UPC · Release
Kontor: Top of the Clubs, Volume 84
Various Artists
Last verified:
4251603230981 is the Universal Product Code (UPC barcode) for the release “Kontor: Top of the Clubs, Volume 84” by Various Artists, released 2019-01-01 on Kontor Records. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 79 tracks, each with its own ISRC. Tracks include NLF711911458.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (79)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Close Your Eyes | — | ||
| 2 | Broken Bone (All I Know) | — | ||
| 3 | Ride It | — | ||
| 4 | Fuckboy | — | ||
| 5 | Be My Lover | — | ||
| 7 | Sad | — | ||
| 8 | Life | — | ||
| 9 | Lights Go Down | — | ||
| 10 | Never Change | — | ||
| 11 | You Got the Love | — | ||
| 12 | Million Voices | — | ||
| 13 | Cowbells & Bitches | — | ||
| 14 | Dance | — | ||
| 15 | Trouble | — | ||
| 16 | Atikapatum | — | ||
| 17 | Alive | — | ||
| 18 | Tricky Tricky | — | ||
| 20 | Which Light Switch Is Which? | — | ||
| 21 | Keep on Rockin’ | — | ||
| 23 | Not an Addict | — | ||
| 2-1 | Straight Lovin’ | — | ||
| 2-2 | Turn Me On | — | ||
| 2-3 | Sinner | — | ||
| 2-5 | Don’t Feel Lonely | — | ||
| 2-6 | Someone in the Dark | — | ||
| 2-7 | Set You Free | — | ||
| 2-8 | How I Feel | — | ||
| 2-10 | Family Affair | — | ||
| 2-11 | Same Man | — | ||
| 2-12 | No Goodbye | — | ||
| 2-13 | There for You | — | ||
| 2-17 | Lonely Days | — | ||
| 2-18 | Shake It | — | ||
| 2-19 | Burn Me Up (The System) | — | ||
| 2-20 | Something About U | — | ||
| 2-22 | Music Is the Answer | — | ||
| 2-23 | Love Like This | — | ||
| 3-1 | Ain’t Deep Enough | — | ||
| 3-2 | Soweto | — | ||
| 3-3 | Louisiana | — | ||
| 3-4 | Voltaic | — | ||
| 3-5 | One More Time | — | ||
| 3-6 | Camps Bay | — | ||
| 3-8 | Beat of My Heart | — | ||
| 3-9 | All of Your Weapons | — | ||
| 3-10 | The Power | — | ||
| 3-11 | Crazy | — | ||
| 3-12 | Something About You (Elderbrook VIP) | — | ||
| 3-13 | Epiphany | — | ||
| 3-14 | Headnoise (Get Hype) | — | ||
| 3-15 | XTC | — | ||
| 3-16 | Nocturnal | — | ||
| 3-17 | Neptune | — | ||
| 3-18 | Losing Control | — | ||
| 3-19 | Music Please | — | ||
| 3-20 | San Frandisco | — | ||
| 3-21 | More Life | — | ||
| 3-22 | Put a Record On | — | ||
| 3-23 | Beatbox Rocker | — | ||
| 4-1 | Million Voices | — | ||
| 4-2 | Fuckboy | — | ||
| 4-3 | Beat of My Heart | — | ||
| 4-5 | Headnoise (Get Hype) | — | ||
| 4-6 | Louisiana | — | ||
| 4-7 | Neptune | — | ||
| 4-8 | Broken Bone (All I Know) | — | ||
| 4-9 | Life | — | ||
| 4-10 | Be My Lover | — | ||
| 4-11 | Straight Lovin’ | — | ||
| 4-12 | Camps Bay | — | ||
| 4-13 | One More Time | — | ||
| 4-14 | Fibonacci | — | ||
| 4-16 | Ain't Deep Enough | Autograf, Jared Lee | T-930.970.194-8 | |
| 4-17 | Soweto | — | ||
| 4-18 | Shake It | — | ||
| 4-19 | Nocturnal | — | ||
| 4-20 | Beatbox Rocker | — | ||
| 4-21 | Lights Go Down | — | ||
| 4-22 | Tricky Tricky | — |
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
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People also ask
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What is UPC 4251603230981?
4251603230981 is a Universal Product Code (UPC) assigned to Kontor: Top of the Clubs, Volume 84 by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 79 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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