UPC · Release
Benjamin Britten, Peter Pears, Dennis Brain, Herbert von Karajan, Wiener Sängerknaben
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The UPC for “Britten 100: The Birthday Collection” by Benjamin Britten, Peter Pears, Dennis Brain, Herbert von Karajan, Wiener Sängerknaben is 4053796000477. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2013-01-01. Label: The Intense Media. This release contains 173 tracks, each with its own ISRC. Tracks include GBF075840101, GBF075840102, GBF075840103.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Serenade for Tenor, Horn and Strings op. 31: I. Prologue | — | ||
| 2 | Serenade for Tenor, Horn and Strings op. 31: II. Pastoral | — | ||
| 3 | Serenade for Tenor, Horn and Strings op. 31: III. Nocturne | — | ||
| 4 | Serenade for Tenor, Horn and Strings op. 31: IV. Elegy | — | ||
| 5 | Serenade for Tenor, Horn and Strings op. 31: V. Dirge | — | ||
| 6 | Serenade for Tenor, Horn and Strings op. 31: VI. Hymn | — | ||
| 7 | Serenade for Tenor, Horn and Strings op. 31: VII. Sonnet | — | ||
| 8 | Serenade for Tenor, Horn and Strings op. 31: VIII. Epilogue | — | ||
| 9 | Les Illuminations op. 18: I. Fanfare | — | ||
| 10 | Les Illuminations op. 18: II. Villes | — | ||
| 11 | Les Illuminations op. 18: IIIa. Phrase | — | ||
| 12 | Les Illuminations op. 18: IIIb. Antique | — | ||
| 13 | Les Illuminations op. 18: IV. Royauté | — | ||
| 14 | Les Illuminations op. 18: V. Marine | — | ||
| 15 | Les Illuminations op. 18: VI. Interlude | — | ||
| 16 | Les Illuminations op. 18: VII. Being beauteous | — | ||
| 17 | Les Illuminations op. 18: VIII. Parade | — | ||
| 18 | Les Illuminations op. 18: IX. Départ | — | ||
| 2-1 | Sinfonia da Requiem op. 20: I. Lacrymosa (Andante ben misurato) / II. Dies irae (Allegro con fuoco) / III. Requiem aeternam (Andante molto tranquillo) | — | ||
| 2-2 | Nocturne for Tenor, Seven Obligate Instruments & Strings, op. 60: I. On a poet’s lips I slept | — | ||
| 2-3 | Nocturne for Tenor, Seven Obligate Instruments & Strings, op. 60: II. Below the thunders of the upper deep | — | ||
| 2-4 | Nocturne for Tenor, Seven Obligate Instruments & Strings, op. 60: III. Encitured with a twine of leaves | — | ||
| 2-5 | Nocturne for Tenor, Seven Obligate Instruments & Strings, op. 60: IV. Midnight’s bell goes ting, ting, ting | — | ||
| 2-6 | Nocturne for Tenor, Seven Obligate Instruments & Strings, op. 60: V. But that night when on my bed I lay | — | ||
| 2-7 | Nocturne for Tenor, Seven Obligate Instruments & Strings, op. 60: VI. She sleeps on soft, last breaths | — | ||
| 2-8 | Nocturne for Tenor, Seven Obligate Instruments & Strings, op. 60: VII. What is more gentle than a wind in summer? | — | ||
| 2-9 | Nocturne for Tenor, Seven Obligate Instruments & Strings, op. 60: VIII. When most I wink, then do mine eyes best see | — | ||
| 3-1 | Peter Grimes, op. 33, Prologue: "Peter Grimes!" | David Kelly, Owen Brannigan, Peter Pears, Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 3-2 | Peter Grimes, op. 33, Prologue: "You sailed your boat" | Owen Brannigan, Peter Pears, Lauris Margaret Elms, David Kelly, Claire Watson, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 3-3 | Peter Grimes, op. 33, Prologue: "Peter Grimes, I here advise you!" | Owen Brannigan, David Kelly, Peter Pears, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 3-4 | Peter Grimes, op. 33, Prologue: "The truth...the pity..." | Peter Pears, Claire Watson, Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 3-5 | Peter Grimes, op. 33, Prologue: Interlude I: On the beach | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 3-6 | Peter Grimes, op. 33, Act 1: "Oh, hang at open doors" | Jean Watson, Raymond Nilsson, James Pease, John Lanigan, Marion Studholme, Iris Kells, Lauris Margaret Elms, Geraint Evans, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 3-7 | Peter Grimes, op. 33, Act 1: "Hi! give us a hand" | Peter Pears, Raymond Nilsson, James Pease, Jean Watson, Geraint Evans, David Kelly, Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 3-8 | Peter Grimes, op. 33, Act 1: "I have to go from pub to pub" | David Kelly, Claire Watson, Geraint Evans, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 3-9 | Peter Grimes, op. 33, Act 1: "Let her among you" | Claire Watson, David Kelly, Lauris Margaret Elms, Geraint Evans, Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 3-10 | Peter Grimes, op. 33, Act 1: "Look, the storm cone!" | James Pease, Geraint Evans, Raymond Nilsson, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 3-11 | Peter Grimes, op. 33, Act 1: "And do