UPC · Release
Kontor: Top of the Clubs, Volume 50
Various Artists
Last verified:
4250117613785 is the Universal Product Code (UPC barcode) for the release “Kontor: Top of the Clubs, Volume 50” by Various Artists, released 2011-01-01 on Kontor Records. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 60 tracks, each with its own ISRC.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (60)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Last Night (extended mix) | — | ||
| 2 | Higher | — | ||
| 3 | Party Animal (extended mix) | — | ||
| 4 | The Time (Dirty Bit) | — | ||
| 5 | Strobo Pop | — | ||
| 6 | Like I Love You (extended mix) | — | ||
| 7 | Everybody Dance Now! (original mix) | — | ||
| 8 | Back 2 Life | — | ||
| 9 | Love Stoned (Eric Chase remix) | — | ||
| 10 | Gipsy Moves (Nah Neh Nah) (original extended mix) | — | ||
| 11 | Badman Riddim (club mix) | — | ||
| 12 | Sexy DJ (In da Club) (extended) | — | ||
| 13 | Hey Baby (Drop It to the Floor) | — | ||
| 14 | 45 (Addy van der Zwan remix) | — | ||
| 15 | No Satisfaction (main mix) | — | ||
| 16 | More Than This | — | ||
| 17 | Gregory’s Theme (extended mix) | — | ||
| 18 | Gladiator (original mix) | — | ||
| 19 | Blow Up (original mix) | — | ||
| 20 | Mausmusik (original mix) | — | ||
| 2-1 | White Noise - Red Meat | — | ||
| 2-2 | Phantasy (extended version) | — | ||
| 2-3 | Rollin’ Deep (Denzal Park Monkey dub) | — | ||
| 2-4 | Carny | — | ||
| 2-5 | Take Me to the Top | — | ||
| 2-6 | Hello (Dada Life remix) | — | ||
| 2-7 | Why Don’t You Let Me Know (original mix) | — | ||
| 2-8 | Missing (Fedde Le Grand remix) | — | ||
| 2-9 | Gimme Five | — | ||
| 2-10 | Sun (original mix) | — | ||
| 2-11 | Underground People | — | ||
| 2-12 | I Don’t Know What to Do (extended mix) | — | ||
| 2-13 | Child of Love (extended mix) | — | ||
| 2-14 | Let’s Keep It Coming (Muzzaik remix) | — | ||
| 2-15 | Kings in Exile (original mix) | — | ||
| 2-16 | In the Horizon (original mix) | — | ||
| 2-17 | Hi Scandinavia! (original mix) | — | ||
| 2-18 | Talamanca (Noferini remix) | — | ||
| 2-19 | It’s Like That (original mix) | — | ||
| 2-20 | Sax@arena | — | ||
| 3-1 | Freak (Klaas mix) | — | ||
| 3-2 | Yeah Yeah Yeah (electro mix) | — | ||
| 3-3 | Replica | — | ||
| 3-4 | Dirty Talk (Laidback Luke remix) | — | ||
| 3-5 | Love Is Darkness | — | ||
| 3-6 | Indestructible (A-Track remix) | — | ||
| 3-7 | Every Single Girl Tonight (Yves Larock remix) | — | ||
| 3-8 | That’s Why I Put My Hands Up | — | ||
| 3-9 | Niton (The Reason) | — | ||
| 3-10 | Daylight | — | ||
| 3-11 | Make Your Move | — | ||
| 3-12 | Bomba (Klaas club mix) | — | ||
| 3-13 | Where You Are | — | ||
| 3-14 | Emergency | — | ||
| 3-15 | Radio (Klaas remix) | — | ||
| 3-16 | Nervous Breakdown (Block & Crown Pacha mix) | — | ||
| 3-17 | Smells Like Teen Spirit | — | ||
| 3-18 | Malo | — | ||
| 3-19 | Keep on Rising | — | ||
| 3-20 | Time | — |
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
+26 more
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People also ask
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What is UPC 4250117613785?
4250117613785 is a Universal Product Code (UPC) assigned to Kontor: Top of the Clubs, Volume 50 by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 60 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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