 9-8 | Sinfonie No. 41 C-Dur, K. 551 "Jupiter": IV. Finale. Molto allegro | — | ||
| 9-9 | Zwei Märsche D-Dur, K. 320a / KV 335 No. 1 | — | ||
| 9-10 | Zwei Märsche D-Dur, K. 320a / KV 335 No. 2: Maestoso assai | — | ||
| 10-1 | Klavierkonzert No.2 | — | ||
| 10-2 | Klavierkonzert No.2 | — | ||
| 10-3 | Klavierkonzert No.2 | — | ||
| 10-4 | Sonate No.2 b-moll, Op. 35, I. Grave | — | ||
| 10-5 | Sonate No.2 | — | ||
| 10-6 | Sonate No.2 | — | ||
| 10-7 | Sonate No.2 | — | ||
| 10-8 | Scherzo No.1 | — | ||
| 11-1 | Ouvertüre "Leonore" No. 3 Op. 72a | — | ||
| 11-2 | Sinfonie No. 6 F-dur, Op. 68 "Pastorale": I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande | — | ||
| 11-3 | Sinfonie No. 6 F-dur, Op. 68 "Pastorale": II. Szene am Bach. Andante molto mosso | — | ||
| 11-4 | Sinfonie No. 6 F-dur, Op. 68 "Pastorale": III. Lustiges Zusammensein der Landleute. Allegro | — | ||
| 11-5 | Sinfonie No. 6 F-dur, Op. 68 "Pastorale": IV. Gewitter. Sturm. Allegro | — | ||
| 11-6 | Sinfonie No. 6 F-dur, Op. 68 "Pastorale": V. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm | — | ||
| 11-7 | Romanze für Violine und Orchester No. 2 in F-Dur, Op. 50 | — | ||
| 12-1 | Symphony No. 1: I. Andante un poco maestoso - Allegro | — | ||
| 12-2 | Symphony No. 1: II. Larghetto | — | ||
| 12-3 | Symphony No. 1: III Scherzo. Molto vivace | — | ||
| 12-4 | Symphony No. 1: IV. Allegro animato e grazioso | — | ||
| 12-5 | Symphony No. 2: I. Sostenuto assai - Allegro ma non troppo | — | ||
| 12-6 | Symphony No. 2: II. Scherzo. Allegro vivace | — | ||
| 12-7 | Symphony No. 2: III. Adagio espressivo | — | ||
| 12-8 | Symphony No. 2: IV. Allegro molto vivace | — | ||
| 12-9 | Scenes from Childhood, Op. 15: 1. Von fremden Ländern und Menschen | — | ||
| 12-10 | Scenes from Childhood, Op. 15: 7. Träumerei | — | ||
| 13-1 | Boléro | — | ||
| 13-2 | La Valse | — | ||
| 13-3 | Rhapsodie Espangnole, 1. Prélude à la nuit | — | ||
| 13-4 | Rhapsodie Espangnole, 2. Malaguena | — | ||
| 13-5 | Rhapsodie Espangnole, 3. Habanera | — | ||
| 13-6 | Rhapsodie Espangnole, 4. Feria | — | ||
| 13-7 | Valses nobles et sentimentales, 1. Modèrè | — | ||
| 13-8 | Valses nobles et sentimentales, 2. Assea lent | — | ||
| 13-9 | Valses nobles et sentimentales, 3. Modèrè | — | ||
| 13-10 | Valses nobles et sentimentales, 4. Assez animè | — | ||
| 13-11 | Valses nobles et sentimentales - 5. Presque lent | — | ||
| 13-12 | Valses nobles et sentimentales - 6. Assez vif | — | ||
| 13-13 | Valses nobles et sentimentales - 7. Moins vif | — | ||
| 13-14 | Valses nobles et sentimentales - 8. Epilogue. Lent | — | ||
| 14-1 | Ungarische Tänze No. 1 g-Moll | — | ||
| 14-2 | Ungarische Tänze No. 5 g-Moll | — | ||
| 14-3 | Ungarische Tänze No. 6 D-Dur | — | ||
| 14-4 | Tragische Ouvertüre d-Moll, Op. 81 | — | ||
