UPC · Release
Korngold, Klaus Florian Vogt, Tatiana Pavlovskaya, Michael Nagy, Hedwig Fassbender, Anna Ryberg, Jenny Carlstedt, Julian Prégardien, Hans-Jürgen Lazar, Chor der Oper Frankfurt, Kinderchor der Oper Frankfurt, Frankfurter Opern- und Museumsorchester, Sebastian Weigle
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The UPC for “Die tote Stadt” by Korngold, Klaus Florian Vogt, Tatiana Pavlovskaya, Michael Nagy, Hedwig Fassbender, Anna Ryberg, Jenny Carlstedt, Julian Prégardien, Hans-Jürgen Lazar, Chor der Oper Frankfurt, Kinderchor der Oper Frankfurt, Frankfurter Opern- und Museumsorchester is . UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2011-01-01. Label: Oehms Classics. This release contains 24 tracks, each with its own ISRC.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | DIE TOTE STADT (THE DEAD CITY), OP. 12: ACT I: PRELUDE - SCENE 1: BEHUTSAM! (BRIGITTA, FRANK) | — | ||
| 2 | DIE TOTE STADT (THE DEAD CITY), OP. 12: ACT I SCENE 2: FRANK! FREUND! (PAUL, FRANK) | — | ||
| 3 | Die tote Stadt (The Dead City), Op. 12: Act I Scene 3: Nur deiner harr ich, niemals Verlorne! (Paul) | — | ||
| 4 | Die tote Stadt (The Dead City), Op. 12: Act I Scene 4: Rosen, so ist’s rechts! (Paul, Brigitta) | — | ||
| 5 | DIE TOTE STADT (THE DEAD CITY), OP. 12: ACT I SCENE 5: WUNDERBAR! (PAUL, MARIETTA) | — | ||
| 6 | Die tote Stadt (The Dead City), Op. 12: Act I Scene 5: Gluck, das mir verblieb (Marietta, Paul) | — | ||
| 7 | DIE TOTE STADT (THE DEAD CITY), OP. 12: ACT I SCENE 5: DAS DUMME LIED, ES HAT SIE GANZ VERZAUBERT (MARIETTA, GASTON, JULIETTE, LUCIENNE, PAUL) | — | ||
| 8 | DIE TOTE STADT (THE DEAD CITY), OP. 12: ACT I SCENE 6: DA BIST DU JA, MARIE, ICH WUSSTE ES (PAUL, MARIE) | — | ||
| 9 | Die tote Stadt (The Dead City), Op. 12: Act II: Prelude | — | ||
| 10 | DIE TOTE STADT (THE DEAD CITY), OP. 12: ACT II SCENE 1: WAS WARD AUS MIR? (PAUL, BRIGITTA) | — | ||
| 11 | DIE TOTE STADT (THE DEAD CITY), OP. 12: ACT II SCENE 2: WOHIN!? … FRANK, DU? (PAUL, FRANK) | — | ||
| 12 | DIE TOTE STADT (THE DEAD CITY), OP. 12: ACT II SCENE 3: SCHAUME, TOLLES TANZERBLUT (JULIENNE, LUCIENNE, VICTORIN, GRAF ALBERT, FRITZ, MARIETTA) | — | ||
| 13 | Die tote Stadt (The Dead City), Op. 12: Act II Scene 3: Mein Sehnen, mein Wahnen (Fritz, Women’s Choir) | — | ||
| 14 | DIE TOTE STADT (THE DEAD CITY), OP. 12: ACT II SCENE 3: BRAVO, GUTER PIERROT (MARIETTA, JULIENNE, LUCIENNE, VICTORIN, GRAF ALBERT, FRITZ) | — | ||
| 15 | DIE TOTE STADT (THE DEAD CITY), OP. 12: ACT II SCENE 3: HALT EIN! DU EINE AUFERSTANDNE TOTE?! (PAUL, MARIETTA, VICTORIN, GRAF ALBERT, FRITZ) | — | ||
| 2-1 | DIE TOTE STADT (THE DEAD CITY), OP. 12: ACT II SCENE 4: DU MACHST MIR EINE SZENE? (MARIETTA, PAUL) | — | ||
| 2-2 | DIE TOTE STADT (THE DEAD CITY), OP. 12: ACT III: PRELUDE | — | ||
| 2-3 | Die tote Stadt (The Dead City), Op. 12: Act III Scene 1: Dich such ich, Bild! (Marietta, Children’s Choir) | — | ||
| 2-4 | DIE TOTE STADT (THE DEAD CITY), OP. 12: ACT III SCENE 2: DU HIER? (PAUL, MARIETTA) | — | ||
