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Carmen

UPC · Release

Carmen

Georges Bizet, Aurora Buades, Benvenuto Franci, Aureliano Pertile, Ines Alfani Tellini, Irma Mion, Ebe Ticozzi, Coro, Orchestra del Teatro alla Scala di Milano, Lorenzo Molajoli

4032250009737
37 tracksReleased 2000-11-20

Last verified:

4032250009737 is the Universal Product Code (UPC barcode) for the release “Carmen” by Georges Bizet, Aurora Buades, Benvenuto Franci, Aureliano Pertile, Ines Alfani Tellini, Irma Mion, Ebe Ticozzi, Coro, Orchestra del Teatro alla Scala di Milano, Lorenzo Molajoli, released 2000-11-20. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 37 tracks, each with its own ISRC.

Format

403GS1 prefix
2250Company prefix
00973Product
7Check digit
GS1 prefix:
Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
Company prefix:
Label/distributor identifier assigned by the local GS1 office.
Product:
Unique product number assigned by the company.
Check digit:
Modulo-10 check digit that validates the rest of the barcode.

Track List (37)

Carmen: Sinfonia
Carmen: Sinfonia
—
Carmen: Atto I. “Sulla piazza si schiamazza”
Carmen: Atto I. “Sulla piazza si schiamazza”
—
Carmen: Atto I. “Con la guardia quando monta”
Carmen: Atto I. “Con la guardia quando monta”
—
Carmen: Atto I. “Suono la campana”
Carmen: Atto I. “Suono la campana”
—
Carmen: Atto I. “Ma fra voi qui non è la Carmencita?”
Carmen: Atto I. “Ma fra voi qui non è la Carmencita?”
—
Carmen: Atto I. “È l’amore uno strano augello”
Carmen: Atto I. “È l’amore uno strano augello”
—
Carmen: Atto I. “Quale occhiata e quai aria sfrontata!”
Carmen: Atto I. “Quale occhiata e quai aria sfrontata!”
—
Carmen: Atto I. “Mi madre io vedo ancor, si, si”
Carmen: Atto I. “Mi madre io vedo ancor, si, si”
—
Carmen: Atto I. “Che accade mai?”
Carmen: Atto I. “Che accade mai?”
—
Carmen: Atto I. “Mio capitan, è stata una baruffa”
Carmen: Atto I. “Mio capitan, è stata una baruffa”
—
Carmen: Atto I. “Presso il bastion di Siviglia”
Carmen: Atto I. “Presso il bastion di Siviglia”
—
Carmen: Atto I. “Ecco l’ordin, te n’va”
Carmen: Atto I. “Ecco l’ordin, te n’va”
—
Carmen: Atto II. Prologo
Carmen: Atto II. Prologo
—
Carmen: Atto II. “All’udir del sistro il suon”
Carmen: Atto II. “All’udir del sistro il suon”
—
Carmen: Atto II. “Or ben Pastia desia”
Carmen: Atto II. “Or ben Pastia desia”
—
Carmen: Atto II. “Con voi ber, affe, mi fia caro”
Carmen: Atto II. “Con voi ber, affe, mi fia caro”
—
Carmen: Atto II. “Ebben, dite, abbiam novelle?”
Carmen: Atto II. “Ebben, dite, abbiam novelle?”
—
Carmen: Atto II. “E chi puoi tu aspettar?”
Carmen: Atto II. “E chi puoi tu aspettar?”
—
Carmen: Atto II. “Al quartier per l’appel?”
Carmen: Atto II. “Al quartier per l’appel?”
—
Carmen: Atto II. “Il fior che avevi a me tu dato”
Carmen: Atto II. “Il fior che avevi a me tu dato”
—
Carmen: Atto II. “No, tu non m’ami no”
Carmen: Atto II. “No, tu non m’ami no”
—
Carmen: Atto II. “Ola! Carmen ola!”
Carmen: Atto II. “Ola! Carmen ola!”
—
Carmen: Atto III. Preludio
Carmen: Atto III. Preludio
—
Carmen: Atto III. “Ascolta, ascolta camerata, ascolta”
Carmen: Atto III. “Ascolta, ascolta camerata, ascolta”
—
Carmen: Atto III. “Ci riposiamo brev’ ora qui”
Carmen: Atto III. “Ci riposiamo brev’ ora qui”
—
Carmen: Atto III. “Mischia! Alza!”
Carmen: Atto III. “Mischia! Alza!”
—
Carmen: Atto III. “Andiam, la mia sorte sappiam!”
Carmen: Atto III. “Andiam, la mia sorte sappiam!”
—
Carmen: Atto III. “Ebben? Ebben, tenteremi di passar”
Carmen: Atto III. “Ebben? Ebben, tenteremi di passar”
—
Carmen: Atto III. “Qui dei contrabandier”
Carmen: Atto III. “Qui dei contrabandier”
—
Carmen: Atto III. “Ma non m’inganno”
Carmen: Atto III. “Ma non m’inganno”
—
Carmen: Atto III. “Ola! Ola! Jose”
Carmen: Atto III. “Ola! Ola! Jose”
—
Carmen: Atto III. “Alto! V’è la qualcun che si nasconde”
Carmen: Atto III. “Alto! V’è la qualcun che si nasconde”
—
Carmen: Atto IV. Preludio
Carmen: Atto IV. Preludio
—
Carmen: Atto IV. “Per due quarti, chi ne vuole?”
Carmen: Atto IV. “Per due quarti, chi ne vuole?”
—
Carmen: Atto IV. “Se tu m’ami, Carmen”
Carmen: Atto IV. “Se tu m’ami, Carmen”
—
Carmen: Atto IV. “Sei tu? Son io”
Carmen: Atto IV. “Sei tu? Son io”
—
Carmen: Atto IV. “Dove vai?”
Carmen: Atto IV. “Dove vai?”
—

What other identifiers does this connect to?

Creative Contributors (ISNI)

0000000055144467000000005516787X00000000551974030000000057889403000000005919585100000000591987530000000059435712000000008084711300000001090621770000000109110845
+2 more
00000001228806680000000123641765

Credits Graph

People also ask

What is UPC 4032250009737?
UPC 4032250009737 is the Universal Product Code (barcode) for "Carmen" by Georges Bizet, Aurora Buades, Benvenuto Franci, Aureliano Pertile, Ines Alfani Tellini, Irma Mion, Ebe Ticozzi, Coro, Orchestra del Teatro alla Scala di Milano, Lorenzo Molajoli.
What is a UPC code in music?
A UPC (Universal Product Code) — also called an EAN barcode — is a unique numeric identifier assigned to a music release by its distributor. It identifies the release as a whole (album, EP, or single) and is required by every digital storefront and physical retailer.
How is a UPC different from an ISRC?
A UPC identifies a release (the bundle of tracks sold as one product). An ISRC identifies a specific sound recording (a single track). Every track on a UPC release has its own ISRC, but they all share the same UPC.
How many tracks are on UPC 4032250009737?
UPC 4032250009737 contains 37 tracks.
SourcesMusicBrainz

Verified on

What is UPC 4032250009737?

4032250009737 is a Universal Product Code (UPC) assigned to Carmen by Georges Bizet, Aurora Buades, Benvenuto Franci, Aureliano Pertile, Ines Alfani Tellini, Irma Mion, Ebe Ticozzi, Coro, Orchestra del Teatro alla Scala di Milano, Lorenzo Molajoli. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.

This release contains 37 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.

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