UPC · Release
The Story of Musikladen, No. 2: 1976–1980
Various Artists
Last verified:
4031778020125 is the Universal Product Code (UPC barcode) for the release “The Story of Musikladen, No. 2: 1976–1980” by Various Artists, released 2010-01-01 on ARD Video. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 430 tracks, each with its own ISRC.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (430)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | In Zaire | — | ||
| 2 | You’ve Got What It Takes | — | ||
| 3 | L.O.D. | — | ||
| 4 | Can’t Get By Without You | — | ||
| 5 | Here Comes the Sun | — | ||
| 6 | Dance Little Lady Dance | — | ||
| 7 | Appalachian Boy | — | ||
| 8 | Smile | — | ||
| 9 | Racing Car | — | ||
| 10 | Alright | — | ||
| 11 | Indian Lady | — | ||
| 12 | You Make Me Feel Like Dancing | — | ||
| 13 | Lady Marmalade / Get You Somebody New | — | ||
| 14 | Born to Be Wild | — | ||
| 15 | Here I Go Again | — | ||
| 16 | Monza | — | ||
| 17 | Don’t Boogie Mr. Tango | — | ||
| 18 | Mon amour | — | ||
| 19 | Wild Widow | — | ||
| 20 | Howzat | — | ||
| 21 | Chicago | — | ||
| 22 | Cadillac | — | ||
| 23 | Upside Down | — | ||
| 24 | Dancing With the Captain | — | ||
| 25 | Magic Man | — | ||
| 26 | Makin’ Music for Money | — | ||
| 27 | Secrets | — | ||
| 28 | Sunny | — | ||
| 29 | Lady D’Arbanville | — | ||
| 30 | Substitute | — | ||
| 31 | Lost Angels | — | ||
| 2-1 | He, comment ça va | — | ||
| 2-2 | Who’s That Lady With My Man | — | ||
| 2-3 | Rock and Roll Star | — | ||
| 2-4 | Keep On Dancin’ | — | ||
| 2-5 | Lost in France | — | ||
| 2-6 | I Kinda Miss You | — | ||
| 2-7 | Porque te vas | — | ||
| 2-8 | Little Does She Know | — | ||
| 2-9 | Wenn ein Mensch lebt | — | ||
| 2-10 | Reise zum Mittelpunkt der Erde | — | ||
| 2-11 | Blood and Honey | — | ||
| 2-12 | Another Funny Honeymoon | — | ||
| 2-13 | Don’t Leave Me This Way | — | ||
| 2-14 | Saved by the Bell | — | ||
| 2-15 | Life Is Music | — | ||
| 2-16 | Best Disco in Town | — | ||
| 2-17 | A Million in 1, 2, 3 | — | ||
| 2-18 | Sentimental Song | — | ||
| 2-19 | C’est la vie (You Never Can Tell) | — | ||
| 2-20 | Red Light | — | ||
| 2-21 | Take It All | — | ||
| 2-22 | Cathedrals | — | ||
| 2-23 | Rich Girl | — | ||
| 2-24 | Don’t Say Goodbye | — | ||
| 2-25 | Light the Flame of Love | — | ||
| 2-26 | Als ich dich heute wiedersah | — | ||
| 2-27 | Boogie Nights | — | ||
| 2-28 | Et si tu pars | — | ||
| 2-29 | Pogo Dancing | — | ||
| 2-30 | You Don’t Have to Be a Star | — | ||
| 2-31 | Sorry Suzanne | — | ||
| 2-32 | Yakety Yak | — | ||
| 2-33 | Mein Hobby heisst Bobby | — | ||
| 3-1 | Have I the Right | — | ||
