UPC · Album
King of the Road: A Tribute to Roger Miller
Various Artists
Last verified:
4050538321111 is the Universal Product Code (UPC barcode) for the release “King of the Road: A Tribute to Roger Miller” by Various Artists, released 2018-01-01 on BMG. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 37 tracks, each with its own ISRC. Tracks include QMRSZ1701982, QMRSZ1701983, QMRSZ1701984.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (37)
| Track Title | Artist(s) | ISRC |
|---|---|---|
| Greatest Songwriter (banter) | Roger Miller | QMRSZ1701982 |
| Chug‐a‐Lug | Asleep at the Wheel, Huey Lewis | QMRSZ1701983 |
| Dang Me | Brad Paisley | QMRSZ1701984 |
| Leavin’s Not the Only Way to Go | The Stellas, Lennon and Maisy | QMRSZ1701985 |
| Kansas City Star | Kacey Musgraves | QMRSZ1701986 |
| World So Full of Love | Rodney Crowell | QMRSZ1701987 |
| Old Friends (banter) | Roger Miller | QMRSZ1701988 |
| Old Friends | Willie Nelson, Kris Kristofferson, Merle Haggard | QMRSZ1701989 |
| Lock Stock and Teardrops | Mandy Barnett | QMRSZ1701990 |
| You Oughta Be Here With Me / I’ve Been a Long Time Leaving | Alison Krauss, The Cox Family | QMRSZ1701991 |
| The Crossing | Ronnie Dunn, The Blind Boys of Alabama | QMRSZ1701992 |
| In the Summertime | The Earls of Leicester, Shawn Camp | QMRSZ1701993 |
| Fiddle (banter) | Roger Miller | QMRSZ1701994 |
| England Swings | Lyle Lovett | QMRSZ1701995 |
| You Can’t Rollerskate in a Buffalo Herd | Opry Stars/Legends | QMRSZ1701996 |
| Half a Mind | Loretta Lynn | QMRSZ1701997 |
| Invitation to the Blues | Shooter Jennings, Jessi Colter | QMRSZ1701998 |
| It Only Hurts Me When I Cry (live) | Dwight Yoakam | QMRSZ1701999 |
| Hey, Would You Hold It Down? | Ringo Starr | QMRSZ1702000 |
| Engine, Engine, #9 | Emerson Hart, Jon Randall | QMRSZ1702001 |
| When Two Worlds Collide | Flatt Lonesome | QMRSZ1702002 |
| Oo de Lally | Eric Church | QMRSZ1702003 |
| You Can’t Do Me This Way | Dean Miller, The McCrary Sisters | QMRSZ1702004 |
| Chicken S#$! (banter) | Roger Miller | QMRSZ1702005 |
| Nothing Can Stop My Love | Toad the Wet Sprocket | QMRSZ1702006 |
| Husbands and Wives | Jamey Johnson, Emmylou Harris | QMRSZ1702007 |
| I’ll Pick Up My Heart and Go Home | Lily Meola | QMRSZ1702008 |
| I Believe in the Sunshine | Daphne and the Mystery Machines | QMRSZ1702009 |
| Guv’ment | John Goodman | QMRSZ1702010 |
| Mouth Noises (banter) | Roger Miller | QMRSZ1702011 |
| The Last Word in Lonesome Is Me | Dolly Parton, Alison Krauss | QMRSZ1702012 |
| I’d Come Back to Me | Radney Foster, Tawnya Reynolds | QMRSZ1702013 |
| Reincarnation | CAKE | QMRSZ1702014 |
| One Dying and a Burying | The Dead South | QMRSZ1702015 |
| Do Wacka Do | Robert Earl Keen, Jr. | QMRSZ1702016 |
| King of the Road | Various Artists | QMRSZ1702017 |
| Old Songwriters Never Die (banter) | Roger Miller | QMRSZ1702174 |
What other identifiers does this connect to?
Musical Works (ISWC)
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Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
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People also ask
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What is UPC 4050538321111?
4050538321111 is a Universal Product Code (UPC) assigned to King of the Road: A Tribute to Roger Miller by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 37 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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