UPC · Release
Various Artists
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The UPC for “Darmstadt Aural Documents: Box 4, Pianists” by Various Artists is 4260063116308. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2016-01-01. Label: NEOS. This release contains 105 tracks, each with its own ISRC.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Sechs kleine Klavierstücke, op. 19: I. Leicht, zart | — | ||
| 2 | Sechs kleine Klavierstücke, op. 19: II. Langsam | — | ||
| 3 | Sechs kleine Klavierstücke, op. 19: III. Sehr langsame Viertel | — | ||
| 4 | Sechs kleine Klavierstücke, op. 19: IV. Rasch, aber leicht | — | ||
| 5 | Sechs kleine Klavierstücke, op. 19: V. Etwas rasch | — | ||
| 6 | Sechs kleine Klavierstücke, op. 19: VI. Sehr langsam | — | ||
| 7 | Fünf Klavierstücke, op. 23: I. Sehr langsam | — | ||
| 8 | Fünf Klavierstücke, op. 23: II. Sehr rasch | — | ||
| 9 | Fünf Klavierstücke, op. 23: III. Langsam | — | ||
| 10 | Fünf Klavierstücke, op. 23: IV. Schwungvoll | — | ||
| 11 | Fünf Klavierstücke, op. 23: V. Walzer | — | ||
| 12 | Sonate: I. Allegro moderato | — | ||
| 13 | Sonate: II. Sostenuto e pesante | — | ||
| 14 | Sonate: III. Allegro molto | — | ||
| 15 | Variationen, op. 27: I. Sehr mäßig | — | ||
| 16 | Variationen, op. 27: II. Sehr schnell | — | ||
| 17 | Variationen, op. 27: III. Ruhig fließend | — | ||
| 18 | Passacaglia From "Four Studies on Basic Rows" | — | ||
| 19 | From My Diary. Four Pieces: I. Poco adagio | — | ||
| 20 | From My Diary. Four Pieces: II. Allegro con brio | — | ||
| 21 | From My Diary. Four Pieces: III. Larghissimo e misterioso | — | ||
| 22 | From My Diary. Four Pieces: IV. Allegro pesante | — | ||
| 23 | Kubiniana (Zehn Klavierstücke), op. 13: 1. Lento assai | — | ||
| 24 | Kubiniana (Zehn Klavierstücke), op. 13: 2. Marcia moderato | — | ||
| 25 | Kubiniana (Zehn Klavierstücke), op. 13: 3. Allegretto | — | ||
| 26 | Kubiniana (Zehn Klavierstücke), op. 13: 4. Grave | — | ||
| 27 | Kubiniana (Zehn Klavierstücke), op. 13: 5. Andante molto | — | ||
| 28 | Kubiniana (Zehn Klavierstücke), op. 13: 6. Tempo di marcia | — | ||
| 29 | Kubiniana (Zehn Klavierstücke), op. 13: 7. Allegro molto | — | ||
| 30 | Kubiniana (Zehn Klavierstücke), op. 13: 8. Lento | — | ||
| 31 | Kubiniana (Zehn Klavierstücke), op. 13: 9. Moderato | — | ||
| 32 | Kubiniana (Zehn Klavierstücke), op. 13: 10. Andante molto | — | ||
| 33 | Première Sonate: I. Lent | — | ||
| 34 | Première Sonate: II. Assez large | — | ||
| 2-1 | Enchiridion: 2. Teil “Exerzitien”: 1. Vigil | — | ||
| 2-2 | Enchiridion: 2. Teil “Exerzitien”: 2. Hora | — | ||
| 2-3 | Enchiridion: 2. Teil “Exerzitien”: 3. Ostinato | — | ||
| 2-4 | Enchiridion: 2. Teil “Exerzitien”: 4. Matutin | — | ||
| 2-5 | Enchiridion: 2. Teil “Exerzitien”: 5. L’Après-midi d’un Puck | — | ||
| 2-6 | Enchiridion: 2. Teil “Exerzitien”: 6. Hommage à Johann Strauß | — | ||
| 2-7 | Enchiridion: 2. Teil “Exerzitien”: 7. Imagination | — | ||
| 2-8 | Proiezione sonore. Strutture | — | ||