| 3-2 | Never Gonna Leave You | — | ||
| 3-3 | Zodiacs | — | ||
| 3-4 | Jolene | — | ||
| 3-5 | Yes Sir, I Can Boogie | — | ||
| 3-6 | Rings | — | ||
| 3-7 | Save the Last Dance for Me | — | ||
| 3-8 | Swamp Boogie | — | ||
| 3-9 | It’s All Over | — | ||
| 3-10 | Down the Hall | — | ||
| 3-11 | Ma Baker | — | ||
| 3-12 | Love Me | — | ||
| 3-13 | Rag Doll | — | ||
| 3-14 | Enjoy Yourself | — | ||
| 3-15 | Beautiful Rose | — | ||
| 3-16 | Boogie Woogie Baby | — | ||
| 3-17 | My Man | — | ||
| 3-18 | You Gotta Move | — | ||
| 3-19 | Rockcollection | — | ||
| 3-20 | You Got What It Takes | — | ||
| 3-21 | Do It for Me | — | ||
| 3-22 | Heaven | — | ||
| 3-23 | Heaven on the 7th Floor | — | ||
| 3-24 | Put Some Words Together | — | ||
| 3-25 | Nina, Pretty Ballerina | — | ||
| 3-26 | Queen of Chinatown | — | ||
| 3-27 | Barracuda | — | ||
| 3-28 | Sorry, I’m a Lady | — | ||
| 3-29 | Fallin’ in Love in Summertime | — | ||
| 3-30 | Oh, Lonesome Me | — | ||
| 3-31 | What Kind of Dance Is This | — | ||
| 3-32 | See the Sun | — | ||
| 3-33 | Love Countdown | — | ||
| 3-34 | Walk Right In | — | ||
| 3-35 | Lover Man | — | ||
| 3-36 | Do You Wanna Make Love | — | ||
| 3-37 | Don’t Let Me Be Misunderstood | — | ||
| 3-38 | Porque voy a cambiar | — | ||
| 3-39 | Circles | — | ||
| 3-40 | Rock ’n’ Roll Heart | — | ||
| 3-41 | It’s All Over Now, Baby Blue | — | ||
| 3-42 | Love Me Baby | — | ||
| 3-43 | Pearl’s a Singer | — | ||
| 3-44 | Needles and Pins | — | ||
| 3-45 | Belfast | — | ||
| 3-46 | Bend Me, Shape Me | — | ||
| 3-47 | Do You Remember | — | ||
| 4-1 | Funky Tambourine | — | ||
| 4-2 | The Punk | — | ||
| 4-3 | One Third Love, Two Thirds Pain | — | ||
| 4-4 | Dancing Party | — | ||
| 4-5 | You Don’t Need Me | — | ||
| 4-6 | Glad All Over | — | ||
| 4-7 | Run Back | — | ||
| 4-8 | School Days | — | ||
| 4-9 | I Can’t Stand the Rain | — | ||
| 4-10 | Georgina Bailey | — | ||
| 4-11 | Virginia Plain | — | ||
| 4-12 | Les chansons françaises | — | ||
| 4-13 | If You Ever Come to Amsterdam | — | ||
| 4-14 | Surfin’ USA | — | ||
| 4-15 | Unlimited Citations | — | ||
| 4-16 | 2‐4‐6‐8 Motorway | — | ||
| 4-17 | It’s a Heartache | — | ||
| 4-18 | Satisfaction | — | ||
| 4-19 | Livin’ Without You | — | ||
| 4-20 | Nights in White Satin | — | ||
| 4-21 | Will You Be My Lover | — | ||
| 4-22 | She Was Dynamite | — | ||
| 4-23 | L’amour à la française | — | ||
| 4-24 | X Offender | — | ||
| 4-25 | Singin’ in the Rain | — | ||
| 4-26 | Darling | — | ||
| 4-27 | Jackson | — | ||
| 4-28 | Acid Queen | — | ||
| 4-29 | Come Back My Love | — | ||
| 4-30 | Mellow Lovin’ | — | ||
| 4-31 | Gibson Martin Fender | — | ||
