UPC · Release
Bloodsport Best of 15 Years, Vol. 1
Murda Ron
Last verified:
4061707340918 is the Universal Product Code (UPC barcode) for the release “Bloodsport Best of 15 Years, Vol. 1” by Murda Ron, released 2020-04-03. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 20 tracks, each with its own ISRC.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Track List (20)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Hate | — | ||
| 2 | Blutsverwandt II | — | ||
| 3 | Sauerstoffmaske | — | ||
| 4 | Nimmerland | — | ||
| 5 | Massenkampf | — | ||
| 6 | Blutverschmierter Lippenstift | — | ||
| 7 | Anilotion | — | ||
| 8 | Monument der Zerstörung | — | ||
| 9 | Der Wahnsinn auf 4 Beinen | — | ||
| 10 | Fanliebe | — | ||
| 11 | Kinderstimmen | — | ||
| 12 | Liebe Hexe | — | ||
| 13 | Attentäter Attitüde | — | ||
| 14 | Epidemie | — | ||
| 15 | Todeslabyrinth | — | ||
| 16 | Holly | — | ||
| 17 | Elektrischer Stuhl | — | ||
| 18 | Niemand ist so krank wie ich | — | ||
| 19 | Provokant | — | ||
| 20 | Rap ist mein Handwerk | — |
Credits Graph
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What is UPC 4061707340918?
4061707340918 is a Universal Product Code (UPC) assigned to Bloodsport Best of 15 Years, Vol. 1 by Murda Ron. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 20 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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