UPC · Release
Ballermann Summer 2017: Die Ultimative Mallorca Party
Various Artists
Last verified:
4032989442225 is the Universal Product Code (UPC barcode) for the release “Ballermann Summer 2017: Die Ultimative Mallorca Party” by Various Artists, released 2017-01-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 37 tracks, each with its own ISRC. Tracks include DEUJ81600140, DEEQ81600076, DEUJ81600127.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (37)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 2 | Geboren um zu feiern (Radio Edit) | — | ||
| 3 | Was ist das für ein Tag | Buddy | T-803.778.285-8 | |
| 4 | Läuft bei dir | — | ||
| 5 | Vamoz Everybody | Die Mööötis | T-800.534.757-0 | |
| 7 | Ich bin ein Pinguin | — | ||
| 8 | Bratwurst, Pommes und ein Bier | Markus Becker | T-803.708.421-3 | |
| 9 | Dieses Leben ist geil | Melanie Müller | T-803.888.466-2 | |
| 11 | Alle Blau (Original) | Ikke Hüftgold | — | |
| 12 | Wir sind die Geilsten | Mia Julia | T-803.683.264-2 | |
| 13 | Die Nacht von Freitag auf Montag (Partymix) | — | ||
| 14 | 3 Promille (Doch da geht noch was) | — | ||
| 15 | Im Bierkönig Nachts um halb vier | Duo Hossa | — | |
| 16 | Wir feiern weiter | Mallorca Cowboys | T-800.620.959-3 | |
| 17 | Solange wir an der Theke stehn (DJ Edit) | — | ||
| 18 | Zu jung für mich | Peter Wackel | — | |
| 2-2 | High on Emotion (radio edit) | — | ||
| 2-3 | Say My Name (radio edit) | — | ||
| 2-4 | Found Love (Klaas edit) | — | ||
| 2-5 | Nobody 2017 (BigBeat EDM edit) | Lotus, Ricky Dillon, Charlie Puth | — | |
| 2-6 | Riot (Chris Gold edit) | — | ||
| 2-7 | Can’t Stop the Swag (video edit) | — | ||
| 2-9 | Keep on Reaching (club edit) | — | ||
| 2-13 | I Found You (radio edit) | — | ||
| 2-14 | Unstopppable (edit) | — | ||
| 2-17 | Somebody’s Watching Me (DJ Blackstone Big radio edit) | — | ||
| 3-1 | Alle Macht den Träumen (The Never Ending Story) | — | ||
| 3-2 | Weisser Stern von Alcunar | — | ||
| 3-3 | Schöne fremde Frau (Roger Hübner Fox Edit) | — | ||
| 3-6 | Eyo (DJ Ostkurve Fette Beats edit) | Olaf Henning | T-803.796.786-6 | |
| 3-7 | Der letzte Fox | — | ||
| 3-9 | Ich war verloren | Daniela Lorenz | — | |
| 3-10 | Zeig mir endlich deinen Himmel | — | ||
| 3-12 | Unverwundbar | — | ||
| 3-13 | Sag Laura | Sebastian von Mletzko | — | |
| 3-14 | 1000 Leuchtraketen | — | ||
| 3-16 | Diese Nacht ist jede Sünde wert | Schlagerprinzessin | T-803.650.080-9 | |
| 3-17 | Das ist Liebe | — |
Additional database matches (7)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Johnny Däpp (Ich will Mallorca zurück) (Hinsetzen! remix) | Lorenz Büffel | — |
| Die Gummibärenbande (Xtreme Sound mix) | Ina Colada, Tom Juno | — |
| 1000 Liebeslieder (Torsten Matschke und Roger Hubner DJ-mix) | Alex Rosenrot | T-804.121.211-8 |
| Wir rocken das Leben (new mix) | Jörg Bausch | — |
| Au revoir (DJ mix) | Neon | T-070.002.868-7 |
| Oh scheisse tut das weh (Roger Hübner Fox remix) | Chriss Martin | T-803.680.818-2 |
| Ohne Dich (Schlaf ich heut Nacht nicht ein) (Garry Ocean Radio Mix) | Perlentaucher, Lynne | — |
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Identifier Graph
People also ask
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What is UPC 4032989442225?
4032989442225 is a Universal Product Code (UPC) assigned to Ballermann Summer 2017: Die Ultimative Mallorca Party by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 37 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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