| 4-32 | Faisons l’amour | — | ||
| 4-33 | Ça plane pour moi | — | ||
| 4-34 | La vie en rose | — | ||
| 4-35 | If You Can’t Give Me Love | — | ||
| 4-36 | Follow Me | — | ||
| 4-37 | Denis | — | ||
| 4-38 | Rivers of Babylon | — | ||
| 4-39 | La La Jump | — | ||
| 4-40 | I’ve Gotta Get a Message to You | — | ||
| 4-41 | Tanti Auguri | — | ||
| 5-1 | Evening in Calais | — | ||
| 5-2 | Kokka | — | ||
| 5-3 | Money Love | — | ||
| 5-4 | I Love You More Than My Wife | — | ||
| 5-5 | One for You, One for Me | — | ||
| 5-6 | No Hollywood Movie | — | ||
| 5-7 | Harmonie | — | ||
| 5-9 | You Took the Words Right Out of My Mouth (Hot Summer Night) | — | ||
| 5-10 | Parlez‐vous Français | — | ||
| 5-11 | All I Need Is a Girl | — | ||
| 5-12 | I Wanna Be a Rolling Stone | — | ||
| 5-13 | In the Mood | — | ||
| 5-14 | Half as Nice | — | ||
| 5-15 | Same Old Song | — | ||
| 5-16 | I Wonder Why | — | ||
| 5-17 | Tomorrow | — | ||
| 5-19 | Blue Tango | — | ||
| 5-20 | Alligator | — | ||
| 5-22 | The Stud | — | ||
| 5-24 | I’m a Photograph | — | ||
| 5-39 | La Bamba | — | ||
| 5-40 | American Generation | — | ||
| 5-41 | Leave a Light | — | ||
| 5-42 | Looking for Freedom | — | ||
| 5-44 | Bambino | — | ||
| 5-45 | You’re the Greatest Lover | — | ||
| 5-46 | Sheena Is a Punk Rocker | — | ||
| 5-47 | Windsurfin’ | — | ||
| 5-48 | (I’m Always Touched by Your) Presence, Dear | — | ||
| 5-49 | You Light My Fire | — | ||
| 5-50 | You Ain’t Seen Nothin’ Yet | — | ||
| 5-51 | Rasputin | — | ||
| 6-1 | Parlez‐moi d’amo | — | ||
| 6-2 | He’s the One | — | ||
| 6-3 | Andy (For Love It Takes Two) | — | ||
| 6-4 | Only You ’78 | — | ||
| 6-5 | My Guns Are Loaded | — | ||
| 6-6 | The Devil Sent You to Laredo | — | ||
| 6-7 | Sweet Nothings | — | ||
| 6-8 | Baby Don’t You Cry | — | ||
| 6-9 | The Sphinx | — | ||
| 6-10 | Neon City | — | ||
| 6-11 | No Time for a Tango | — | ||
| 6-12 | Sing to Me Mama | — | ||
| 6-13 | Then He Kissed Me | — | ||
| 6-14 | Y.M.C.A. | — | ||
| 6-15 | We’re Going Places | — | ||
| 6-16 | I Love the Night Life | — | ||
| 6-17 | Baby Make Love | — | ||
| 6-18 | Instant Replay | — | ||
| 6-19 | Gigolo | — | ||
| 6-20 | You’ve Got All of Me | — | ||
| 6-21 | No No Sheriff | — | ||
| 6-22 | Let Me (Let Me Be Your Lover) | — | ||
| 6-23 | Malibu | — | ||
| 6-24 | Trojan Horse | — | ||
| 6-25 | For Your Love | — | ||
| 6-26 | Super Paradise | — | ||
| 6-27 | Sugar Me | — | ||
| 6-28 | Dear John | — | ||
| 6-29 | Shooting Star | — | ||
| 6-30 | Rama Lama Ding Dong | — | ||
| 6-32 | Life Is a Game | — | ||
| 6-33 | Angry Eyes | — | ||
| 6-34 | Freak Out | — | ||
| 6-35 | B‐A‐B‐Y | — | ||