| 2-9 | Visage I | — | ||
| 2-10 | Klavierstück XI | — | ||
| 2-11 | Troisième Sonate | — | ||
| 2-12 | Composizione N. 1: I. | — | ||
| 2-13 | Composizione N. 1: II. | — | ||
| 2-14 | Composizione N. 1: III. | — | ||
| 2-15 | Inizio di movimento | — | ||
| 2-16 | Acht Klavierstücke, op. 3: I. Inesorabile. Andante con moto | — | ||
| 2-17 | Acht Klavierstücke, op. 3: II. Calmo | — | ||
| 2-18 | Acht Klavierstücke, op. 3: III. Sostenuto | — | ||
| 2-19 | Acht Klavierstücke, op. 3: IV. Scorrevole | — | ||
| 2-20 | Acht Klavierstücke, op. 3: V. Prestissimo possibile | — | ||
| 2-21 | Acht Klavierstücke, op. 3: VI. Grave | — | ||
| 2-22 | Acht Klavierstücke, op. 3: VII. Adagio | — | ||
| 2-23 | Acht Klavierstücke, op. 3: VIII. Vivo | — | ||
| 2-24 | Labile Aktion | — | ||
| 2-25 | Echo Andante | — | ||
| 3-1 | Evryali | — | ||
| 3-2 | Six Études d’après Piranèse: I. Δ | — | ||
| 3-3 | Six Études d’après Piranèse: II. Π | — | ||
| 3-4 | Six Études d’après Piranèse: III. Σ | — | ||
| 3-5 | Six Études d’après Piranèse: IV. Φ | — | ||
| 3-6 | Six Études d’après Piranèse: V. Θ | — | ||
| 3-7 | Six Études d’après Piranèse: VI. Ξ | — | ||
| 3-8 | Klavierstück Nr. 5 “Tombeau”: 1. | — | ||
| 3-9 | Klavierstück Nr. 5 “Tombeau”: 2. Ciacona | — | ||
| 3-10 | Klavierstück Nr. 5 “Tombeau”: 3. Quasi chorale | — | ||
| 3-11 | Prima sonata | — | ||
| 3-12 | Klavierstück | — | ||
| 3-13 | Klavierstück 1978 | — | ||
| 3-14 | An Tasten. Klavieretüde | — | ||
| 4-1 | La morte di Fedra | — | ||
| 4-2 | Lemma – Icon – Epigram | — | ||
| 4-3 | Luzifers Traum oder Klavierstück XIII | — | ||
| 4-4 | Klavierstück Nr. 7 “Phantasie-Paraphrase” | — | ||
| 4-5 | Klavierstück 3. Passacaglia brevis | — | ||
| 5-1 | Play the Piano Drunk Like a Percussion Instrument Until the Fingers Begin to Bleed a Bit | — | ||
| 5-2 | Thema mit 840 Variationen | — | ||
| 5-3 | un-fini III | — | ||
| 5-4 | eco lontanissima II | — | ||
| 5-5 | Der schlafende Landmann, der Baum des Lebens und die Schalen der Finsternis | — | ||
| 5-6 | Drawing With an Angel | — | ||
| 6-1 | PA-MUN | — | ||
| 6-2 | Due notturni crudeli | — | ||
| 6-3 | # 070702 | — | ||
| 6-4 | Moebius-Ring | — | ||
| 6-5 | die Haut Anderer | — | ||
| 6-6 | Conversation X | — | ||
| 6-7 | Pasaka / ein Märchen | — | ||
| 6-8 | Orchideae ordinariae, or The Twelfth Root of Truth: No. 5. L’Orchidée d’argent | — | ||
| 6-9 | Orchideae ordinariae, or The Twelfth Root of Truth: No. 7. Pandora | — | ||
| 6-10 | Matrix | — | ||
| 6-11 | faire signe | — | ||
| 7-1 | Quanten | — | ||
| 7-2 | Trois Pièces brêves pour piano à tiers de ton: I. | — | ||
| 7-3 | Trois Pièces brêves pour piano à tiers de ton: II. | — | ||
| 7-4 | Trois Pièces brêves pour piano à tiers de ton: III. | — | ||
| 7-5 | Cadenza, op. 23 | — | ||
| 7-6 | …until… Version 5 | — | ||
| 7-7 | Identikit (Divertimento) | — | ||
| 7-8 | Tap | — | ||
| 7-9 | Thymes | — | ||
| 7-10 | Rerendered | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Credits Graph
