UPC · Album
Ultimate 70s Hits
Various Artists
Last verified:
4050538695281 is the Universal Product Code (UPC barcode) for the release “Ultimate 70s Hits” by Various Artists, released 2021-01-01 on Union Square Production. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 100 tracks, each with its own ISRC. Tracks include DED460500063, DELJ81808930, FR6V81286042.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (89)
| Track Title | Artist(s) | ISRC |
|---|---|---|
| Hey, St. Peter | Flash and the Pan | DED460500063 |
| Don’t Play That Song | Aretha Franklin | DELJ81808930 |
| Lost in France | Bonnie Tyler | FR6V81286042 |
| Knock on Wood | Amii Stewart | GB5KW1499780 |
| The Boy From New York City | Darts | GBAHS0300604 |
| Mean Girl | Status Quo | GBAJE7100042 |
| Hurt So Good | Susan Cadogan | GBAJE7400106 |
| Hurt So Good | Susan Cadogan | GBAJE7400203 |
| Lost in France | Bonnie Tyler | GBAJE7600013 |
| In Zaire | Johnny Wakelin | GBAJE7600058 |
| Knock on Wood (1985 7" remix) | Amii Stewart | GBAJE7800113 |
| Matchstalk Men and Matchstalk Cats and Dogs | Brian and Michael | GBAJE7800120 |
| Knock on Wood | Amii Stewart | GBAJE7900107 |
| Knock on Wood | Amii Stewart | GBAJE7900269 |
| Ballroom Blitz | Sweet | GBARL7300001 |
| Ballroom Blitz | Sweet | GBARL7300004 |
| Ballroom Blitz | Sweet | GBARL7300027 |
| 10538 Overture | Electric Light Orchestra | GBAYE0100878 |
| Just a Smile | Pilot | GBAYE0301063 |
| 10538 Overture | Electric Light Orchestra | GBAYE7100288 |
| 10538 Overture | Electric Light Orchestra | GBAYE7200107 |
| Touch Too Much | The Arrows | GBAYE7400050 |
| Touch Too Much | The Arrows | GBAYE7400222 |
| Get Down Tonight | KC and the Sunshine Band | GBAYE7500037 |
| Right Back Where We Started From | Maxine Nightingale | GBAYE7500076 |
| Baker Street | Gerry Rafferty | GBAYE7800619 |
| In Zaire | Johnny Wakelin | GBAYE8700200 |
| Right Back Where We Started From | Maxine Nightingale | GBAYE9400846 |
| Jeans On | David Dundas | GBEHT0400612 |
| Jeans On | David Dundas | GBEHT1000115 |
| Pop Muzik | M | GBGHQ7900012 |
| Lonely Boy | Andrew Gold | QMDA71462822 |
| Hooked on a Feeling | Blue Swede | SEAMA7343050 |
| Hooked on a Feeling | Blue Swede | SEPQA1900089 |
| Ballroom Blitz | Sweet | USA371080584 |
| Feel Like Makin’ Love | Roberta Flack | USAT20001179 |
| Don’t Play That Song | Aretha Franklin | USAT20001182 |
| We Are Family | Sister Sledge | USAT20102166 |
| I’ll Be Around | The Spinners | USAT20301259 |
| We Are Family | Sister Sledge | USAT20303646 |
| Double Vision | Foreigner | USAT20610555 |
| Don’t Play That Song | Aretha Franklin | USAT20801259 |
| Double Vision | Foreigner | USAT20802329 |
| Double Vision | Foreigner | USAT20803023 |
| We Are Family | Sister Sledge | USAT20804258 |
| We Are Family | Sister Sledge | USAT21001030 |
| We Are Family | Sister Sledge | USAT21205782 |
| Don’t Play That Song | Aretha Franklin | USAT21403521 |
| Double Vision | Foreigner | USAT29500184 |
| Double Vision | Foreigner | USAT29900661 |
| Ballroom Blitz | Sweet | USCA28800090 |
| Blue Bayou | Linda Ronstadt | USEA20100040 |
| The Guitar Man | Bread | USEE10180675 |
| Lonely Boy | Andrew Gold | USEE10183941 |
| Lonely Boy (live) | Andrew Gold | USEE10413738 |
| The Guitar Man | Bread | USEE10501826 |
| You’re So Vain | Carly Simon | USEE10608732 |
| The Guitar Man | Bread | USEE11200788 |
| Blue Bayou | Linda Ronstadt | USEE11500395 |
| Lonely Boy | Andrew Gold | USEE12000109 |
| Blue Bayou | Linda Ronstadt | USEE19900692 |
| You’re So Vain | Carly Simon | USEE19900883 |
| The Guitar Man | Bread | USEE19900904 |
| Lonely Boy | Andrew Gold | USEEE1018394 |
| Love Hurts | Emmylou Harris, Gram Parsons | USRE10100227 |
| Can We Still Be Friends? | Todd Rundgren | USRE10102299 |
| Love Hurts | Emmylou Harris, Gram Parsons | USRE10201413 |
| Love Hurts | Emmylou Harris, Gram Parsons | USRE10700771 |
| Love Hurts | Emmylou Harris, Gram Parsons | USRE10801093 |
| Love Hurts | Emmylou Harris, Gram Parsons | USRE17300001 |
| Get Down Tonight | KC and the Sunshine Band | USRH10110408 |
| Can We Still Be Friends? | Todd Rundgren | USRH10175301 |
| Can We Still Be Friends? | Todd Rundgren | USRH10651759 |
| Can We Still Be Friends? | Todd Rundgren | USRH11509620 |
| Sheena Is a Punk Rocker | Ramones | USRH11703067 |
| Lonely Boy | Andrew Gold | USRH12000806 |
| You’re So Vain | Carly Simon | USRH12301344 |
| 10538 Overture | Electric Light Orchestra | USSM19912421 |
| Sheena Is a Punk Rocker | Ramones | USWB10106563 |
| How Much I Feel | Ambrosia | USWB10201262 |
| Love Is Alive | Gary Wright | USWB10201446 |
| Sheena Is a Punk Rocker | Ramones | USWB10201790 |
| Sheena Is a Punk Rocker | Ramones | USWB10302157 |
| Love Is Alive | Gary Wright | USWB10902461 |
| How Much I Feel | Ambrosia | USWB10902994 |
| Wishing on a Star | Rose Royce | USWB11202704 |
| How Much I Feel | Ambrosia | USWB17800025 |
| Sheena Is a Punk Rocker | Ramones | USWB19900893 |
| Love Is Alive | Gary Wright | USWB19901346 |
What other identifiers does this connect to?
Musical Works (ISWC)
+71 more
Songwriters/Publishers (IPI)
+31 more
Creative Contributors (ISNI)
+40 more
People also ask
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What is UPC 4050538695281?
4050538695281 is a Universal Product Code (UPC) assigned to Ultimate 70s Hits by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 100 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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