you prefer the storm" | James Pease, Peter Pears, Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 3-12 | Peter Grimes, op. 33, Act 1: "What harbour shelters peace" | Peter Pears, Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 3-13 | Peter Grimes, op. 33, Act 1: Interlude II: The Storm | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 3-14 | Peter Grimes, op. 33, Act 1: "Past time to close!" | Jean Watson, Lauris Margaret Elms, James Pease, Raymond Nilsson, Marion Studholme, Iris Kells, Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 3-15 | Peter Grimes, op. 33, Act 1: "We live and let live" | James Pease, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 3-16 | Peter Grimes, op. 33, Act 1: "Have you heard?" | Geraint Evans, Jean Watson, Lauris Margaret Elms, James Pease, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 3-17 | Peter Grimes, op. 33, Act 1: "Now the Great Bear and Pleiades" | Peter Pears, Marion Studholme, Iris Kells, Raymond Nilsson, James Pease, Jean Watson, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 3-18 | Peter Grimes, op. 33, Act 1: "Old Joe has gone fishing" | Geraint Evans, Jean Watson, Peter Pears, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 3-19 | Peter Grimes, op. 33, Act 1: "The bridge is down, we half swam over" | David Kelly, Geraint Evans, Claire Watson, Raymond Nilsson, Jean Watson, Marion Studholme, Iris Kells, Peter Pears, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 3-20 | Peter Grimes, op. 33, Act 2: Interlude III: Sunday morning by the beach | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 3-21 | Peter Grimes, op. 33, Act 2: "Glitter of waves" | Claire Watson, John Lanigan, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 3-22 | Peter Grimes, op. 33, Act 2: "Let this be a holiday" | Claire Watson, Peter Pears, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 3-23 | Peter Grimes, op. 33, Act 2: "This unrelenting work" | Claire Watson, Peter Pears, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 3-24 | Peter Grimes, op. 33, Act 2: "Fool to let it come to this!" | Jean Watson, Geraint Evans, Raymond Nilsson, Lauris Margaret Elms, James Pease, Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 3-25 | Peter Grimes, op. 33, Act 2: "What is it?" | Jean Watson, Raymond Nilsson, Geraint Evans, Owen Brannigan, Marion Studholme, Iris Kells, John Lanigan, Lauris Margaret Elms, James Pease, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | T-010.324.046-5 | |
| 3-26 | Peter Grimes, op. 33, Act 2: "People!...No! I will speak!" | Raymond Nilsson, James Pease, John Lanigan, Jean Watson, Claire Watson, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 4-1 | Peter Grimes, op. 33, Act 2: "We planned that their lives" | Claire Watson, John Lanigan, Lauris Margaret Elms, Raymond Nilsson, Geraint Evans, Owen Brannigan, Marion Studholme, Iris Kells, Jean Watson, James Pease, David Kelly, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 4-2 | Peter Grimes, op. 33, Act 2: "Swallow! Shall we go" | John Lanigan, Owen Brannigan, James Pease, Lauris Margaret Elms, Marion Studholme, Iris Kells, David Kelly, Geraint Evans, Raymond Nilsson, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 4-3 | Peter Grimes, op. 33, Act 2: "Now is gossip put on trial" | Lauris Margaret Elms, Raymond Nilsson, John Lanigan, Geraint Evans, Owen Brannigan, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 4-4 | Peter Grimes, op. 33, Act 2: "From the gutter" | Marion Studholme, Iris Kells, Jean Watson, Claire Watson, Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 4-5 | Peter Grimes, op. 33, Act 2: Interlude IV: Passacaglia | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 4-6 | Peter Grimes, op. 33, Act 2: "Go there!" | Peter Pears, Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 4-7 | Peter Grimes, op. 33, Act 2: "Now!...Now!" | Raymond Nilsson, John Lanigan, Owen Brannigan, Geraint Evans, Peter Pears, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 4-8 | Peter Grimes, op. 33, Act 2: "Peter Grimes! Nobody here?" | John Lanigan, Owen Brannigan, Geraint Evans, Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 4-9 | Peter Grimes, op. 33, Act 3: Interlude V: Evening | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 4-10 | Peter Grimes, op. 33, Act 3: "Assign your prettiness to me" | Owen Brannigan, Marion Studholme, Iris Kells, Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 4-11 | Peter Grimes, op. 33, Act 3: "Pah!" | Owen Brannigan, Geraint Evans, Lauris Margaret Elms, Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 