4260063116308 is a Universal Product Code (UPC) assigned to Darmstadt Aural Documents: Box 4, Pianists by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 105 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “Darmstadt Aural Documents: Box 4, Pianists” by Various Artists is 4260063116308. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2016-01-01. Label: NEOS. This release contains 105 tracks, each with its own ISRC.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Sechs kleine Klavierstücke, op. 19: I. Leicht, zart | — | ||
| 2 | Sechs kleine Klavierstücke, op. 19: II. Langsam | — | ||
| 3 | Sechs kleine Klavierstücke, op. 19: III. Sehr langsame Viertel | — | ||
| 4 | Sechs kleine Klavierstücke, op. 19: IV. Rasch, aber leicht | — | ||
| 5 | Sechs kleine Klavierstücke, op. 19: V. Etwas rasch | — | ||
| 6 | Sechs kleine Klavierstücke, op. 19: VI. Sehr langsam | — | ||
| 7 | Fünf Klavierstücke, op. 23: I. Sehr langsam | — | ||
| 8 | Fünf Klavierstücke, op. 23: II. Sehr rasch | — | ||
| 9 | Fünf Klavierstücke, op. 23: III. Langsam | — | ||
| 10 | Fünf Klavierstücke, op. 23: IV. Schwungvoll | — | ||
| 11 | Fünf Klavierstücke, op. 23: V. Walzer | — | ||
| 12 | Sonate: I. Allegro moderato | — | ||
| 13 | Sonate: II. Sostenuto e pesante | — | ||
| 14 | Sonate: III. Allegro molto | — | ||
| 15 | Variationen, op. 27: I. Sehr mäßig | — | ||
| 16 | Variationen, op. 27: II. Sehr schnell | — | ||
| 17 | Variationen, op. 27: III. Ruhig fließend | — | ||
| 18 | Passacaglia From "Four Studies on Basic Rows" | — | ||
| 19 | From My Diary. Four Pieces: I. Poco adagio | — | ||
| 20 | From My Diary. Four Pieces: II. Allegro con brio | — | ||
| 21 | From My Diary. Four Pieces: III. Larghissimo e misterioso | — | ||
| 22 | From My Diary. Four Pieces: IV. Allegro pesante | — | ||
| 23 | Kubiniana (Zehn Klavierstücke), op. 13: 1. Lento assai | — | ||
| 24 | Kubiniana (Zehn Klavierstücke), op. 13: 2. Marcia moderato | — | ||
| 25 | Kubiniana (Zehn Klavierstücke), op. 13: 3. Allegretto | — | ||
| 26 | Kubiniana (Zehn Klavierstücke), op. 13: 4. Grave | — | ||
| 27 | Kubiniana (Zehn Klavierstücke), op. 13: 5. Andante molto | — | ||
| 28 | Kubiniana (Zehn Klavierstücke), op. 13: 6. Tempo di marcia | — | ||
| 29 | Kubiniana (Zehn Klavierstücke), op. 13: 7. Allegro molto | — | ||
| 30 | Kubiniana (Zehn Klavierstücke), op. 13: 8. Lento | — | ||
| 31 | Kubiniana (Zehn Klavierstücke), op. 13: 9. Moderato | — | ||
| 32 | Kubiniana (Zehn Klavierstücke), op. 13: 10. Andante molto | — | ||
| 33 | Première Sonate: I. Lent | — | ||
| 34 | Première Sonate: II. Assez large | — | ||
| 2-1 | Enchiridion: 2. Teil “Exerzitien”: 1. Vigil | — | ||
| 2-2 | Enchiridion: 2. Teil “Exerzitien”: 2. Hora | — | ||
| 2-3 | Enchiridion: 2. Teil “Exerzitien”: 3. Ostinato | — | ||
| 2-4 | Enchiridion: 2. Teil “Exerzitien”: 4. Matutin | — | ||
| 2-5 | Enchiridion: 2. Teil “Exerzitien”: 5. L’Après-midi d’un Puck | — | ||
| 2-6 | Enchiridion: 2. Teil “Exerzitien”: 6. Hommage à Johann Strauß | — | ||
