UPC · Release
Arthur or the Decline and Fall of the British Empire
The Kinks
Last verified:
4050538513134 is the Universal Product Code (UPC barcode) for the release “Arthur or the Decline and Fall of the British Empire” by The Kinks, released 2019-01-01 on BMG. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 57 tracks, each with its own ISRC. Tracks include GBAJE7000223, GB5KW1499622, GBAJE6900007.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (57)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Victoria | The Kinks | T-010.162.480-9 | |
| 2 | Yes Sir, No Sir | — | ||
| 3 | Some Mother’s Son | — | ||
| 4 | Drivin’ | — | ||
| 5 | Brainwashed | — | ||
| 6 | Australia | — | ||
| 7 | Shangri‐La | — | ||
| 8 | Mr. Churchill Says | — | ||
| 9 | She’s Bought a Hat Like Princess Marina | — | ||
| 10 | Young & Innocent Days | — | ||
| 11 | Nothing to Say | — | ||
| 12 | Arthur | — | ||
| 13 | Plastic Man | The Kinks | T-010.162.621-4 | |
| 2-1 | Victoria | The Kinks | T-010.162.480-9 | |
| 2-2 | Yes Sir, No Sir | The Kinks | T-010.437.652-4 | |
| 2-3 | Some Mother’s Son | The Kinks | T-010.099.516-1 | |
| 2-4 | Drivin’ | The Kinks | T-010.437.724-3 | |
| 2-5 | Brainwashed | The Kinks | T-010.029.589-3 | |
| 2-6 | Australia | The Kinks | T-010.437.099-1 | |
| 2-7 | Shangri‐La | The Kinks | T-010.164.915-3 | |
| 2-8 | Mr. Churchill Says | The Kinks | T-010.437.098-0 | |
| 2-9 | She Bought a Hat Like Princess Marina | The Kinks | T-010.437.295-3 | |
| 2-10 | Young & Innocent Days | — | ||
| 2-11 | Nothing to Say | The Kinks | T-010.437.653-5 | |
| 2-12 | Arthur | The Kinks | T-010.437.100-7 | |
| 2-13 | Plastic Man | The Kinks | T-010.162.621-4 | |
| 2-14 | King Kong | The Kinks | T-010.433.848-8 | |
| 3-1 | This Man He Weeps Tonight | — | ||
| 3-2 | Mindless Child of Motherhood | — | ||
| 3-3 | Hold My Hand | — | ||
| 3-4 | Do You Wish to Be a Man? | — | ||
| 3-5 | Are You Ready? | — | ||
| 3-6 | Creeping Jean | — | ||
| 3-7 | I’m Crying | — | ||
| 3-8 | Lincoln County | — | ||
| 3-9 | Mr. Shoemaker’s Daughter | — | ||
| 3-10 | Mr. Reporter | — | ||
| 3-11 | Groovy Movies | — | ||
| 3-12 | There Is No Life Without Love | — | ||
| 3-14 | There Is No Life Without You (mono) | — | ||
| 3-15 | Hold My Hand (mono) | — | ||
| 3-17 | Mindless Child of Motherhood (mono) | — | ||
| 3-18 | This Man He Weeps Tonight (mono) | — | ||
| 3-23 | Hold My Hand (alternate take) | — | ||
| 4-1 | Arthur’s Journey (introduction, stereo) | — | ||
| 4-3 | Home Demos Medley, 1969: Arthur / Victoria / Some Mother’s Son / Drivin’ / Brainwashed / Mr. Churchill Says (TV premix, mono) | — | ||
| 4-10 | The Virgin Soldiers March (mono) | — | ||
| 4-11 | Soldiers Coming Home (instrumental, mono) | — | ||
| 4-13 | Victoria (stereo) | — | ||
| 5-1 | Drivin’ (mono) | — | ||
| 5-2 | Mindless Child of Motherhood (mono) | — | ||
| 6-1 | Shangri‐La (mono) | — | ||
| 6-2 | This Man He Weeps Tonight (mono) | — | ||
| 7-1 | Victoria (stereo) | — | ||
| 7-2 | Mr. Churchill Says (stereo) | — | ||
| 8-1 | Hold My Hand (mono) | — | ||
| 8-2 | Creeping Jean (mono) | — |
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Credits Graph
People also ask
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What is UPC 4050538513134?
4050538513134 is a Universal Product Code (UPC) assigned to Arthur or the Decline and Fall of the British Empire by The Kinks. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 57 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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