UPC · Release
5 Complete Operas
Gaetano Donizetti, Maria Callas, Tullio Serafin
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4053796002181 is the Universal Product Code (UPC barcode) for the release “5 Complete Operas” by Gaetano Donizetti, Maria Callas, Tullio Serafin, released 2015-01-01 on Documents. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 26 tracks, each with its own ISRC. Tracks include GBAYC1702083, GBAYC1702084, GBAYC1702085.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (26)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 6-1 | Anna Bolena: Atto II. “Oh! Dove mai ne andarono le turbe adulatrici” | — | ||
| 6-2 | Anna Bolena: Atto II. “Regina! Duolmi l'amaro incarco” | — | ||
| 6-3 | Anna Bolena: Atto II. “Dio, che me vedi in core” | — | ||
| 6-4 | Anna Bolena: Atto II. “Piange l'afflitta” | — | ||
| 6-5 | Anna Bolena: Atto II. “Tali son trame ordite” | — | ||
| 6-6 | Anna Bolena: Atto II. “Sul guanciale del regio letto” | — | ||
| 6-7 | Anna Bolena: Atto II. “Dal mio cor punita io sono” | — | ||
| 6-8 | Anna Bolena: Atto II. “Va, infelice, e teco reca” | — | ||
| 6-9 | Anna Bolena: Atto II. “Ebben? dinanzi ai giudici” | — | ||
| 6-10 | Anna Bolena: Atto II. “Ecco, ecco Hervey” | — | ||
| 6-11 | Anna Bolena: Atto II. “Scostatevi, il Re giunge” | — | ||
| 6-12 | Anna Bolena: Atto II. “Arresta, Enrico” | — | ||
| 6-13 | Anna Bolena: Atto II. “Sarò fra poco innanzi” | — | ||
| 6-14 | Anna Bolena: Atto II. “Fin dall'età più tenera” | — | ||
| 6-15 | Anna Bolena: Atto II. “Salirà d'Inghilterra sul trono” | — | ||
| 6-16 | Anna Bolena: Atto II. “Sposa a Percy” | — | ||
| 6-17 | Anna Bolena: Atto II. “Anna vid'io, l'intesi” | — | ||
| 6-18 | Anna Bolena: Atto II. “Per questa fiamma indomita” | — | ||
| 6-19 | Anna Bolena: Atto II. “Stolta! non sai” | — | ||
| 6-20 | Anna Bolena: Atto II. “Ah! pensate che rivolti” | — | ||
| 6-21 | Anna Bolena: Atto II. “Chi può vederla a ciglio asciutto” | — | ||
| 6-22 | Anna Bolena: Atto II, scena 3. “Piangete voi? D'onde tal pianto?” (Anna, Coro) | Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Gianandrea Gavazzeni | — | |
| 6-23 | Anna Bolena: Atto II, scena 3. “Al dolce guidami castel natio” (Anna) | Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Gianandrea Gavazzeni | — | |
| 6-24 | Anna Bolena: Atto II, scena 3. “Qual mesto suon?” (Anna, Hervey, Percy, Rochefort, Smeton, Coro) | Maria Callas, Gabriella Carturan, Plinio Clabassi, Coro del Teatro alla Scala di Milano, Gianni Raimondi, Luigi Rumbo, Orchestra del Teatro alla Scala di Milano, Gianandrea Gavazzeni | — | |
| 6-25 | Anna Bolena: Atto II, scena 3. “Cielo, a' miei lunghi spasimi” (Anna, Smeton, Percy, Rochefort, Coro) | Maria Callas, Gabriella Carturan, Plinio Clabassi, Gianni Raimondi, Orchestra del Teatro alla Scala di Milano, Gianandrea Gavazzeni | — | |
| 6-26 | Anna Bolena: Atto II, scena 3. “Coppia iniqua, l'estrema vendetta” (Anna, Smeton, Percy, Rochefort, Coro) | Maria Callas, Orchestra del Teatro alla Scala di Milano, Gianandrea Gavazzeni | — |
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What is UPC 4053796002181?
4053796002181 is a Universal Product Code (UPC) assigned to 5 Complete Operas by Gaetano Donizetti, Maria Callas, Tullio Serafin. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 26 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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