| 2-7 | Enchiridion: 2. Teil “Exerzitien”: 7. Imagination | — | ||
| 2-8 | Proiezione sonore. Strutture | — | ||
| 2-9 | Visage I | — | ||
| 2-10 | Klavierstück XI | — | ||
| 2-11 | Troisième Sonate | — | ||
| 2-12 | Composizione N. 1: I. | — | ||
| 2-13 | Composizione N. 1: II. | — | ||
| 2-14 | Composizione N. 1: III. | — | ||
| 2-15 | Inizio di movimento | — | ||
| 2-16 | Acht Klavierstücke, op. 3: I. Inesorabile. Andante con moto | — | ||
| 2-17 | Acht Klavierstücke, op. 3: II. Calmo | — | ||
| 2-18 | Acht Klavierstücke, op. 3: III. Sostenuto | — | ||
| 2-19 | Acht Klavierstücke, op. 3: IV. Scorrevole | — | ||
| 2-20 | Acht Klavierstücke, op. 3: V. Prestissimo possibile | — | ||
| 2-21 | Acht Klavierstücke, op. 3: VI. Grave | — | ||
| 2-22 | Acht Klavierstücke, op. 3: VII. Adagio | — | ||
| 2-23 | Acht Klavierstücke, op. 3: VIII. Vivo | — | ||
| 2-24 | Labile Aktion | — | ||
| 2-25 | Echo Andante | — | ||
| 3-1 | Evryali | — | ||
| 3-2 | Six Études d’après Piranèse: I. Δ | — | ||
| 3-3 | Six Études d’après Piranèse: II. Π | — | ||
| 3-4 | Six Études d’après Piranèse: III. Σ | — | ||
| 3-5 | Six Études d’après Piranèse: IV. Φ | — | ||
| 3-6 | Six Études d’après Piranèse: V. Θ | — | ||
| 3-7 | Six Études d’après Piranèse: VI. Ξ | — | ||
| 3-8 | Klavierstück Nr. 5 “Tombeau”: 1. | — | ||
| 3-9 | Klavierstück Nr. 5 “Tombeau”: 2. Ciacona | — | ||
| 3-10 | Klavierstück Nr. 5 “Tombeau”: 3. Quasi chorale | — | ||
| 3-11 | Prima sonata | — | ||
| 3-12 | Klavierstück | — | ||
| 3-13 | Klavierstück 1978 | — | ||
| 3-14 | An Tasten. Klavieretüde | — | ||
| 4-1 | La morte di Fedra | — | ||
| 4-2 | Lemma – Icon – Epigram | — | ||
| 4-3 | Luzifers Traum oder Klavierstück XIII | — | ||
| 4-4 | Klavierstück Nr. 7 “Phantasie-Paraphrase” | — | ||
| 4-5 | Klavierstück 3. Passacaglia brevis | — | ||
| 5-1 | Play the Piano Drunk Like a Percussion Instrument Until the Fingers Begin to Bleed a Bit | — | ||
| 5-2 | Thema mit 840 Variationen | — | ||
| 5-3 | un-fini III | — | ||
| 5-4 | eco lontanissima II | — | ||
| 5-5 | Der schlafende Landmann, der Baum des Lebens und die Schalen der Finsternis | — | ||
| 5-6 | Drawing With an Angel | — | ||
| 6-1 | PA-MUN | — | ||
| 6-2 | Due notturni crudeli | — | ||
| 6-3 | # 070702 | — | ||
| 6-4 | Moebius-Ring | — | ||
| 6-5 | die Haut Anderer | — | ||
| 6-6 | Conversation X | — | ||
| 6-7 | Pasaka / ein Märchen | — | ||
| 6-8 | Orchideae ordinariae, or The Twelfth Root of Truth: No. 5. L’Orchidée d’argent | — | ||
| 6-9 | Orchideae ordinariae, or The Twelfth Root of Truth: No. 7. Pandora | — | ||
| 6-10 | Matrix | — | ||
| 6-11 | faire signe | — | ||
| 7-1 | Quanten | — | ||
| 7-2 | Trois Pièces brêves pour piano à tiers de ton: I. | — | ||
| 7-3 | Trois Pièces brêves pour piano à tiers de ton: II. | — | ||
| 7-4 | Trois Pièces brêves pour piano à tiers de ton: III. | — | ||
| 7-5 | Cadenza, op. 23 | — | ||
| 7-6 | …until… Version 5 | — | ||
| 7-7 | Identikit (Divertimento) | — | ||
| 7-8 | Tap | — | ||
| 7-9 | Thymes | — | ||
| 7-10 | Rerendered | — |
