UPC · Release
Kontor: Top of the Clubs, Volume 30
Various Artists
Last verified:
4250117605421 is the Universal Product Code (UPC barcode) for the release “Kontor: Top of the Clubs, Volume 30” by Various Artists, released 2006-01-01 on Kontor Records. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 60 tracks, each with its own ISRC.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (60)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Hey St. Peter | — | ||
| 2 | S.O.S. (Message in a Bottle) (Delano & Crockett remix) | — | ||
| 3 | Watch the Sunrise (Axwell Re-Mode mix) | — | ||
| 4 | Shake (Kurd Maverick remix) | — | ||
| 5 | By My Side (Callea & Rispoli club mix) | — | ||
| 6 | Esperanza (Valentino Kanzyani remix) | — | ||
| 7 | Make It Shine (Phonicfood remix) | — | ||
| 8 | Muscle Cars | — | ||
| 9 | No More Conversations (Mylo remix) | — | ||
| 10 | Monster | — | ||
| 11 | Pretty Little Angel (Tomas Barfod's "Everybodylikesalittletrance" remix) | — | ||
| 12 | Teasing Mr. Charlie | — | ||
| 13 | Tonight (Punx Squad mix) | — | ||
| 14 | Technologic (Digitalism's Highway to Paris remix) | — | ||
| 15 | This World (Wighnomy Brothers & Robag Wruhme dub) | — | ||
| 16 | Dero's Illusion (Dero's Southamerican vocal mix) | — | ||
| 17 | Is Killing Me | — | ||
| 18 | Elektro (Cubeguys Delano remix) | — | ||
| 19 | Float Away (2005 vocal mix) | — | ||
| 20 | The Sky Was Pink (Martinez remix) | — | ||
| 2-1 | Luna | — | ||
| 2-2 | Lust | — | ||
| 2-3 | No Cream | — | ||
| 2-4 | The Last Unicorn (Acquaviva Banford dub) | — | ||
| 2-5 | Boarding School | — | ||
| 2-6 | No Fear | — | ||
| 2-7 | Showtime (The dub) | — | ||
| 2-8 | Give It (Verdez mix) | — | ||
| 2-9 | It Wasn't Me | — | ||
| 2-10 | Maranguango (DJ Fadul remix) | — | ||
| 2-11 | The 2 & Only | — | ||
| 2-12 | Killergroove Uppercut (Boogie Army remix) | — | ||
| 2-13 | Like a Freek | — | ||
| 2-14 | Formerly Unknown | — | ||
| 2-15 | We Like This | — | ||
| 2-16 | Tetris (Malente remix) | — | ||
| 2-17 | Monza | — | ||
| 2-18 | One Too Many | — | ||
| 2-19 | Kickschool 79 | — | ||
| 2-20 | Nothing but Green Lights (Digitalism remix) | — | ||
| 3-1 | Torch | — | ||
| 3-2 | Easy | — | ||
| 3-3 | 6PM (Mark Knight & Martijn Ten Velden remix) | — | ||
| 3-4 | 8 Letters | — | ||
| 3-5 | Let's Get Happy (Martijn Ten Velden Audio Drive remix) | — | ||
| 3-6 | What You Gonna Do | — | ||
| 3-7 | Some Day (JCA's Elektro Ska mix) | — | ||
| 3-8 | Elektro Spirit | — | ||
| 3-9 | Ill Activities | — | ||
| 3-10 | Discoteka | — | ||
| 3-11 | Freakin Me (John Gurd remix) | — | ||
| 3-12 | White Horse (Jean Claude Ades remix) | — | ||
| 3-13 | Right Before My Eyes (Bini & Martini dub remix) | — | ||
| 3-14 | Watchin Fallin Stars | — | ||
| 3-15 | Girls on Top | — | ||
| 3-16 | Re-Match | — | ||
| 3-17 | Take Your Pills | — | ||
| 3-18 | Da Disco (JCA remix) | — | ||
| 3-19 | Monique (Trick & Kubic remix) | — | ||
| 3-20 | Believe Me | — |
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
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People also ask
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What is UPC 4250117605421?
4250117605421 is a Universal Product Code (UPC) assigned to Kontor: Top of the Clubs, Volume 30 by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 60 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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