UPC · Release
We Were First! 180 Hits in Their Original Versions
Various Artists
4053796002044
180 tracksThe Intense Media
Last verified:
4053796002044 is the Universal Product Code (UPC barcode) for the release “We Were First! 180 Hits in Their Original Versions” by Various Artists on The Intense Media. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 180 tracks, each with its own ISRC. Tracks include GBEEJ0801714, GB03A0900270, GBEEJ0701626.
Format
405GS1 prefix
3796Company prefix
00204Product
4Check digit
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCWe Were First! 180 Hits in Their Original Versions
ISRC52 recordings
ISWC98 works
IPI50 songwriters
Track List (180)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Hippy Hippy Shake | — | ||
| 2 | Rock & Roll Music | Chuck Berry | T-039.051.006-1 | |
| 3 | Seven Nights to Rock | — | ||
| 4 | Haunted House | — | ||
| 5 | Farmer John | — | ||
| 6 | The Twist | Hank Ballard and the Midnighters | T-070.247.541-9 | |
| 7 | Carol | Chuck Berry | T-070.881.020-1 | |
| 8 | Lucky Lips | — | ||
| 9 | Shirley | — | ||
| 10 | Three Stars | — | ||
| 11 | Baby Sittin’ | — | ||
| 12 | Roll Over Beethoven | Chuck Berry | T-070.940.070-3 | |
| 13 | Young Love | — | ||
| 14 | My Boy Lollipop | — | ||
| 15 | Hello Mary Lou | — | ||
| 16 | Slow Down | — | ||
| 17 | Bye Bye Johnny | Chuck Berry | T-070.880.970-4 | |
| 18 | Boys | The Shirelles | T-070.880.911-3 | |
| 2-1 | All Shook Up | — | ||
| 2-2 | Sweet Little Sixteen | Chuck Berry | T-070.940.450-1 | |
| 2-3 | Sittin’ in the Balcony | — | ||
| 2-4 | If I Had a Hammer (The Hammer Song) | — | ||
| 2-5 | Dizzy Miss Lizzy | Larry Williams | T-070.881.767-7 | |
| 2-6 | Don’t You Just Know It | — | ||
| 2-7 | Corrine Corrina | — | ||
| 2-8 | Brown Eyed Handsome Man | Chuck Berry | T-070.233.167-6 | |
| 2-9 | One Night (of Sin) | — | ||
| 2-10 | Rock‐A‐Beatin’ Boogie | — | ||
| 2-11 | Jambalaya (on the Bayou) | Hank Williams, His Drifting Cowboys | T-070.241.327-1 | |
| 2-12 | Good Rockin’ Tonight | — | ||
| 2-13 | Shake, Rattle and Roll | — | ||
| 2-14 | Bad Boy | Larry Williams | T-070.880.722-0 | |
| 2-15 | 'Round and 'Round | Chuck Berry | T-070.880.680-7 | |
| 2-16 | (Baby) Hully Gully | — | ||
| 2-17 | Look What You’ve Done | — | ||
| 2-18 | Everybody’s Trying to Be My Baby | — | ||
| 3-1 | Sheila | — | ||
| 3-2 | Do the Bop | — | ||
| 3-3 | Such a Night | — | ||
| 3-4 | Love Potion Number Nine | — | ||
| 3-5 | K.C. Loving | Little Willie Littlefield | T-010.434.450-4 | |
| 3-6 | Choo Choo Ch’boogie | Louis Jordan and His Tympany Five | T-070.024.822-1 | |
| 3-7 | Whole Lotta Shakin’ Goin’ On | — | ||
| 3-8 | Razzle Dazzle | — | ||
| 3-9 | Keep A Knockin’ | — | ||
| 3-10 | Red Hot | — | ||
| 3-11 | Judy | — | ||
| 3-12 | Fever | Little Willie John | T-010.012.375-8 | |
| 3-13 | I Almost Lost My Mind | Ivory Joe Hunter | T-070.918.882-8 | |
| 3-14 | Money | — | ||
| 3-15 | Louie Louie | — | ||
| 3-16 | Rock the Joint | Jimmy Preston and His Prestonians | — | |
| 3-17 | I’m a King Bee | Slim Harpo | — | |
