UPC · Release
Kontor: Top of the Clubs: The Biggest Hits of the Year MMXVIII
Various Artists
Last verified:
4251603206238 is the Universal Product Code (UPC barcode) for the release “Kontor: Top of the Clubs: The Biggest Hits of the Year MMXVIII” by Various Artists, released 2018-01-01 on Kontor Records. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 69 tracks, each with its own ISRC.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (69)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | In My Mind | — | ||
| 2 | Bella Ciao (HUGEL remix) | — | ||
| 3 | One Kiss | — | ||
| 4 | Crazy | — | ||
| 5 | Jackie Chan | — | ||
| 6 | Body | — | ||
| 7 | More Than Friends | — | ||
| 8 | Katchi | — | ||
| 9 | Unforgettable (Plastik Funk remix) | — | ||
| 10 | Breathe | — | ||
| 11 | The Riddle Anthem Rework | — | ||
| 12 | Remind Me to Forget | — | ||
| 13 | Yallah Habibi (DJ Antoine vs Mad Mark Hands Up mix) | — | ||
| 14 | Lullaby | — | ||
| 15 | Dreamer | — | ||
| 16 | Rise (Jonas Blue & Eden Prince club mix) | — | ||
| 17 | 17 | — | ||
| 18 | My Life Is Going On (Alok, Jetlag Music, Wadd & Hot-Q remix) | — | ||
| 19 | Sick Boy (Trobi remix) | — | ||
| 20 | Jennie (Adam Trigger, Siks remix) | — | ||
| 21 | Butterfly Effect | — | ||
| 22 | Leuchtturm (Jerome remix) | — | ||
| 23 | Terra Titanic (Anstandslos & Durchgeknallt remix) | — | ||
| 2-1 | Ce soir? (HUGEL remix) | — | ||
| 2-2 | Melody | — | ||
| 2-3 | Only Thing We Know | — | ||
| 2-4 | Cola | — | ||
| 2-5 | Bum Bum Tam Tam (Jax Jones remix) | — | ||
| 2-6 | Anthem | — | ||
| 2-7 | Dished (Male Stripper) | — | ||
| 2-8 | Glad You Came | — | ||
| 2-9 | Sphinx | — | ||
| 2-10 | Dope | — | ||
| 2-11 | Losing Sleep (Sebastien remix) | — | ||
| 2-12 | I Got 5 on It | — | ||
| 2-13 | Summer Eyes | — | ||
| 2-14 | Cool Love | — | ||
| 2-15 | Hipcats | — | ||
| 2-16 | Finder (Carl Cox remix edit) | — | ||
| 2-17 | Right Here Right Now (Camelphat remix) | — | ||
| 2-18 | U Got Me | — | ||
| 2-19 | Anyone but You (MBP remix) | — | ||
| 2-20 | One | — | ||
| 2-21 | RAVERohneENDE | — | ||
| 2-22 | Long Days | — | ||
| 2-23 | Twin Lakes | — | ||
| 3-1 | Blah Blah Blah | — | ||
| 3-2 | So Far Away (TV Noise remix) | — | ||
| 3-3 | Silence (Tiësto’s Big Room remix) | — | ||
| 3-4 | One More Day (Nicky Romero remix) | — | ||
| 3-5 | Dusk Till Dawn (Brooks remix) | — | ||
| 3-6 | Natural Blues | — | ||
| 3-7 | Close My Eyes | — | ||
| 3-8 | God Is a Girl | — | ||
| 3-9 | Standing | — | ||
| 3-10 | BODY 2 BODY | — | ||
| 3-11 | Like Butterflies | — | ||
| 3-12 | On the Move | — | ||
| 3-13 | Venom | — | ||
| 3-14 | New Memories | — | ||
| 3-15 | Get Money | — | ||
| 3-16 | Flipflops | — | ||
| 3-17 | The Riddle | — | ||
| 3-18 | Giratina | — | ||
| 3-19 | Time to Shine | — | ||
| 3-20 | Sky | — | ||
| 3-21 | Party Shaker (Bass Prototype & Corevin remix) | — | ||
| 3-22 | Pump Up the Jam | — | ||
| 3-23 | Zombie | — |
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
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Creative Contributors (ISNI)
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Credits Graph
People also ask
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What is UPC 4251603206238?
4251603206238 is a Universal Product Code (UPC) assigned to Kontor: Top of the Clubs: The Biggest Hits of the Year MMXVIII by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 69 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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