| 2-5 | Die tote Stadt (The Dead City), Op. 12: Act III Scene 2: O susser Heiland mein (Choir, Children’s Choir, Paul) | — | ||
| 2-6 | DIE TOTE STADT (THE DEAD CITY), OP. 12: ACT III SCENE 2: DU BIST JA FROMM! (MARIETTA, PAUL) | — | ||
| 2-7 | DIE TOTE STADT (THE DEAD CITY), OP. 12: ACT III SCENE 2: UND DER ERSTE, DER LIEB MICH GELEHRT (MARIETTA, PAUL) | — | ||
| 2-8 | DIE TOTE STADT (THE DEAD CITY), OP. 12: ACT III SCENE 2: BIN ICH NICHT SCHON … (MARIETTA, PAUL) | — | ||
| 2-9 | DIE TOTE STADT (THE DEAD CITY), OP. 12: ACT III SCENE 3: DIE TOTE, WO, LAG SIE NICHT HIER … (PAUL, BRIGITTA, MARIETTA, FRANK) | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| DIE TOTE STADT, OP. 12: ACT I SCENE 3: NUR DEINER HARR ICH, NIEMALS VERLORNE! (PAUL) | — | |
| DIE TOTE STADT (THE DEAD CITY), OP. 12: ACT I SCENE 4: ROSEN, SO IST'S RECHTS! (PAUL, BRIGITTA) | — | |
| DIE TOTE STADT, OP. 12: ACT I SCENE 5: GLUCK, DAS MIR VERBLIEB (MARIETTA, PAUL) | — | |
| DIE TOTE STADT, OP. 12: ACT II: PRELUDE | — | |
| DIE TOTE STADT (THE DEAD CITY), OP. 12: ACT II SCENE 3: MEIN SEHNEN, MEIN WAHNEN (FRITZ, WOMEN'S CHOIR) | — | |
| DIE TOTE STADT (THE DEAD CITY), OP. 12: ACT III SCENE 1: DICH SUCH ICH, BILD! (MARIETTA, CHILDREN'S CHOIR) | — | |
| DIE TOTE STADT (THE DEAD CITY), OP. 12: ACT III SCENE 2: O SUSSER HEILAND MEIN (CHOIR, CHILDREN'S CHOIR, PAUL) | — |
Creative Contributors (ISNI)
Identifier Graph
4260034869486 is a Universal Product Code (UPC) assigned to Die tote Stadt by Korngold, Klaus Florian Vogt, Tatiana Pavlovskaya, Michael Nagy, Hedwig Fassbender, Anna Ryberg, Jenny Carlstedt, Julian Prégardien, Hans-Jürgen Lazar, Chor der Oper Frankfurt, Kinderchor der Oper Frankfurt, Frankfurter Opern- und Museumsorchester, Sebastian Weigle. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 24 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “Die tote Stadt” by Korngold, Klaus Florian Vogt, Tatiana Pavlovskaya, Michael Nagy, Hedwig Fassbender, Anna Ryberg, Jenny Carlstedt, Julian Prégardien, Hans-Jürgen Lazar, Chor der Oper Frankfurt, Kinderchor der Oper Frankfurt, Frankfurter Opern- und Museumsorchester, Sebastian Weigle is 4260034869486. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2011-01-01. Label: Oehms Classics. This release contains 24 tracks, each with its own ISRC. Tracks include DEU921194801, DEU921194802, DEU921194805.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | DIE TOTE STADT (THE DEAD CITY), OP. 12: ACT I: PRELUDE - SCENE 1: BEHUTSAM! (BRIGITTA, FRANK) | — | ||
| 2 | DIE TOTE STADT (THE DEAD CITY), OP. 12: ACT I SCENE 2: FRANK! FREUND! (PAUL, FRANK) | — | ||
| 3 | Die tote Stadt (The Dead City), Op. 12: Act I Scene 3: Nur deiner harr ich, niemals Verlorne! (Paul) | — | ||
| 4 | Die tote Stadt (The Dead City), Op. 12: Act I Scene 4: Rosen, so ist’s rechts! (Paul, Brigitta) | — | ||
| 5 | DIE TOTE STADT (THE DEAD CITY), OP. 12: ACT I SCENE 5: WUNDERBAR! (PAUL, MARIETTA) | — | ||