4-12 | Peter Grimes, op. 33, Act 3: "Come along, Doctor!" | John Lanigan, Lauris Margaret Elms, Claire Watson, James Pease, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 4-13 | Peter Grimes, op. 33, Act 3: "Embroidery in childhood" | Claire Watson, James Pease, Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 4-14 | Peter Grimes, op. 33, Act 3: "Mr.Swallow!" | Lauris Margaret Elms, Jean Watson, Owen Brannigan, David Kelly, Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 4-15 | Peter Grimes, op. 33, Act 3: "Who holds himself apart" | Marion Studholme, Iris Kells, Lauris Margaret Elms, Raymond Nilsson, Geraint Evans, Owen Brannigan, David Kelly, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 4-16 | Peter Grimes, op. 33, Act 3: Interlude VI: Fog | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 4-17 | Peter Grimes, op. 33, Act 3: "Grimes! Grimes!" | Peter Pears, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 4-18 | Peter Grimes, op. 33, Act 3: "Peter, we've come to take you home" | Claire Watson, Peter Pears, James Pease, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 4-19 | Peter Grimes, op. 33, Act 3: "To those who pass the Borough" | Owen Brannigan, Jean Watson, Raymond Nilsson, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 5-1 | Die schöne Müllerin, D. 795: Das Wandern | — | ||
| 5-2 | Die schöne Müllerin, D. 795: Wohin? | — | ||
| 5-3 | Die schöne Müllerin, D. 795: Halt! | — | ||
| 5-4 | Die schöne Müllerin, D. 795: Danksagung an den Bach | — | ||
| 5-5 | Die schöne Müllerin, D. 795: Am Feierabend | — | ||
| 5-6 | Die schöne Müllerin, D. 795: Der Neugierige | — | ||
| 5-7 | Die schöne Müllerin, D. 795: Ungeduld | — | ||
| 5-8 | Die schöne Müllerin, D. 795: Morgengruß | — | ||
| 5-9 | Die schöne Müllerin, D. 795: Des Müllers Blumen | — | ||
| 5-10 | Die schöne Müllerin, D. 795: Tränenregen | — | ||
| 5-11 | Die schöne Müllerin, D. 795: Mein! | — | ||
| 5-12 | Die schöne Müllerin, D. 795: Pause | — | ||
| 5-13 | Die schöne Müllerin, D. 795: Mit dem grünen Lautenbande | — | ||
| 5-14 | Die schöne Müllerin, D. 795: Der Jäger | — | ||
| 5-15 | Die schöne Müllerin, D. 795: Eifersucht und Stolz | — | ||
| 5-16 | Die schöne Müllerin, D. 795: Die liebe Farbe | — | ||
| 5-17 | Die schöne Müllerin, D. 795: Die böse Farbe | — | ||
| 5-18 | Die schöne Müllerin, D. 795: Trockne Blumen | — | ||
| 5-19 | Die schöne Müllerin, D. 795: Der Müller und der Bach | — | ||
| 5-20 | Die schöne Müllerin, D. 795: Des Baches Wiegenlied | — | ||
| 6-1 | Young Person’s Guide to the Orchestra (Variations & Fugue on a theme of Purcell), op. 34 | — | ||
| 6-2 | Diversions for Piano (Left Hand) and Orchestra, op. 21: Theme | — | ||
| 6-3 | Diversions for Piano (Left Hand) and Orchestra, op. 21: Variation I (Recitative) | — | ||
| 6-4 | Diversions for Piano (Left Hand) and Orchestra, op. 21: Variation II (Romance) | — | ||
| 6-5 | Diversions for Piano (Left Hand) and Orchestra, op. 21: Variation III (March) | — | ||
| 6-6 | Diversions for Piano (Left Hand) and Orchestra, op. 21: Variation IV (Arabesque) | — | ||
| 6-7 | Diversions for Piano (Left Hand) and Orchestra, op. 21: Variation V (Chant) | — | ||
| 6-8 | Diversions for Piano (Left Hand) and Orchestra, op. 21: Variation VI (Nocturne) | — | ||
| 6-9 | Diversions for Piano (Left Hand) and Orchestra, op. 21: Variation VII (Badinerie) | — | ||
| 6-10 | Diversions for Piano (Left Hand) and Orchestra, op. 21: Variation VIII (Burlesque) | — | ||
| 6-11 | Diversions for Piano (Left Hand) and Orchestra, op. 21: Variation IXa (Toccata) | — | ||
| 6-12 | Diversions for Piano (Left Hand) and Orchestra, op. 21: Variation IXb (Toccata II) | — | ||
| 6-13 | Diversions for Piano (Left Hand) and Orchestra, op. 21: Variation X (Adagio) | — | ||
| 6-14 | Diversions for Piano (Left Hand) and Orchestra, op. 21: Variation XI (Tarantella) | — | ||
| 7-1 | A Ceremony of Carols, op. 28: Procession (Senza misura) | — | ||
| 7-2 | A Ceremony of Carols, op. 28: Wolcum Yole! (Allegro con brio) | — | ||
| 7-3 | A Ceremony of Carols, op. 28: There Is No Rose (Allegretto) | — | ||
| 7-4 | A Ceremony of Carols, op. 28: That Yonge Child (Andante quasi recitativo) | — | ||
| 7-5 | A Ceremony of Carols, op. 28: Balulalow (Andante piacevole) | — | ||
| 7-6 | A Ceremony of Carols, op. 28: As Dew in Aprille (Allegro) | — | ||
| 7-7 | A Ceremony of Carols, op. 28: This Little Babe (Presto con fuoco) | — | ||
| 7-8 | A Ceremony of Carols, op. 28: Interlude (Andante pastorale) | — | ||
| 7-9 | A Ceremony of Carols, op. 28: In Freezing Winter Night (Andante comodo) | — | ||