| 6-36 | Dedicato | — | ||
| 6-37 | Get It | — | ||
| 6-38 | I Lost My Heart to a Starship Trooper | — | ||
| 6-39 | Blame It on the Boogie | — | ||
| 6-40 | Teenage Rampage | — | ||
| 6-41 | Silex Pistols Piew Piew | — | ||
| 6-42 | Heart of Glass | — | ||
| 6-43 | I Will Survive | — | ||
| 6-44 | Seven Lonely Days | — | ||
| 6-45 | A Whole Lotta Shakin’ Goin’ On | — | ||
| 6-46 | All You Need Is Luv | — | ||
| 6-47 | Chiquitita | — | ||
| 6-48 | Call Me | — | ||
| 6-49 | Save Me | — | ||
| 6-50 | New York, New York | — | ||
| 6-51 | Fashion Pack | — | ||
| 6-52 | Viva La Money | — | ||
| 6-53 | We Love You | — | ||
| 6-54 | Holiday | — | ||
| 6-55 | In the Navy | — | ||
| 7-1 | Rasta Man | — | ||
| 7-3 | Turn On the Radio | — | ||
| 7-4 | Jump Down | — | ||
| 7-5 | Don’t Change My Luck | — | ||
| 7-6 | Something’s Cookin’ in the Kitchen | — | ||
| 7-7 | That’s Life | — | ||
| 7-8 | Loose Caboose | — | ||
| 7-9 | Body Talk | — | ||
| 7-10 | Casanova | — | ||
| 7-11 | Pop Muzik | — | ||
| 7-12 | Showtime | — | ||
| 7-13 | Cuba | — | ||
| 7-14 | Land of 1000 Dances | — | ||
| 7-15 | The Robot | — | ||
| 7-16 | Sunday Girl | — | ||
| 7-17 | Great Expectations | — | ||
| 7-18 | H.A.P.P.Y. Radio | — | ||
| 7-19 | Sweet Lui‐Louise | — | ||
| 7-20 | I Just Keep Thinking About You Baby | — | ||
| 7-21 | Whole Lotta Love | — | ||
| 7-22 | Head Over Heels in Love | — | ||
| 7-23 | I’m a Lover Not a Fighter | — | ||
| 7-24 | (Tell It All About) Boys | — | ||
| 7-25 | As Long as It’s Love | — | ||
| 7-26 | When the Boys Come Home | — | ||
| 7-27 | Root, Toot, Undisputable Rock ’n’ Roller | — | ||
| 7-28 | Hello Mary Lou | — | ||
| 7-29 | Gotta Go Home | — | ||
| 7-30 | Birthday | — | ||
| 7-31 | You Can Do It | — | ||
| 7-32 | Lonely Days | — | ||
| 7-33 | Back to Boogie | — | ||
| 7-34 | Do to Me | — | ||
| 7-35 | Where Are the Men | — | ||
| 7-36 | Bridge Over Troubled Water | — | ||
| 7-37 | The Locomotion | — | ||
| 7-38 | Under Fire | — | ||
| 7-39 | Eeny Meeny Miny Moe | — | ||
| 7-40 | Deeper Than Love | — | ||
| 7-41 | Show Me You’re Man Enough | — | ||
| 7-42 | Seasons in the Sun | — | ||
| 7-43 | Automobile | — | ||
| 7-44 | Easy Come, Easy Go | — | ||
| 7-45 | Undercover Lover | — | ||
| 7-46 | Lost in Music | — | ||
| 7-47 | My Forbidden Lover | — | ||
| 7-48 | She’s in Love With You | — | ||
| 7-49 | Come to L.A. | — | ||
| 7-50 | Closets and Bullets | — | ||
| 7-51 | I Don’t Want the Night to End | — | ||
| 7-52 | Groove City | — | ||
| 7-53 | Bird Song | — | ||
| 7-54 | My Knight in Black Leather | — | ||
| 7-55 | Pictures of Lily | — | ||
| 7-56 | Rocking Son of Dschinghis Khan | — | ||