| 3-18 | Honey, Don’t | — | ||
| 4-1 | Rock Around the Clock | — | ||
| 4-2 | (Now and Then There’s) A Fool Such as I | — | ||
| 4-3 | Little Darlin’ | — | ||
| 4-4 | A Rockin’ Good Way | — | ||
| 4-5 | Come On, Let’s Go | — | ||
| 4-6 | Flip, Fliop and Fly | — | ||
| 4-7 | Money Honey | The Drifters | T-070.242.253-4 | |
| 4-8 | Cry, Cry, Cry | — | ||
| 4-9 | I’m Gonna Knock on Your Door | — | ||
| 4-10 | The Girl Next Door Went A-Walking | — | ||
| 4-11 | Fannie Mae | — | ||
| 4-12 | Just a Little Bit | — | ||
| 4-13 | Brand New Cadillac | Vince Taylor, The Playboys | T-909.260.362-8 | |
| 4-14 | Shout | The Isley Brothers | T-929.528.284-7 | |
| 4-15 | Release Me | — | ||
| 4-16 | That’s All Right | — | ||
| 4-17 | She Said Yeah | — | ||
| 4-18 | Matchbox | Carl Perkins | T-901.131.136-7 | |
| 5-1 | See You Later Alligator | Bobby Charles | T-010.162.841-4 | |
| 5-2 | Blue Moon of Kentucky | Bill Monroe and the Bluegrass Boys | T-919.295.544-5 | |
| 5-3 | Rama Lama Ding Dong | The Edsels | T-070.241.548-2 | |
| 5-4 | All My Love | — | ||
| 5-5 | Searchin’ | The Coasters | T-010.433.822-8 | |
| 5-6 | I’m Leavin’ It All Up to You | — | ||
| 5-7 | Over and Over | — | ||
| 5-8 | Mona | — | ||
| 5-9 | I’m Movin’ On | Hank Snow, his Rainbow Ranch Boys | T-070.919.028-2 | |
| 5-10 | Little Queenie | — | ||
| 5-11 | Long Tall Sally | — | ||
| 5-12 | Blue Moon | — | ||
| 5-13 | Down the Road a Piece | — | ||
| 5-14 | Little Bitty Pretty One | — | ||
| 5-15 | Rave On | — | ||
| 5-16 | Blue Suede Shoes | Carl Perkins | T-900.301.723-0 | |
| 5-17 | I Want to Be Loved | — | ||
| 5-18 | Till There Was You | — | ||
| 6-1 | Hound Dog | Willie Mae “Big Mama” Thornton, Kansas City Bill & Orchestra | T-011.364.221-9 | |
| 6-2 | Oh My Soul | — | ||
| 6-3 | What a Difference a Day Made | — | ||
| 6-4 | Not Fade Away | — | ||
| 6-5 | Are You Lonesome Tonight | — | ||
| 6-6 | Goody Goody | — | ||
| 6-7 | Green Door | — | ||
| 6-8 | Don’t (You) Lie to Me | — | ||
| 6-9 | Tutti Frutti | — | ||
| 6-10 | Just Walkin’ in the Rain | The Prisonaires | T-070.247.649-0 | |
| 6-11 | Singing the Blues | Marty Robbins | T-070.940.240-3 | |
| 6-12 | I Just Want to Make Love to You | — | ||
| 6-13 | Skinnie Minnie | — | ||
| 6-14 | Red Sails in the Sunset | — | ||
| 6-15 | I Gotta Know | — | ||
| 6-16 | Suzie Q | — | ||
| 6-17 | Honest I Do | — | ||
| 6-18 | Words of Love | — | ||
| 7-1 | You’ll Never Walk Alone | — | ||
| 7-2 | Little Red Rooster | — | ||
| 7-3 | I Get a Kick Out of You | — | ||
| 7-4 | Pistol Packin’ Mama | Al Dexter and His Troopers | T-070.242.915-9 | |
| 7-5 | Blue Eyes Crying in the Rain | Roy Acuff | T-070.011.668-2 | |
| 7-6 | Sixteen Tons | Merle Travis | T-070.243.651-8 | |
| 7-7 | Riders in the Sky (Cowboy Legend) | Burl Ives | T-070.126.649-0 | |
| 7-8 | Tennessee Waltz | — | ||
| 7-9 | It’s Too Soon to Know | The Orioles | T-070.907.441-8 | |
| 7-10 | Ain’t That a Shame | — | ||
| 7-11 | Pretend | Nat King Cole | T-070.166.638-7 | |
| 7-12 | Don’t Let the Stars Get in Your Eyes | — | ||