| 14-5 | Konzert für Violine D-Dur, Op. 77: I. Allegro non troppo | — | ||
| 14-6 | Konzert für Violine D-Dur, Op. 77: II. Adagio | — | ||
| 14-7 | Konzert für Violine D-Dur, Op. 77: III. Allegro giocoso, ma non troppo vivace | — | ||
| 14-8 | Klavierquartett No. 3 c-Moll, Op. 60: II. Scherzo. Allegro | — | ||
| 15-1 | Schwanensee, Op. 20 Akt I, No. 1: Allegro giusto | — | ||
| 15-2 | Schwanensee, Op. 20 Akt I, No. 2: Walzer Tempo di valse | — | ||
| 15-3 | Schwanensee, Op. 20 Akt I, No. 4: Pas de trois I. Intrada: Allegro | — | ||
| 15-4 | Schwanensee, Op. 20 Akt I, No. 4: Pas de trois III. Allegro semplice | — | ||
| 15-5 | Schwanensee, Op. 20 Akt I, No. 4: Pas de trois IV. Moderato | — | ||
| 15-6 | Schwanensee, Op. 20 Akt I, No. 4: Pas de trois V. Allegro | — | ||
| 15-7 | Schwanensee, Op. 20 Akt I, No. 4: Pas de trois VI. Coda Allegro vivace | — | ||
| 15-8 | Schwanensee, Op. 20 Akt I, No. 8: Tanz der Tassen: Tempo di polacca | — | ||
| 15-9 | Schwanensee, Op. 20 Akt I, No. 9: Finale: Sujet: Andante | — | ||
| 15-10 | Schwanensee, Op. 20 Akt I No. 13: Tanz der Schwäne: I. Tempo di valse | — | ||
| 15-11 | Schwanensee, Op. 20 Akt I No. 13: Tanz der Schwäne: II. Moderato assai | — | ||
| 15-12 | Schwanensee, Op. 20 Akt I No. 13: Tanz der Schwäne: IV. Allegro moderato | — | ||
| 15-13 | Schwanensee, Op. 20 Akt I No. 13: Tanz der Schwäne: V. Pas d' action: Andante - Andante non troppo - Allegro | — | ||
| 15-14 | Schwanensee, Op. 20 Akt I No. 13: Tanz der Schwäne: VII. Coda: Allegro vivo | — | ||
| 15-15 | Schwanensee, Op. 20 Akt I No. 14: Szene: Moderato | — | ||
| 15-16 | Der Nussknacker, Op. 71 Akt I, Szene I, Ouvertüre | — | ||
| 15-17 | Der Nussknacker, Op. 71 Akt I, Szene I, No. 1: Szene. Schmücken und Beleuchten des Weihnachtsbaumes | — | ||
| 15-18 | Der Nussknacker, Op. 71 Akt I, Szene I, No. 2: Marsch | — | ||
| 15-19 | Der Nussknacker, Op. 71 Akt I, Szene I, No. 3: Kinder-Galopp und Eintreffen der Eltern | — | ||
| 15-20 | Der Nussknacker, Op. 71 Akt II, Szene III, No. 10: Der verzauberte Palast im Königreich der Süßigkei | — | ||
| 15-21 | Der Nussknacker, Op. 71 Akt II, Szene III, No. 12: Divertissement: Schokolade (Spanischer Tanz) | — | ||
| 15-22 | Der Nussknacker, Op. 71 Akt II, Szene III, No. 12: Kaffee (Arabischer Tanz) | — | ||
| 15-23 | Der Nussknacker, Op. 71 Akt II, Szene III, No. 12: Tee (Chinesischer Tanz) | — | ||
| 15-24 | Der Nussknacker, Op. 71 Akt II, Szene III, No. 12: Trepak (Russischer Tanz) | — | ||
| 15-25 | Der Nussknacker, Op. 71 Akt II, Szene III, No. 12: Tanz der Mirlone | — | ||
| 16-1 | Piano Concerto in A minor, Op. 16: I. Allegro molto moderato | — | ||
| 16-2 | Piano Concerto in A minor, Op. 16: II. Adagio | — | ||
| 16-3 | Piano Concerto in A minor, Op. 16: III. Allegro moderato molto e marcato - Quasi presto - Andante maestoso | — | ||