| 7-10 | A Ceremony of Carols, op. 28: Spring Carol (Allegretto) | — | ||
| 7-11 | A Ceremony of Carols, op. 28: Deo gracias (Presto) | — | ||
| 7-12 | A Ceremony of Carols, op. 28: Recession (Senza misura) | — | ||
| 7-13 | Violin Concerto in D minor, op. 15: I. Moderato con moto | — | ||
| 7-14 | Violin Concerto in D minor, op. 15: II. Vivace | — | ||
| 7-15 | Violin Concerto in D minor, op. 15: III. Passacaglia. Andante lento | — | ||
| 8-1 | Variations on a Theme of Frank Bridge op. 10: I. Introduction and Theme | — | ||
| 8-2 | Variations on a Theme of Frank Bridge op. 10: II. Adagio | — | ||
| 8-3 | Variations on a Theme of Frank Bridge op. 10: III. March | — | ||
| 8-4 | Variations on a Theme of Frank Bridge op. 10: IV. Romance | — | ||
| 8-5 | Variations on a Theme of Frank Bridge op. 10: V. Aria italiana | — | ||
| 8-6 | Variations on a Theme of Frank Bridge op. 10: VI. Bourrée classique | — | ||
| 8-7 | Variations on a Theme of Frank Bridge op. 10: VII. Wiener Walzer | — | ||
| 8-8 | Variations on a Theme of Frank Bridge op. 10: VIII. Moto perpetuo | — | ||
| 8-9 | Variations on a Theme of Frank Bridge op. 10: IX. Funeral March | — | ||
| 8-10 | Variations on a Theme of Frank Bridge op. 10: X. Chant | — | ||
| 8-11 | Variations on a Theme of Frank Bridge op. 10: XI. Fugue & XII. Finale | — | ||
| 8-12 | A Charm of Lullabies op. 41: I. Cradle Song | — | ||
| 8-13 | A Charm of Lullabies op. 41: II. The Highland Bales | — | ||
| 8-14 | A Charm of Lullabies op. 41: III. Sephestia’s Lullaby | — | ||
| 8-15 | A Charm of Lullabies op. 41: IV. A Charm | — | ||
| 8-16 | A Charm of Lullabies op. 41: V. The Nurse’s Song | — | ||
| 9-1 | The Prince of the Pagodas op. 57: Act 1. Prelude | — | ||
| 9-2 | The Prince of the Pagodas op. 57: Act 1. The Fool and the Dwarf | — | ||
| 9-3 | The Prince of the Pagodas op. 57: Act 1. The Emperor | — | ||
| 9-4 | The Prince of the Pagodas op. 57: Act 1. Gavotte | — | ||
| 9-5 | The Prince of the Pagodas op. 57: Act 1. The Four Kings | — | ||
| 9-6 | The Prince of the Pagodas op. 57: Act 1. The King of the North | — | ||
| 9-7 | The Prince of the Pagodas op. 57: Act 1. The King of the East | — | ||
| 9-8 | The Prince of the Pagodas op. 57: Act 1. The King of the West | — | ||
| 9-9 | The Prince of the Pagodas op. 57: Act 1. The King of the South | — | ||
| 9-10 | The Prince of the Pagodas op. 57: Act 1. Belle Epine | — | ||
| 9-11 | The Prince of the Pagodas op. 57: Act 1. Belle Rose | — | ||
| 9-12 | The Prince of the Pagodas op. 57: Act 1. The Kings and Belle Rose | — | ||
| 9-13 | The Prince of the Pagodas op. 57: Act 1. Triumph of Belle Epine | — | ||
| 9-14 | The Prince of the Pagodas op. 57: Act 1. Rage of the Kings | — | ||
| 9-15 | The Prince of the Pagodas op. 57: Act 1. The Four Frogs | — | ||
| 9-16 | The Prince of the Pagodas op. 57: Act 2, Scene 1. Air | — | ||
| 9-17 | The Prince of the Pagodas op. 57: Act 2, Scene 1. Water | — | ||
| 9-18 | The Prince of the Pagodas op. 57: Act 2, Scene 1. Fire | — | ||
| 9-19 | The Prince of the Pagodas op. 57: Act 2, Scene 2. Belle Rose in Pagoda‐Land | — | ||
| 9-20 | The Prince of the Pagodas op. 57: Act 2, Scene 2. The Pagodas | — | ||
| 9-21 | The Prince of the Pagodas op. 57: Act 2, Scene 2. The Salamander | — | ||
| 9-22 | The Prince of the Pagodas op. 57: Act 2, Scene 2. The Prince and Belle Rose | — | ||
| 10-1 | The Prince of the Pagodas op. 57: Act 3, Scene 1. Belle Epine as Empress | — | ||
| 10-2 | The Prince of the Pagodas op. 57: Act 3, Scene 1. The Old Emperor | — | ||
| 10-3 | The Prince of the Pagodas op. 57: Act 3, Scene 1. Belle Rose and the Salamander | — | ||
| 10-4 | The Prince of the Pagodas op. 57: Act 3, Scene 1. Transition | — | ||
| 10-5 | The Prince of the Pagodas op. 57: Act 3, Scene 2. The Pagoda Palace | — | ||
| 10-6 | The Prince of the Pagodas op. 57: Act 3, Scene 2. Pas de six | — | ||
| 10-7 | The Prince of the Pagodas op. 57: Act 3, Scene 2. Variation 1 | — | ||
| 10-8 | The Prince of the Pagodas op. 57: Act 3, Scene 2. Variation 2 | — | ||
| 10-9 | The Prince of the Pagodas op. 57: Act 3, Scene 2. Variation 3 | — | ||
| 10-10 | The Prince of the Pagodas op. 57: Act 3, Scene 2. Pas de trois | — | ||
| 10-11 | The Prince of the Pagodas op. 57: Act 3, Scene 2. Pas de deux | — | ||
| 10-12 | The Prince of the Pagodas op. 57: Act 3, Scene 2. Variation 4 | — | ||
| 10-13 | The Prince of the Pagodas op. 57: Act 3, Scene 2. Variation 5 | — | ||
| 10-14 | The Prince of the Pagodas op. 57: Act 3, Scene 2. Finale | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Identifier Graph