| 6 | Die tote Stadt (The Dead City), Op. 12: Act I Scene 5: Gluck, das mir verblieb (Marietta, Paul) | — | ||
| 7 | DIE TOTE STADT (THE DEAD CITY), OP. 12: ACT I SCENE 5: DAS DUMME LIED, ES HAT SIE GANZ VERZAUBERT (MARIETTA, GASTON, JULIETTE, LUCIENNE, PAUL) | — | ||
| 8 | DIE TOTE STADT (THE DEAD CITY), OP. 12: ACT I SCENE 6: DA BIST DU JA, MARIE, ICH WUSSTE ES (PAUL, MARIE) | — | ||
| 9 | Die tote Stadt (The Dead City), Op. 12: Act II: Prelude | — | ||
| 10 | DIE TOTE STADT (THE DEAD CITY), OP. 12: ACT II SCENE 1: WAS WARD AUS MIR? (PAUL, BRIGITTA) | — | ||
| 11 | DIE TOTE STADT (THE DEAD CITY), OP. 12: ACT II SCENE 2: WOHIN!? … FRANK, DU? (PAUL, FRANK) | — | ||
| 12 | DIE TOTE STADT (THE DEAD CITY), OP. 12: ACT II SCENE 3: SCHAUME, TOLLES TANZERBLUT (JULIENNE, LUCIENNE, VICTORIN, GRAF ALBERT, FRITZ, MARIETTA) | — | ||
| 13 | Die tote Stadt (The Dead City), Op. 12: Act II Scene 3: Mein Sehnen, mein Wahnen (Fritz, Women’s Choir) | — | ||
| 14 | DIE TOTE STADT (THE DEAD CITY), OP. 12: ACT II SCENE 3: BRAVO, GUTER PIERROT (MARIETTA, JULIENNE, LUCIENNE, VICTORIN, GRAF ALBERT, FRITZ) | — | ||
| 15 | DIE TOTE STADT (THE DEAD CITY), OP. 12: ACT II SCENE 3: HALT EIN! DU EINE AUFERSTANDNE TOTE?! (PAUL, MARIETTA, VICTORIN, GRAF ALBERT, FRITZ) | — | ||
| 2-1 | DIE TOTE STADT (THE DEAD CITY), OP. 12: ACT II SCENE 4: DU MACHST MIR EINE SZENE? (MARIETTA, PAUL) | — | ||
| 2-2 | DIE TOTE STADT (THE DEAD CITY), OP. 12: ACT III: PRELUDE | — | ||
| 2-3 | Die tote Stadt (The Dead City), Op. 12: Act III Scene 1: Dich such ich, Bild! (Marietta, Children’s Choir) | — | ||
| 2-4 | DIE TOTE STADT (THE DEAD CITY), OP. 12: ACT III SCENE 2: DU HIER? (PAUL, MARIETTA) | — | ||
| 2-5 | Die tote Stadt (The Dead City), Op. 12: Act III Scene 2: O susser Heiland mein (Choir, Children’s Choir, Paul) | — | ||
| 2-6 | DIE TOTE STADT (THE DEAD CITY), OP. 12: ACT III SCENE 2: DU BIST JA FROMM! (MARIETTA, PAUL) | — | ||
| 2-7 | DIE TOTE STADT (THE DEAD CITY), OP. 12: ACT III SCENE 2: UND DER ERSTE, DER LIEB MICH GELEHRT (MARIETTA, PAUL) | — | ||
| 2-8 | DIE TOTE STADT (THE DEAD CITY), OP. 12: ACT III SCENE 2: BIN ICH NICHT SCHON … (MARIETTA, PAUL) | — | ||
| 2-9 | DIE TOTE STADT (THE DEAD CITY), OP. 12: ACT III SCENE 3: DIE TOTE, WO, LAG SIE NICHT HIER … (PAUL, BRIGITTA, MARIETTA, FRANK) | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| DIE TOTE STADT, OP. 12: ACT I SCENE 3: NUR DEINER HARR ICH, NIEMALS VERLORNE! (PAUL) | — | |
| DIE TOTE STADT (THE DEAD CITY), OP. 12: ACT I SCENE 4: ROSEN, SO IST'S RECHTS! (PAUL, BRIGITTA) | — | |
| DIE TOTE STADT, OP. 12: ACT I SCENE 5: GLUCK, DAS MIR VERBLIEB (MARIETTA, PAUL) | — | |
| DIE TOTE STADT, OP. 12: ACT II: PRELUDE | — | |
| DIE TOTE STADT (THE DEAD CITY), OP. 12: ACT II SCENE 3: MEIN SEHNEN, MEIN WAHNEN (FRITZ, WOMEN'S CHOIR) | — | |
| DIE TOTE STADT (THE DEAD CITY), OP. 12: ACT III SCENE 1: DICH SUCH ICH, BILD! (MARIETTA, CHILDREN'S CHOIR) | — | |
| DIE TOTE STADT (THE DEAD CITY), OP. 12: ACT III SCENE 2: O SUSSER HEILAND MEIN (CHOIR, CHILDREN'S CHOIR, PAUL) | — |