UPC · Release
Hans Pfitzner
Last verified:
The UPC for “Palestrina (Chor der Oper Frankfurt & Frankfurter Opern- und Museumsorchester feat. conductor: Kirill Petrenko)” by Hans Pfitzner is 4260034869301. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2012-01-01. Label: Oehms Classics. This release contains 40 tracks, each with its own ISRC.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Palestrina: Prelude | — | ||
| 2 | Palestrina: Act I, Scene I. "Schönste, ungnäd'ge Dame" (Silla) | — | ||
| 3 | Palestrina: Act I, Scene II. "Ighino, gut, dass ich dich seh!" (Silla, Ighino) | — | ||
| 4 | Palestrina: Act I, Scene II. "Der Gram des alten Vaters" (Silla, Ighino) | — | ||
| 5 | Palestrina: Act I, Scene II. "Schönste, ungnäd'ge Dame — Scene III: Seltsamliche Geräusche hört man hier" (Silla, Borromeo, Palestrina) | — | ||
| 6 | Palestrina: Act I, Scene III. "Es drohet nicht von eitlen Dilettanten" (Borromeo) | — | ||
| 7 | Palestrina: Act I, Scene III. "Die Gegensätze all' zu einen" (Borromeo) | — | ||
| 8 | Palestrina: Act I, Scene III. "Wie schön ist, was Ihr sagt!" (Palestrina, Borromeo) | — | ||
| 9 | Palestrina: Act I, Scene III. "Ich kann Euch nicht verstehn" (Borromeo, Palestrina) | — | ||
| 10 | Palestrina: Act I, Scene IV. "Der letzte Freund" (Palestrina) | — | ||
| 11 | Palestrina: Act I, Scene V. "Für ihn! Sein Wesen will's" (The Masters, Palestrina) | — | ||
| 2-1 | Palestrina: Act I, Scene V. "Nicht ich — schwach bin ich" (Palestrina, The Masters) | — | ||
| 2-2 | Palestrina: Act I, Scene V. "Was einst mir höchstes Glück" (Palestrina, The Masters) | — | ||
| 2-3 | Palestrina: Act I, Scene VI. "Allein in dunkler Tiefe" (Palestrina, The Angels) | — | ||
| 2-4 | Palestrina: Act I, Scene VI. "Nah war ich dir" (Lucrezia, The Angels, Palestrina) | — | ||
| 2-5 | Palestrina: Act I, Scene VII. "Ighino, sieh doch, komm herein!" (Silla, Ighino) | — | ||
| 2-6 | Palestrina: Act II, Prelude | — | ||
| 2-7 | Palestrina: Act II, Scene I. "Noch eine Bank! Und schnell!" (Severolus, Novagerio, The Servants) | — | ||
| 2-8 | Palestrina: Act II, Scene II. "Morone ist von Innsbruck schon herein" (Novagerio, Madruscht, Borromeo) | — | ||
| 2-9 | Palestrina: Act II, Scene III. "Ein liebreich würd'ger Herr" (Borromeo, Novagerio) | — | ||
| 2-10 | Palestrina: Act II, Scene III. "So wird, was in den letzten Wochen er neu begehrte" (Borromeo, Novagerio) | — | ||
| 2-11 | Palestrina: Act II, Scene IV. "Zahlreich wird heut' die heilige Versammlung" (Lorraine, Madruscht, Novagerio, Borromeo, Brus) | — | ||
| 2-12 | Palestrina: Act II, Scene IV. "Die Italiener dort seht!" (The Spaniards, Luna, Budoja) | — | ||
| 2-13 | Palestrina: Act II, Scene IV. "Geliebte Brüder" (Budoja, Budoja's Group, Bishops, Theophilus, Grosseto, A Doctor, Morone, Novagerio) | — | ||
| 2-14 | Palestrina: Act II, Scene IV. "Von weither wandert' ich" (Abdisu, Budoja) | — | ||
| 2-15 | Palestrina: Act II, Scene IV. "Ich, Ercole Severolus" (Severolus) | — | ||
| 3-1 | Palestrina: Act II, Scene V. "Den heil'gen Geist" (Morone, Budoja, Severolus, Luna) | — | ||
