UPC · Release
Duke Ellington
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4053796000057 is the Universal Product Code (UPC barcode) for the release “Jazz at the Movies. Anatomy of a Murder [CD2]” by Duke Ellington on Documents. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 126 tracks, each with its own ISRC. Tracks include FRZ035800010, FRZ035700170, FRZ035800440.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Générique (Bande Originale Du Film "Ascenseur Pour L'Échafaud") | Miles Davis | — | |
| 2 | L’assassinat de Carala | Miles Davis | — | |
| 3 | Sur l’autoroute | Miles Davis | T-073.161.575-0 | |
| 4 | Julien dans l'ascenseur | — | ||
| 5 | Florence sur les Champs-Élysées | Miles Davis | T-073.161.575-0 | |
| 6 | Dîner au motel | Miles Davis | — | |
| 7 | Evasion de Julien | — | ||
| 8 | Visite du vigile | Miles Davis | T-073.161.575-0 | |
| 9 | Au bar du petit bac | Miles Davis | — | |
| 10 | Chez le photographe du motel | Miles Davis | — | |
| 2-1 | Main Tittle. Anatomy of a Murder | — | ||
| 2-2 | Flirtbird | — | ||
| 2-3 | Way Early Subtone | — | ||
| 2-4 | Hero to Zero | — | ||
| 2-5 | Low Key Lightly | — | ||
| 2-7 | Midnight Indigo | — | ||
| 2-8 | Almost Cried | — | ||
| 2-9 | Sunswept Sunday | — | ||
| 2-10 | Grace Valse | — | ||
| 2-11 | Happy Anatomy | — | ||
| 2-12 | Upper and Outest | — | ||
| 3-1 | Générique | Miles Davis | — | |
| 3-2 | Pierre et Béatrice | — | ||
| 3-3 | Nasol | — | ||
| 3-4 | Tom poursuite dans la ruelle | — | ||
| 3-5 | Ne chuchote pas | — | ||
| 3-6 | Mambo dans la voiture | — | ||
| 3-7 | Merlin | — | ||
| 3-8 | Juste pour eux seuls | — | ||
| 3-9 | Blues pour doudou | — | ||
| 3-10 | Blues pour Marcel | — | ||
| 3-11 | Blues pour Vava | — | ||
| 3-12 | Pasquier | — | ||
| 3-13 | Quaglio | — | ||
| 3-14 | La divorcée de Léo fall | — | ||
| 3-15 | Suspense, Tom et Nasol | — | ||
| 3-16 | Des femmes disparaissent | — | ||
| 3-17 | Final pur Pierre et Béatrice | — | ||
| 4-1 | Goodbye Baby Blues | Elmer Bernstein | — | |
| 4-2 | Cheek to Chico | — | ||
| 4-3 | Susan - The sage | — | ||
| 4-4 | Sidney's Theme | — | ||
| 4-5 | Jonalah | — | ||
| 4-6 | Jam | — | ||
| 4-7 | Night Beat | — | ||
| 4-8 | Love Scene (Susan - The Sage) | — | ||
| 4-9 | Goodbye, Baby | — | ||
| 4-10 | Hunsecker Operates | Chico Hamilton, Fred Katz | — | |
| 4-11 | Hot Dogs and Juice (Goodbye Baby) | Elmer Bernstein | — | |
| 4-12 | Concerto of themes from "Sweet Smell Of Success" | — | ||
| 5-1 | Main Title From I Want To Live | — | ||
| 5-2 | Poker Game | — | ||
| 5-3 | San Diego Party | — | ||
| 5-4 | Henry Leaves | — | ||
| 5-5 | Stakeout | — | ||
| 5-6 | Barbara Surrenders | — | ||
| 5-7 | Trio Convicted | — | ||
| 5-8 | Trip To Corona | — | ||
| 5-9 | Peg's Visit | — | ||
| 5-10 | Gas Chamber Unveiling | — | ||
| 5-11 | Nightmare Sequence | — | ||
| 5-12 | Preparations For Execution | — | ||
| 5-13 | Letter Writing Sequence | — | ||
| 5-14 | The Last Mile | — | ||
| 5-15 | Death Scene | — | ||
| 5-16 | Black Nightgown | — | ||
| 5-17 | Night Watch | — | ||
| 5-18 | Frisco Club | — | ||
| 5-19 | Barbara's Theme | — | ||
| 5-20 | End Title From I Want To Live | — | ||
| 5-21 | Theme From "I Want To Live" | — | ||
| 5-22 | Life Is A Funny Thnig | — | ||
| 6-1 | Main Title (Nowhere To Go) | — | ||
| 6-2 | The Escape and Chase | — | ||
| 6-3 | The Search | — | ||
| 6-4 | The Sunset Scene | — | ||
| 6-5 | Riverside Stomp | — | ||
| 6-6 | Freedom Walk | — | ||