| 16-4 | Peer Gynt Suite No. 1, Op. 46: I. Morning - Allegretto pastorale | — | ||
| 16-5 | Peer Gynt Suite No. 1, Op. 46: II. Death of Aase - Andante doloroso | — | ||
| 16-6 | Peer Gynt Suite No. 1, Op. 46: III. Anitra's Dance - Tempo di Mazurka | — | ||
| 16-7 | Peer Gynt Suite No. 1, Op. 46: IV. In the Hall of Mountain King - Alla marcia e molto marcato | — | ||
| 16-8 | Peer Gynt Suite no. 2, op. 55: I. Abduction of the Bride and Ingrid’s Lament: Allegro furioso – Andante | Georgian SIMI Festival Orchestra, Tbilisi Symphony Orchestra, Djansug Kakhidze, Nodar Tsatishvili | — | |
| 16-9 | Peer Gynt Suite No. 2, Op. 55: II. Arabian Dance - Allegro vivace | — | ||
| 16-10 | Peer Gynt Suite No. 2, Op. 55: III. Peer Gynt's Return - Allegro agitato | — | ||
| 16-11 | Peer Gynt Suite No. 2, Op. 55: IV. Solveig's Song - Andante - Allegretto traquillamente | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
4031276000407 is a Universal Product Code (UPC) assigned to Diamond Classics by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 199 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “Diamond Classics” by Various Artists is 4031276000407. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2003-05-05. Label: Mazur Media GmbH. This release contains 199 tracks, each with its own ISRC. Tracks include USSM19915455, USSM19915456, USSM19915457.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Serenade no. 13 for Strings in G major, K. 525 "Eine kleine Nachtmusik": I. Allegro | — | ||
| 2 | Serenade no. 13 for Strings in G major, K. 525 "Eine kleine Nachtmusik": II. Romance. Andante | — | ||
| 3 | Serenade no. 13 for Strings in G major, K. 525 "Eine kleine Nachtmusik": III. Minuetto. Allegretto & Trio | — | ||
| 4 | Serenade no. 13 for Strings in G major, K. 525 "Eine kleine Nachtmusik": IV. Rondo. Allegro | — | ||
| 5 | Concerto for Clarinet in A major, K. 622: I. Allegro | — | ||
| 6 | Concerto for Clarinet in A major, K. 622: II. Adagio | — | ||
| 7 | Concerto for Clarinet in A major, K. 622: III. Rondo. Allegro | — | ||
| 8 | Concerto for Flute No. 2 in D major, K. 285d/314: I. Allegro aperto | — | ||
| 9 | Concerto for Flute No. 2 in D major, K. 285d/314: II. Adagio ma non troppo | — | ||
| 10 | Concerto for Flute No. 2 in D major, K. 285d/314: III. Rondo. Allegretto | — | ||
| 2-1 | Symphonie No. 5 c-moll, Op. 67: I. Allegro con brio | — | ||
| 2-2 | Symphonie No. 5 c-moll, Op. 67: II. Andante con moto | — | ||
| 2-3 | Symphonie No. 5 c-moll, Op. 67: III. Allegro | — | ||
| 2-4 | Symphonie No. 5 c-moll, Op. 67: IV. Allegro | — | ||
| 2-5 | Symphonie No. 7 A-dur, Op. 92: I. Poco sostenuto - Vivace | — | ||
| 2-6 | Symphonie No. 7 A-dur, Op. 92: II. Allegretto | — | ||
| 2-7 | Symphonie No. 7 A-dur, Op. 92: III. Presto | — | ||