| 3-2 | Palestrina: Act II, Scene V. "Ihr wisst, von des Kaisers Propositionen" (Morone, Avosmediano, Severolus, Lorraine, Novagerio, Brus, Madruscht, Budoja, Borromeo) | — | ||
| 3-3 | Palestrina: Act II, Scene V. "Die nächsten zu beredenden Artikel" (Morone, Severolus, Brus, Novagerio, Luna, Lorraine, The Spaniards, Budoja) | — | ||
| 3-4 | Palestrina: Act II, Scene V. "Beliebt's Euch, Vater" (Morone, The Italians, Avosmediano, Lorraine, Severolus, Abdisu, Luna, The Spaniards, Budoja) | — | ||
| 3-5 | Palestrina: Act II, Scene VI. "Was nun! Was nun!" (Morone, Novagerio, Budoja, Lorraine) | — | ||
| 3-6 | Palestrina: Act II, Scene VII. "Habt ihr's gesehn" (The Spaniards, Germans and Italians, Madruscht) | — | ||
| 3-7 | Palestrina: Act III, Prelude | — | ||
| 3-8 | Palestrina: Act III, Scene I. "Wie lange sie bleiben" (Singers, Palestrina, Ighino) | — | ||
| 3-9 | Palestrina: Act III, Scene I. "Als sie dich griffen und banden" (Ighino, Voices from the Street) | — | ||
| 3-10 | Palestrina: Act III, Scene II. "Ist Palestrina, der Meister, hier" (Papal Singers, The New Group) | — | ||
| 3-11 | Palestrina: Act III, Scene II. "Wie einst im himmlischen Zion" (Pope Pius IV) | — | ||
| 3-12 | Palestrina: Act III, Scene II. "Die Messe, ach, der Messe süßes Licht!" (Borromeo, Palestrina) | — | ||
| 3-13 | Palestrina: Act III, Scene II. "O Vater, wirst du nun auch wieder froh" (Ighino, Palestrina, Voices from the Street) | — | ||
| 3-14 | Palestrina: Act III, Scene III. "Nun schmiede mich" (Palestrina) | — |
Creative Contributors (ISNI)
Credits Graph
4260034869301 is a Universal Product Code (UPC) assigned to Palestrina (Chor der Oper Frankfurt & Frankfurter Opern- und Museumsorchester feat. conductor: Kirill Petrenko) by Hans Pfitzner. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 40 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “Palestrina (Chor der Oper Frankfurt & Frankfurter Opern- und Museumsorchester feat. conductor: Kirill Petrenko)” by Hans Pfitzner is 4260034869301. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2012-01-01. Label: Oehms Classics. This release contains 40 tracks, each with its own ISRC.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Palestrina: Prelude | — | ||
| 2 | Palestrina: Act I, Scene I. "Schönste, ungnäd'ge Dame" (Silla) | — | ||
| 3 | Palestrina: Act I, Scene II. "Ighino, gut, dass ich dich seh!" (Silla, Ighino) | — | ||
| 4 | Palestrina: Act I, Scene II. "Der Gram des alten Vaters" (Silla, Ighino) | — | ||
| 5 | Palestrina: Act I, Scene II. "Schönste, ungnäd'ge Dame — Scene III: Seltsamliche Geräusche hört man hier" (Silla, Borromeo, Palestrina) | — | ||
| 6 | Palestrina: Act I, Scene III. "Es drohet nicht von eitlen Dilettanten" (Borromeo) | — | ||
| 7 | Palestrina: Act I, Scene III. "Die Gegensätze all' zu einen" (Borromeo) | — | ||
| 8 | Palestrina: Act I, Scene III. "Wie schön ist, was Ihr sagt!" (Palestrina, Borromeo) | — | ||
| 9 | Palestrina: Act I, Scene III. "Ich kann Euch nicht verstehn" (Borromeo, Palestrina) | — | ||
| 10 | Palestrina: Act I, Scene IV. "Der letzte Freund" (Palestrina) | — | ||
| 11 | Palestrina: Act I, Scene V. "Für ihn! Sein Wesen will's" (The Masters, Palestrina) | — | ||
