UPC · Release
Chet Baker: Milestones of a Jazz Legend
Chet Baker
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4053796002693 is the Universal Product Code (UPC barcode) for the release “Chet Baker: Milestones of a Jazz Legend” by Chet Baker, released 2015-01-01 on The Intense Media. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 161 tracks, each with its own ISRC. Tracks include USBN29100155, USBN29100328, USBN20400220.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (161)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Grey December | — | ||
| 2 | I Wish I Knew | — | ||
| 3 | Someone to Watch Over Me | Chet Baker | T-010.436.010-2 | |
| 4 | This Is Always | Chet Baker | T-070.179.691-9 | |
| 5 | Headline | — | ||
| 6 | Ergo | Chet Baker | T-070.049.531-3 | |
| 7 | Bockhanal | Chet Baker Ensemble | T-070.012.013-3 | |
| 8 | A Dandy Line | Chet Baker | T-070.038.293-9 | |
| 9 | Pro Defunctus | — | ||
| 10 | Little Old Lady | Chet Baker Ensemble | T-070.096.377-4 | |
| 11 | Moonlight Becomes You | Chet Baker Ensemble | T-070.110.008-4 | |
| 12 | Goodbye | Chet Baker Ensemble | T-070.264.104-0 | |
| 13 | Long Ago and Far Away | — | ||
| 14 | Happy Little Sunbeam | — | ||
| 15 | Moon Love | — | ||
| 16 | Bea’s Flat | — | ||
| 17 | No Ties | — | ||
| 18 | Band Aid | — | ||
| 19 | The Thrill Is Gone | — | ||
| 20 | All the Things You Are | — | ||
| 2-1 | You Don't Know What Love Is | — | ||
| 2-2 | I’m Thru With Love | — | ||
| 2-3 | Love Walked In | — | ||
| 2-4 | You Better Go Now | — | ||
| 2-5 | I Married an Angel | — | ||
| 2-6 | Love | — | ||
| 2-7 | I Love You | — | ||
| 2-8 | What a Diff’rence a Day Made | — | ||
| 2-9 | Why Shouldn’t I | — | ||
| 2-10 | A Little Duet for Zoot and Chet | — | ||
| 2-11 | The Wind | — | ||
| 2-12 | Trickleydidlier | — | ||
| 2-13 | Let’s Get Lost | — | ||
| 2-14 | This Is Always | — | ||
| 2-15 | Long Ago and Far Away | — | ||
| 2-16 | Someone to Watch Over Me | — | ||
| 2-17 | Just Friends | — | ||
| 2-18 | I Wish I Knew | — | ||
| 2-19 | Daybreak | — | ||
| 2-20 | You Don’t Know What Love Is | — | ||
| 2-21 | Grey December | — | ||
| 2-22 | I Remember You | — | ||
| 3-1 | That Old Feeling | — | ||
| 3-2 | It’s Always You | — | ||
| 3-3 | Like Someone in Love | — | ||
| 3-4 | My Ideal | — | ||
| 3-5 | I’ve Never Been in Love Before | — | ||
| 3-6 | My Buddy | — | ||
| 3-7 | But Not for Me | — | ||
| 3-8 | Time After Time | Chet Baker | T-070.180.256-3 | |
| 3-9 | I Get Along Without You Wery Well | — | ||
| 3-10 | My Funny Valentine | Chet Baker | T-070.110.849-7 | |
| 3-11 | There Will Never Be Another You | Chet Baker | T-070.179.299-5 | |
| 3-12 | The Thrill Is Gone | — | ||
| 3-13 | I Fall in Love Too Easily | — | ||
| 3-14 | Look for the Silver Lining | — | ||
| 4-1 | Love Nest | — | ||
| 4-2 | Fan Tan | — | ||
| 4-3 | Summer Sketch | — | ||
| 4-4 | An Afternoon at Home | — | ||
| 4-5 | Say When | — | ||
| 4-6 | Lush Life | — | ||
| 4-7 | Amblin’ | — | ||
| 4-8 | Hugo Hurwhey | — | ||
| 4-9 | For Minors Only | — | ||
| 4-10 | Minor Yours | — | ||
| 4-11 | Resonant Emotions | — | ||
| 4-12 | Tynan Time | — | ||
| 4-13 | Picture of Heath | — | ||
| 4-14 | For Miles and Miles | — | ||
| 4-15 | C.T.A. | — | ||
| 5-1 | Jimmy’s Theme | Chet Baker, Bud Shank | — | |
| 5-2 | The Search | Bud Shank Orchestra | — | |
| 5-3 | Lost Love | Chet Baker, Bud Shank | — | |
| 5-4 | People | Chet Baker, Bud Shank | — | |
| 5-5 | The Movie Star | Chet Baker, Bud Shank | — | |
| 5-6 | Fairmont, Indiana | Chet Baker, Bud Shank | — | |
| 5-7 | Rebel at Work | Chet Baker, Bud Shank | — | |
| 5-8 | Success and Then What? | Chet Baker, Bud Shank | — | |
| 5-9 | Let Me Be Loved | Chet Baker, Bud Shank | — | |
| 5-10 | Hollywood | Chet Baker, Bud Shank | — | |
| 5-11 | Let Me Be Loved (vocal version) | Chet Baker, Bud Shank | — | |