| 2-8 | Symphonie No. 7 A-dur, Op. 92: IV. Allegro con brio | — | ||
| 3-1 | Sinfonie No. 5 B-Dur, D. 485: I. Allegro | — | ||
| 3-2 | Sinfonie No. 5 B-Dur, D. 485: II. Andante con moto | — | ||
| 3-3 | Sinfonie No. 5 B-Dur, D. 485: III. Menuetto. Allegro molto | — | ||
| 3-4 | Sinfonie No. 5 B-Dur, D. 485: IV. Allegro vivace | — | ||
| 3-5 | Sinfonie No. 8 h-Moll, D. 759 "Unvollendete": I. Allegro moderato | — | ||
| 3-6 | Sinfonie No. 8 h-Moll, D. 759 "Unvollendete": II. Andante con moto | — | ||
| 3-7 | Schauspiel zu Rosamunde, D. 797 | — | ||
| 3-8 | Schauspiel zu Rosamunde, D. 797 | — | ||
| 3-9 | Schauspiel zu Rosamunde, D. 797 | — | ||
| 4-1 | Klavierkonzert No. 1 b-moll, Op. 23: I. Allegro non troppo e molto maestoso - Allegro con spirito | — | ||
| 4-2 | Klavierkonzert No. 1 b-moll, Op. 23: II. Andantino semplice - Prestissimo | — | ||
| 4-3 | Klavierkonzert No. 1 b-moll, Op. 23: III. Allegro con fuoco | — | ||
| 4-4 | Konzert für Violine und Orchester D-dur, Op. 35: I. Allegro moderato | — | ||
| 4-5 | Konzert für Violine und Orchester D-dur, Op. 35: II. Canzonetta. Andante | — | ||
| 4-6 | Konzert für Violine und Orchester D-dur, Op. 35: III. Finale. Allegro vivacissimo | — | ||
| 5-1 | Sinfonie No.46 H-dur: I. Vivace | — | ||
| 5-2 | Sinfonie No.46 H-dur: II. Poco adagio | — | ||
| 5-3 | Sinfonie No.46 H-dur: III. Menuetto Allegretto - Trio | — | ||
| 5-4 | Sinfonie No.46 H-dur: IV. Finale. Presto e scherzando | — | ||
| 5-5 | Sinfonie No.92 G-dur "Oxford": I. Adagio - Allegro spiritoso | — | ||
| 5-6 | Sinfonie No.92 G-dur "Oxford": II. Adagio | — | ||
| 5-7 | Sinfonie No.92 G-dur "Oxford" III. Menuetto - Trio | — | ||
| 5-8 | Sinfonie No.92 G-dur "Oxford" IV. Finale. Presto | — | ||
| 5-9 | Sinfonie No.104 D-dur "Londoner Sinfonie": I. Adagio - Allegro | — | ||
| 5-10 | Sinfonie No.104 D-dur "Londoner Sinfonie": II. Andante | — | ||
| 5-11 | Sinfonie No.104 D-dur "Londoner Sinfonie": III. Menuetto Allegro - Trio | — | ||
| 5-12 | Sinfonie No.104 D-dur "Londoner Sinfonie": IV. Finale. Spiritoso | — | ||
| 6-1 | Brandenburgische Konzerte No.1 in F-Dur, BWV 1046, Allegro moderato | — | ||
| 6-2 | Brandenburgische Konzerte No.1 in F-Dur, BWV 1046, Adagio | — | ||
| 6-3 | Brandenburgische Konzerte No.1 in F-Dur, BWV 1046, Allegro | — | ||
| 6-4 | Brandenburgische Konzerte No.1 in F-Dur, BWV 1046, Menuetto | — | ||
| 6-5 | Brandenburgische Konzerte No.2 in F-Dur, BWV 1047, Allegro moderato | — | ||
| 6-6 | Brandenburgische Konzerte No.2 in F-Dur, BWV 1047, Andante | — | ||
| 6-7 | Brandenburgische Konzerte No.2 in F-Dur, BWV 1047, Allegro assai | — | ||
| 6-8 | Brandenburgische Konzerte No.3 in G-Dur, BWV 1048, Allegro mode | — | ||
| 6-9 | Brandenburgische Konzerte No.3 in G-Dur, BWV 1048, Allegro | — | ||
| 6-10 | Toccata & Fuge in D-Moll, BWV 565 | — | ||