4053796000477 is a Universal Product Code (UPC) assigned to Britten 100: The Birthday Collection by Benjamin Britten, Peter Pears, Dennis Brain, Herbert von Karajan, Wiener Sängerknaben. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 173 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “Britten 100: The Birthday Collection” by Benjamin Britten, Peter Pears, Dennis Brain, Herbert von Karajan, Wiener Sängerknaben is 4053796000477. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2013-01-01. Label: The Intense Media. This release contains 173 tracks, each with its own ISRC. Tracks include GBF075840101, GBF075840102, GBF075840103.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Serenade for Tenor, Horn and Strings op. 31: I. Prologue | — | ||
| 2 | Serenade for Tenor, Horn and Strings op. 31: II. Pastoral | — | ||
| 3 | Serenade for Tenor, Horn and Strings op. 31: III. Nocturne | — | ||
| 4 | Serenade for Tenor, Horn and Strings op. 31: IV. Elegy | — | ||
| 5 | Serenade for Tenor, Horn and Strings op. 31: V. Dirge | — | ||
| 6 | Serenade for Tenor, Horn and Strings op. 31: VI. Hymn | — | ||
| 7 | Serenade for Tenor, Horn and Strings op. 31: VII. Sonnet | — | ||
| 8 | Serenade for Tenor, Horn and Strings op. 31: VIII. Epilogue | — | ||
| 9 | Les Illuminations op. 18: I. Fanfare | — | ||
| 10 | Les Illuminations op. 18: II. Villes | — | ||
| 11 | Les Illuminations op. 18: IIIa. Phrase | — | ||
| 12 | Les Illuminations op. 18: IIIb. Antique | — | ||
| 13 | Les Illuminations op. 18: IV. Royauté | — | ||
| 14 | Les Illuminations op. 18: V. Marine | — | ||
| 15 | Les Illuminations op. 18: VI. Interlude | — | ||
| 16 | Les Illuminations op. 18: VII. Being beauteous | — | ||
| 17 | Les Illuminations op. 18: VIII. Parade | — | ||
| 18 | Les Illuminations op. 18: IX. Départ | — | ||
| 2-1 | Sinfonia da Requiem op. 20: I. Lacrymosa (Andante ben misurato) / II. Dies irae (Allegro con fuoco) / III. Requiem aeternam (Andante molto tranquillo) | — | ||
| 2-2 | Nocturne for Tenor, Seven Obligate Instruments & Strings, op. 60: I. On a poet’s lips I slept | — | ||
| 2-3 | Nocturne for Tenor, Seven Obligate Instruments & Strings, op. 60: II. Below the thunders of the upper deep | — | ||
| 2-4 | Nocturne for Tenor, Seven Obligate Instruments & Strings, op. 60: III. Encitured with a twine of leaves | — | ||
| 2-5 | Nocturne for Tenor, Seven Obligate Instruments & Strings, op. 60: IV. Midnight’s bell goes ting, ting, ting | — | ||
| 2-6 | Nocturne for Tenor, Seven Obligate Instruments & Strings, op. 60: V. But that night when on my bed I lay | — | ||
| 2-7 | Nocturne for Tenor, Seven Obligate Instruments & Strings, op. 60: VI. She sleeps on soft, last breaths | — | ||
| 2-8 | Nocturne for Tenor, Seven Obligate Instruments & Strings, op. 60: VII. What is more gentle than a wind in summer? | — | ||
| 2-9 | Nocturne for Tenor, Seven Obligate Instruments & Strings, op. 60: VIII. When most I wink, then do mine eyes best see | — | ||
| 3-1 | Peter Grimes, op. 33, Prologue: "Peter Grimes!" | David Kelly, Owen Brannigan, Peter Pears, Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 3-2 | Peter Grimes, op. 33, Prologue: "You sailed your boat" | Owen Brannigan, Peter Pears, Lauris Margaret Elms, David Kelly, Claire Watson, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 3-3 | Peter Grimes, op. 33, Prologue: "Peter Grimes, I here advise you!" | Owen Brannigan, David Kelly, Peter Pears, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 3-4 | Peter Grimes, op. 33, Prologue: "The truth...the pity..." | Peter Pears, Claire Watson, Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 3-5 | Peter Grimes, op. 33, Prologue: Interlude I: On the beach | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 3-6 | Peter Grimes, op. 33, Act 1: "Oh, hang at open doors" | Jean Watson, Raymond Nilsson, James Pease, John Lanigan, Marion Studholme, Iris Kells, Lauris Margaret Elms, Geraint Evans, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 3-7 | Peter Grimes, op. 33, Act 1: "Hi! give us a hand" | Peter Pears, Raymond Nilsson, James Pease, Jean Watson, Geraint Evans, David Kelly, Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 3-8 | Peter Grimes, op. 33, Act 1: "I have to go from pub to pub" | David Kelly, Claire Watson, Geraint Evans, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 3-9 | Peter Grimes, op. 33, Act 1: "Let her among you" | Claire Watson, David Kelly, Lauris Margaret Elms, Geraint Evans, Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 3-10 | Peter Grimes, op. 33, Act 1: "Look, the storm cone!" | James Pease, Geraint Evans, Raymond