| 6-7 | After the Party | — | ||
| 6-8 | Treasure Drive | — | ||
| 7-1 | Témoin dans la ville | — | ||
| 7-2 | La pendaison | — | ||
| 7-3 | Mélodie pour les radio taxis | — | ||
| 7-4 | Poursuite et métro | — | ||
| 7-5 | Ambiance pourpre | — | ||
| 7-6 | Préméditation dans l'appartement | — | ||
| 7-7 | La vie n'est qu'une lutte | — | ||
| 7-8 | Complainte du chauffeur | — | ||
| 7-9 | Sur l'antenne | — | ||
| 7-10 | Blues de l'antenne | — | ||
| 7-11 | SOS Radio Taxis | — | ||
| 7-12 | Final au jardin d'acclimatation | — | ||
| 7-13 | Blues de Memphis | — | ||
| 7-14 | Générique | Miles Davis | — | |
| 7-15 | Theme d'amour | — | ||
| 7-16 | Theme de liz | — | ||
| 7-17 | Blues de memphis | — | ||
| 7-18 | Surprise partie au bord de l'eau | — | ||
| 8-1 | No Problem (No 1) | — | ||
| 8-2 | No Problem (No 2) | — | ||
| 8-3 | No Problem (No 3) | — | ||
| 8-4 | Jazz Vendor | — | ||
| 8-5 | Subway Inn | — | ||
| 8-6 | The Feeling Of Love (No 1) | — | ||
| 8-7 | The Feeling Of Love (No 2) | — | ||
| 9-1 | Satan In High Heels | — | ||
| 9-2 | Montage | — | ||
| 9-3 | Lost and Lonely | — | ||
| 9-4 | East Side Drive | — | ||
| 9-5 | Coffee Coffee | — | ||
| 9-6 | Lake In The Woods | — | ||
| 9-7 | From Mundy On | — | ||
| 9-8 | Long Knife | — | ||
| 9-9 | Blues For A Stripper | — | ||
| 9-10 | Pattern Of Evil | — | ||
| 10-1 | Clark Street | — | ||
| 10-2 | Zosh | — | ||
| 10-3 | Frankie Machine | — | ||
| 10-4 | The Fix | — | ||
| 10-5 | Molly | — | ||
| 10-6 | Breakup | — | ||
| 10-7 | Sunday Morning | — | ||
| 10-8 | Desperation | — | ||
| 10-9 | Audition | — | ||
| 10-10 | The Cure | — | ||
| 10-11 | Finale | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Identifier Graph
4053796000057 is a Universal Product Code (UPC) assigned to Jazz at the Movies. Anatomy of a Murder [CD2] by Duke Ellington. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 126 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
4053796000057 is the Universal Product Code (UPC barcode) for the release “Jazz at the Movies. Anatomy of a Murder [CD2]” by Duke Ellington on Documents. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 126 tracks, each with its own ISRC. Tracks include FRZ035800010, FRZ035700170, FRZ035800440.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Générique (Bande Originale Du Film "Ascenseur Pour L'Échafaud") | Miles Davis | — | |
| 2 | L’assassinat de Carala | Miles Davis | — | |
| 3 | Sur l’autoroute | Miles Davis | T-073.161.575-0 | |
| 4 | Julien dans l'ascenseur | — | ||
| 5 | Florence sur les Champs-Élysées | Miles Davis | T-073.161.575-0 | |
| 6 | Dîner au motel | Miles Davis | — | |
| 7 | Evasion de Julien | — | ||
| 8 | Visite du vigile | Miles Davis | T-073.161.575-0 | |
| 9 | Au bar du petit bac | Miles Davis | — | |
| 10 | Chez le photographe du motel | Miles Davis | — | |
| 2-1 | Main Tittle. Anatomy of a Murder | — | ||
| 2-2 | Flirtbird | — | ||
| 2-3 | Way Early Subtone | — | ||
| 2-4 | Hero to Zero | — | ||
| 2-5 | Low Key Lightly | — | ||
| 2-7 | Midnight Indigo | — | ||
| 2-8 | Almost Cried | — | ||
| 2-9 | Sunswept Sunday | — | ||
| 2-10 | Grace Valse | — | ||
| 2-11 | Happy Anatomy | — | ||
| 2-12 | Upper and Outest | — | ||
| 3-1 | Générique | Miles Davis | — | |
| 3-2 | Pierre et Béatrice | — | ||
| 3-3 | Nasol | — | ||
| 3-4 | Tom poursuite dans la ruelle | — | ||
| 3-5 | Ne chuchote pas | — | ||
| 3-6 | Mambo dans la voiture | — | ||
| 3-7 | Merlin | — | ||
| 3-8 | Juste pour eux seuls | — | ||
| 3-9 | Blues pour doudou | — | ||
| 3-10 | Blues pour Marcel | — | ||
| 3-11 | Blues pour Vava | — | ||
| 3-12 | Pasquier | — | ||
| 3-13 | Quaglio | — | ||
| 3-14 | La divorcée de Léo fall | — | ||
| 3-15 | Suspense, Tom et Nasol | — | ||
| 3-16 | Des femmes disparaissent | — | ||
| 3-17 | Final pur Pierre et Béatrice | — | ||
| 4-1 | Goodbye Baby Blues | Elmer Bernstein | — | |
| 4-2 | Cheek to Chico | — | ||
| 4-3 | Susan - The sage | — | ||
| 4-4 | Sidney's Theme | — | ||
| 4-5 | Jonalah | — | ||
| 4-6 | Jam | — | ||
| 4-7 | Night Beat | — | ||
| 4-8 | Love Scene (Susan - The Sage) | — | ||
| 4-9 | Goodbye, Baby | — | ||
| 4-10 | Hunsecker Operates | Chico Hamilton, Fred Katz | — | |
| 4-11 | Hot Dogs and Juice (Goodbye Baby) | Elmer Bernstein | — | |
| 4-12 | Concerto of themes from "Sweet Smell Of Success" | — | ||
| 5-1 | Main Title From I Want To Live | — | ||
| 5-2 | Poker Game | — | ||
| 5-3 | San Diego Party | — | ||
| 5-4 | Henry Leaves | — | ||
| 5-5 | Stakeout | — | ||
| 5-6 | Barbara Surrenders | — | ||
| 5-7 | Trio Convicted | — | ||
| 5-8 | Trip To Corona | — | ||
| 5-9 | Peg's Visit | — | ||
| 5-10 | Gas Chamber Unveiling | — | ||
| 5-11 | Nightmare Sequence | — | ||
| 5-12 | Preparations For Execution | — | ||
| 5-13 | Letter Writing Sequence | — | ||
| 5-14 | The Last Mile | — | ||
| 5-15 | Death Scene | — | ||
| 5-16 | Black Nightgown | — | ||
| 5-17 | Night Watch | — | ||
| 5-18 | Frisco Club | — | ||
| 5-19 | Barbara's Theme | — | ||
| 5-20 | End Title From I Want To Live | — | ||
| 5-21 | Theme From "I Want To Live" | — | ||
| 5-22 | Life Is A Funny Thnig | — | ||
| 6-1 | Main Title (Nowhere To Go) | — | ||
| 6-2 | The Escape and Chase | — | ||
| 6-3 | The Search | — | ||
| 6-4 | The Sunset Scene | — | ||
| 6-5 | Riverside Stomp | — | ||
| 6-6 | Freedom Walk | — | ||
| 6-7 | After the Party | — | ||
| 6-8 | Treasure Drive | — | ||
| 7-1 | Témoin dans la ville | — | ||
| 7-2 | La pendaison | — | ||
| 7-3 | Mélodie pour les radio taxis | — | ||
| 7-4 | Poursuite et métro | — | ||
| 7-5 | Ambiance pourpre | — | ||
| 7-6 | Préméditation dans l'appartement | — | ||
| 7-7 | La vie n'est qu'une lutte | — | ||
| 7-8 | Complainte du chauffeur | — | ||
| 7-9 | Sur l'antenne | — | ||
| 7-10 | Blues de l'antenne | — | ||
| 7-11 | SOS Radio Taxis | — | ||
| 7-12 | Final au jardin d'acclimatation | — | ||
| 7-13 | Blues de Memphis | — | ||
| 7-14 | Générique | Miles Davis | — | |
| 7-15 | Theme d'amour | — | ||
| 7-16 | Theme de liz | — | ||
| 7-17 | Blues de memphis | — | ||
| 7-18 | Surprise partie au bord de l'eau | — | ||
| 8-1 | No Problem (No 1) | — | ||
| 8-2 | No Problem (No 2) | — | ||
| 8-3 | No Problem (No 3) | — | ||
| 8-4 | Jazz Vendor | — | ||
| 8-5 | Subway Inn | — | ||
| 8-6 | The Feeling Of Love (No 1) | — | ||
| 8-7 | The Feeling Of Love (No 2) | — | ||
| 9-1 | Satan In High Heels | — | ||
| 9-2 | Montage | — | ||
| 9-3 | Lost and Lonely | — | ||
| 9-4 | East Side Drive | — | ||
| 9-5 | Coffee Coffee | — | ||
| 9-6 | Lake In The Woods | — | ||
| 9-7 | From Mundy On | — | ||
| 9-8 | Long Knife | — | ||
| 9-9 | Blues For A Stripper | — | ||
| 9-10 | Pattern Of Evil | — | ||
| 10-1 | Clark Street | — | ||
| 10-2 | Zosh | — | ||
| 10-3 | Frankie Machine | — | ||
| 10-4 | The Fix | — | ||
| 10-5 | Molly | — | ||
| 10-6 | Breakup | — | ||
| 10-7 | Sunday Morning | — | ||
| 10-8 | Desperation | — | ||
| 10-9 | Audition | — | ||
| 10-10 | The Cure | — | ||
| 10-11 | Finale | — |