| 8-1 | A Night at Daddy Gees | — | ||
| 8-2 | Put Your Feet to the Beat | — | ||
| 8-3 | Win or Lose | — | ||
| 8-4 | Dead End Street | — | ||
| 8-5 | The Devil Went Down to Georgia | — | ||
| 8-6 | I Believe in Your Sweet Love | — | ||
| 8-7 | Since You’ve Been Gone | — | ||
| 8-8 | Ready for the 80s | — | ||
| 8-9 | One Day at a Time | — | ||
| 8-10 | What’s It Take | — | ||
| 8-11 | Ooh, Yes I Do | — | ||
| 8-12 | Spacer | — | ||
| 8-13 | Oowatanite | — | ||
| 8-14 | I’m Born Again | — | ||
| 8-15 | I Do the Rock | — | ||
| 8-16 | San Francisco | — | ||
| 8-17 | Such a Night | — | ||
| 8-18 | Spirit in the Sky | — | ||
| 8-19 | Ak‐Shun | — | ||
| 8-20 | Que sera mi vida | — | ||
| 8-21 | One Step Beyond | — | ||
| 8-22 | Wonder Boy | — | ||
| 8-23 | Mono | — | ||
| 8-24 | Rapper’s Delight | — | ||
| 8-25 | Baby Let’s Play House | — | ||
| 8-26 | A Message to You Rudy | — | ||
| 8-27 | Daytrip to Bangor | — | ||
| 8-28 | The Ballad of Lucy Jordan | — | ||
| 8-29 | Weekend | — | ||
| 8-30 | Plastic Doll | — | ||
| 8-31 | Doctor, Doctor (Help Me Please) | — | ||
| 8-32 | Womanly Way | — | ||
| 8-33 | Nutbush City Limits | — | ||
| 8-34 | Rockabilly Rebel | — | ||
| 8-35 | Everything Will Turn Out Fine | — | ||
| 8-36 | If You Wanna Be a Rock ’n’ Roller | — | ||
| 8-37 | Pilot of the Airwaves | — | ||
| 8-38 | I See a Boat on the River | — | ||
| 8-39 | Portable Radio | — | ||
| 8-40 | Hot Shot | — | ||
| 8-41 | Rap‐O Clap‐O | — | ||
| 8-42 | So Lonely | — | ||
| 8-43 | There Ain’t No Age for Rock ’n’ Roll | — | ||
| 8-44 | Dancin’ Cowboys | — | ||
| 8-45 | Coward of the County | — | ||
| 8-46 | Ann‐Maria | — | ||
| 8-47 | Living by Numbers | — | ||
| 8-48 | I Want Ya | — | ||
| 8-49 | An Englishman in New York | — | ||
| 8-50 | Take That Look Off Your Face | — | ||
| 8-51 | Barbados | — | ||
| 8-52 | Buzz Buzz a Diddle It | — | ||
| 9-1 | You Better Move On | — | ||
| 9-2 | Love on the Phone | — | ||
| 9-3 | Matador | — | ||
| 9-4 | Turning Japanese | — | ||
| 9-5 | Mother How Are You Today | — | ||
| 9-6 | Daydream Believer | — | ||
| 9-7 | Israelites 1980 | — | ||
| 9-8 | January–February | — | ||
| 9-9 | Toccata | — | ||
| 9-10 | Do That to Me One More Time | — | ||
| 9-11 | Whole Lotta Trouble | — | ||
| 9-12 | Il faut danser Reggae | — | ||
| 9-13 | Zabadak | — | ||
| 9-14 | Go Johnny Go | — | ||
| 9-15 | Do Wah Diddy Diddy | — | ||
| 9-16 | Mariana | — | ||
| 9-17 | Teacher–Teacher | — | ||
| 9-18 | Song for the Children | — | ||
| 9-19 | Midnite Dynamos | — | ||
| 9-20 | Kitchen at Parties | — | ||
| 9-21 | Hold On to My Love | — | ||
| 9-22 | Coming Up | — | ||
| 9-23 | Brass in Pocket | — | ||
