UPC · Release
Hit Me! The Best Of
Ian Dury
Last verified:
4050538633757 is the Universal Product Code (UPC barcode) for the release “Hit Me! The Best Of” by Ian Dury, released 2020-01-01 on BMG. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 49 tracks, each with its own ISRC. Tracks include GBAFR7710183, GBAFR7710173, GBAFR7710174.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (49)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Sex & Drugs & Rock & Roll | Ian Dury | T-010.178.784-1 | |
| 2 | Wake Up and Make Love With Me | Ian Dury | T-010.178.773-8 | |
| 3 | Sweet Gene Vincent | Ian Dury | T-010.178.772-7 | |
| 4 | Clevor Trever | Ian Dury | T-010.178.468-2 | |
| 5 | Billericay Dickie | Ian Dury | — | |
| 6 | My Old Man | Ian Dury | — | |
| 7 | I’m Partial to Your Abracadabra | Ian Dury | — | |
| 8 | Plaistow Patricia | — | ||
| 9 | Blockheads | Ian Dury | — | |
| 10 | Pam’s Moods | Kilburn and the High Roads | — | |
| 11 | If I Was With a Woman | Ian Dury | — | |
| 12 | Upminster Kid | Kilburn and the High Roads | — | |
| 13 | Billy Bentley (Promenades Himself in London) | Kilburn and the High Roads | T-010.463.187-9 | |
| 14 | Rough Kids | — | ||
| 15 | The Mumble Rumble and the Cocktail Rock | Kilburn and the High Roads | — | |
| 16 | The Roadette Song | Kilburn and the High Roads | — | |
| 17 | Crippled With Nerves | Kilburn and the High Roads | — | |
| 18 | Blackmail Man | Ian Dury | — | |
| 2-2 | Hit Me With Your Rhythm Stick | Ian Dury & the Blockheads | T-010.180.316-0 | |
| 2-3 | What a Waste! | Ian Dury & the Blockheads | T-070.933.266-0 | |
| 2-4 | Inbetweenies | Ian Dury & the Blockheads | — | |
| 2-5 | I Want to Be Straight | Ian Dury & the Blockheads | — | |
| 2-6 | This Is What We Find | — | ||
| 2-7 | There Ain’t Half Been Some Clever Bastards | Ian Dury & the Blockheads | — | |
| 2-8 | Waiting for Your Taxi | — | ||
| 2-9 | Razzle in My Pocket | — | ||
| 2-10 | You’re More Than Fair | — | ||
| 2-11 | Quiet | — | ||
| 2-12 | Common as Muck | — | ||
| 2-13 | Dance of the Screamers | — | ||
| 2-14 | Don’t Ask Me | — | ||
| 2-15 | Mischief | — | ||
| 2-16 | Lullaby for Franci/es | — | ||
| 3-1 | Mash It Up Harry | — | ||
| 3-2 | Dance Little Rude Boy | — | ||
| 3-3 | Sueperman’s Big Sister | Ian Dury & the Blockheads | — | |
| 3-4 | Spasticus Autisticus | Ian Dury & the Blockheads | — | |
| 3-5 | You’ll See Glimpses | — | ||
| 3-6 | Fucking Ada | — | ||
| 3-7 | Hey, Hey Take Me Away | — | ||
| 3-8 | Dance of the Crackpots | — | ||
| 3-9 | Bed o’ Roses No.9 | — | ||
| 3-10 | O’Donegal | Ian Dury | — | |
| 3-11 | Itinerant Child | Ian Dury | — | |
| 3-12 | Geraldine | — | ||
| 3-13 | Jack Shit George | — | ||
| 3-14 | I Believe | Ian Dury | T-070.902.379-9 | |
| 3-15 | One Love | Ian Dury | T-070.161.542-0 | |
| 3-16 | England’s Glory (demo) | — |
Additional database matches (2)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Reasons to Be Cheerful, Pt. 3 (long version) | Ian Dury & the Blockheads | — |
| Reasons to Be Cheerful, Pt. 3 (long version) | Ian Dury & the Blockheads | — |
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
People also ask
Verified on
What is UPC 4050538633757?
4050538633757 is a Universal Product Code (UPC) assigned to Hit Me! The Best Of by Ian Dury. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 49 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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