| 7-13 | When My Dreamboat Comes Home | — | ||
| 7-14 | Rip It Up | — | ||
| 7-15 | Lipstick, Powder and Paint | — | ||
| 7-16 | When My Blue Moon Turnes to Gold Again | — | ||
| 7-17 | Love in Vain Blues (take 2) | Robert Johnson | — | |
| 7-18 | Talkin’ ’Bout You | — | ||
| 8-1 | Day Dah Light | — | ||
| 8-2 | What Do You Want to Make Those Eyes at Me For | — | ||
| 8-3 | My Baby Just Cares for Me | — | ||
| 8-4 | (When Your Heart's on Fire) Smoke Gets in Your Eyes | Paul Whiteman & His Orchestra | T-070.199.313-6 | |
| 8-5 | Route 66 | — | ||
| 8-6 | Cotton Eyed Joe | — | ||
| 8-7 | Love Letters in the Sand | — | ||
| 8-8 | This Ole House | — | ||
| 8-9 | Unchained Melody | Les Baxter | T-070.193.442-0 | |
| 8-10 | Gambler’s Guitar | — | ||
| 8-11 | In the Middle of an Island | — | ||
| 8-12 | Poison Ivy | — | ||
| 8-13 | My Happiness | — | ||
| 8-14 | Mona Lisa | — | ||
| 8-15 | Zip‐a‐Dee‐Doo‐Dah | James Baskett | T-070.214.262-8 | |
| 8-16 | Ida Red | — | ||
| 8-17 | Confessin’ the Blues | — | ||
| 8-18 | You Can Make It If You Try | — | ||
| 9-1 | Rising Sun Blues | — | ||
| 9-2 | The Wreck of the Sloop John B. | — | ||
| 9-3 | Tom Dooley | Grayson & Whitter | T-071.432.657-4 | |
| 9-4 | My Blue Heaven | — | ||
| 9-5 | Ain't She Sweet | Ben Bernie & His Hotel Roosevelt Orchestra | T-900.304.169-8 | |
| 9-6 | Kisses Sweeter Than Wine | — | ||
| 9-7 | Cindy Oh Cindy | — | ||
| 9-8 | You’ll Never Walk Alone | — | ||
| 9-9 | Aura Lee | — | ||
| 9-10 | Putting on the Style | — | ||
| 9-11 | Blueberry Hill | — | ||
| 9-12 | Does Your Spearmint Loose It’s Flavour | — | ||
| 9-13 | I Wanna Be Loved by You | — | ||
| 9-14 | Carolina Moon | — | ||
| 9-15 | Puttin’ On the Ritz | — | ||
| 9-16 | Ramona | — | ||
| 9-17 | I Can’t Be Satisfied | — | ||
| 9-18 | You Can’t Catch Me | Chuck Berry | T-070.940.893-4 | |
| 10-1 | Island in the Sun | Harry Belafonte | T-070.906.947-5 | |
| 10-2 | Let’s Go, Let’s Go, Let’s Go | — | ||
| 10-3 | The Day That The Rains Came | Jane Morgan | T-071.181.430-0 | |
| 10-4 | Save the Last Dance for Me | — | ||
| 10-5 | Heartaches by the Number | — | ||
| 10-6 | Everybody Loves a Lover | Doris Day | T-070.049.778-4 | |
| 10-7 | Purple People Eater | — | ||
| 10-8 | Everybody’s Somebody’s Fool | — | ||
| 10-9 | Souvenirs | Barbara Evans | — | |
| 10-10 | Roll, Rock & Roll That Hula Hoop | — | ||
| 10-11 | Percolator | — | ||
| 10-12 | Hula Love | — | ||
| 10-13 | Memories Are Made of This | Dean Martin | T-070.242.146-2 | |
| 10-14 | Seemann, deine Heimat ist das Meer | Lolita | — | |
| 10-15 | Alle Mädchen wollen küssen | — | ||
| 10-16 | Glaube mir | Wolfgang Sauer | — | |
| 10-17 | O mein Papa | Lys Assia, Studio-Orchester Beromünster, Paul Burkhard | T-050.385.969-5 | |
| 10-18 | Lili Marleen | — |
Hippy Hippy Shake
—
Seven Nights to Rock
—
Haunted House
—
Farmer John
—
Lucky Lips
—
Shirley
—
Three Stars
—
Baby Sittin’
—
Young Love
—
My Boy Lollipop
—
Hello Mary Lou
—
Slow Down
—
All Shook Up
—
Sittin’ in the Balcony
—