| 6-11 | Orgel Koncert in D-Moll, BWV 596 nach Vivaldi, Grave | — | ||
| 7-1 | Wassermusik, Suite Nr.1 F-dur, I. Ouvertüre. Largo - Allegro | — | ||
| 7-2 | Wassermusik, Suite Nr.1 F-dur, II. Adagio e staccato | — | ||
| 7-3 | Wassermusik, Suite Nr.1 F-dur, III. | — | ||
| 7-4 | Wassermusik, Suite Nr.1 F-dur, IV. Andante | — | ||
| 7-5 | Wassermusik, Suite Nr.1 F-dur, V. | — | ||
| 7-6 | Wassermusik, Suite Nr.1 F-dur, VI. Air | — | ||
| 7-7 | Wassermusik, Suite Nr.1 F-dur, VII. Menuetto | — | ||
| 7-8 | Wassermusik, Suite Nr.1 F-dur, VIII. Bourrée | — | ||
| 7-9 | Wassermusik, Suite Nr.1 F-dur, IX. Hornpipe | — | ||
| 7-10 | Wassermusik, Suite Nr.1 F-dur, X. Finale | — | ||
| 7-11 | Wassermusik, Suite Nr.2 D-dur, I. | — | ||
| 7-12 | Wassermusik, Suite Nr.2 D-dur, II. Alla Hornpipe | — | ||
| 7-13 | Wassermusik, Suite Nr.2 D-dur, III. Menuetto | — | ||
| 7-14 | Wassermusik, Suite Nr.2 D-dur, IV. Lentement | — | ||
| 7-15 | Wassermusik, Suite Nr.2 D-dur, V. Bourrée | — | ||
| 7-16 | Wassermusik, Suite Nr.3 G-dur, I. | — | ||
| 7-17 | Wassermusik, Suite Nr.3 G-dur, II. Rigaudon | — | ||
| 7-18 | Wassermusik, Suite Nr.3 G-dur, III. | — | ||
| 7-19 | Wassermusik, Suite Nr.3 G-dur, IV. Menuetto | — | ||
| 7-20 | Wassermusik, Suite Nr.3 G-dur, V. | — | ||
| 7-21 | Wassermusik, Suite Nr.3 G-dur, VI. | — | ||
| 7-22 | Wassermusik, Suite Nr.3 G-dur, VII. | — | ||
| 7-23 | Feuerwerksmusik, I. Ouvertüre. Adagio - Allegro - Lentement | — | ||
| 7-24 | Feuerwerksmusik, II. Bourrée | — | ||
| 7-25 | Feuerwerksmusik, III. La paix Largo alla Siciliana | — | ||
| 7-26 | Feuerwerksmusik, IV. La Réjouissance. Allegro | — | ||
| 7-27 | Feuerwerksmusik, V. Menuet I | — | ||
| 7-28 | Feuerwerksmusik, VI. Menuet II | — | ||
| 7-29 | Aus Xerxes: Largo | — | ||
| 8-1 | Die vier Jahreszeiten / Konzerte für Violine, Streicher & Cembalo, op.8, Der Frühling. Konzert No.1 | — | ||
| 8-2 | Die vier Jahreszeiten / Konzerte für Violine, Streicher & Cembalo, op.8, Der Frühling. Konzert No.1 | — | ||
| 8-3 | Die vier Jahreszeiten / Konzerte für Violine, Streicher & Cembalo, op.8, Der Frühling. Konzert No.1 | — | ||
| 8-4 | Die vier Jahreszeiten / Konzerte für Violine, Streicher & Cembalo, op.8, Der Sommer. Konzert No.2 G | — | ||
| 8-5 | Die vier Jahreszeiten / Konzerte für Violine, Streicher & Cembalo, op.8, Der Sommer. Konzert No.2 G | — | ||
| 8-6 | Die vier Jahreszeiten / Konzerte für Violine, Streicher & Cembalo, op.8, Der Sommer. Konzert No.2 G | — | ||
| 8-7 | Die vier Jahreszeiten / Konzerte für Violine, Streicher & Cembalo, op.8, Der Herbst. Konzert No.3 F | — | ||
| 8-8 | Die vier Jahreszeiten / Konzerte für Violine, Streicher & Cembalo, op.8, Der Herbst. Konzert No.3 F | — | ||
| 8-9 | Die vier Jahreszeiten / Konzerte für Violine, Streicher & Cembalo, op.8, Der Herbst. Konzert No.3 F | — | ||