| 2-1 | Palestrina: Act I, Scene V. "Nicht ich — schwach bin ich" (Palestrina, The Masters) | — | ||
| 2-2 | Palestrina: Act I, Scene V. "Was einst mir höchstes Glück" (Palestrina, The Masters) | — | ||
| 2-3 | Palestrina: Act I, Scene VI. "Allein in dunkler Tiefe" (Palestrina, The Angels) | — | ||
| 2-4 | Palestrina: Act I, Scene VI. "Nah war ich dir" (Lucrezia, The Angels, Palestrina) | — | ||
| 2-5 | Palestrina: Act I, Scene VII. "Ighino, sieh doch, komm herein!" (Silla, Ighino) | — | ||
| 2-6 | Palestrina: Act II, Prelude | — | ||
| 2-7 | Palestrina: Act II, Scene I. "Noch eine Bank! Und schnell!" (Severolus, Novagerio, The Servants) | — | ||
| 2-8 | Palestrina: Act II, Scene II. "Morone ist von Innsbruck schon herein" (Novagerio, Madruscht, Borromeo) | — | ||
| 2-9 | Palestrina: Act II, Scene III. "Ein liebreich würd'ger Herr" (Borromeo, Novagerio) | — | ||
| 2-10 | Palestrina: Act II, Scene III. "So wird, was in den letzten Wochen er neu begehrte" (Borromeo, Novagerio) | — | ||
| 2-11 | Palestrina: Act II, Scene IV. "Zahlreich wird heut' die heilige Versammlung" (Lorraine, Madruscht, Novagerio, Borromeo, Brus) | — | ||
| 2-12 | Palestrina: Act II, Scene IV. "Die Italiener dort seht!" (The Spaniards, Luna, Budoja) | — | ||
| 2-13 | Palestrina: Act II, Scene IV. "Geliebte Brüder" (Budoja, Budoja's Group, Bishops, Theophilus, Grosseto, A Doctor, Morone, Novagerio) | — | ||
| 2-14 | Palestrina: Act II, Scene IV. "Von weither wandert' ich" (Abdisu, Budoja) | — | ||
| 2-15 | Palestrina: Act II, Scene IV. "Ich, Ercole Severolus" (Severolus) | — | ||
| 3-1 | Palestrina: Act II, Scene V. "Den heil'gen Geist" (Morone, Budoja, Severolus, Luna) | — | ||
| 3-2 | Palestrina: Act II, Scene V. "Ihr wisst, von des Kaisers Propositionen" (Morone, Avosmediano, Severolus, Lorraine, Novagerio, Brus, Madruscht, Budoja, Borromeo) | — | ||
| 3-3 | Palestrina: Act II, Scene V. "Die nächsten zu beredenden Artikel" (Morone, Severolus, Brus, Novagerio, Luna, Lorraine, The Spaniards, Budoja) | — | ||
| 3-4 | Palestrina: Act II, Scene V. "Beliebt's Euch, Vater" (Morone, The Italians, Avosmediano, Lorraine, Severolus, Abdisu, Luna, The Spaniards, Budoja) | — | ||
| 3-5 | Palestrina: Act II, Scene VI. "Was nun! Was nun!" (Morone, Novagerio, Budoja, Lorraine) | — | ||
| 3-6 | Palestrina: Act II, Scene VII. "Habt ihr's gesehn" (The Spaniards, Germans and Italians, Madruscht) | — | ||
| 3-7 | Palestrina: Act III, Prelude | — | ||
| 3-8 | Palestrina: Act III, Scene I. "Wie lange sie bleiben" (Singers, Palestrina, Ighino) | — | ||
| 3-9 | Palestrina: Act III, Scene I. "Als sie dich griffen und banden" (Ighino, Voices from the Street) | — | ||
| 3-10 | Palestrina: Act III, Scene II. "Ist Palestrina, der Meister, hier" (Papal Singers, The New Group) | — | ||
| 3-11 | Palestrina: Act III, Scene II. "Wie einst im himmlischen Zion" (Pope Pius IV) | — | ||
| 3-12 | Palestrina: Act III, Scene II. "Die Messe, ach, der Messe süßes Licht!" (Borromeo, Palestrina) | — | ||
| 3-13 | Palestrina: Act III, Scene II. "O Vater, wirst du nun auch wieder froh" (Ighino, Palestrina, Voices from the Street) | — | ||
| 3-14 | Palestrina: Act III, Scene III. "Nun schmiede mich" (Palestrina) | — |