| 9-24 | Broken English | — | ||
| 9-25 | Over You | — | ||
| 9-26 | Funkytown | — | ||
| 9-27 | Sunday Morning Coming Down | — | ||
| 9-28 | Always & Ever | — | ||
| 9-29 | Take Me Don’t Break Me | — | ||
| 9-30 | Use It Up and Wear It Out | — | ||
| 9-31 | Ginger Red | — | ||
| 9-32 | Cr‐Cr‐Cr‐Cry to Me | — | ||
| 9-33 | My Guy My Girl | — | ||
| 9-34 | Children of Paradise | — | ||
| 9-35 | I Can Dance | — | ||
| 9-36 | Ashes to Ashes | — | ||
| 9-37 | Zero to Zero | — | ||
| 9-38 | Late at Night | — | ||
| 9-39 | Della and the Dealer | — | ||
| 9-40 | Baby Ride Easy | — | ||
| 9-41 | Big Six | — | ||
| 9-42 | Woman Behind the Man | — | ||
| 9-43 | Your Ears Should Be Burning Now | — | ||
| 9-44 | Tin Soldier | — | ||
| 9-45 | Dreamin’ | — | ||
| 9-46 | Tom Hark | — | ||
| 10-1 | Light Up the Night | — | ||
| 10-2 | No Mo Do Yakamo | — | ||
| 10-3 | Eighth Day | — | ||
| 10-4 | Oh Yeah | — | ||
| 10-5 | Run to Me | — | ||
| 10-6 | Call Me Lady Champagne | — | ||
| 10-7 | New Wave Lover | — | ||
| 10-8 | Big Shot | — | ||
| 10-9 | Marie, Marie | — | ||
| 10-10 | The Kiss | — | ||
| 10-11 | Feels Like I’m in Love | — | ||
| 10-12 | Waterloo | — | ||
| 10-13 | Hela‐Di‐Ladi‐Lo | — | ||
| 10-14 | Sweet Rock ’n’ Roller | — | ||
| 10-15 | Celebration | — | ||
| 10-16 | When You Ask About Love | — | ||
| 10-17 | Reflections | — | ||
| 10-18 | My Number One | — | ||
| 10-19 | Girls Can Get It | — | ||
| 10-20 | Banana Republic | — | ||
| 10-21 | Latin America | — | ||
| 10-22 | Passion | — | ||
| 10-23 | The Best of Me | — | ||
| 10-24 | Why Do Lovers Break Each Other’s Hearts? | — | ||
| 10-25 | George and the Northwoods | — | ||
| 10-26 | I Can Help | — | ||
| 10-27 | Rockin’ the Trolls | — | ||
| 10-28 | I’m Your Son, South America | — | ||
| 10-29 | Dance All Night | — | ||
| 10-30 | Mama | — | ||
| 10-31 | Life Is for Living | — | ||
| 10-32 | Give Me Back My Love | — | ||
| 10-33 | Loving Just for Fun | — | ||
| 10-34 | Breakfast in Marin | — | ||
| 10-35 | Lovers Live Longer | — | ||
| 10-36 | Mi amor | — | ||
| 10-37 | A Rusty Old Halo | — | ||
| 10-38 | Some Broken Hearts Never Mend | — | ||
| 10-39 | Felicidad | — |
What other identifiers does this connect to?
Musical Works (ISWC)
+40 more
Songwriters/Publishers (IPI)
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Creative Contributors (ISNI)
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What is UPC 4031778020125?
4031778020125 is a Universal Product Code (UPC) assigned to The Story of Musikladen, No. 2: 1976–1980 by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 430 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm