UPC · Release
100 Hit Tracks: The Ultimate Collection: The Sound of Musicals
Various Artists
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4050538390513 is the Universal Product Code (UPC barcode) for the release “100 Hit Tracks: The Ultimate Collection: The Sound of Musicals” by Various Artists, released 2019-01-01 on Universal UMC. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 100 tracks, each with its own ISRC. Tracks include GBUM71602902, GBUM71106804, GBAAA0201114.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (100)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Oh, What a Beautiful Mornin’ | — | ||
| 2 | Don’t Rain on My Parade | Sheridan Smith | T-070.040.725-5 | |
| 3 | Love at First Sight | — | ||
| 4 | You’ll Never Walk Alone | — | ||
| 5 | Pure Imagination | — | ||
| 6 | Love Never Dies | — | ||
| 7 | I Dreamed a Dream | Joe McElderry | T-070.266.850-5 | |
| 8 | Tell Me on a Sunday | — | ||
| 9 | The Winner Takes It All (“Mamma Mia”) | Martine McCutcheon | T-000.006.419-6 | |
| 10 | Bring Him Home | — | ||
| 11 | Magical Mr. Mistoffeles | — | ||
| 12 | I Know Him So Well | — | ||
| 13 | One Night in Bangkok | — | ||
| 14 | Falling Slowly | — | ||
| 15 | Colored Woman | — | ||
| 16 | Sunny Afternoon | — | ||
| 17 | The Time Warp (live) | — | ||
| 18 | Talk to the Animals | — | ||
| 19 | Luck Be a Lady | — | ||
| 20 | Look at Me | — | ||
| 2-1 | Love Changes Everything | — | ||
| 2-2 | The Music of the Night | — | ||
| 2-3 | Somewhere | — | ||
| 2-4 | Memory | — | ||
| 2-5 | All I Ask of You | — | ||
| 2-6 | Come What May | — | ||
| 2-7 | Don’t Cry for Me Argentina | Julie Covington | T-010.464.976-4 | |
| 2-8 | Superstar | — | ||
| 2-9 | Take That Look Off Your Face | — | ||
| 2-10 | My Favourite Things | — | ||
| 2-11 | Empty Chairs at Empty Tables | — | ||
| 2-12 | I Could Have Danced All Night | — | ||
| 2-13 | Starlight Express | — | ||
| 2-14 | Another Suitcase in Another Hall (from “Evita”) | Barbara Dickson, The New World Philharmonic | T-011.362.782-9 | |
| 2-15 | Mama’s Talkin’ Soft | — | ||
| 2-16 | I Don’t Know How to Love Him | Yvonne Elliman | T-011.626.258-8 | |
| 2-17 | Love on the Rocks | Russell Watson | T-070.249.850-7 | |
| 2-18 | I Get a Kick out of You | — | ||
| 2-19 | Wishing You Were Somehow Here Again | — | ||
| 3-1 | Our House | Madness | T-010.053.256-6 | |
| 3-2 | Dancing in the Street | — | ||
| 3-3 | Flashdance | — | ||
| 3-4 | Pop Muzik | M | T-010.388.623-2 | |
| 3-5 | Gimme Some Lovin’ | — | ||
| 3-6 | Get Ready | — | ||
| 3-7 | ABC | The Jackson 5 | T-070.003.227-4 | |
| 3-8 | Maggie May | — | ||
| 3-9 | Alone Again (Naturally) | Gilbert O’Sullivan | T-070.880.605-6 | |
| 3-10 | Ain’t No Mountain High Enough | — | ||
| 3-11 | And I’m Telling You I’m Not Going | — | ||
| 3-12 | The Way You Do the Things You Do | — | ||
| 3-13 | The Perfect Year | — | ||
| 3-14 | No Matter What | — | ||
| 3-15 | My Guy | Mary Wells | T-070.111.954-1 | |
| 3-16 | The Power of Love | Frankie Goes to Hollywood | T-010.612.548-7 | |
| 3-17 | It Must Be Love | Madness | T-011.223.683-5 | |
| 3-18 | Any Dream Will Do | — | ||
| 3-19 | Oh What a Circus | — | ||
| 3-20 | The Grease Megamix | John Travolta, Olivia Newton-John | T-073.220.498-6 | |
| 4-1 | The Bare Necessities | — | ||
| 4-2 | Zip‐A‐Dee‐Doo‐Dah | — | ||
| 4-3 | Ev’rybody Wants to Be a Cat | — | ||
| 4-4 | Over the Rainbow | Judy Garland | T-070.159.949-6 | |
| 4-5 | The Sound of Music | Julie Andrews | T-070.137.084-4 | |
| 4-6 | Fat Sam’s Grand Slam | — | ||
| 4-7 | You’ve Got to Pick a Pocket or Two | — | ||
| 4-8 | Singin’ in the Rain | — | ||
| 4-9 | Diamonds Are a Girl’s Best Friend | — | ||
| 4-10 | Chitty Chitty Bang Bang | — | ||
| 4-11 | Chim Chim Cher‐ee | — | ||
| 4-12 | I Wan’na Be Like You (The Monkey Song) | — | ||
| 4-13 | The Circle of Life | — | ||
| 4-14 | Getting to Know You | — | ||
| 4-15 | Happy Talk | — | ||
| 4-16 | As Long as He Needs Me | Jodie Prenger | T-010.166.789-3 | |
| 4-17 | With One Look (live) | — | ||
| 4-18 | A Little Priest | — | ||
| 4-19 | So in Love | — | ||
| 4-20 | Send in the Clowns | Judi Dench | T-070.924.599-7 | |
| 4-21 | Summertime | — | ||
| 5-1 | The Phantom of the Opera | — | ||
| 5-2 | Pie Jesu | — | ||
| 5-3 | I Won’t Send Roses | — | ||
| 5-4 | Anything Goes | — | ||
| 5-5 | Tell Me It’s Not True | — | ||
| 5-6 | Serious | Duncan James, Sheridan Smith | T-902.658.563-7 | |
| 5-7 | Too Many Mornings | — | ||
| 5-8 | Embraceable You | — | ||
| 5-9 | Anything You Can Do | — | ||
| 5-10 | Easy Terms | — | ||
| 5-11 | Fight the Fight | — | ||
| 5-12 | Think of Me | — | ||
| 5-13 | Why Can’t You Behave | — | ||
| 5-14 | Could I Leave You? | — | ||
| 5-15 | Suddenly Seymour | — | ||
| 5-16 | Just Another Love Story | — | ||
| 5-17 | Not While I’m Around | — | ||
| 5-18 | Only You | — | ||
| 5-19 | Dancing Queen | — | ||
| 5-20 | Waterloo Sunset | — |
Additional database matches (1)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| I Don't Know How to Love Him | Andrew Lloyd Webber | T-011.626.258-8 |
What other identifiers does this connect to?
Musical Works (ISWC)
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Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
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People also ask
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What is UPC 4050538390513?
4050538390513 is a Universal Product Code (UPC) assigned to 100 Hit Tracks: The Ultimate Collection: The Sound of Musicals by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 100 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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