| 8-10 | Die vier Jahreszeiten / Konzerte für Violine, Streicher & Cembalo, op.8, Der Winter. Konzert No.4 F | — | ||
| 8-11 | Die vier Jahreszeiten / Konzerte für Violine, Streicher & Cembalo, op.8, Der Winter. Konzert No.4 F | — | ||
| 8-12 | Die vier Jahreszeiten / Konzerte für Violine, Streicher & Cembalo, op.8, Der Winter. Konzert No.4 F | — | ||
| 8-13 | Konzert für Oboe & Streichorchester A / moll, I. Allegro | — | ||
| 8-14 | Konzert für Oboe & Streichorchester A / moll, II. Larghetto | — | ||
| 8-15 | Konzert für Oboe & Streichorchester A / moll, III. Allegro | — | ||
| 8-16 | Konzert für Fagott & Orchester A / moll, RV 497, I. Allegro molto | — | ||
| 8-17 | Konzert für Fagott & Orchester A / moll, RV 497, II. Andante molto | — | ||
| 8-18 | Konzert für Fagott & Orchester A / moll, RV 497, III. Allegro | — | ||
| 8-19 | Concerto for Flute, Strings and Basso Continuo in F major, RV 433 "La Tempesta di Mare": I. Allegro | Alexander Kiskachi, Kammerorchester "Renaissance", Leo Korchin | — | |
| 8-20 | Concerto for Flute, Strings and Basso Continuo in F major, RV 433 "La Tempesta di Mare": II. Largo | Alexander Kiskachi, Kammerorchester "Renaissance", Leo Korchin | — | |
| 8-21 | Concerto for Flute, Strings and Basso Continuo in F major, RV 433 "La Tempesta di Mare": III. Presto | Alexander Kischaki, Alexander Kiskachi, Kammerorchester "Renaissance", Leo Korchin | — | |
| 9-1 | Sinfonie No. 40 g-Moll, K. 550: I. Molto allegro | — | ||
| 9-2 | Sinfonie No. 40 g-Moll, K. 550: II. Andante | — | ||
| 9-3 | Sinfonie No. 40 g-Moll, K. 550: III. Menuetto. Allegretto | — | ||
| 9-4 | Sinfonie No. 40 g-Moll, K. 550: IV. Finale. Allegro assai | — | ||
| 9-5 | Sinfonie No. 41 C-Dur, K. 551 "Jupiter": I. Allegro vivace | — | ||
| 9-6 | Sinfonie No. 41 C-Dur, K. 551 "Jupiter": II. Andante cantabile | — | ||
| 9-7 | Sinfonie No. 41 C-Dur, K. 551 "Jupiter": III. Menuetto. Allegretto | — | ||
| 9-8 | Sinfonie No. 41 C-Dur, K. 551 "Jupiter": IV. Finale. Molto allegro | — | ||
| 9-9 | Zwei Märsche D-Dur, K. 320a / KV 335 No. 1 | — | ||
| 9-10 | Zwei Märsche D-Dur, K. 320a / KV 335 No. 2: Maestoso assai | — | ||
| 10-1 | Klavierkonzert No.2 | — | ||
| 10-2 | Klavierkonzert No.2 | — | ||
| 10-3 | Klavierkonzert No.2 | — | ||
| 10-4 | Sonate No.2 b-moll, Op. 35, I. Grave | — | ||
| 10-5 | Sonate No.2 | — | ||
| 10-6 | Sonate No.2 | — | ||
| 10-7 | Sonate No.2 | — | ||
| 10-8 | Scherzo No.1 | — | ||
| 11-1 | Ouvertüre "Leonore" No. 3 Op. 72a | — | ||
| 11-2 | Sinfonie No. 6 F-dur, Op. 68 "Pastorale": I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande | — | ||
| 11-3 | Sinfonie No. 6 F-dur, Op. 68 "Pastorale": II. Szene am Bach. Andante molto mosso | — | ||
| 11-4 | Sinfonie No. 6 F-dur, Op. 68 "Pastorale": III. Lustiges Zusammensein der Landleute. Allegro | — | ||
