UPC · Release
No. 1 Dad: The Ultimate Collection
Various Artists
Last verified:
4050538283167 is the Universal Product Code (UPC barcode) for the release “No. 1 Dad: The Ultimate Collection” by Various Artists, released 2017-01-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 100 tracks, each with its own ISRC. Tracks include FRY680900067, USIR20000662, GBF087700030.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (100)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | All Right Now | Free | T-070.880.596-2 | |
| 2 | You Ain’t Seen Nothing Yet | Bachman–Turner Overdrive | T-070.940.887-6 | |
| 3 | Sweet Home Alabama | — | ||
| 4 | Rockin’ All Over the World | Status Quo | T-070.128.513-3 | |
| 5 | Stuck in the Middle With You | Stealers Wheel | T-011.029.669-9 | |
| 6 | Maggie May | — | ||
| 7 | Love Is the Drug | Roxy Music | T-010.461.609-2 | |
| 8 | Devi’s Answer | — | ||
| 9 | Bad Bad Boy | — | ||
| 10 | Louie, Louie | Motörhead | T-010.768.444-5 | |
| 11 | Black Magic Woman (live) | — | ||
| 12 | I’m Waiting for the Man | The Velvet Underground | T-070.240.826-1 | |
| 13 | The Boys Are Back in Town | — | ||
| 14 | Whatever You Want | Status Quo | T-010.141.460-1 | |
| 15 | Since You Been Gone | Rainbow | T-010.470.779-0 | |
| 16 | Crazy Crazy Nights | KISS | T-071.514.400-5 | |
| 17 | Wind of Change | Scorpions | T-800.243.707-3 | |
| 18 | Bomber | Motörhead | T-010.470.775-6 | |
| 19 | Prime Mover | — | ||
| 2-1 | If the Kids Are United | — | ||
| 2-2 | New Rose | The Damned | T-010.025.846-5 | |
| 2-3 | Idenity | — | ||
| 2-4 | Do Anything You Wanna Do | — | ||
| 2-5 | Jilted John | — | ||
| 2-6 | Whole Wide World | Wreckless Eric | T-010.179.307-0 | |
| 2-7 | Rat Trap | — | ||
| 2-8 | Into the Valley | — | ||
| 2-9 | Staring at the Rude Boys | The Ruts | T-011.606.506-5 | |
| 2-10 | Boys Don’t Cry | — | ||
| 2-11 | Prime Time | — | ||
| 2-12 | Holiday in Cambodia | Dead Kennedys | T-070.918.814-6 | |
| 2-13 | Streets of London | Anti-Nowhere League | T-902.256.059-4 | |
| 2-14 | Nellie the Elephant | — | ||
| 2-15 | Rowche Rumble (live) | — | ||
| 2-16 | Neat Neat Neat | — | ||
| 2-17 | Hurry Up Harry | — | ||
| 2-18 | The Day the World Turned Day‐Glo | — | ||
| 2-19 | Cool for Cats | — | ||
| 2-20 | Is She Really Going Out With Him? | Joe Jackson | T-010.180.481-2 | |
| 3-1 | I Walk the Line | — | ||
| 3-2 | For Your Love | — | ||
| 3-3 | Boom Boom | — | ||
| 3-4 | The Liquidator | — | ||
| 3-5 | Israelites | Desmond Dekker & the Aces | T-901.131.131-2 | |
| 3-6 | Double Barrel | — | ||
| 3-7 | Long Shot Kick de Bucket | — | ||
| 3-8 | Red Red Wine | — | ||
| 3-9 | Monkey Man | The Maytals | T-900.045.697-3 | |
| 3-10 | 007 (Shanty Town) | — | ||
| 3-11 | Rudy, a Message to You | — | ||
| 3-12 | Egyptian Reggae | — | ||
| 3-13 | Baggy Trousers | Madness | T-010.155.105-6 | |
| 3-14 | Poison Ivy | — | ||
| 3-15 | Maybe Tomorrow | The Chords | — | |
| 3-16 | The Eton Rifles | — | ||
| 3-17 | Back of My Hand | — | ||
| 3-18 | I Got You | — | ||
| 3-19 | Roadrunner | The Modern Lovers | T-070.128.575-7 | |
| 4-1 | Town Called Malice | The Jam | T-010.105.747-9 | |
| 4-2 | Reward | The Teardrop Explodes | T-901.610.669-7 | |
| 4-3 | Swords of a Thousand Men | Tenpole Tudor | T-010.182.767-1 | |
| 4-4 | Our House | Madness | T-010.053.256-6 | |
| 4-5 | Pop Muzik | M | T-010.388.623-2 | |
| 4-6 | I’m in Love With a German Film Star | — | ||
| 4-7 | Drowning in Berlin | Mobiles | — | |
| 4-8 | Jackie Wilson Said (I’m in Heaven When You Smile) | — | ||
| 4-9 | Valerie | — | ||
| 4-10 | Some Guys Have All the Luck | — | ||
| 4-11 | Look Away | — | ||
| 4-12 | World Shut Your Mouth | — | ||
| 4-13 | Wunderbar | — | ||
| 4-14 | Walls Come Tumbling Down | The Style Council | T-010.186.115-7 | |
| 4-15 | Perfect Skin | Lloyd Cole and the Commotions | — | |
| 4-16 | Happy Hour | The Housemartins | T-010.187.389-5 | |
| 4-17 | There She Goes | The La’s | T-010.335.213-1 | |
| 4-18 | Can You Dig It? | — | ||
| 4-19 | Going for Gold | Shed Seven | T-010.349.008-9 | |
| 4-20 | She Said | Longpigs | T-010.869.326-0 | |
| 4-21 | World at Your Feet | Embrace | T-316.879.403-0 | |
| 5-1 | The Size of a Cow | The Wonder Stuff | T-011.416.650-5 | |
| 5-2 | Saturn 5 | — | ||
| 5-3 | Fine Time | — | ||
| 5-4 | Good Enough | Dodgy | T-010.356.265-7 | |
| 5-5 | You’ve Got It Bad | — | ||
| 5-6 | Slight Return | The Bluetones | T-011.490.044-5 | |
| 5-7 | Sound | — | ||
| 5-8 | Tattva | — | ||
| 5-9 | Sing It Back | — | ||
| 5-10 | America | Razorlight | T-011.637.117-5 | |
| 5-11 | Chelsea Dagger | — | ||
| 5-12 | The Rock Show | — | ||
| 5-13 | Bohemian Like You | The Dandy Warhols | T-070.994.428-4 | |
| 5-14 | Celebrity Skin | Hole | T-070.943.099-8 | |
| 5-15 | Dragging Me Down | Inspiral Carpets | T-010.082.825-8 | |
| 5-16 | Blackened Blue Eyes | — | ||
| 5-17 | Connected | — | ||
| 5-18 | The Time Is Now | — | ||
| 5-19 | The Day We Caught the Train | Ocean Colour Scene | T-010.347.796-8 | |
| 5-20 | Side | — | ||
| 5-21 | Vindaloo | Fat Les | T-010.094.367-6 |
Additional database matches (3)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Like the Way I Do | Melissa Etheridge | T-070.102.524-2 |
| Perfect Skin | Lloyd Cole and the Commotions | — |
| Maybe Tomorrow | The Chords | — |
What other identifiers does this connect to?
Musical Works (ISWC)
+20 more
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
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People also ask
What is UPC 4050538283167?
4050538283167 is a Universal Product Code (UPC) assigned to No. 1 Dad: The Ultimate Collection by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 100 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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