UPC · Release
Born Too Late
The Poni-Tails
Last verified:
4066004350523 is the Universal Product Code (UPC barcode) for the release “Born Too Late” by The Poni-Tails, released 1958-05-26. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 19 tracks, each with its own ISRC.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Track List (19)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Born Too Late | — | ||
| 2 | Seven Minutes in Heaven | — | ||
| 3 | Come on Joey Dance with Me | — | ||
| 4 | Early to Bed | — | ||
| 5 | Father Time | — | ||
| 6 | I'll Be Seeing You | — | ||
| 7 | I'll Keep Tryin' | — | ||
| 8 | Come Be My Love | — | ||
| 9 | Before We Say Goodnight | — | ||
| 10 | Wild Eyes and Tender Lips | — | ||
| 11 | Moody | — | ||
| 12 | Omm Pah Polka | — | ||
| 13 | Close Friends | — | ||
| 14 | You Wild Heart | — | ||
| 15 | Que la Bozena | — | ||
| 16 | It's Just My Luck to Be Fifteen | — | ||
| 17 | Still in Your Teens | — | ||
| 18 | Can I Be Sure | — | ||
| 19 | Born to Late (Alternative Take) | — |
Verified on
Credits Graph
People also ask
What is UPC 4066004350523?
4066004350523 is a Universal Product Code (UPC) assigned to Born Too Late by The Poni-Tails. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 19 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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