UPC · Release
Trojan Mix 1
Various Artists
Last verified:
4050538385731 is the Universal Product Code (UPC barcode) for the release “Trojan Mix 1” by Various Artists, released 2018-07-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 66 tracks, each with its own ISRC. Tracks include GBAJE0101002, GBAJE7200447, GBAJE7400120.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (66)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Thunderstorm | — | ||
| 2 | This Life Makes Me Wonder | — | ||
| 3 | Mind Yourself (aka You Think You Too Bad) | — | ||
| 4 | Denver | — | ||
| 5 | Pickney Gal | — | ||
| 6 | Bread on the Table | — | ||
| 7 | Sugar Cane | — | ||
| 8 | Montego Bay | Freddie Notes & the Rudies | — | |
| 9 | Off Limits | — | ||
| 10 | Sir Collins’ Special | — | ||
| 11 | Brandy | — | ||
| 12 | Chop Sticks | — | ||
| 13 | Hysteriacade | — | ||
| 14 | Tchaikovsky’s Piano Concerto No. 1 | — | ||
| 15 | Big Six | — | ||
| 16 | Think About That | Dandy Livingstone | T-071.948.991-4 | |
| 17 | Ain’t It Groovy? | — | ||
| 18 | Big Eight | — | ||
| 19 | Behold | — | ||
| 20 | We Are Not the Same | — | ||
| 21 | Passing Strangers | — | ||
| 22 | Crying Over You | Ken Boothe | T-071.078.979-9 | |
| 23 | This Monday Morning Feeling | — | ||
| 24 | Running Over | — | ||
| 25 | Nothing Is Impossible | — | ||
| 2-1 | The Voice of the Father | — | ||
| 2-2 | Nyah Dread | — | ||
| 2-3 | White Bird Come Down | — | ||
| 2-4 | Show I the Way | — | ||
| 2-5 | Fight Down I | — | ||
| 2-6 | Another Moses | — | ||
| 2-7 | We’ve Got to Part | — | ||
| 2-8 | My Love for You Is Over Now | — | ||
| 2-9 | I Don’t Want to Be a Beggar | — | ||
| 2-10 | Jah Jah I | — | ||
| 2-11 | African Woman | — | ||
| 2-12 | Key of Keys | — | ||
| 2-13 | The Slave Trade | — | ||
| 2-14 | Peace Pipe Dub | — | ||
| 2-15 | Stranger in Love | — | ||
| 2-16 | Happiness | — | ||
| 2-17 | Dignity & Principle | — | ||
| 2-18 | I’m Still in Love With You Girl | — | ||
| 2-19 | Opportunity | — | ||
| 2-20 | Segregation | — | ||
| 2-21 | Right Road to Zion | — | ||
| 2-22 | Let’s Spend the Night Together | — | ||
| 2-23 | Tell the Children the Truth | — | ||
| 3-1 | Barberman Bawling | — | ||
| 3-2 | Nothing Gained (From Loving You) | — | ||
| 3-3 | Why Won’t You Come On | — | ||
| 3-4 | Liquid Horns | — | ||
| 3-5 | Ghetto‐Ology | — | ||
| 3-6 | We’ve Got to Make It | — | ||
| 3-7 | How Can a Man Be Happy | — | ||
| 3-8 | Fight, Fight, Fight | — | ||
| 3-9 | Take Five (aka The Russians Are Coming) | — | ||
| 3-10 | Time Is Important to Me | — | ||
| 3-11 | Give to the Poor | — | ||
| 3-12 | Killerman Jarrett | — | ||
| 3-13 | Sensi for Sale | — | ||
| 3-14 | Pirate | — | ||
| 3-15 | Dancing Shoes | — | ||
| 3-16 | (Who Is He) What Is Man | — | ||
| 3-17 | Jailhouse | — | ||
| 3-18 | Original Man | — |
Additional database matches (1)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Montego Bay | Freddie Notes & the Rudies | — |
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Credits Graph
People also ask
Verified on
What is UPC 4050538385731?
4050538385731 is a Universal Product Code (UPC) assigned to Trojan Mix 1 by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 66 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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