If I Had a Hammer (The Hammer Song)
—
Don’t You Just Know It
—
Corrine Corrina
—
One Night (of Sin)
—
Rock‐A‐Beatin’ Boogie
—
Good Rockin’ Tonight
—
Shake, Rattle and Roll
—
(Baby) Hully Gully
—
Look What You’ve Done
—
Everybody’s Trying to Be My Baby
—
Sheila
—
Do the Bop
—
Such a Night
—
Love Potion Number Nine
—
Whole Lotta Shakin’ Goin’ On
—
Razzle Dazzle
—
Keep A Knockin’
—
Red Hot
—
Judy
—
Money
—
Louie Louie
—
Rock the Joint
Jimmy Preston and His Prestonians
—
I’m a King Bee
Slim Harpo
—
Honey, Don’t
—
Rock Around the Clock
—
(Now and Then There’s) A Fool Such as I
—
Little Darlin’
—
A Rockin’ Good Way
—
Come On, Let’s Go
—
Flip, Fliop and Fly
—
Cry, Cry, Cry
—
I’m Gonna Knock on Your Door
—
The Girl Next Door Went A-Walking
—
Fannie Mae
—
Just a Little Bit
—
Release Me
—
That’s All Right
—
She Said Yeah
—
All My Love
—
I’m Leavin’ It All Up to You
—
Over and Over
—
Mona
—
Little Queenie
—
Long Tall Sally
—
Blue Moon
—
Down the Road a Piece
—
Little Bitty Pretty One
—
Rave On
—
I Want to Be Loved
—
Till There Was You
—
Oh My Soul
—
What a Difference a Day Made
—
Not Fade Away
—
Are You Lonesome Tonight
—
Goody Goody
—
Green Door
—
Don’t (You) Lie to Me
—
Tutti Frutti
—
I Just Want to Make Love to You
—
Skinnie Minnie
—
Red Sails in the Sunset
—
I Gotta Know
—
Suzie Q
—
Honest I Do
—
Words of Love
—
You’ll Never Walk Alone
—
Little Red Rooster
—
I Get a Kick Out of You
—
Tennessee Waltz
—
Ain’t That a Shame
—
Don’t Let the Stars Get in Your Eyes
—
When My Dreamboat Comes Home
—
Rip It Up
—
Lipstick, Powder and Paint
—
When My Blue Moon Turnes to Gold Again
—
Love in Vain Blues (take 2)
Robert Johnson
—
Talkin’ ’Bout You
—
Day Dah Light
—
What Do You Want to Make Those Eyes at Me For
—
My Baby Just Cares for Me
—
Route 66
—
Cotton Eyed Joe
—
Love Letters in the Sand
—
This Ole House
—
Gambler’s Guitar
—
In the Middle of an Island
—
Poison Ivy
—
My Happiness
—
Mona Lisa
—
Ida Red
—
Confessin’ the Blues
—
You Can Make It If You Try
—
Rising Sun Blues
—
The Wreck of the Sloop John B.
—
My Blue Heaven
—
Kisses Sweeter Than Wine
—
Cindy Oh Cindy
—
You’ll Never Walk Alone
—
Aura Lee
—
Putting on the Style
—
Blueberry Hill
—
Does Your Spearmint Loose It’s Flavour
—
I Wanna Be Loved by You
—
Carolina Moon
—
Puttin’ On the Ritz
—
Ramona
—
I Can’t Be Satisfied
—
Let’s Go, Let’s Go, Let’s Go
—
Save the Last Dance for Me
—
Heartaches by the Number
—
Purple People Eater
—
Everybody’s Somebody’s Fool
—
Souvenirs
Barbara Evans
—
Roll, Rock & Roll That Hula Hoop
—
Percolator
—
Hula Love
—
Seemann, deine Heimat ist das Meer
Lolita
—
Alle Mädchen wollen küssen
—
Glaube mir
Wolfgang Sauer
—
Lili Marleen
—
Additional database matches (4)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Life Goes On | Johnny Cash | T-071.171.496-3 |
| Love in Vain Blues (take 2) | Robert Johnson | T-305.776.900-9 |
| I’m a King Bee | Slim Harpo | — |
| Love in Vain Blues (take 2) | Robert Johnson | T-305.776.900-9 |
Johnny Cash
Robert Johnson
I’m a King Bee
Slim Harpo
—
Robert Johnson
What other identifiers does this connect to?