Nilsson, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 3-11 | Peter Grimes, op. 33, Act 1: "And do you prefer the storm" | James Pease, Peter Pears, Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 3-12 | Peter Grimes, op. 33, Act 1: "What harbour shelters peace" | Peter Pears, Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 3-13 | Peter Grimes, op. 33, Act 1: Interlude II: The Storm | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 3-14 | Peter Grimes, op. 33, Act 1: "Past time to close!" | Jean Watson, Lauris Margaret Elms, James Pease, Raymond Nilsson, Marion Studholme, Iris Kells, Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 3-15 | Peter Grimes, op. 33, Act 1: "We live and let live" | James Pease, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 3-16 | Peter Grimes, op. 33, Act 1: "Have you heard?" | Geraint Evans, Jean Watson, Lauris Margaret Elms, James Pease, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 3-17 | Peter Grimes, op. 33, Act 1: "Now the Great Bear and Pleiades" | Peter Pears, Marion Studholme, Iris Kells, Raymond Nilsson, James Pease, Jean Watson, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 3-18 | Peter Grimes, op. 33, Act 1: "Old Joe has gone fishing" | Geraint Evans, Jean Watson, Peter Pears, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 3-19 | Peter Grimes, op. 33, Act 1: "The bridge is down, we half swam over" | David Kelly, Geraint Evans, Claire Watson, Raymond Nilsson, Jean Watson, Marion Studholme, Iris Kells, Peter Pears, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 3-20 | Peter Grimes, op. 33, Act 2: Interlude III: Sunday morning by the beach | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 3-21 | Peter Grimes, op. 33, Act 2: "Glitter of waves" | Claire Watson, John Lanigan, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 3-22 | Peter Grimes, op. 33, Act 2: "Let this be a holiday" | Claire Watson, Peter Pears, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 3-23 | Peter Grimes, op. 33, Act 2: "This unrelenting work" | Claire Watson, Peter Pears, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 3-24 | Peter Grimes, op. 33, Act 2: "Fool to let it come to this!" | Jean Watson, Geraint Evans, Raymond Nilsson, Lauris Margaret Elms, James Pease, Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 3-25 | Peter Grimes, op. 33, Act 2: "What is it?" | Jean Watson, Raymond Nilsson, Geraint Evans, Owen Brannigan, Marion Studholme, Iris Kells, John Lanigan, Lauris Margaret Elms, James Pease, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | T-010.324.046-5 | |
| 3-26 | Peter Grimes, op. 33, Act 2: "People!...No! I will speak!" | Raymond Nilsson, James Pease, John Lanigan, Jean Watson, Claire Watson, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 4-1 | Peter Grimes, op. 33, Act 2: "We planned that their lives" | Claire Watson, John Lanigan, Lauris Margaret Elms, Raymond Nilsson, Geraint Evans, Owen Brannigan, Marion Studholme, Iris Kells, Jean Watson, James Pease, David Kelly, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 4-2 | Peter Grimes, op. 33, Act 2: "Swallow! Shall we go" | John Lanigan, Owen Brannigan, James Pease, Lauris Margaret Elms, Marion Studholme, Iris Kells, David Kelly, Geraint Evans, Raymond Nilsson, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 4-3 | Peter Grimes, op. 33, Act 2: "Now is gossip put on trial" | Lauris Margaret Elms, Raymond Nilsson, John Lanigan, Geraint Evans, Owen Brannigan, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 4-4 | Peter Grimes, op. 33, Act 2: "From the gutter" | Marion Studholme, Iris Kells, Jean Watson, Claire Watson, Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 4-5 | Peter Grimes, op. 33, Act 2: Interlude IV: Passacaglia | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 4-6 | Peter Grimes, op. 33, Act 2: "Go there!" | Peter Pears, Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 4-7 | Peter Grimes, op. 33, Act 2: "Now!...Now!" | Raymond Nilsson, John Lanigan, Owen Brannigan, Geraint Evans, Peter Pears, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 4-8 | Peter Grimes, op. 33, Act 2: "Peter Grimes! Nobody here?" | John Lanigan, Owen Brannigan, Geraint Evans, Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 4-9 | Peter Grimes, op. 33, Act 3: Interlude V: Evening | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 4-10 | Peter Grimes, op. 33, Act 3: "Assign your prettiness to me" | Owen Brannigan, Marion Studholme, Iris Kells, Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 4-11 | Peter Grimes, op. 33, Act 3: "Pah!" | Owen Brannigan, Geraint Evans, Lauris Margaret Elms, Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 4-12 | Peter Grimes, op. 33, Act 3: "Come along, Doctor!" | John Lanigan, Lauris Margaret Elms, Claire Watson, James Pease, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 4-13 | Peter Grimes, op. 33, Act 3: "Embroidery in childhood" | Claire Watson, James Pease, Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 4-14 | Peter Grimes, op. 33, Act 3: "Mr.Swallow!" | Lauris Margaret Elms, Jean Watson, Owen Brannigan, David Kelly, Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 4-15 | Peter Grimes, op. 33, Act 3: "Who holds himself apart" | Marion Studholme, Iris Kells, Lauris Margaret Elms, Raymond Nilsson, Geraint Evans, Owen Brannigan, David Kelly, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 4-16 | Peter Grimes, op. 33, Act 3: Interlude VI: Fog | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 4-17 | Peter Grimes, op. 33, Act 3: "Grimes! Grimes!" | Peter Pears, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 4-18 | Peter Grimes, op. 33, Act 3: "Peter, we've come to take you home" | Claire Watson, Peter Pears, James Pease, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 4-19 | Peter Grimes, op. 33, Act 3: "To those who pass the Borough" | Owen Brannigan, Jean Watson, Raymond Nilsson, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | — | |
| 5-1 | Die schöne Müllerin, D. 795: Das Wandern | — | ||
| 5-2 | Die schöne Müllerin, D. 795: Wohin? | — | ||
| 5-3 | Die schöne Müllerin, D. 795: Halt! | — | ||
| 5-4 | Die schöne Müllerin, D. 795: Danksagung an den Bach | — | ||
| 5-5 | Die schöne Müllerin, D. 795: Am Feierabend | — | ||
| 5-6 | Die schöne Müllerin, D. 795: Der Neugierige | — | ||
| 5-7 | Die schöne Müllerin, D. 795: Ungeduld | — | ||
| 5-8 | Die schöne Müllerin, D. 795: Morgengruß | — | ||
| 5-9 | Die schöne Müllerin, D. 795: Des Müllers Blumen | — | ||
| 5-10 | Die schöne Müllerin, D. 795: Tränenregen | — | ||
| 5-11 | Die schöne Müllerin, D. 795: Mein! | — | ||
| 5-12 | Die schöne Müllerin, D. 795: Pause | — | ||
| 5-13 | Die schöne Müllerin, D. 795: Mit dem grünen Lautenbande | — | ||
| 5-14 | Die schöne Müllerin, D. 795: Der Jäger | — | ||
| 5-15 | Die schöne Müllerin, D. 795: Eifersucht und Stolz | — | ||
| 5-16 | Die schöne Müllerin, D. 795: Die liebe Farbe | — | ||
| 5-17 | Die schöne Müllerin, D. 795: Die böse Farbe | — | ||
| 5-18 | Die schöne Müllerin, D. 795: Trockne Blumen | — | ||
| 5-19 | Die schöne Müllerin, D. 795: Der Müller und der Bach | — | ||
| 5-20 | Die schöne Müllerin, D. 795: Des Baches Wiegenlied | — | ||
| 6-1 | Young Person’s Guide to the Orchestra (Variations & Fugue on a theme of Purcell), op. 34 | — | ||
| 6-2 | Diversions for Piano (Left Hand) and Orchestra, op. 21: Theme | — | ||
| 6-3 | Diversions for Piano (Left Hand) and Orchestra, op. 21: Variation I (Recitative) | — | ||
| 6-4 | Diversions for Piano (Left Hand) and Orchestra, op. 21: Variation II (Romance) | — | ||
| 6-5 | Diversions for Piano (Left Hand) and Orchestra, op. 21: Variation III (March) | — | ||
| 6-6 | Diversions for Piano (Left Hand) and Orchestra, op. 21: Variation IV (Arabesque) | — | ||
| 6-7 | Diversions for Piano (Left Hand) and Orchestra, op. 21: Variation V (Chant) | — | ||
| 6-8 | Diversions for Piano (Left Hand) and Orchestra, op. 21: Variation VI (Nocturne) | — | ||
| 6-9 | Diversions for Piano (Left Hand) and Orchestra, op. 21: Variation VII (Badinerie) | — | ||
| 6-10 | Diversions for Piano (Left Hand) and Orchestra, op. 21: Variation VIII (Burlesque) | — | ||
| 6-11 | Diversions for Piano (Left Hand) and Orchestra, op. 21: Variation IXa (Toccata) | — | ||
| 6-12 | Diversions for Piano (Left Hand) and Orchestra, op. 21: Variation IXb (Toccata II) | — | ||
| 6-13 | Diversions for Piano (Left Hand) and Orchestra, op. 21: Variation X (Adagio) | — | ||
| 6-14 | Diversions for Piano (Left Hand) and Orchestra, op. 21: Variation XI (Tarantella) | — | ||
| 7-1 | A Ceremony of Carols, op. 28: Procession (Senza misura) | — | ||
| 7-2 | A Ceremony of Carols, op. 28: Wolcum Yole! (Allegro con brio) | — | ||
| 7-3 | A Ceremony of Carols, op. 28: There Is No Rose (Allegretto) | — | ||
| 7-4 | A Ceremony of Carols, op. 28: That Yonge Child (Andante quasi recitativo) | — | ||
| 7-5 | A Ceremony of Carols, op. 28: Balulalow (Andante piacevole) | — | ||
| 7-6 | A Ceremony of Carols, op. 28: As Dew in Aprille (Allegro) | — | ||
| 7-7 | A Ceremony of Carols, op. 28: This Little Babe (Presto con fuoco) | — | ||
| 7-8 | A Ceremony of Carols, op. 28: Interlude (Andante pastorale) | — | ||