| 11-5 | Sinfonie No. 6 F-dur, Op. 68 "Pastorale": IV. Gewitter. Sturm. Allegro | — | ||
| 11-6 | Sinfonie No. 6 F-dur, Op. 68 "Pastorale": V. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm | — | ||
| 11-7 | Romanze für Violine und Orchester No. 2 in F-Dur, Op. 50 | — | ||
| 12-1 | Symphony No. 1: I. Andante un poco maestoso - Allegro | — | ||
| 12-2 | Symphony No. 1: II. Larghetto | — | ||
| 12-3 | Symphony No. 1: III Scherzo. Molto vivace | — | ||
| 12-4 | Symphony No. 1: IV. Allegro animato e grazioso | — | ||
| 12-5 | Symphony No. 2: I. Sostenuto assai - Allegro ma non troppo | — | ||
| 12-6 | Symphony No. 2: II. Scherzo. Allegro vivace | — | ||
| 12-7 | Symphony No. 2: III. Adagio espressivo | — | ||
| 12-8 | Symphony No. 2: IV. Allegro molto vivace | — | ||
| 12-9 | Scenes from Childhood, Op. 15: 1. Von fremden Ländern und Menschen | — | ||
| 12-10 | Scenes from Childhood, Op. 15: 7. Träumerei | — | ||
| 13-1 | Boléro | — | ||
| 13-2 | La Valse | — | ||
| 13-3 | Rhapsodie Espangnole, 1. Prélude à la nuit | — | ||
| 13-4 | Rhapsodie Espangnole, 2. Malaguena | — | ||
| 13-5 | Rhapsodie Espangnole, 3. Habanera | — | ||
| 13-6 | Rhapsodie Espangnole, 4. Feria | — | ||
| 13-7 | Valses nobles et sentimentales, 1. Modèrè | — | ||
| 13-8 | Valses nobles et sentimentales, 2. Assea lent | — | ||
| 13-9 | Valses nobles et sentimentales, 3. Modèrè | — | ||
| 13-10 | Valses nobles et sentimentales, 4. Assez animè | — | ||
| 13-11 | Valses nobles et sentimentales - 5. Presque lent | — | ||
| 13-12 | Valses nobles et sentimentales - 6. Assez vif | — | ||
| 13-13 | Valses nobles et sentimentales - 7. Moins vif | — | ||
| 13-14 | Valses nobles et sentimentales - 8. Epilogue. Lent | — | ||
| 14-1 | Ungarische Tänze No. 1 g-Moll | — | ||
| 14-2 | Ungarische Tänze No. 5 g-Moll | — | ||
| 14-3 | Ungarische Tänze No. 6 D-Dur | — | ||
| 14-4 | Tragische Ouvertüre d-Moll, Op. 81 | — | ||
| 14-5 | Konzert für Violine D-Dur, Op. 77: I. Allegro non troppo | — | ||
| 14-6 | Konzert für Violine D-Dur, Op. 77: II. Adagio | — | ||
| 14-7 | Konzert für Violine D-Dur, Op. 77: III. Allegro giocoso, ma non troppo vivace | — | ||
| 14-8 | Klavierquartett No. 3 c-Moll, Op. 60: II. Scherzo. Allegro | — | ||
| 15-1 | Schwanensee, Op. 20 Akt I, No. 1: Allegro giusto | — | ||
| 15-2 | Schwanensee, Op. 20 Akt I, No. 2: Walzer Tempo di valse | — | ||
| 15-3 | Schwanensee, Op. 20 Akt I, No. 4: Pas de trois I. Intrada: Allegro | — | ||
| 15-4 | Schwanensee, Op. 20 Akt I, No. 4: Pas de trois III. Allegro semplice | — | ||
| 15-5 | Schwanensee, Op. 20 Akt I, No. 4: Pas de trois IV. Moderato | — | ||
| 15-6 | Schwanensee, Op. 20 Akt I, No. 4: Pas de trois V. Allegro | — | ||
| 15-7 | Schwanensee, Op. 20 Akt I, No. 4: Pas de trois VI. Coda Allegro vivace | — | ||