Musical Works (ISWC)
T-010.012.375-8T-010.162.841-4T-010.433.822-8T-010.434.450-4T-010.012.375-8T-010.162.841-4T-010.433.822-8T-010.434.450-4T-010.436.574-3T-010.519.159-0
+88 more
T-011.364.221-9T-011.231.697-8T-011.364.221-9T-030.546.594-4T-039.051.006-1T-039.051.006-1T-050.385.969-5T-050.385.969-5T-060.570.110-7T-070.011.668-2T-070.024.822-1T-070.049.778-4T-070.126.649-0T-070.166.638-7T-070.193.442-0T-070.199.313-6T-070.214.262-8T-070.233.167-6T-070.241.327-1T-070.241.548-2T-070.242.146-2T-070.242.253-4T-070.242.915-9T-070.243.651-8T-070.247.541-9T-070.247.649-0T-070.880.680-7T-070.880.722-0T-070.880.911-3T-070.880.970-4T-070.881.020-1T-070.881.767-7T-070.906.947-5T-070.907.441-8T-070.918.882-8T-070.919.028-2T-070.940.070-3T-070.940.240-3T-070.940.450-1T-070.940.893-4T-070.011.668-2T-070.011.858-6T-070.024.822-1T-070.049.778-4T-070.069.521-1T-070.092.221-9T-070.109.772-4T-070.126.649-0T-070.134.526-7T-070.166.638-7T-070.193.442-0T-070.199.313-6T-070.200.753-1T-070.211.146-3T-070.214.262-8T-070.231.863-5T-070.233.167-6T-070.233.772-1T-070.234.172-7T-070.234.355-2T-070.234.492-0T-070.240.476-9T-070.241.327-1T-070.241.429-6T-070.241.548-2T-070.241.754-6T-070.242.146-2T-070.242.249-8T-070.242.253-4T-070.242.915-9T-070.243.119-3T-070.243.195-5T-070.243.419-2T-070.243.651-8T-070.247.331-1T-070.247.541-9T-070.247.649-0T-070.262.892-9T-071.171.496-3T-071.181.430-0T-900.301.723-0T-900.304.169-8T-901.131.136-7T-909.260.362-8T-919.295.544-5T-929.528.284-7T-071.432.657-4T-305.776.900-9
Songwriters/Publishers (IPI)
00000896007000014986030000162504200002379901000025391230000294839900002948497000029510210000462471300005380122
+40 more
00005898562000064859810000843569500008813199000092692830000927040100010696500000129317080001328112900013615811000136159090001410933200014605711000149179830001542670400015453015000162385020001755519100018981263000208434140002150742700021706224000217682950002176849100023373017000234282130002355401200023850894000253857820002559318600026221520000262852910002644200900028237979000288149660002903888200029782747000309889620003119889400031432428
Creative Contributors (ISNI)
00000000223443580000000029930093000000003251469900000000328487790000000043193181000000004467936X000000004506704X000000004841517700000000539300340000000055139502
+40 more
000000005514400200000000551463310000000055151827000000005517312900000000551813480000000055192303000000005550701000000000560977540000000058150272000000005926360700000000593002520000000059444643000000005946082X000000005949560000000000595019860000000059551457000000006301680100000000630925640000000066405554000000007357739700000000735853890000000073587739000000007455109200000000773022940000000077779551000000007824531600000000782749340000000078280752000000007971094500000000797530640000000079778528000000008008378200000000810152040000000081897155000000008318497600000000838229740000000083863135000000008398825300000000840306530000000084034304
Credits Graph
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Verified on
What is UPC 4053796002044?
4053796002044 is a Universal Product Code (UPC) assigned to We Were First! 180 Hits in Their Original Versions by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 180 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm