UPC · Release
Long Ball Into Nowhere
Hey Paulette
Last verified:
4250001306724 is the Universal Product Code (UPC barcode) for the release “Long Ball Into Nowhere” by Hey Paulette, released 2006-01-01 on Firestation Records. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 17 tracks, each with its own ISRC.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Track List (17)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | I Really Do Love Penelope | — | ||
| 2 | Our Immeasurable Differences | — | ||
| 3 | Erstwhile Wet Blanket | — | ||
| 4 | A Pet Day | — | ||
| 5 | Mad Into the Rollers | — | ||
| 6 | Another Poet | — | ||
| 7 | Give Up | — | ||
| 8 | I Will Line the Streets | — | ||
| 9 | Inconsequential | — | ||
| 10 | Pebbledash | — | ||
| 11 | Commonplace | — | ||
| 12 | I Don't Want to Be a Male Bardot | — | ||
| 13 | My Half of the Pillow | — | ||
| 14 | Happy to Be Here | — | ||
| 15 | Smalltown Reel | — | ||
| 16 | I Must Be in Love | — | ||
| 17 | My Half of the Pillow (live at the Underground) | — |
Verified on
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What is UPC 4250001306724?
4250001306724 is a Universal Product Code (UPC) assigned to Long Ball Into Nowhere by Hey Paulette. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 17 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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