| 6-1 | Do It the Hard Way | — | ||
| 6-2 | I'm Old Fashioned | — | ||
| 6-3 | You’re Driving Me Crazy | Chet Baker | T-070.211.315-2 | |
| 6-4 | It Could Happen to You | — | ||
| 6-5 | My Heart Stood Still | Chet Baker | T-070.110.973-0 | |
| 6-6 | The More I See You | — | ||
| 6-7 | Everything Happens to Me | — | ||
| 6-8 | Dancing on the Ceiling | — | ||
| 6-9 | How Long Has This Been Going On | — | ||
| 6-10 | Old Devil Moon | Chet Baker | T-070.178.687-9 | |
| 6-11 | I Should Care | — | ||
| 6-12 | The Song Is You | — | ||
| 6-13 | Goodbye | — | ||
| 6-14 | Angel Eyes | — | ||
| 6-15 | Forgetful | — | ||
| 6-16 | Violets for Your Furs | — | ||
| 6-17 | When I Fall in Love | — | ||
| 6-18 | Autumn in New York | — | ||
| 6-19 | Street of Dreams | — | ||
| 6-20 | Deep in a Dream | — | ||
| 7-1 | The Half Dozens | — | ||
| 7-2 | I'm Glad There Is You | — | ||
| 7-3 | Stella by Starlight | — | ||
| 7-4 | Tommyhawk | — | ||
| 7-5 | Little Man You've Had a Busy Day | — | ||
| 7-6 | Dot's Groovy | — | ||
| 7-7 | A Minor Benign | — | ||
| 7-8 | Ponder | — | ||
| 7-9 | Twenties Late | — | ||
| 7-10 | X | — | ||
| 7-11 | All or Nothing at All | — | ||
| 7-12 | Crazy She Calls Me | — | ||
| 7-13 | The Way You Look Tonight | — | ||
| 7-14 | This Is Always | — | ||
| 7-15 | When the Sun Comes Out | — | ||
| 7-16 | What Is There to Say | — | ||
| 7-17 | Everything I've Got Belongs to You | — | ||
| 7-18 | We Could Make Such Beautiful Music | — | ||
| 7-19 | It Might as Well Be Spring | — | ||
| 7-20 | Yesterdays | — | ||
| 8-1 | Fair Weather | — | ||
| 8-2 | Polka Dots and Moonbeams | — | ||
| 8-3 | Hotel 49 | — | ||
| 8-4 | Solar | — | ||
| 8-5 | Blue Thoughts | — | ||
| 8-6 | When Lights Are Low | — | ||
| 8-7 | Alone Together | Chet Baker | T-070.000.952-4 | |
| 8-8 | How High the Moon | — | ||
| 8-9 | It Never Entered My Mind | — | ||
| 8-10 | 'Tis Autumn | — | ||
| 8-11 | If You Could See Me Now | — | ||
| 8-12 | September Song | — | ||
| 8-13 | You'd Be So Nice to Come Home To | — | ||
| 9-1 | I've Grown Accustomed to Her Face | — | ||
| 9-2 | I Could Have Danced All Night | — | ||
| 9-3 | The Heather on the Hill | — | ||
| 9-4 | On the Street Where You Live | — | ||
| 9-5 | Almost Like Being in Love | — | ||
| 9-6 | Thank Heaven for Little Girls | — | ||
| 9-7 | I Talk to the Trees | — | ||
| 9-8 | Lady Bird | Chet Baker | — | |
| 9-9 | Tune Up | Chet Baker | T-070.247.512-4 | |
| 9-11 | Line for Lyons | Chet Baker | — | |
| 9-12 | Pent Up House | Chet Baker | T-070.242.869-0 | |
| 9-13 | Look for the Silver Lining | — | ||
| 9-14 | Indian Summer | Chet Baker | — | |
| 9-15 | My Old Flame | Chet Baker | T-070.111.260-8 | |
| 10-1 | Well, You Needn’t | Chet Baker | T-700.078.455-6 | |
| 10-2 | These Foolish Things | Chet Baker | T-900.163.042-8 | |
| 10-3 | Barbados | Chet Baker | T-070.880.744-6 | |
| 10-4 | Star Eyes | Chet Baker | T-071.189.289-5 | |
| 10-5 | Over the Rainbow | Chet Baker | T-070.159.949-6 | |
| 10-6 | Pent-Up House | Chet Baker | T-070.242.869-0 | |
| 10-7 | Ballata in forma di blues | Chet Baker | T-005.011.926-0 | |
| 10-8 | Blues in the Closet | Chet Baker | — | |
| 10-9 | Little Girl | — | ||
| 10-10 | Time on My Hands | — | ||
| 10-11 | You and the Night and the Music | — | ||
| 10-12 | Show Me | — |
What other identifiers does this connect to?
Musical Works (ISWC)
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People also ask
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What is UPC 4053796002693?
4053796002693 is a Universal Product Code (UPC) assigned to Chet Baker: Milestones of a Jazz Legend by Chet Baker. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 161 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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