| 7-9 | A Ceremony of Carols, op. 28: In Freezing Winter Night (Andante comodo) | — | ||
| 7-10 | A Ceremony of Carols, op. 28: Spring Carol (Allegretto) | — | ||
| 7-11 | A Ceremony of Carols, op. 28: Deo gracias (Presto) | — | ||
| 7-12 | A Ceremony of Carols, op. 28: Recession (Senza misura) | — | ||
| 7-13 | Violin Concerto in D minor, op. 15: I. Moderato con moto | — | ||
| 7-14 | Violin Concerto in D minor, op. 15: II. Vivace | — | ||
| 7-15 | Violin Concerto in D minor, op. 15: III. Passacaglia. Andante lento | — | ||
| 8-1 | Variations on a Theme of Frank Bridge op. 10: I. Introduction and Theme | — | ||
| 8-2 | Variations on a Theme of Frank Bridge op. 10: II. Adagio | — | ||
| 8-3 | Variations on a Theme of Frank Bridge op. 10: III. March | — | ||
| 8-4 | Variations on a Theme of Frank Bridge op. 10: IV. Romance | — | ||
| 8-5 | Variations on a Theme of Frank Bridge op. 10: V. Aria italiana | — | ||
| 8-6 | Variations on a Theme of Frank Bridge op. 10: VI. Bourrée classique | — | ||
| 8-7 | Variations on a Theme of Frank Bridge op. 10: VII. Wiener Walzer | — | ||
| 8-8 | Variations on a Theme of Frank Bridge op. 10: VIII. Moto perpetuo | — | ||
| 8-9 | Variations on a Theme of Frank Bridge op. 10: IX. Funeral March | — | ||
| 8-10 | Variations on a Theme of Frank Bridge op. 10: X. Chant | — | ||
| 8-11 | Variations on a Theme of Frank Bridge op. 10: XI. Fugue & XII. Finale | — | ||
| 8-12 | A Charm of Lullabies op. 41: I. Cradle Song | — | ||
| 8-13 | A Charm of Lullabies op. 41: II. The Highland Bales | — | ||
| 8-14 | A Charm of Lullabies op. 41: III. Sephestia’s Lullaby | — | ||
| 8-15 | A Charm of Lullabies op. 41: IV. A Charm | — | ||
| 8-16 | A Charm of Lullabies op. 41: V. The Nurse’s Song | — | ||
| 9-1 | The Prince of the Pagodas op. 57: Act 1. Prelude | — | ||
| 9-2 | The Prince of the Pagodas op. 57: Act 1. The Fool and the Dwarf | — | ||
| 9-3 | The Prince of the Pagodas op. 57: Act 1. The Emperor | — | ||
| 9-4 | The Prince of the Pagodas op. 57: Act 1. Gavotte | — | ||
| 9-5 | The Prince of the Pagodas op. 57: Act 1. The Four Kings | — | ||
| 9-6 | The Prince of the Pagodas op. 57: Act 1. The King of the North | — | ||
| 9-7 | The Prince of the Pagodas op. 57: Act 1. The King of the East | — | ||
| 9-8 | The Prince of the Pagodas op. 57: Act 1. The King of the West | — | ||
| 9-9 | The Prince of the Pagodas op. 57: Act 1. The King of the South | — | ||
| 9-10 | The Prince of the Pagodas op. 57: Act 1. Belle Epine | — | ||
| 9-11 | The Prince of the Pagodas op. 57: Act 1. Belle Rose | — | ||
| 9-12 | The Prince of the Pagodas op. 57: Act 1. The Kings and Belle Rose | — | ||
| 9-13 | The Prince of the Pagodas op. 57: Act 1. Triumph of Belle Epine | — | ||
| 9-14 | The Prince of the Pagodas op. 57: Act 1. Rage of the Kings | — | ||
| 9-15 | The Prince of the Pagodas op. 57: Act 1. The Four Frogs | — | ||
| 9-16 | The Prince of the Pagodas op. 57: Act 2, Scene 1. Air | — | ||
| 9-17 | The Prince of the Pagodas op. 57: Act 2, Scene 1. Water | — | ||
| 9-18 | The Prince of the Pagodas op. 57: Act 2, Scene 1. Fire | — | ||
| 9-19 | The Prince of the Pagodas op. 57: Act 2, Scene 2. Belle Rose in Pagoda‐Land | — | ||
| 9-20 | The Prince of the Pagodas op. 57: Act 2, Scene 2. The Pagodas | — | ||
| 9-21 | The Prince of the Pagodas op. 57: Act 2, Scene 2. The Salamander | — | ||
| 9-22 | The Prince of the Pagodas op. 57: Act 2, Scene 2. The Prince and Belle Rose | — | ||
| 10-1 | The Prince of the Pagodas op. 57: Act 3, Scene 1. Belle Epine as Empress | — | ||
| 10-2 | The Prince of the Pagodas op. 57: Act 3, Scene 1. The Old Emperor | — | ||
| 10-3 | The Prince of the Pagodas op. 57: Act 3, Scene 1. Belle Rose and the Salamander | — | ||
| 10-4 | The Prince of the Pagodas op. 57: Act 3, Scene 1. Transition | — | ||
| 10-5 | The Prince of the Pagodas op. 57: Act 3, Scene 2. The Pagoda Palace | — | ||
| 10-6 | The Prince of the Pagodas op. 57: Act 3, Scene 2. Pas de six | — | ||
| 10-7 | The Prince of the Pagodas op. 57: Act 3, Scene 2. Variation 1 | — | ||
| 10-8 | The Prince of the Pagodas op. 57: Act 3, Scene 2. Variation 2 | — | ||
| 10-9 | The Prince of the Pagodas op. 57: Act 3, Scene 2. Variation 3 | — | ||
| 10-10 | The Prince of the Pagodas op. 57: Act 3, Scene 2. Pas de trois | — | ||
| 10-11 | The Prince of the Pagodas op. 57: Act 3, Scene 2. Pas de deux | — | ||
| 10-12 | The Prince of the Pagodas op. 57: Act 3, Scene 2. Variation 4 | — | ||
| 10-13 | The Prince of the Pagodas op. 57: Act 3, Scene 2. Variation 5 | — | ||
| 10-14 | The Prince of the Pagodas op. 57: Act 3, Scene 2. Finale | — |