| 15-8 | Schwanensee, Op. 20 Akt I, No. 8: Tanz der Tassen: Tempo di polacca | — | ||
| 15-9 | Schwanensee, Op. 20 Akt I, No. 9: Finale: Sujet: Andante | — | ||
| 15-10 | Schwanensee, Op. 20 Akt I No. 13: Tanz der Schwäne: I. Tempo di valse | — | ||
| 15-11 | Schwanensee, Op. 20 Akt I No. 13: Tanz der Schwäne: II. Moderato assai | — | ||
| 15-12 | Schwanensee, Op. 20 Akt I No. 13: Tanz der Schwäne: IV. Allegro moderato | — | ||
| 15-13 | Schwanensee, Op. 20 Akt I No. 13: Tanz der Schwäne: V. Pas d' action: Andante - Andante non troppo - Allegro | — | ||
| 15-14 | Schwanensee, Op. 20 Akt I No. 13: Tanz der Schwäne: VII. Coda: Allegro vivo | — | ||
| 15-15 | Schwanensee, Op. 20 Akt I No. 14: Szene: Moderato | — | ||
| 15-16 | Der Nussknacker, Op. 71 Akt I, Szene I, Ouvertüre | — | ||
| 15-17 | Der Nussknacker, Op. 71 Akt I, Szene I, No. 1: Szene. Schmücken und Beleuchten des Weihnachtsbaumes | — | ||
| 15-18 | Der Nussknacker, Op. 71 Akt I, Szene I, No. 2: Marsch | — | ||
| 15-19 | Der Nussknacker, Op. 71 Akt I, Szene I, No. 3: Kinder-Galopp und Eintreffen der Eltern | — | ||
| 15-20 | Der Nussknacker, Op. 71 Akt II, Szene III, No. 10: Der verzauberte Palast im Königreich der Süßigkei | — | ||
| 15-21 | Der Nussknacker, Op. 71 Akt II, Szene III, No. 12: Divertissement: Schokolade (Spanischer Tanz) | — | ||
| 15-22 | Der Nussknacker, Op. 71 Akt II, Szene III, No. 12: Kaffee (Arabischer Tanz) | — | ||
| 15-23 | Der Nussknacker, Op. 71 Akt II, Szene III, No. 12: Tee (Chinesischer Tanz) | — | ||
| 15-24 | Der Nussknacker, Op. 71 Akt II, Szene III, No. 12: Trepak (Russischer Tanz) | — | ||
| 15-25 | Der Nussknacker, Op. 71 Akt II, Szene III, No. 12: Tanz der Mirlone | — | ||
| 16-1 | Piano Concerto in A minor, Op. 16: I. Allegro molto moderato | — | ||
| 16-2 | Piano Concerto in A minor, Op. 16: II. Adagio | — | ||
| 16-3 | Piano Concerto in A minor, Op. 16: III. Allegro moderato molto e marcato - Quasi presto - Andante maestoso | — | ||
| 16-4 | Peer Gynt Suite No. 1, Op. 46: I. Morning - Allegretto pastorale | — | ||
| 16-5 | Peer Gynt Suite No. 1, Op. 46: II. Death of Aase - Andante doloroso | — | ||
| 16-6 | Peer Gynt Suite No. 1, Op. 46: III. Anitra's Dance - Tempo di Mazurka | — | ||
| 16-7 | Peer Gynt Suite No. 1, Op. 46: IV. In the Hall of Mountain King - Alla marcia e molto marcato | — | ||
| 16-8 | Peer Gynt Suite no. 2, op. 55: I. Abduction of the Bride and Ingrid’s Lament: Allegro furioso – Andante | Georgian SIMI Festival Orchestra, Tbilisi Symphony Orchestra, Djansug Kakhidze, Nodar Tsatishvili | — | |
| 16-9 | Peer Gynt Suite No. 2, Op. 55: II. Arabian Dance - Allegro vivace | — | ||
| 16-10 | Peer Gynt Suite No. 2, Op. 55: III. Peer Gynt's Return - Allegro agitato | — | ||
| 16-11 | Peer Gynt Suite No. 2, Op. 55: IV. Solveig's Song - Andante - Allegretto traquillamente | — |
