UPC · Release
Kontor: Top of the Clubs, Volume 89
Various Artists
Last verified:
4251603259258 is the Universal Product Code (UPC barcode) for the release “Kontor: Top of the Clubs, Volume 89” by Various Artists, released 2021-01-01 on Kontor Records. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 76 tracks, each with its own ISRC. Tracks include DEN062100161, DEN062100137.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (76)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Dance Like Rihanna | — | ||
| 2 | Pum Pum | — | ||
| 4 | Your Love (9PM) | — | ||
| 6 | Wasted Love | — | ||
| 7 | White Lies | — | ||
| 8 | Sober | — | ||
| 9 | No Go Go Go! | — | ||
| 10 | Bye Bye | — | ||
| 11 | We Love Hardcore | — | ||
| 12 | Look Back at It | — | ||
| 13 | Close to You | — | ||
| 14 | Leave a Little Love | — | ||
| 17 | Faded Love | — | ||
| 18 | Strangers | — | ||
| 19 | End of Slaphouse | — | ||
| 20 | Show Me Your Love | — | ||
| 22 | Mad World | — | ||
| 2-1 | Friday (Dopamine Re-edit) | — | ||
| 2-3 | You’ve Done Enough | — | ||
| 2-4 | Turn Back Time | — | ||
| 2-6 | Goodbye | — | ||
| 2-7 | Exotica | — | ||
| 2-8 | IQ Doesn’t Matter | — | ||
| 2-9 | Owl | — | ||
| 2-10 | Cognitive Fadings | — | ||
| 2-11 | Easier | — | ||
| 2-12 | Live My Life Alone | — | ||
| 2-13 | Down Low | — | ||
| 2-14 | Back to You | — | ||
| 2-15 | Wanna Show U | — | ||
| 2-17 | Unwant You | — | ||
| 2-18 | L.U.V. | — | ||
| 2-19 | Yourself | — | ||
| 2-21 | Teardrops | — | ||
| 2-23 | Starboy | — | ||
| 3-1 | Milky Way | — | ||
| 3-2 | Away | — | ||
| 3-3 | Where the Lights Are Low | — | ||
| 3-6 | Give My All (Martin Jensen edit) | — | ||
| 3-8 | We Don’t Even Talk Anymore | — | ||
| 3-9 | Asteroids | — | ||
| 3-10 | What Friends Are For | — | ||
| 3-11 | Sleepwalking | — | ||
| 3-12 | Wellerman | — | ||
| 3-13 | Million Years (Jerome edit) | — | ||
| 3-14 | Baby | — | ||
| 3-15 | Look at Me Now (Tungevaag edit) | — | ||
| 3-16 | Turn It Up | — | ||
| 3-17 | Out of My Head | — | ||
| 3-18 | Lonely | — | ||
| 3-19 | Nanana | — | ||
| 3-20 | Dance With Me | — | ||
| 3-21 | I Think | — | ||
| 3-22 | The Things You Say (rework) | — | ||
| 3-23 | Space Melody (Edward Artemyev) | — | ||
| 4-3 | Leave a Little Love | — | ||
| 4-4 | Dance Like Rihanna | Jerome, LIZOT | T-303.658.207-3 | |
| 4-5 | Away | — | ||
| 4-6 | Pum Pum | — | ||
| 4-7 | Million Years (Jerome edit) | — | ||
| 4-8 | We Love Harcore | — | ||
| 4-9 | Bye Bye | — | ||
| 4-10 | Wellerman | — | ||
| 4-11 | Milky Way | LUNAX, Coopex, Marmy | — | |
| 4-12 | Asteroids | — | ||
| 4-13 | Strangers | — | ||
| 4-14 | Look Back at It | — | ||
| 4-15 | Back to You | — | ||
| 4-16 | Out of My Head | — | ||
| 4-17 | Owl | — | ||
| 4-18 | Cognitive Fadings | — | ||
| 4-19 | Starboy | — | ||
| 4-20 | We Don’t Even Talk Anymore | — | ||
| 4-21 | The Things You Say (rework) | — | ||
| 4-22 | No Go Go Go! | — | ||
| 4-23 | Wanna Show U | — |
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
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Credits Graph
People also ask
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What is UPC 4251603259258?
4251603259258 is a Universal Product Code (UPC) assigned to Kontor: Top of the Clubs, Volume 89 by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 76 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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